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Color name
HEX #F1D16D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1D16D it is the complementary color #0E2E92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1D16D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1D16D shade: #F6D168, #FFE37B, #FFF58E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1D16D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1D16D shade: #F1D16D, #E0BF5A, #CFAD47, #BE9B34 and #AD8921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1D16D shade: #F1D16E, #F1AE6E, #F18A6E and #F16E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1D16D shade: #F1D16E, #EDF16E, #CAF16E, #A7F16E and #83F16E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1D16D shade matches the following richer shades: #F1D16E and #FED861

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1D16D shade: #F1D16E, #E4CB7B, #D7C487, #CBBD94 and #BEB7A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1D16D shade: #F18A6E, #F1AD6E, #F1D06E, #EFF16E and #CCF16E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1D16D shade: #EABA22, #EEC548, #F1D16E, #F5DD94 and #F8E9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1D16D shade: #F1D16D, #74F16E and #9C6EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1D16D shade: #F1D16D, #6EF1D0 and #D06EF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1D16D shade: #F1D16D, #74F16E, #6E8FF1 and #EB6EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1D16D shade: #F1D16D, #6EF18F, #6E8FF1 and #F16ED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

Complementary color

CMYK 90 / 68 / 0 / 43

HEX #0E2E92

RGB 14 46 146

HSL 225.45, 0.83%, 0.31%

LAB 24.07, 30.12, -57.57

 

CMYK 0 / 15 / 58 / 4

HEX #F6D168

RGB 246 209 104

HSL 44.37, 0.89%, 0.69%

LAB 85.09, 0.9, 56

 

CMYK 0 / 11 / 52 / 0

HEX #FFE37B

RGB 255 227 123

HSL 47.27, 1%, 0.74%

LAB 90.61, -3.13, 53.79

 

CMYK 0 / 4 / 44 / 0

HEX #FFF58E

RGB 255 245 142

HSL 54.69, 1%, 0.78%

LAB 95.38, -10.42, 50.58

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

CMYK 0 / 15 / 60 / 12

HEX #E0BF5A

RGB 224 191 90

HSL 45.22, 0.68%, 0.62%

LAB 78.37, 0.1, 54.25

 

CMYK 0 / 16 / 66 / 19

HEX #CFAD47

RGB 207 173 71

HSL 45, 0.59%, 0.55%

LAB 71.97, 1.11, 55.31

 

CMYK 0 / 18 / 73 / 25

HEX #BE9B34

RGB 190 155 52

HSL 44.78, 0.57%, 0.47%

LAB 65.47, 2.31, 56.12

 

CMYK 0 / 21 / 81 / 32

HEX #AD8921

RGB 173 137 33

HSL 44.57, 0.68%, 0.4%

LAB 58.87, 3.75, 56.36

 

CMYK 0 / 13 / 54 / 5

HEX #F1D16E

RGB 241 209 110

HSL 45.34, 0.82%, 0.69%

LAB 84.7, -0.69, 52.62

 

CMYK 0 / 28 / 54 / 5

HEX #F1AE6E

RGB 241 174 110

HSL 29.31, 0.82%, 0.69%

LAB 76.13, 17.58, 42.27

 

CMYK 0 / 43 / 54 / 5

HEX #F18A6E

RGB 241 138 110

HSL 12.82, 0.82%, 0.69%

LAB 68.02, 36.5, 32.04

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6E

RGB 241 110 110

HSL 0, 0.82%, 0.69%

LAB 62.49, 50.41, 24.8

 

CMYK 0 / 13 / 54 / 5

HEX #F1D16E

RGB 241 209 110

HSL 45.34, 0.82%, 0.69%

LAB 84.7, -0.69, 52.62

 

CMYK 2 / 0 / 54 / 5

HEX #EDF16E

RGB 237 241 110

HSL 61.83, 0.82%, 0.69%

LAB 92.59, -18.28, 61.67

 

CMYK 16 / 0 / 54 / 5

HEX #CAF16E

RGB 202 241 110

HSL 77.86, 0.82%, 0.69%

LAB 90.13, -31.85, 58.2

 

CMYK 31 / 0 / 54 / 5

HEX #A7F16E

RGB 167 241 110

HSL 93.89, 0.82%, 0.69%

LAB 88.09, -44.48, 55.3

 

CMYK 46 / 0 / 54 / 5

HEX #83F16E

RGB 131 241 110

HSL 110.38, 0.82%, 0.69%

LAB 86.44, -55.83, 52.94

 

CMYK 0 / 13 / 54 / 5

HEX #F1D16E

RGB 241 209 110

HSL 45.34, 0.82%, 0.69%

LAB 84.7, -0.69, 52.62

 

CMYK 0 / 15 / 62 / 0

HEX #FED861

RGB 254 216 97

HSL 45.48, 0.99%, 0.69%

LAB 87.51, 0.13, 62.07

 

CMYK 0 / 13 / 54 / 5

HEX #F1D16E

RGB 241 209 110

HSL 45.34, 0.82%, 0.69%

LAB 84.7, -0.69, 52.62

 

CMYK 0 / 11 / 46 / 11

HEX #E4CB7B

RGB 228 203 123

HSL 45.71, 0.66%, 0.69%

LAB 82.18, -1.74, 42.95

 

CMYK 0 / 9 / 37 / 16

HEX #D7C487

RGB 215 196 135

HSL 45.75, 0.5%, 0.69%

LAB 79.43, -2.03, 33.07

 

CMYK 0 / 7 / 27 / 20

HEX #CBBD94

RGB 203 189 148

HSL 44.73, 0.35%, 0.69%

LAB 76.82, -1.43, 22.55

 

CMYK 0 / 4 / 15 / 25

HEX #BEB7A1

RGB 190 183 161

HSL 45.52, 0.18%, 0.69%

LAB 74.44, -1.27, 12.07

 

CMYK 0 / 43 / 54 / 5

HEX #F18A6E

RGB 241 138 110

HSL 12.82, 0.82%, 0.69%

LAB 68.02, 36.5, 32.04

 

CMYK 0 / 28 / 54 / 5

HEX #F1AD6E

RGB 241 173 110

HSL 28.85, 0.82%, 0.69%

LAB 75.89, 18.11, 41.97

 

CMYK 0 / 14 / 54 / 5

HEX #F1D06E

RGB 241 208 110

HSL 44.89, 0.82%, 0.69%

LAB 84.45, -0.18, 52.32

 

CMYK 1 / 0 / 54 / 5

HEX #EFF16E

RGB 239 241 110

HSL 60.92, 0.82%, 0.69%

LAB 92.75, -17.48, 61.89

 

CMYK 15 / 0 / 54 / 5

HEX #CCF16E

RGB 204 241 110

HSL 76.95, 0.82%, 0.69%

LAB 90.26, -31.1, 58.39

 

CMYK 0 / 21 / 85 / 8

HEX #EABA22

RGB 234 186 34

HSL 45.6, 0.83%, 0.53%

LAB 77.71, 4.43, 74.58

 

CMYK 0 / 17 / 70 / 7

HEX #EEC548

RGB 238 197 72

HSL 45.18, 0.83%, 0.61%

LAB 81.06, 1.79, 65.29

 

CMYK 0 / 13 / 54 / 5

HEX #F1D16E

RGB 241 209 110

HSL 45.34, 0.82%, 0.69%

LAB 84.7, -0.69, 52.62

 

CMYK 0 / 10 / 40 / 4

HEX #F5DD94

RGB 245 221 148

HSL 45.15, 0.83%, 0.77%

LAB 88.57, -1.68, 38.84

 

CMYK 0 / 6 / 25 / 3

HEX #F8E9B9

RGB 248 233 185

HSL 45.71, 0.82%, 0.85%

LAB 92.46, -2.18, 25.21

 

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

CMYK 52 / 0 / 54 / 5

HEX #74F16E

RGB 116 241 110

HSL 117.25, 0.82%, 0.69%

LAB 85.88, -59.91, 52.15

 

CMYK 35 / 54 / 0 / 5

HEX #9C6EF1

RGB 156 110 241

HSL 261.07, 0.82%, 0.69%

LAB 56.65, 45.77, -59.69

 

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

CMYK 54 / 0 / 14 / 5

HEX #6EF1D0

RGB 110 241 208

HSL 164.89, 0.82%, 0.69%

LAB 87.38, -43.94, 5.02

 

CMYK 14 / 54 / 0 / 5

HEX #D06EF1

RGB 208 110 241

HSL 284.89, 0.82%, 0.69%

LAB 62.43, 58.61, -50.13

 

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

CMYK 52 / 0 / 54 / 5

HEX #74F16E

RGB 116 241 110

HSL 117.25, 0.82%, 0.69%

LAB 85.88, -59.91, 52.15

 

CMYK 54 / 41 / 0 / 5

HEX #6E8FF1

RGB 110 143 241

HSL 224.89, 0.82%, 0.69%

LAB 61.05, 16.17, -52.86

 

CMYK 2 / 54 / 0 / 5

HEX #EB6EF1

RGB 235 110 241

HSL 297.25, 0.82%, 0.69%

LAB 65.88, 65.53, -44.47

 

CMYK 0 / 13 / 55 / 5

HEX #F1D16D

RGB 241 209 109

HSL 45.45, 0.83%, 0.69%

LAB 84.69, -0.77, 53.07

 

CMYK 54 / 0 / 41 / 5

HEX #6EF18F

RGB 110 241 143

HSL 135.11, 0.82%, 0.69%

LAB 86.11, -56.76, 36.62

 

CMYK 54 / 41 / 0 / 5

HEX #6E8FF1

RGB 110 143 241

HSL 224.89, 0.82%, 0.69%

LAB 61.05, 16.17, -52.86

 

CMYK 0 / 54 / 14 / 5

HEX #F16ED0

RGB 241 110 208

HSL 315.11, 0.82%, 0.69%

LAB 65.28, 61.79, -26.96

 

Description

Color code: HEX #F1D16D | qconv.com Color code: HEX #F1D16D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 209 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 209 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 55% 5% C M Y K

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Provide designers and agencies with accurate color values.

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