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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F20C9A it is the complementary color #0DF365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F20C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F20C9A shade: #F70C95, #FF1EA8, #FF30BB, #FF42CE and #FF54E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F20C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F20C9A shade: #F20C9A, #E10087, #D00074, #BF0061 and #AE004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F20C9A shade: #F30B9A, #F30B5C, #F30B1D and #F30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F20C9A shade: #F30B9A, #F30BD9, #CF0BF3, #900BF3 and #520BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F20C9A shade matches the following richer shades: #F30B9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F20C9A shade: #F30B9A, #DE2095, #CA3491, #B5498C and #A15D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F20C9A shade: #CC0BF3, #F30BDC, #F30B9E, #F30B60 and #F30B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F20C9A shade: #A40768, #CC0981, #F30B9A, #F532AA and #F75ABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F20C9A shade: #F20C9A, #F38E0B and #0BF3EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F20C9A shade: #F20C9A, #9EF30B and #0B9EF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F20C9A shade: #F20C9A, #F38E0B, #0BF360 and #0B70F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F20C9A shade: #F20C9A, #F3D40B, #0BF360 and #0B2AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

Complementary color

CMYK 95 / 0 / 58 / 5

HEX #0DF365

RGB 13 243 101

HSL 142.96, 0.91%, 0.5%

LAB 84.55, -76.51, 54.14

 

CMYK 0 / 95 / 40 / 3

HEX #F70C95

RGB 247 12 149

HSL 325.02, 0.94%, 0.51%

LAB 54.25, 83.75, -9.61

 

CMYK 0 / 88 / 34 / 0

HEX #FF1EA8

RGB 255 30 168

HSL 323.2, 1%, 0.56%

LAB 57.09, 85.25, -16.39

 

CMYK 0 / 81 / 27 / 0

HEX #FF30BB

RGB 255 48 187

HSL 319.71, 1%, 0.59%

LAB 58.94, 83.99, -24.6

 

CMYK 0 / 74 / 19 / 0

HEX #FF42CE

RGB 255 66 206

HSL 315.56, 1%, 0.63%

LAB 61.32, 81.68, -31.79

 

CMYK 0 / 67 / 12 / 0

HEX #FF54E1

RGB 255 84 225

HSL 310.53, 1%, 0.66%

LAB 64.19, 78.45, -38.02

 

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

CMYK 0 / 100 / 40 / 12

HEX #E10087

RGB 225 0 135

HSL 324, 1%, 0.44%

LAB 49.2, 78.79, -9.2

 

CMYK 0 / 100 / 44 / 18

HEX #D00074

RGB 208 0 116

HSL 326.54, 1%, 0.41%

LAB 45.18, 73.54, -3.91

 

CMYK 0 / 100 / 49 / 25

HEX #BF0061

RGB 191 0 97

HSL 329.53, 1%, 0.37%

LAB 41.12, 68.25, 1.62

 

CMYK 0 / 100 / 55 / 32

HEX #AE004E

RGB 174 0 78

HSL 333.1, 1%, 0.34%

LAB 37.02, 62.95, 7.44

 

CMYK 0 / 95 / 37 / 5

HEX #F30B9A

RGB 243 11 154

HSL 323.02, 0.91%, 0.5%

LAB 53.63, 83.46, -13.59

 

CMYK 0 / 95 / 62 / 5

HEX #F30B5C

RGB 243 11 92

HSL 339.05, 0.91%, 0.5%

LAB 51.91, 78.86, 21.36

 

CMYK 0 / 95 / 88 / 5

HEX #F30B1D

RGB 243 11 29

HSL 355.34, 0.91%, 0.5%

LAB 51.13, 76.72, 55.76

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 95 / 37 / 5

HEX #F30B9A

RGB 243 11 154

HSL 323.02, 0.91%, 0.5%

LAB 53.63, 83.46, -13.59

 

CMYK 0 / 95 / 11 / 5

HEX #F30BD9

RGB 243 11 217

HSL 306.72, 0.91%, 0.5%

LAB 56.39, 90.54, -45.91

 

CMYK 15 / 95 / 0 / 5

HEX #CF0BF3

RGB 207 11 243

HSL 290.69, 0.91%, 0.5%

LAB 51.81, 88.64, -68.27

 

CMYK 41 / 95 / 0 / 5

HEX #900BF3

RGB 144 11 243

HSL 274.4, 0.91%, 0.5%

LAB 42.22, 80.97, -84.34

 

CMYK 66 / 95 / 0 / 5

HEX #520BF3

RGB 82 11 243

HSL 258.36, 0.91%, 0.5%

LAB 35.01, 76.41, -96.49

 

CMYK 0 / 95 / 37 / 5

HEX #F30B9A

RGB 243 11 154

HSL 323.02, 0.91%, 0.5%

LAB 53.63, 83.46, -13.59

 

CMYK 0 / 95 / 37 / 5

HEX #F30B9A

RGB 243 11 154

HSL 323.02, 0.91%, 0.5%

LAB 53.63, 83.46, -13.59

 

CMYK 0 / 86 / 33 / 13

HEX #DE2095

RGB 222 32 149

HSL 323.05, 0.75%, 0.5%

LAB 50.37, 75.89, -15.92

 

CMYK 0 / 74 / 28 / 21

HEX #CA3491

RGB 202 52 145

HSL 322.8, 0.59%, 0.5%

LAB 48.33, 65.75, -16.96

 

CMYK 0 / 60 / 23 / 29

HEX #B5498C

RGB 181 73 140

HSL 322.78, 0.43%, 0.5%

LAB 47.6, 51.15, -15.39

 

CMYK 0 / 42 / 16 / 37

HEX #A15D87

RGB 161 93 135

HSL 322.94, 0.27%, 0.5%

LAB 48.45, 33.69, -11.37

 

CMYK 16 / 95 / 0 / 5

HEX #CC0BF3

RGB 204 11 243

HSL 289.91, 0.91%, 0.5%

LAB 51.32, 88.22, -69.08

 

CMYK 0 / 95 / 9 / 5

HEX #F30BDC

RGB 243 11 220

HSL 305.95, 0.91%, 0.5%

LAB 56.55, 90.93, -47.37

 

CMYK 0 / 95 / 35 / 5

HEX #F30B9E

RGB 243 11 158

HSL 321.98, 0.91%, 0.5%

LAB 53.77, 83.84, -15.74

 

CMYK 0 / 95 / 60 / 5

HEX #F30B60

RGB 243 11 96

HSL 338.02, 0.91%, 0.5%

LAB 51.99, 79.08, 19.03

 

CMYK 0 / 95 / 86 / 5

HEX #F30B22

RGB 243 11 34

HSL 354.05, 0.91%, 0.5%

LAB 51.16, 76.8, 53.5

 

CMYK 0 / 96 / 37 / 36

HEX #A40768

RGB 164 7 104

HSL 322.93, 0.92%, 0.34%

LAB 36.07, 62.08, -10.93

 

CMYK 0 / 96 / 37 / 20

HEX #CC0981

RGB 204 9 129

HSL 323.08, 0.92%, 0.42%

LAB 45.11, 73.07, -12.12

 

CMYK 0 / 95 / 37 / 5

HEX #F30B9A

RGB 243 11 154

HSL 323.02, 0.91%, 0.5%

LAB 53.63, 83.46, -13.59

 

CMYK 0 / 80 / 31 / 4

HEX #F532AA

RGB 245 50 170

HSL 323.08, 0.91%, 0.58%

LAB 56.68, 79.44, -18.35

 

CMYK 0 / 64 / 24 / 3

HEX #F75ABB

RGB 247 90 187

HSL 322.93, 0.91%, 0.66%

LAB 62.23, 69.05, -19.67

 

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

CMYK 0 / 42 / 95 / 5

HEX #F38E0B

RGB 243 142 11

HSL 33.88, 0.91%, 0.5%

LAB 68.33, 31.03, 72.5

 

CMYK 95 / 0 / 3 / 5

HEX #0BF3EB

RGB 11 243 235

HSL 177.93, 0.91%, 0.5%

LAB 87.08, -48.41, -9.73

 

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

CMYK 35 / 0 / 95 / 5

HEX #9EF30B

RGB 158 243 11

HSL 81.98, 0.91%, 0.5%

LAB 87.68, -53.72, 83.77

 

CMYK 95 / 35 / 0 / 5

HEX #0B9EF3

RGB 11 158 243

HSL 201.98, 0.91%, 0.5%

LAB 62.5, -3.55, -51.84

 

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

CMYK 0 / 42 / 95 / 5

HEX #F38E0B

RGB 243 142 11

HSL 33.88, 0.91%, 0.5%

LAB 68.33, 31.03, 72.5

 

CMYK 95 / 0 / 60 / 5

HEX #0BF360

RGB 11 243 96

HSL 141.98, 0.91%, 0.5%

LAB 84.49, -77.18, 56.25

 

CMYK 95 / 54 / 0 / 5

HEX #0B70F3

RGB 11 112 243

HSL 213.88, 0.91%, 0.5%

LAB 49.65, 24.51, -72.48

 

CMYK 0 / 95 / 36 / 5

HEX #F20C9A

RGB 242 12 154

HSL 322.96, 0.91%, 0.5%

LAB 53.46, 83.18, -13.86

 

CMYK 0 / 13 / 95 / 5

HEX #F3D40B

RGB 243 212 11

HSL 51.98, 0.91%, 0.5%

LAB 85.08, -5.43, 84.36

 

CMYK 95 / 0 / 60 / 5

HEX #0BF360

RGB 11 243 96

HSL 141.98, 0.91%, 0.5%

LAB 84.49, -77.18, 56.25

 

CMYK 95 / 83 / 0 / 5

HEX #0B2AF3

RGB 11 42 243

HSL 231.98, 0.91%, 0.5%

LAB 34.39, 65.3, -97.61

 

Description

Color code: HEX #F20C9A | qconv.com Color code: HEX #F20C9A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 12 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 12 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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