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Color name
HEX #F2168B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2168B it is the complementary color #0DE974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2168B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2168B shade: #F71686, #FF2899, #FF3AAC, #FF4CBF and #FF5ED2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2168B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2168B shade: #F2168B, #E10478, #D00065, #BF0052 and #AE003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2168B shade: #F1178B, #F11750 and #F11717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2168B shade: #F1178B, #F117C6, #E217F1, #A717F1 and #6C17F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2168B shade matches the following richer shades: #F1178B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2168B shade: #F1178B, #DD2B8A, #C93F89, #B65387 and #A26686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2168B shade: #E317F1, #F117C5, #F1178B, #F11751 and #F11717

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2168B shade: #AC0A60, #D30C76, #F1178B, #F33E9E and #F665B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2168B shade: #F2168B, #F1A817 and #17E3F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2168B shade: #F2168B, #8BF117 and #178BF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2168B shade: #F2168B, #F1A817, #17F17D and #1760F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2168B shade: #F2168B, #F1EA17, #17F17D and #171EF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

Complementary color

CMYK 94 / 0 / 50 / 9

HEX #0DE974

RGB 13 233 116

HSL 148.09, 0.89%, 0.48%

LAB 81.63, -71.35, 43.75

 

CMYK 0 / 91 / 46 / 3

HEX #F71686

RGB 247 22 134

HSL 330.13, 0.93%, 0.53%

LAB 54.1, 81.52, -0.87

 

CMYK 0 / 84 / 40 / 0

HEX #FF2899

RGB 255 40 153

HSL 328.47, 1%, 0.58%

LAB 57.15, 82.17, -7.49

 

CMYK 0 / 77 / 33 / 0

HEX #FF3AAC

RGB 255 58 172

HSL 325.28, 1%, 0.61%

LAB 59.22, 79.95, -15.49

 

CMYK 0 / 70 / 25 / 0

HEX #FF4CBF

RGB 255 76 191

HSL 321.45, 1%, 0.65%

LAB 61.82, 76.71, -22.47

 

CMYK 0 / 63 / 18 / 0

HEX #FF5ED2

RGB 255 94 210

HSL 316.77, 1%, 0.68%

LAB 64.9, 72.64, -28.51

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 98 / 47 / 12

HEX #E10478

RGB 225 4 120

HSL 328.51, 0.97%, 0.45%

LAB 48.82, 77.21, -0.62

 

CMYK 0 / 100 / 51 / 18

HEX #D00065

RGB 208 0 101

HSL 330.87, 1%, 0.41%

LAB 44.73, 72.35, 4.76

 

CMYK 0 / 100 / 57 / 25

HEX #BF0052

RGB 191 0 82

HSL 334.24, 1%, 0.37%

LAB 40.71, 67.17, 10.58

 

CMYK 0 / 100 / 64 / 32

HEX #AE003F

RGB 174 0 63

HSL 338.28, 1%, 0.34%

LAB 36.66, 62, 16.68

 

CMYK 0 / 90 / 42 / 5

HEX #F1178B

RGB 241 23 139

HSL 328.07, 0.89%, 0.52%

LAB 53.14, 80.5, -5.41

 

CMYK 0 / 90 / 67 / 5

HEX #F11750

RGB 241 23 80

HSL 344.31, 0.89%, 0.52%

LAB 51.72, 76.56, 28.28

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 90 / 42 / 5

HEX #F1178B

RGB 241 23 139

HSL 328.07, 0.89%, 0.52%

LAB 53.14, 80.5, -5.41

 

CMYK 0 / 90 / 18 / 5

HEX #F117C6

RGB 241 23 198

HSL 311.83, 0.89%, 0.52%

LAB 55.47, 86.68, -36.51

 

CMYK 6 / 90 / 0 / 5

HEX #E217F1

RGB 226 23 241

HSL 295.87, 0.89%, 0.52%

LAB 55.21, 89.98, -61.51

 

CMYK 31 / 90 / 0 / 5

HEX #A717F1

RGB 167 23 241

HSL 279.63, 0.89%, 0.52%

LAB 45.88, 81.55, -77.07

 

CMYK 55 / 90 / 0 / 5

HEX #6C17F1

RGB 108 23 241

HSL 263.39, 0.89%, 0.52%

LAB 38.11, 75.45, -90.13

 

CMYK 0 / 90 / 42 / 5

HEX #F1178B

RGB 241 23 139

HSL 328.07, 0.89%, 0.52%

LAB 53.14, 80.5, -5.41

 

CMYK 0 / 90 / 42 / 5

HEX #F1178B

RGB 241 23 139

HSL 328.07, 0.89%, 0.52%

LAB 53.14, 80.5, -5.41

 

CMYK 0 / 81 / 38 / 13

HEX #DD2B8A

RGB 221 43 138

HSL 327.98, 0.72%, 0.52%

LAB 50.61, 72.19, -8.98

 

CMYK 0 / 69 / 32 / 21

HEX #C93F89

RGB 201 63 137

HSL 327.83, 0.56%, 0.52%

LAB 49.23, 60.72, -10.82

 

CMYK 0 / 54 / 26 / 29

HEX #B65387

RGB 182 83 135

HSL 328.48, 0.4%, 0.52%

LAB 49.35, 46.01, -9.73

 

CMYK 0 / 37 / 17 / 36

HEX #A26686

RGB 162 102 134

HSL 328, 0.24%, 0.52%

LAB 50.58, 28.86, -7.58

 

CMYK 6 / 90 / 0 / 5

HEX #E317F1

RGB 227 23 241

HSL 296.15, 0.89%, 0.52%

LAB 55.37, 90.14, -61.23

 

CMYK 0 / 90 / 18 / 5

HEX #F117C5

RGB 241 23 197

HSL 312.11, 0.89%, 0.52%

LAB 55.43, 86.56, -36.01

 

CMYK 0 / 90 / 42 / 5

HEX #F1178B

RGB 241 23 139

HSL 328.07, 0.89%, 0.52%

LAB 53.14, 80.5, -5.41

 

CMYK 0 / 90 / 66 / 5

HEX #F11751

RGB 241 23 81

HSL 344.04, 0.89%, 0.52%

LAB 51.73, 76.61, 27.7

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 94 / 44 / 33

HEX #AC0A60

RGB 172 10 96

HSL 328.15, 0.89%, 0.36%

LAB 37.54, 62.77, -3.45

 

CMYK 0 / 94 / 44 / 17

HEX #D30C76

RGB 211 12 118

HSL 328.04, 0.89%, 0.44%

LAB 46.2, 73.31, -3.57

 

CMYK 0 / 90 / 42 / 5

HEX #F1178B

RGB 241 23 139

HSL 328.07, 0.89%, 0.52%

LAB 53.14, 80.5, -5.41

 

CMYK 0 / 74 / 35 / 5

HEX #F33E9E

RGB 243 62 158

HSL 328.18, 0.88%, 0.6%

LAB 57.04, 74.43, -10.81

 

CMYK 0 / 59 / 28 / 4

HEX #F665B2

RGB 246 101 178

HSL 328.14, 0.89%, 0.68%

LAB 63.44, 63.09, -12.72

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 30 / 90 / 5

HEX #F1A817

RGB 241 168 23

HSL 39.91, 0.89%, 0.52%

LAB 74.04, 16.68, 74.44

 

CMYK 90 / 6 / 0 / 5

HEX #17E3F1

RGB 23 227 241

HSL 183.85, 0.89%, 0.52%

LAB 82.63, -39.23, -19.56

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 42 / 0 / 90 / 5

HEX #8BF117

RGB 139 241 23

HSL 88.07, 0.89%, 0.52%

LAB 86.24, -59.06, 80.92

 

CMYK 90 / 42 / 0 / 5

HEX #178BF1

RGB 23 139 241

HSL 208.07, 0.89%, 0.52%

LAB 57.07, 7.35, -59.39

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 30 / 90 / 5

HEX #F1A817

RGB 241 168 23

HSL 39.91, 0.89%, 0.52%

LAB 74.04, 16.68, 74.44

 

CMYK 90 / 0 / 48 / 5

HEX #17F17D

RGB 23 241 125

HSL 148.07, 0.89%, 0.52%

LAB 84.26, -72.05, 42.73

 

CMYK 90 / 60 / 0 / 5

HEX #1760F1

RGB 23 96 241

HSL 219.91, 0.89%, 0.52%

LAB 45.5, 34.36, -78.14

 

CMYK 0 / 91 / 43 / 5

HEX #F2168B

RGB 242 22 139

HSL 328.09, 0.89%, 0.52%

LAB 53.29, 80.84, -5.16

 

CMYK 0 / 3 / 90 / 5

HEX #F1EA17

RGB 241 234 23

HSL 58.07, 0.89%, 0.52%

LAB 90.6, -17.05, 87.06

 

CMYK 90 / 0 / 48 / 5

HEX #17F17D

RGB 23 241 125

HSL 148.07, 0.89%, 0.52%

LAB 84.26, -72.05, 42.73

 

CMYK 90 / 88 / 0 / 5

HEX #171EF1

RGB 23 30 241

HSL 238.07, 0.89%, 0.52%

LAB 32.84, 69.52, -99.07

 

Description

Color code: HEX #F2168B | qconv.com Color code: HEX #F2168B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 22 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 22 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 43% 5% C M Y K

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