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Color name
HEX #F216A9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F216A9 it is the complementary color #0DE956. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F216A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F216A9 shade: #F716A4, #FF28B7, #FF3ACA, #FF4CDD and #FF5EF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F216A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F216A9 shade: #F216A9, #E10496, #D00083, #BF0070 and #AE005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F216A9 shade: #F117A9, #F1176E, #F11733 and #F11717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F216A9 shade: #F117A9, #F117E3, #C417F1, #8917F1 and #4E17F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F216A9 shade matches the following richer shades: #F117A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F216A9 shade: #F117A9, #DD2BA2, #C93F9B, #B65395 and #A2668E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F216A9 shade: #C217F1, #F117E6, #F117AC, #F11772 and #F11738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F216A9 shade: #AC0A76, #D30C91, #F117A9, #F33EB7 and #F665C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F216A9 shade: #F216A9, #F18817 and #17F1DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F216A9 shade: #F216A9, #ACF117 and #17ACF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F216A9 shade: #F216A9, #F18817, #17F15C and #1780F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F216A9 shade: #F216A9, #F1C917, #17F15C and #173FF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

Complementary color

CMYK 94 / 0 / 63 / 9

HEX #0DE956

RGB 13 233 86

HSL 139.91, 0.89%, 0.48%

LAB 81.31, -75.33, 56.87

 

CMYK 0 / 91 / 34 / 3

HEX #F716A4

RGB 247 22 164

HSL 322.13, 0.93%, 0.53%

LAB 55.1, 84.22, -17.2

 

CMYK 0 / 84 / 28 / 0

HEX #FF28B7

RGB 255 40 183

HSL 320.09, 1%, 0.58%

LAB 58.22, 85.16, -23.39

 

CMYK 0 / 77 / 21 / 0

HEX #FF3ACA

RGB 255 58 202

HSL 316.14, 1%, 0.61%

LAB 60.38, 83.38, -30.96

 

CMYK 0 / 70 / 13 / 0

HEX #FF4CDD

RGB 255 76 221

HSL 311.4, 1%, 0.65%

LAB 63.05, 80.6, -37.56

 

CMYK 0 / 63 / 6 / 0

HEX #FF5EF0

RGB 255 94 240

HSL 305.59, 1%, 0.68%

LAB 66.18, 77, -43.25

 

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

CMYK 0 / 98 / 33 / 12

HEX #E10496

RGB 225 4 150

HSL 320.36, 0.97%, 0.45%

LAB 49.85, 79.91, -17.26

 

CMYK 0 / 100 / 37 / 18

HEX #D00083

RGB 208 0 131

HSL 322.21, 1%, 0.41%

LAB 45.7, 74.89, -12.37

 

CMYK 0 / 100 / 41 / 25

HEX #BF0070

RGB 191 0 112

HSL 324.82, 1%, 0.37%

LAB 41.6, 69.52, -7.11

 

CMYK 0 / 100 / 47 / 32

HEX #AE005D

RGB 174 0 93

HSL 327.93, 1%, 0.34%

LAB 37.46, 64.11, -1.59

 

CMYK 0 / 90 / 30 / 5

HEX #F117A9

RGB 241 23 169

HSL 319.82, 0.89%, 0.52%

LAB 54.22, 83.38, -21.59

 

CMYK 0 / 90 / 54 / 5

HEX #F1176E

RGB 241 23 110

HSL 336.06, 0.89%, 0.52%

LAB 52.33, 78.27, 10.92

 

CMYK 0 / 90 / 79 / 5

HEX #F11733

RGB 241 23 51

HSL 352.29, 0.89%, 0.52%

LAB 51.33, 75.47, 44.72

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 90 / 30 / 5

HEX #F117A9

RGB 241 23 169

HSL 319.82, 0.89%, 0.52%

LAB 54.22, 83.38, -21.59

 

CMYK 0 / 90 / 6 / 5

HEX #F117E3

RGB 241 23 227

HSL 303.85, 0.89%, 0.52%

LAB 56.94, 90.44, -50.73

 

CMYK 19 / 90 / 0 / 5

HEX #C417F1

RGB 196 23 241

HSL 287.61, 0.89%, 0.52%

LAB 50.33, 85.46, -69.62

 

CMYK 43 / 90 / 0 / 5

HEX #8917F1

RGB 137 23 241

HSL 271.38, 0.89%, 0.52%

LAB 41.66, 78.1, -84.15

 

CMYK 68 / 90 / 0 / 5

HEX #4E17F1

RGB 78 23 241

HSL 255.14, 0.89%, 0.52%

LAB 35.17, 73.46, -95.1

 

CMYK 0 / 90 / 30 / 5

HEX #F117A9

RGB 241 23 169

HSL 319.82, 0.89%, 0.52%

LAB 54.22, 83.38, -21.59

 

CMYK 0 / 90 / 30 / 5

HEX #F117A9

RGB 241 23 169

HSL 319.82, 0.89%, 0.52%

LAB 54.22, 83.38, -21.59

 

CMYK 0 / 81 / 27 / 13

HEX #DD2BA2

RGB 221 43 162

HSL 319.89, 0.72%, 0.52%

LAB 51.51, 74.78, -21.94

 

CMYK 0 / 69 / 23 / 21

HEX #C93F9B

RGB 201 63 155

HSL 320, 0.56%, 0.52%

LAB 49.9, 62.97, -20.54

 

CMYK 0 / 54 / 18 / 29

HEX #B65395

RGB 182 83 149

HSL 320, 0.4%, 0.52%

LAB 49.86, 48.06, -17.31

 

CMYK 0 / 37 / 12 / 36

HEX #A2668E

RGB 162 102 142

HSL 320, 0.24%, 0.52%

LAB 50.85, 30.22, -11.92

 

CMYK 20 / 90 / 0 / 5

HEX #C217F1

RGB 194 23 241

HSL 287.06, 0.89%, 0.52%

LAB 50.02, 85.18, -70.15

 

CMYK 0 / 90 / 5 / 5

HEX #F117E6

RGB 241 23 230

HSL 303.03, 0.89%, 0.52%

LAB 57.1, 90.85, -52.16

 

CMYK 0 / 90 / 29 / 5

HEX #F117AC

RGB 241 23 172

HSL 318.99, 0.89%, 0.52%

LAB 54.34, 83.7, -23.17

 

CMYK 0 / 90 / 53 / 5

HEX #F11772

RGB 241 23 114

HSL 334.95, 0.89%, 0.52%

LAB 52.43, 78.55, 8.64

 

CMYK 0 / 90 / 77 / 5

HEX #F11738

RGB 241 23 56

HSL 350.92, 0.89%, 0.52%

LAB 51.38, 75.62, 41.98

 

CMYK 0 / 94 / 31 / 33

HEX #AC0A76

RGB 172 10 118

HSL 320, 0.89%, 0.36%

LAB 38.37, 64.98, -16.13

 

CMYK 0 / 94 / 31 / 17

HEX #D30C91

RGB 211 12 145

HSL 319.9, 0.89%, 0.44%

LAB 47.18, 75.9, -18.58

 

CMYK 0 / 90 / 30 / 5

HEX #F117A9

RGB 241 23 169

HSL 319.82, 0.89%, 0.52%

LAB 54.22, 83.38, -21.59

 

CMYK 0 / 74 / 25 / 5

HEX #F33EB7

RGB 243 62 183

HSL 319.89, 0.88%, 0.6%

LAB 57.96, 77.24, -23.97

 

CMYK 0 / 59 / 20 / 4

HEX #F665C6

RGB 246 101 198

HSL 319.86, 0.89%, 0.68%

LAB 64.14, 65.72, -23.02

 

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

CMYK 0 / 44 / 90 / 5

HEX #F18817

RGB 241 136 23

HSL 31.1, 0.89%, 0.52%

LAB 66.8, 33.47, 69.07

 

CMYK 90 / 0 / 7 / 5

HEX #17F1DF

RGB 23 241 223

HSL 175.05, 0.89%, 0.52%

LAB 86.22, -50.52, -4.72

 

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

CMYK 29 / 0 / 90 / 5

HEX #ACF117

RGB 172 241 23

HSL 78.99, 0.89%, 0.52%

LAB 87.84, -47.72, 82.9

 

CMYK 90 / 29 / 0 / 5

HEX #17ACF1

RGB 23 172 241

HSL 198.99, 0.89%, 0.52%

LAB 66.55, -11.7, -44.35

 

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

CMYK 0 / 44 / 90 / 5

HEX #F18817

RGB 241 136 23

HSL 31.1, 0.89%, 0.52%

LAB 66.8, 33.47, 69.07

 

CMYK 90 / 0 / 62 / 5

HEX #17F15C

RGB 23 241 92

HSL 138.99, 0.89%, 0.52%

LAB 83.9, -76.55, 57.28

 

CMYK 90 / 47 / 0 / 5

HEX #1780F1

RGB 23 128 241

HSL 211.1, 0.89%, 0.52%

LAB 54, 14.1, -64.33

 

CMYK 0 / 91 / 30 / 5

HEX #F216A9

RGB 242 22 169

HSL 319.91, 0.89%, 0.52%

LAB 54.36, 83.71, -21.35

 

CMYK 0 / 17 / 90 / 5

HEX #F1C917

RGB 241 201 23

HSL 48.99, 0.89%, 0.52%

LAB 82.13, -0.54, 80.56

 

CMYK 90 / 0 / 62 / 5

HEX #17F15C

RGB 23 241 92

HSL 138.99, 0.89%, 0.52%

LAB 83.9, -76.55, 57.28

 

CMYK 90 / 74 / 0 / 5

HEX #173FF1

RGB 23 63 241

HSL 228.99, 0.89%, 0.52%

LAB 38, 54.42, -90.48

 

Description

Color code: HEX #F216A9 | qconv.com Color code: HEX #F216A9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 22 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 22 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 30% 5% C M Y K

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