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Color name
HEX #F216AA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F216AA it is the complementary color #0DE955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F216AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F216AA shade: #F716A5, #FF28B8, #FF3ACB, #FF4CDE and #FF5EF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F216AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F216AA shade: #F216AA, #E10497, #D00084, #BF0071 and #AE005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F216AA shade: #F117AA, #F1176F, #F11734 and #F11717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F216AA shade: #F117AA, #F117E4, #C317F1, #8817F1 and #4D17F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F216AA shade matches the following richer shades: #F117AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F216AA shade: #F117AA, #DD2BA3, #C93F9C, #B65395 and #A2668E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F216AA shade: #C217F1, #F117E6, #F117AC, #F11772 and #F11738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F216AA shade: #AC0A77, #D30C92, #F117AA, #F33EB8 and #F665C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F216AA shade: #F216AA, #F18817 and #17F1DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F216AA shade: #F216AA, #ACF117 and #17ACF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F216AA shade: #F216AA, #F18817, #17F15C and #1780F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F216AA shade: #F216AA, #F1C917, #17F15C and #173FF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

Complementary color

CMYK 94 / 0 / 64 / 9

HEX #0DE955

RGB 13 233 85

HSL 139.64, 0.89%, 0.48%

LAB 81.3, -75.44, 57.28

 

CMYK 0 / 91 / 33 / 3

HEX #F716A5

RGB 247 22 165

HSL 321.87, 0.93%, 0.53%

LAB 55.14, 84.32, -17.73

 

CMYK 0 / 84 / 28 / 0

HEX #FF28B8

RGB 255 40 184

HSL 319.81, 1%, 0.58%

LAB 58.26, 85.27, -23.9

 

CMYK 0 / 77 / 20 / 0

HEX #FF3ACB

RGB 255 58 203

HSL 315.84, 1%, 0.61%

LAB 60.43, 83.5, -31.47

 

CMYK 0 / 70 / 13 / 0

HEX #FF4CDE

RGB 255 76 222

HSL 311.06, 1%, 0.65%

LAB 63.1, 80.74, -38.05

 

CMYK 0 / 63 / 5 / 0

HEX #FF5EF1

RGB 255 94 241

HSL 305.22, 1%, 0.68%

LAB 66.23, 77.15, -43.73

 

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

CMYK 0 / 98 / 33 / 12

HEX #E10497

RGB 225 4 151

HSL 320.09, 0.97%, 0.45%

LAB 49.89, 80.01, -17.8

 

CMYK 0 / 100 / 37 / 18

HEX #D00084

RGB 208 0 132

HSL 321.92, 1%, 0.41%

LAB 45.74, 74.99, -12.92

 

CMYK 0 / 100 / 41 / 25

HEX #BF0071

RGB 191 0 113

HSL 324.5, 1%, 0.37%

LAB 41.64, 69.62, -7.68

 

CMYK 0 / 100 / 46 / 32

HEX #AE005E

RGB 174 0 94

HSL 327.59, 1%, 0.34%

LAB 37.49, 64.2, -2.19

 

CMYK 0 / 90 / 29 / 5

HEX #F117AA

RGB 241 23 170

HSL 319.54, 0.89%, 0.52%

LAB 54.26, 83.49, -22.12

 

CMYK 0 / 90 / 54 / 5

HEX #F1176F

RGB 241 23 111

HSL 335.78, 0.89%, 0.52%

LAB 52.35, 78.34, 10.35

 

CMYK 0 / 90 / 78 / 5

HEX #F11734

RGB 241 23 52

HSL 352.02, 0.89%, 0.52%

LAB 51.34, 75.5, 44.18

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 90 / 29 / 5

HEX #F117AA

RGB 241 23 170

HSL 319.54, 0.89%, 0.52%

LAB 54.26, 83.49, -22.12

 

CMYK 0 / 90 / 5 / 5

HEX #F117E4

RGB 241 23 228

HSL 303.58, 0.89%, 0.52%

LAB 56.99, 90.57, -51.2

 

CMYK 19 / 90 / 0 / 5

HEX #C317F1

RGB 195 23 241

HSL 287.34, 0.89%, 0.52%

LAB 50.18, 85.32, -69.89

 

CMYK 44 / 90 / 0 / 5

HEX #8817F1

RGB 136 23 241

HSL 271.1, 0.89%, 0.52%

LAB 41.53, 78, -84.38

 

CMYK 68 / 90 / 0 / 5

HEX #4D17F1

RGB 77 23 241

HSL 254.86, 0.89%, 0.52%

LAB 35.09, 73.4, -95.24

 

CMYK 0 / 90 / 29 / 5

HEX #F117AA

RGB 241 23 170

HSL 319.54, 0.89%, 0.52%

LAB 54.26, 83.49, -22.12

 

CMYK 0 / 90 / 29 / 5

HEX #F117AA

RGB 241 23 170

HSL 319.54, 0.89%, 0.52%

LAB 54.26, 83.49, -22.12

 

CMYK 0 / 81 / 26 / 13

HEX #DD2BA3

RGB 221 43 163

HSL 319.55, 0.72%, 0.52%

LAB 51.55, 74.9, -22.47

 

CMYK 0 / 69 / 22 / 21

HEX #C93F9C

RGB 201 63 156

HSL 319.57, 0.56%, 0.52%

LAB 49.95, 63.1, -21.08

 

CMYK 0 / 54 / 18 / 29

HEX #B65395

RGB 182 83 149

HSL 320, 0.4%, 0.52%

LAB 49.86, 48.06, -17.31

 

CMYK 0 / 37 / 12 / 36

HEX #A2668E

RGB 162 102 142

HSL 320, 0.24%, 0.52%

LAB 50.85, 30.22, -11.92

 

CMYK 20 / 90 / 0 / 5

HEX #C217F1

RGB 194 23 241

HSL 287.06, 0.89%, 0.52%

LAB 50.02, 85.18, -70.15

 

CMYK 0 / 90 / 5 / 5

HEX #F117E6

RGB 241 23 230

HSL 303.03, 0.89%, 0.52%

LAB 57.1, 90.85, -52.16

 

CMYK 0 / 90 / 29 / 5

HEX #F117AC

RGB 241 23 172

HSL 318.99, 0.89%, 0.52%

LAB 54.34, 83.7, -23.17

 

CMYK 0 / 90 / 53 / 5

HEX #F11772

RGB 241 23 114

HSL 334.95, 0.89%, 0.52%

LAB 52.43, 78.55, 8.64

 

CMYK 0 / 90 / 77 / 5

HEX #F11738

RGB 241 23 56

HSL 350.92, 0.89%, 0.52%

LAB 51.38, 75.62, 41.98

 

CMYK 0 / 94 / 31 / 33

HEX #AC0A77

RGB 172 10 119

HSL 319.63, 0.89%, 0.36%

LAB 38.41, 65.09, -16.7

 

CMYK 0 / 94 / 31 / 17

HEX #D30C92

RGB 211 12 146

HSL 319.6, 0.89%, 0.44%

LAB 47.22, 76, -19.12

 

CMYK 0 / 90 / 29 / 5

HEX #F117AA

RGB 241 23 170

HSL 319.54, 0.89%, 0.52%

LAB 54.26, 83.49, -22.12

 

CMYK 0 / 74 / 24 / 5

HEX #F33EB8

RGB 243 62 184

HSL 319.56, 0.88%, 0.6%

LAB 58, 77.37, -24.48

 

CMYK 0 / 59 / 20 / 4

HEX #F665C6

RGB 246 101 198

HSL 319.86, 0.89%, 0.68%

LAB 64.14, 65.72, -23.02

 

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

CMYK 0 / 44 / 90 / 5

HEX #F18817

RGB 241 136 23

HSL 31.1, 0.89%, 0.52%

LAB 66.8, 33.47, 69.07

 

CMYK 90 / 0 / 7 / 5

HEX #17F1DF

RGB 23 241 223

HSL 175.05, 0.89%, 0.52%

LAB 86.22, -50.52, -4.72

 

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

CMYK 29 / 0 / 90 / 5

HEX #ACF117

RGB 172 241 23

HSL 78.99, 0.89%, 0.52%

LAB 87.84, -47.72, 82.9

 

CMYK 90 / 29 / 0 / 5

HEX #17ACF1

RGB 23 172 241

HSL 198.99, 0.89%, 0.52%

LAB 66.55, -11.7, -44.35

 

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

CMYK 0 / 44 / 90 / 5

HEX #F18817

RGB 241 136 23

HSL 31.1, 0.89%, 0.52%

LAB 66.8, 33.47, 69.07

 

CMYK 90 / 0 / 62 / 5

HEX #17F15C

RGB 23 241 92

HSL 138.99, 0.89%, 0.52%

LAB 83.9, -76.55, 57.28

 

CMYK 90 / 47 / 0 / 5

HEX #1780F1

RGB 23 128 241

HSL 211.1, 0.89%, 0.52%

LAB 54, 14.1, -64.33

 

CMYK 0 / 91 / 30 / 5

HEX #F216AA

RGB 242 22 170

HSL 319.64, 0.89%, 0.52%

LAB 54.4, 83.81, -21.88

 

CMYK 0 / 17 / 90 / 5

HEX #F1C917

RGB 241 201 23

HSL 48.99, 0.89%, 0.52%

LAB 82.13, -0.54, 80.56

 

CMYK 90 / 0 / 62 / 5

HEX #17F15C

RGB 23 241 92

HSL 138.99, 0.89%, 0.52%

LAB 83.9, -76.55, 57.28

 

CMYK 90 / 74 / 0 / 5

HEX #173FF1

RGB 23 63 241

HSL 228.99, 0.89%, 0.52%

LAB 38, 54.42, -90.48

 

Description

Color code: HEX #F216AA | qconv.com Color code: HEX #F216AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 22 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 22 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 30% 5% C M Y K

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