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Color name
HEX #F22592

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F22592 it is the complementary color #0DDA6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F22592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F22592 shade: #F7258D, #FF37A0, #FF49B3, #FF5BC6 and #FF6DD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F22592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F22592 shade: #F22592, #E1137F, #D0016C, #BF0059 and #AE0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F22592 shade: #F22692, #F2265B and #F22626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F22592 shade: #F22692, #F226C9, #E326F2, #AC26F2 and #7526F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F22592 shade matches the following richer shades: #F22692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F22592 shade: #F22692, #DF3891, #CD4B90, #BA5D8F and #A8708E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F22592 shade: #E426F2, #F226C9, #F22693, #F2265C and #F22626

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F22592 shade: #BB0A68, #E20D7E, #F22692, #F44DA6 and #F674B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F22592 shade: #F22592, #F2AE26 and #26E4F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F22592 shade: #F22592, #93F226 and #2693F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F22592 shade: #F22592, #F2AE26, #26F285 and #266AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F22592 shade: #F22592, #F2EB26, #26F285 and #262CF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 40 / 5

HEX #F22592

RGB 242 37 146

HSL 328.1, 0.89%, 0.55%

LAB 54.32, 79.15, -7.82

 

Complementary color

CMYK 94 / 0 / 50 / 15

HEX #0DDA6D

RGB 13 218 109

HSL 148.1, 0.89%, 0.45%

LAB 76.88, -67.66, 41.2

 

CMYK 0 / 85 / 43 / 3

HEX #F7258D

RGB 247 37 141

HSL 330.29, 0.93%, 0.56%

LAB 55.09, 79.85, -3.59

 

CMYK 0 / 78 / 37 / 0

HEX #FF37A0

RGB 255 55 160

HSL 328.5, 1%, 0.61%

LAB 58.54, 79.5, -9.53

 

CMYK 0 / 71 / 30 / 0

HEX #FF49B3

RGB 255 73 179

HSL 325.05, 1%, 0.64%

LAB 61.03, 76.29, -16.8

 

CMYK 0 / 64 / 22 / 0

HEX #FF5BC6

RGB 255 91 198

HSL 320.85, 1%, 0.68%

LAB 64.01, 72.21, -23.09

 

CMYK 0 / 57 / 15 / 0

HEX #FF6DD9

RGB 255 109 217

HSL 315.62, 1%, 0.71%

LAB 67.43, 67.46, -28.52

 

CMYK 0 / 85 / 40 / 5

HEX #F22592

RGB 242 37 146

HSL 328.1, 0.89%, 0.55%

LAB 54.32, 79.15, -7.82

 

CMYK 0 / 92 / 44 / 12

HEX #E1137F

RGB 225 19 127

HSL 328.54, 0.84%, 0.48%

LAB 49.5, 76.43, -3.89

 

CMYK 0 / 100 / 48 / 18

HEX #D0016C

RGB 208 1 108

HSL 328.99, 0.99%, 0.41%

LAB 44.96, 72.79, 0.73

 

CMYK 0 / 100 / 53 / 25

HEX #BF0059

RGB 191 0 89

HSL 332.04, 1%, 0.37%

LAB 40.89, 67.65, 6.37

 

CMYK 0 / 100 / 60 / 32

HEX #AE0046

RGB 174 0 70

HSL 335.86, 1%, 0.34%

LAB 36.82, 62.41, 12.35

 

CMYK 0 / 84 / 40 / 5

HEX #F22692

RGB 242 38 146

HSL 328.24, 0.89%, 0.55%

LAB 54.38, 78.96, -7.72

 

CMYK 0 / 84 / 62 / 5

HEX #F2265B

RGB 242 38 91

HSL 344.41, 0.89%, 0.55%

LAB 52.97, 74.89, 23.32

 

CMYK 0 / 84 / 84 / 5

HEX #F22626

RGB 242 38 38

HSL 0, 0.89%, 0.55%

LAB 52.29, 72.89, 52.46

 

CMYK 0 / 84 / 40 / 5

HEX #F22692

RGB 242 38 146

HSL 328.24, 0.89%, 0.55%

LAB 54.38, 78.96, -7.72

 

CMYK 0 / 84 / 17 / 5

HEX #F226C9

RGB 242 38 201

HSL 312.06, 0.89%, 0.55%

LAB 56.57, 84.98, -36.51

 

CMYK 6 / 84 / 0 / 5

HEX #E326F2

RGB 227 38 242

HSL 295.59, 0.89%, 0.55%

LAB 56.22, 88, -60.44

 

CMYK 29 / 84 / 0 / 5

HEX #AC26F2

RGB 172 38 242

HSL 279.41, 0.89%, 0.55%

LAB 47.71, 79.39, -74.61

 

CMYK 52 / 84 / 0 / 5

HEX #7526F2

RGB 117 38 242

HSL 263.24, 0.89%, 0.55%

LAB 40.54, 72.57, -86.65

 

CMYK 0 / 84 / 40 / 5

HEX #F22692

RGB 242 38 146

HSL 328.24, 0.89%, 0.55%

LAB 54.38, 78.96, -7.72

 

CMYK 0 / 84 / 40 / 5

HEX #F22692

RGB 242 38 146

HSL 328.24, 0.89%, 0.55%

LAB 54.38, 78.96, -7.72

 

CMYK 0 / 75 / 35 / 13

HEX #DF3891

RGB 223 56 145

HSL 328.02, 0.72%, 0.55%

LAB 52.47, 69.83, -10.35

 

CMYK 0 / 63 / 30 / 20

HEX #CD4B90

RGB 205 75 144

HSL 328.15, 0.57%, 0.55%

LAB 51.87, 57.93, -10.97

 

CMYK 0 / 50 / 23 / 27

HEX #BA5D8F

RGB 186 93 143

HSL 327.74, 0.4%, 0.55%

LAB 52.12, 43.46, -10.28

 

CMYK 0 / 33 / 15 / 34

HEX #A8708E

RGB 168 112 142

HSL 327.86, 0.24%, 0.55%

LAB 53.88, 26.75, -7.29

 

CMYK 6 / 84 / 0 / 5

HEX #E426F2

RGB 228 38 242

HSL 295.88, 0.89%, 0.55%

LAB 56.38, 88.17, -60.17

 

CMYK 0 / 84 / 17 / 5

HEX #F226C9

RGB 242 38 201

HSL 312.06, 0.89%, 0.55%

LAB 56.57, 84.98, -36.51

 

CMYK 0 / 84 / 39 / 5

HEX #F22693

RGB 242 38 147

HSL 327.94, 0.89%, 0.55%

LAB 54.42, 79.05, -8.26

 

CMYK 0 / 84 / 62 / 5

HEX #F2265C

RGB 242 38 92

HSL 344.12, 0.89%, 0.55%

LAB 52.99, 74.95, 22.75

 

CMYK 0 / 84 / 84 / 5

HEX #F22626

RGB 242 38 38

HSL 0, 0.89%, 0.55%

LAB 52.29, 72.89, 52.46

 

CMYK 0 / 95 / 44 / 27

HEX #BB0A68

RGB 187 10 104

HSL 328.14, 0.9%, 0.39%

LAB 40.87, 66.92, -3.27

 

CMYK 0 / 94 / 44 / 11

HEX #E20D7E

RGB 226 13 126

HSL 328.17, 0.89%, 0.47%

LAB 49.45, 77.2, -3.34

 

CMYK 0 / 84 / 40 / 5

HEX #F22692

RGB 242 38 146

HSL 328.24, 0.89%, 0.55%

LAB 54.38, 78.96, -7.72

 

CMYK 0 / 68 / 32 / 4

HEX #F44DA6

RGB 244 77 166

HSL 328.02, 0.88%, 0.63%

LAB 59.25, 70.62, -12.15

 

CMYK 0 / 53 / 25 / 4

HEX #F674B9

RGB 246 116 185

HSL 328.15, 0.88%, 0.71%

LAB 66.2, 57.24, -12.54

 

CMYK 0 / 85 / 40 / 5

HEX #F22592

RGB 242 37 146

HSL 328.1, 0.89%, 0.55%

LAB 54.32, 79.15, -7.82

 

CMYK 0 / 28 / 84 / 5

HEX #F2AE26

RGB 242 174 38

HSL 40, 0.89%, 0.55%

LAB 75.63, 14.25, 72.17

 

CMYK 84 / 6 / 0 / 5

HEX #26E4F2

RGB 38 228 242

HSL 184.12, 0.89%, 0.55%

LAB 83.08, -38.61, -19.4

 

CMYK 0 / 85 / 40 / 5

HEX #F22592

RGB 242 37 146

HSL 328.1, 0.89%, 0.55%

LAB 54.32, 79.15, -7.82

 

CMYK 39 / 0 / 84 / 5

HEX #93F226

RGB 147 242 38

HSL 87.94, 0.89%, 0.55%

LAB 86.92, -56.45, 79

 

CMYK 84 / 39 / 0 / 5

HEX #2693F2

RGB 38 147 242

HSL 207.94, 0.89%, 0.55%

LAB 59.61, 3.84, -55.88

 

CMYK 0 / 85 / 40 / 5

HEX #F22592

RGB 242 37 146

HSL 328.1, 0.89%, 0.55%

LAB 54.32, 79.15, -7.82

 

CMYK 0 / 28 / 84 / 5

HEX #F2AE26

RGB 242 174 38

HSL 40, 0.89%, 0.55%

LAB 75.63, 14.25, 72.17

 

CMYK 84 / 0 / 45 / 5

HEX #26F285

RGB 38 242 133

HSL 147.94, 0.89%, 0.55%

LAB 84.8, -70.1, 39.56

 

CMYK 84 / 56 / 0 / 5

HEX #266AF2

RGB 38 106 242

HSL 220, 0.89%, 0.55%

LAB 48.42, 29.21, -73.91

 

CMYK 0 / 85 / 40 / 5

HEX #F22592

RGB 242 37 146

HSL 328.1, 0.89%, 0.55%

LAB 54.32, 79.15, -7.82

 

CMYK 0 / 3 / 84 / 5

HEX #F2EB26

RGB 242 235 38

HSL 57.94, 0.89%, 0.55%

LAB 90.98, -16.84, 84.82

 

CMYK 84 / 0 / 45 / 5

HEX #26F285

RGB 38 242 133

HSL 147.94, 0.89%, 0.55%

LAB 84.8, -70.1, 39.56

 

CMYK 84 / 82 / 0 / 5

HEX #262CF2

RGB 38 44 242

HSL 238.24, 0.89%, 0.55%

LAB 35.25, 64.77, -95.6

 

Description

Color code: HEX #F22592 | qconv.com Color code: HEX #F22592 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 37 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 37 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 40% 5% C M Y K

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Provide designers and agencies with accurate color values.

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