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Color name
HEX #F22A96

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F22A96 it is the complementary color #0DD569. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F22A96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F22A96 shade: #F72A91, #FF3CA4, #FF4EB7, #FF60CA and #FF72DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F22A96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F22A96 shade: #F22A96, #E11883, #D00670, #BF005D and #AE004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F22A96 shade: #F12C96, #F12C61, #F12C2C and #F12C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F22A96 shade: #F12C96, #F12CCB, #E12CF1, #AC2CF1 and #772CF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F22A96 shade matches the following richer shades: #F12C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F22A96 shade: #F12C96, #DF3E95, #CD5093, #BB6292 and #A87490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F22A96 shade: #E12CF1, #F12CCD, #F12C98, #F12C64 and #F12C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F22A96 shade: #BE0C6C, #E50E82, #F12C96, #F452A9 and #F679BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F22A96 shade: #F22A96, #F1AC2C and #2CE7F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F22A96 shade: #F22A96, #98F12C and #2C98F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F22A96 shade: #F22A96, #F1AC2C, #2CF184 and #2C71F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F22A96 shade: #F22A96, #F1E72C, #2CF184 and #2C35F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 38 / 5

HEX #F22A96

RGB 242 42 150

HSL 327.6, 0.88%, 0.56%

LAB 54.8, 78.52, -9.48

 

Complementary color

CMYK 94 / 0 / 51 / 16

HEX #0DD569

RGB 13 213 105

HSL 147.6, 0.88%, 0.44%

LAB 75.26, -66.68, 41.12

 

CMYK 0 / 83 / 41 / 3

HEX #F72A91

RGB 247 42 145

HSL 329.85, 0.93%, 0.57%

LAB 55.56, 79.22, -5.28

 

CMYK 0 / 76 / 36 / 0

HEX #FF3CA4

RGB 255 60 164

HSL 328, 1%, 0.62%

LAB 59.13, 78.58, -10.97

 

CMYK 0 / 69 / 28 / 0

HEX #FF4EB7

RGB 255 78 183

HSL 324.41, 1%, 0.65%

LAB 61.76, 75.08, -17.98

 

CMYK 0 / 62 / 21 / 0

HEX #FF60CA

RGB 255 96 202

HSL 320, 1%, 0.69%

LAB 64.88, 70.77, -24.04

 

CMYK 0 / 55 / 13 / 0

HEX #FF72DD

RGB 255 114 221

HSL 314.47, 1%, 0.72%

LAB 68.4, 65.86, -29.26

 

CMYK 0 / 83 / 38 / 5

HEX #F22A96

RGB 242 42 150

HSL 327.6, 0.88%, 0.56%

LAB 54.8, 78.52, -9.48

 

CMYK 0 / 89 / 42 / 12

HEX #E11883

RGB 225 24 131

HSL 328.06, 0.81%, 0.49%

LAB 49.86, 76.13, -5.8

 

CMYK 0 / 97 / 46 / 18

HEX #D00670

RGB 208 6 112

HSL 328.51, 0.94%, 0.42%

LAB 45.23, 72.67, -1.35

 

CMYK 0 / 100 / 51 / 25

HEX #BF005D

RGB 191 0 93

HSL 330.79, 1%, 0.37%

LAB 41, 67.94, 3.99

 

CMYK 0 / 100 / 57 / 32

HEX #AE004A

RGB 174 0 74

HSL 334.48, 1%, 0.34%

LAB 36.92, 62.67, 9.89

 

CMYK 0 / 82 / 38 / 5

HEX #F12C96

RGB 241 44 150

HSL 327.72, 0.88%, 0.56%

LAB 54.77, 77.86, -9.54

 

CMYK 0 / 82 / 60 / 5

HEX #F12C61

RGB 241 44 97

HSL 343.86, 0.88%, 0.56%

LAB 53.35, 73.69, 20.18

 

CMYK 0 / 82 / 82 / 5

HEX #F12C2C

RGB 241 44 44

HSL 0, 0.88%, 0.56%

LAB 52.6, 71.45, 49.69

 

CMYK 0 / 82 / 82 / 5

HEX #F12C2C

RGB 241 44 44

HSL 0, 0.88%, 0.56%

LAB 52.6, 71.45, 49.69

 

CMYK 0 / 82 / 38 / 5

HEX #F12C96

RGB 241 44 150

HSL 327.72, 0.88%, 0.56%

LAB 54.77, 77.86, -9.54

 

CMYK 0 / 82 / 16 / 5

HEX #F12CCB

RGB 241 44 203

HSL 311.57, 0.88%, 0.56%

LAB 56.89, 83.85, -37.15

 

CMYK 7 / 82 / 0 / 5

HEX #E12CF1

RGB 225 44 241

HSL 295.13, 0.88%, 0.56%

LAB 56.25, 86.29, -59.85

 

CMYK 29 / 82 / 0 / 5

HEX #AC2CF1

RGB 172 44 241

HSL 278.98, 0.88%, 0.56%

LAB 48.16, 77.64, -73.32

 

CMYK 51 / 82 / 0 / 5

HEX #772CF1

RGB 119 44 241

HSL 262.84, 0.88%, 0.56%

LAB 41.33, 70.58, -84.77

 

CMYK 0 / 82 / 38 / 5

HEX #F12C96

RGB 241 44 150

HSL 327.72, 0.88%, 0.56%

LAB 54.77, 77.86, -9.54

 

CMYK 0 / 82 / 38 / 5

HEX #F12C96

RGB 241 44 150

HSL 327.72, 0.88%, 0.56%

LAB 54.77, 77.86, -9.54

 

CMYK 0 / 72 / 33 / 13

HEX #DF3E95

RGB 223 62 149

HSL 327.58, 0.72%, 0.56%

LAB 53.28, 68.36, -11.51

 

CMYK 0 / 61 / 28 / 20

HEX #CD5093

RGB 205 80 147

HSL 327.84, 0.56%, 0.56%

LAB 52.76, 56.17, -11.41

 

CMYK 0 / 48 / 22 / 27

HEX #BB6292

RGB 187 98 146

HSL 327.64, 0.4%, 0.56%

LAB 53.36, 41.66, -10.18

 

CMYK 0 / 31 / 14 / 34

HEX #A87490

RGB 168 116 144

HSL 327.69, 0.23%, 0.56%

LAB 54.9, 24.82, -6.96

 

CMYK 7 / 82 / 0 / 5

HEX #E12CF1

RGB 225 44 241

HSL 295.13, 0.88%, 0.56%

LAB 56.25, 86.29, -59.85

 

CMYK 0 / 82 / 15 / 5

HEX #F12CCD

RGB 241 44 205

HSL 310.96, 0.88%, 0.56%

LAB 56.99, 84.11, -38.15

 

CMYK 0 / 82 / 37 / 5

HEX #F12C98

RGB 241 44 152

HSL 327.11, 0.88%, 0.56%

LAB 54.83, 78.05, -10.63

 

CMYK 0 / 82 / 59 / 5

HEX #F12C64

RGB 241 44 100

HSL 342.94, 0.88%, 0.56%

LAB 53.41, 73.88, 18.46

 

CMYK 0 / 82 / 80 / 5

HEX #F12C2F

RGB 241 44 47

HSL 359.09, 0.88%, 0.56%

LAB 52.63, 71.53, 48.17

 

CMYK 0 / 94 / 43 / 25

HEX #BE0C6C

RGB 190 12 108

HSL 327.64, 0.88%, 0.4%

LAB 41.68, 67.74, -4.51

 

CMYK 0 / 94 / 43 / 10

HEX #E50E82

RGB 229 14 130

HSL 327.63, 0.88%, 0.48%

LAB 50.2, 78.1, -4.6

 

CMYK 0 / 82 / 38 / 5

HEX #F12C96

RGB 241 44 150

HSL 327.72, 0.88%, 0.56%

LAB 54.77, 77.86, -9.54

 

CMYK 0 / 66 / 31 / 4

HEX #F452A9

RGB 244 82 169

HSL 327.78, 0.88%, 0.64%

LAB 60.01, 69.13, -12.74

 

CMYK 0 / 51 / 23 / 4

HEX #F679BD

RGB 246 121 189

HSL 327.36, 0.87%, 0.72%

LAB 67.23, 55.43, -13.25

 

CMYK 0 / 83 / 38 / 5

HEX #F22A96

RGB 242 42 150

HSL 327.6, 0.88%, 0.56%

LAB 54.8, 78.52, -9.48

 

CMYK 0 / 29 / 82 / 5

HEX #F1AC2C

RGB 241 172 44

HSL 38.98, 0.88%, 0.56%

LAB 75.07, 15.04, 69.86

 

CMYK 82 / 4 / 0 / 5

HEX #2CE7F1

RGB 44 231 241

HSL 183.05, 0.88%, 0.56%

LAB 83.99, -39.86, -17.49

 

CMYK 0 / 83 / 38 / 5

HEX #F22A96

RGB 242 42 150

HSL 327.6, 0.88%, 0.56%

LAB 54.8, 78.52, -9.48

 

CMYK 37 / 0 / 82 / 5

HEX #98F12C

RGB 152 241 44

HSL 87.11, 0.88%, 0.56%

LAB 86.88, -54.17, 77.69

 

CMYK 82 / 37 / 0 / 5

HEX #2C98F1

RGB 44 152 241

HSL 207.11, 0.88%, 0.56%

LAB 61.08, 1.01, -52.97

 

CMYK 0 / 83 / 38 / 5

HEX #F22A96

RGB 242 42 150

HSL 327.6, 0.88%, 0.56%

LAB 54.8, 78.52, -9.48

 

CMYK 0 / 29 / 82 / 5

HEX #F1AC2C

RGB 241 172 44

HSL 38.98, 0.88%, 0.56%

LAB 75.07, 15.04, 69.86

 

CMYK 82 / 0 / 45 / 5

HEX #2CF184

RGB 44 241 132

HSL 146.8, 0.88%, 0.56%

LAB 84.54, -69.41, 39.73

 

CMYK 82 / 53 / 0 / 5

HEX #2C71F1

RGB 44 113 241

HSL 218.98, 0.88%, 0.56%

LAB 50.33, 24.86, -70.24

 

CMYK 0 / 83 / 38 / 5

HEX #F22A96

RGB 242 42 150

HSL 327.6, 0.88%, 0.56%

LAB 54.8, 78.52, -9.48

 

CMYK 0 / 4 / 82 / 5

HEX #F1E72C

RGB 241 231 44

HSL 56.95, 0.88%, 0.56%

LAB 89.88, -15.15, 82.53

 

CMYK 82 / 0 / 45 / 5

HEX #2CF184

RGB 44 241 132

HSL 146.8, 0.88%, 0.56%

LAB 84.54, -69.41, 39.73

 

CMYK 82 / 78 / 0 / 5

HEX #2C35F1

RGB 44 53 241

HSL 237.26, 0.88%, 0.56%

LAB 36.8, 60.53, -92.45

 

Description

Color code: HEX #F22A96 | qconv.com Color code: HEX #F22A96 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 42 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 42 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 38% 5% C M Y K

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Provide designers and agencies with accurate color values.

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