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Color name
HEX #F244CF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F244CF it is the complementary color #0DBB30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F244CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F244CF shade: #F744CA, #FF56DD, #FF68F0, #FF7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F244CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F244CF shade: #F244CF, #E132BC, #D020A9, #BF0E96 and #AE0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F244CF shade: #F245CF, #F245A0, #F24571 and #F24545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F244CF shade: #F245CF, #E645F2, #B745F2, #8845F2 and #5A45F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F244CF shade matches the following richer shades: #F245CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F244CF shade: #F245CF, #E155C5, #D165BC, #C175B2 and #B185A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F244CF shade: #B845F2, #E645F2, #F245CF, #F245A1 and #F24573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F244CF shade: #D50EAD, #EF1EC5, #F245CF, #F46BD9 and #F792E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F244CF shade: #F244CF, #F28A45 and #45F2CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F244CF shade: #F244CF, #CFF245 and #45CFF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F244CF shade: #F244CF, #F28A45, #45F267 and #45ACF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F244CF shade: #F244CF, #F2BE45, #45F267 and #4578F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 14 / 5

HEX #F244CF

RGB 242 68 207

HSL 312.07, 0.87%, 0.61%

LAB 59.45, 78.27, -35.43

 

Complementary color

CMYK 93 / 0 / 74 / 27

HEX #0DBB30

RGB 13 187 48

HSL 132.07, 0.87%, 0.39%

LAB 66.4, -65.55, 55.79

 

CMYK 0 / 72 / 18 / 3

HEX #F744CA

RGB 247 68 202

HSL 315.08, 0.92%, 0.62%

LAB 60.04, 78.75, -31.59

 

CMYK 0 / 66 / 13 / 0

HEX #FF56DD

RGB 255 86 221

HSL 312.07, 1%, 0.67%

LAB 64.27, 77.17, -35.66

 

CMYK 0 / 59 / 6 / 0

HEX #FF68F0

RGB 255 104 240

HSL 305.96, 1%, 0.7%

LAB 67.61, 73.03, -41

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 72 / 14 / 5

HEX #F244CF

RGB 242 68 207

HSL 312.07, 0.87%, 0.61%

LAB 59.45, 78.27, -35.43

 

CMYK 0 / 78 / 16 / 12

HEX #E132BC

RGB 225 50 188

HSL 312.69, 0.74%, 0.54%

LAB 53.94, 77.14, -33.33

 

CMYK 0 / 85 / 19 / 18

HEX #D020A9

RGB 208 32 169

HSL 313.3, 0.73%, 0.47%

LAB 48.65, 75.21, -30.7

 

CMYK 0 / 93 / 21 / 25

HEX #BF0E96

RGB 191 14 150

HSL 313.9, 0.86%, 0.4%

LAB 43.64, 72.2, -27.38

 

CMYK 0 / 100 / 25 / 32

HEX #AE0083

RGB 174 0 131

HSL 314.83, 1%, 0.34%

LAB 38.96, 67.99, -23.29

 

CMYK 0 / 71 / 14 / 5

HEX #F245CF

RGB 242 69 207

HSL 312.14, 0.87%, 0.61%

LAB 59.56, 77.96, -35.25

 

CMYK 0 / 71 / 34 / 5

HEX #F245A0

RGB 242 69 160

HSL 328.44, 0.87%, 0.61%

LAB 57.72, 72.19, -10.98

 

CMYK 0 / 71 / 53 / 5

HEX #F24571

RGB 242 69 113

HSL 344.74, 0.87%, 0.61%

LAB 56.41, 67.89, 14.84

 

CMYK 0 / 71 / 71 / 5

HEX #F24545

RGB 242 69 69

HSL 0, 0.87%, 0.61%

LAB 55.65, 65.31, 39.49

 

CMYK 0 / 71 / 14 / 5

HEX #F245CF

RGB 242 69 207

HSL 312.14, 0.87%, 0.61%

LAB 59.56, 77.96, -35.25

 

CMYK 5 / 71 / 0 / 5

HEX #E645F2

RGB 230 69 242

HSL 295.84, 0.87%, 0.61%

LAB 59.43, 80.63, -55.28

 

CMYK 24 / 71 / 0 / 5

HEX #B745F2

RGB 183 69 242

HSL 279.54, 0.87%, 0.61%

LAB 52.66, 71.38, -66.51

 

CMYK 44 / 71 / 0 / 5

HEX #8845F2

RGB 136 69 242

HSL 263.24, 0.87%, 0.61%

LAB 46.84, 63.03, -76.22

 

CMYK 63 / 71 / 0 / 5

HEX #5A45F2

RGB 90 69 242

HSL 247.28, 0.87%, 0.61%

LAB 42.52, 56.46, -83.47

 

CMYK 0 / 71 / 14 / 5

HEX #F245CF

RGB 242 69 207

HSL 312.14, 0.87%, 0.61%

LAB 59.56, 77.96, -35.25

 

CMYK 0 / 71 / 14 / 5

HEX #F245CF

RGB 242 69 207

HSL 312.14, 0.87%, 0.61%

LAB 59.56, 77.96, -35.25

 

CMYK 0 / 62 / 12 / 12

HEX #E155C5

RGB 225 85 197

HSL 312, 0.7%, 0.61%

LAB 58.54, 66.59, -31.34

 

CMYK 0 / 52 / 10 / 18

HEX #D165BC

RGB 209 101 188

HSL 311.67, 0.54%, 0.61%

LAB 58.5, 53.64, -26.44

 

CMYK 0 / 39 / 8 / 24

HEX #C175B2

RGB 193 117 178

HSL 311.84, 0.38%, 0.61%

LAB 59.23, 38.81, -19.79

 

CMYK 0 / 25 / 5 / 31

HEX #B185A8

RGB 177 133 168

HSL 312.27, 0.22%, 0.61%

LAB 60.74, 22.73, -11.96

 

CMYK 24 / 71 / 0 / 5

HEX #B845F2

RGB 184 69 242

HSL 279.88, 0.87%, 0.61%

LAB 52.79, 71.57, -66.29

 

CMYK 5 / 71 / 0 / 5

HEX #E645F2

RGB 230 69 242

HSL 295.84, 0.87%, 0.61%

LAB 59.43, 80.63, -55.28

 

CMYK 0 / 71 / 14 / 5

HEX #F245CF

RGB 242 69 207

HSL 312.14, 0.87%, 0.61%

LAB 59.56, 77.96, -35.25

 

CMYK 0 / 71 / 33 / 5

HEX #F245A1

RGB 242 69 161

HSL 328.09, 0.87%, 0.61%

LAB 57.76, 72.29, -11.51

 

CMYK 0 / 71 / 52 / 5

HEX #F24573

RGB 242 69 115

HSL 344.05, 0.87%, 0.61%

LAB 56.46, 68.04, 13.72

 

CMYK 0 / 93 / 19 / 16

HEX #D50EAD

RGB 213 14 173

HSL 312.06, 0.88%, 0.45%

LAB 48.86, 79.31, -32.67

 

CMYK 0 / 87 / 18 / 6

HEX #EF1EC5

RGB 239 30 197

HSL 312.06, 0.87%, 0.53%

LAB 55.39, 85.24, -36.09

 

CMYK 0 / 71 / 14 / 5

HEX #F245CF

RGB 242 69 207

HSL 312.14, 0.87%, 0.61%

LAB 59.56, 77.96, -35.25

 

CMYK 0 / 56 / 11 / 4

HEX #F46BD9

RGB 244 107 217

HSL 311.82, 0.86%, 0.69%

LAB 65.56, 65.33, -31.54

 

CMYK 0 / 41 / 8 / 3

HEX #F792E3

RGB 247 146 227

HSL 311.88, 0.86%, 0.77%

LAB 73.47, 49.17, -24.88

 

CMYK 0 / 72 / 14 / 5

HEX #F244CF

RGB 242 68 207

HSL 312.07, 0.87%, 0.61%

LAB 59.45, 78.27, -35.43

 

CMYK 0 / 43 / 71 / 5

HEX #F28A45

RGB 242 138 69

HSL 23.93, 0.87%, 0.61%

LAB 67.64, 34.26, 52.78

 

CMYK 71 / 0 / 14 / 5

HEX #45F2CF

RGB 69 242 207

HSL 167.86, 0.87%, 0.61%

LAB 86.64, -51.37, 4.35

 

CMYK 0 / 72 / 14 / 5

HEX #F244CF

RGB 242 68 207

HSL 312.07, 0.87%, 0.61%

LAB 59.45, 78.27, -35.43

 

CMYK 14 / 0 / 71 / 5

HEX #CFF245

RGB 207 242 69

HSL 72.14, 0.87%, 0.61%

LAB 90.41, -33.22, 74.85

 

CMYK 71 / 14 / 0 / 5

HEX #45CFF2

RGB 69 207 242

HSL 192.14, 0.87%, 0.61%

LAB 77.46, -25.69, -27.9

 

CMYK 0 / 72 / 14 / 5

HEX #F244CF

RGB 242 68 207

HSL 312.07, 0.87%, 0.61%

LAB 59.45, 78.27, -35.43

 

CMYK 0 / 43 / 71 / 5

HEX #F28A45

RGB 242 138 69

HSL 23.93, 0.87%, 0.61%

LAB 67.64, 34.26, 52.78

 

CMYK 71 / 0 / 57 / 5

HEX #45F267

RGB 69 242 103

HSL 131.79, 0.87%, 0.61%

LAB 84.87, -70.83, 53.79

 

CMYK 71 / 29 / 0 / 5

HEX #45ACF2

RGB 69 172 242

HSL 204.28, 0.87%, 0.61%

LAB 67.41, -7.29, -43.48

 

CMYK 0 / 72 / 14 / 5

HEX #F244CF

RGB 242 68 207

HSL 312.07, 0.87%, 0.61%

LAB 59.45, 78.27, -35.43

 

CMYK 0 / 21 / 71 / 5

HEX #F2BE45

RGB 242 190 69

HSL 41.97, 0.87%, 0.61%

LAB 79.69, 6.97, 65.23

 

CMYK 71 / 0 / 57 / 5

HEX #45F267

RGB 69 242 103

HSL 131.79, 0.87%, 0.61%

LAB 84.87, -70.83, 53.79

 

CMYK 71 / 50 / 0 / 5

HEX #4578F2

RGB 69 120 242

HSL 222.31, 0.87%, 0.61%

LAB 53.07, 23.49, -66.33

 

Description

Color code: HEX #F244CF | qconv.com Color code: HEX #F244CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 68 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 68 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 14% 5% C M Y K

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