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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F249A6 it is the complementary color #0DB659. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F249A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F249A6 shade: #F749A1, #FF5BB4, #FF6DC7, #FF7FDA and #FF91ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F249A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F249A6 shade: #F249A6, #E13793, #D02580, #BF136D and #AE015A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F249A6 shade: #F249A6, #F24979, #F2494B and #F24949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F249A6 shade: #F249A6, #F249D4, #E349F2, #B549F2 and #8849F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F249A6 shade matches the following richer shades: #F249A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F249A6 shade: #F249A6, #E259A5, #D369A3, #C378A1 and #B388A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F249A6 shade: #E149F2, #F249D6, #F249A9, #F2497C and #F2494F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F249A6 shade: #DA0F7F, #EF2393, #F249A6, #F570B9 and #F796CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F249A6 shade: #F249A6, #F2B449 and #49ECF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F249A6 shade: #F249A6, #A9F249 and #49A9F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F249A6 shade: #F249A6, #F2B449, #49F292 and #4987F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F249A6 shade: #F249A6, #F2E749, #49F292 and #4955F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

Complementary color

CMYK 93 / 0 / 51 / 29

HEX #0DB659

RGB 13 182 89

HSL 146.98, 0.87%, 0.38%

LAB 65.17, -59.08, 36.47

 

CMYK 0 / 70 / 35 / 3

HEX #F749A1

RGB 247 73 161

HSL 329.66, 0.92%, 0.63%

LAB 59.08, 72.26, -9.44

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB4

RGB 255 91 180

HSL 327.44, 1%, 0.68%

LAB 63.37, 69.98, -13.82

 

CMYK 0 / 57 / 22 / 0

HEX #FF6DC7

RGB 255 109 199

HSL 323.01, 1%, 0.71%

LAB 66.76, 64.95, -19.46

 

CMYK 0 / 50 / 15 / 0

HEX #FF7FDA

RGB 255 127 218

HSL 317.34, 1%, 0.75%

LAB 70.53, 59.47, -24.33

 

CMYK 0 / 43 / 7 / 0

HEX #FF91ED

RGB 255 145 237

HSL 309.82, 1%, 0.78%

LAB 74.59, 53.75, -28.54

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 76 / 35 / 12

HEX #E13793

RGB 225 55 147

HSL 327.53, 0.74%, 0.55%

LAB 52.78, 70.85, -11.03

 

CMYK 0 / 82 / 38 / 18

HEX #D02580

RGB 208 37 128

HSL 328.07, 0.7%, 0.48%

LAB 47.35, 69.5, -8.05

 

CMYK 0 / 90 / 43 / 25

HEX #BF136D

RGB 191 19 109

HSL 328.6, 0.82%, 0.41%

LAB 42.23, 67.15, -4.31

 

CMYK 0 / 99 / 48 / 32

HEX #AE015A

RGB 174 1 90

HSL 329.13, 0.99%, 0.34%

LAB 37.41, 63.75, 0.25

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 70 / 50 / 5

HEX #F24979

RGB 242 73 121

HSL 342.96, 0.87%, 0.62%

LAB 57.1, 67.12, 11.06

 

CMYK 0 / 70 / 69 / 5

HEX #F2494B

RGB 242 73 75

HSL 359.29, 0.87%, 0.62%

LAB 56.24, 64.17, 36.8

 

CMYK 0 / 70 / 70 / 5

HEX #F24949

RGB 242 73 73

HSL 0, 0.87%, 0.62%

LAB 56.21, 64.07, 37.9

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 70 / 12 / 5

HEX #F249D4

RGB 242 73 212

HSL 310.65, 0.87%, 0.62%

LAB 60.24, 77.35, -37.02

 

CMYK 6 / 70 / 0 / 5

HEX #E349F2

RGB 227 73 242

HSL 294.67, 0.87%, 0.62%

LAB 59.44, 78.69, -55.29

 

CMYK 25 / 70 / 0 / 5

HEX #B549F2

RGB 181 73 242

HSL 278.34, 0.87%, 0.62%

LAB 52.95, 69.41, -66.06

 

CMYK 44 / 70 / 0 / 5

HEX #8849F2

RGB 136 73 242

HSL 262.37, 0.87%, 0.62%

LAB 47.51, 61.17, -75.14

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 61 / 27 / 11

HEX #E259A5

RGB 226 89 165

HSL 326.72, 0.7%, 0.62%

LAB 58.07, 60.77, -13.63

 

CMYK 0 / 50 / 23 / 17

HEX #D369A3

RGB 211 105 163

HSL 327.17, 0.55%, 0.62%

LAB 58.6, 48.49, -11.89

 

CMYK 0 / 38 / 17 / 24

HEX #C378A1

RGB 195 120 161

HSL 327.2, 0.38%, 0.62%

LAB 59.53, 35.03, -9.55

 

CMYK 0 / 24 / 11 / 30

HEX #B388A0

RGB 179 136 160

HSL 326.51, 0.22%, 0.62%

LAB 61.42, 20.32, -6.35

 

CMYK 7 / 70 / 0 / 5

HEX #E149F2

RGB 225 73 242

HSL 293.96, 0.87%, 0.62%

LAB 59.14, 78.28, -55.78

 

CMYK 0 / 70 / 12 / 5

HEX #F249D6

RGB 242 73 214

HSL 309.94, 0.87%, 0.62%

LAB 60.34, 77.63, -38.01

 

CMYK 0 / 70 / 30 / 5

HEX #F249A9

RGB 242 73 169

HSL 325.92, 0.87%, 0.62%

LAB 58.52, 71.84, -15.03

 

CMYK 0 / 70 / 49 / 5

HEX #F2497C

RGB 242 73 124

HSL 341.89, 0.87%, 0.62%

LAB 57.17, 67.37, 9.39

 

CMYK 0 / 70 / 67 / 5

HEX #F2494F

RGB 242 73 79

HSL 357.87, 0.87%, 0.62%

LAB 56.29, 64.36, 34.59

 

CMYK 0 / 93 / 42 / 15

HEX #DA0F7F

RGB 218 15 127

HSL 326.9, 0.87%, 0.46%

LAB 47.98, 75.34, -6.3

 

CMYK 0 / 85 / 38 / 6

HEX #EF2393

RGB 239 35 147

HSL 327.06, 0.86%, 0.54%

LAB 53.66, 78.94, -9.45

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 54 / 24 / 4

HEX #F570B9

RGB 245 112 185

HSL 327.07, 0.87%, 0.7%

LAB 65.36, 58.79, -13.83

 

CMYK 0 / 39 / 17 / 3

HEX #F796CC

RGB 247 150 204

HSL 326.6, 0.86%, 0.78%

LAB 73.51, 43.48, -12.17

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 26 / 70 / 5

HEX #F2B449

RGB 242 180 73

HSL 37.99, 0.87%, 0.62%

LAB 77.28, 12.4, 61.13

 

CMYK 70 / 2 / 0 / 5

HEX #49ECF2

RGB 73 236 242

HSL 182.13, 0.87%, 0.62%

LAB 85.92, -39, -15.07

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 30 / 0 / 70 / 5

HEX #A9F249

RGB 169 242 73

HSL 85.92, 0.87%, 0.62%

LAB 88.17, -47.23, 70.49

 

CMYK 70 / 30 / 0 / 5

HEX #49A9F2

RGB 73 169 242

HSL 205.92, 0.87%, 0.62%

LAB 66.67, -5.07, -44.63

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 26 / 70 / 5

HEX #F2B449

RGB 242 180 73

HSL 37.99, 0.87%, 0.62%

LAB 77.28, 12.4, 61.13

 

CMYK 70 / 0 / 40 / 5

HEX #49F292

RGB 73 242 146

HSL 145.92, 0.87%, 0.62%

LAB 85.5, -63.79, 34.15

 

CMYK 70 / 44 / 0 / 5

HEX #4987F2

RGB 73 135 242

HSL 217.99, 0.87%, 0.62%

LAB 57.23, 14.82, -59.63

 

CMYK 0 / 70 / 31 / 5

HEX #F249A6

RGB 242 73 166

HSL 326.98, 0.87%, 0.62%

LAB 58.41, 71.5, -13.44

 

CMYK 0 / 5 / 70 / 5

HEX #F2E749

RGB 242 231 73

HSL 56.09, 0.87%, 0.62%

LAB 90.1, -13.66, 74.04

 

CMYK 70 / 0 / 40 / 5

HEX #49F292

RGB 73 242 146

HSL 145.92, 0.87%, 0.62%

LAB 85.5, -63.79, 34.15

 

CMYK 70 / 65 / 0 / 5

HEX #4955F2

RGB 73 85 242

HSL 235.74, 0.87%, 0.62%

LAB 44.69, 45.49, -79.95

 

Description

Color code: HEX #F249A6 | qconv.com Color code: HEX #F249A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 73 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 73 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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