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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F24EC0 it is the complementary color #0DB13F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F24EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F24EC0 shade: #F74EBB, #FF60CE, #FF72E1, #FF84F4 and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F24EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F24EC0 shade: #F24EC0, #E13CAD, #D02A9A, #BF1887 and #AE0674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F24EC0 shade: #F14FC0, #F14F94, #F14F68 and #F14F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F24EC0 shade: #F14FC0, #F14FEC, #CB4FF1, #9F4FF1 and #744FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F24EC0 shade matches the following richer shades: #F14FC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F24EC0 shade: #F14FC0, #E25EBA, #D36EB4, #C37DAE and #B48CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F24EC0 shade: #CB4FF1, #F14FEC, #F14FC1, #F14F95 and #F14F6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F24EC0 shade: #DE109F, #EE29B2, #F14FC0, #F475CE and #F79CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F24EC0 shade: #F24EC0, #F1A04F and #4FF1E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F24EC0 shade: #F24EC0, #C1F14F and #4FC1F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F24EC0 shade: #F24EC0, #F1A04F, #4FF180 and #4FA0F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F24EC0 shade: #F24EC0, #F1D14F, #4FF180 and #4F6FF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 21 / 5

HEX #F24EC0

RGB 242 78 192

HSL 318.29, 0.86%, 0.63%

LAB 60.01, 72.91, -26.01

 

Complementary color

CMYK 93 / 0 / 64 / 31

HEX #0DB13F

RGB 13 177 63

HSL 138.29, 0.86%, 0.37%

LAB 63.25, -61.08, 46.49

 

CMYK 0 / 68 / 24 / 3

HEX #F74EBB

RGB 247 78 187

HSL 321.3, 0.91%, 0.64%

LAB 60.61, 73.53, -22.14

 

CMYK 0 / 62 / 19 / 0

HEX #FF60CE

RGB 255 96 206

HSL 318.49, 1%, 0.69%

LAB 65.03, 71.31, -26.06

 

CMYK 0 / 55 / 12 / 0

HEX #FF72E1

RGB 255 114 225

HSL 312.77, 1%, 0.72%

LAB 68.56, 66.46, -31.24

 

CMYK 0 / 48 / 4 / 0

HEX #FF84F4

RGB 255 132 244

HSL 305.37, 1%, 0.76%

LAB 72.42, 61.22, -35.7

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 68 / 21 / 5

HEX #F24EC0

RGB 242 78 192

HSL 318.29, 0.86%, 0.63%

LAB 60.01, 72.91, -26.01

 

CMYK 0 / 73 / 23 / 12

HEX #E13CAD

RGB 225 60 173

HSL 318.91, 0.73%, 0.56%

LAB 54.3, 72.34, -24.05

 

CMYK 0 / 80 / 26 / 18

HEX #D02A9A

RGB 208 42 154

HSL 319.52, 0.66%, 0.49%

LAB 48.76, 71.12, -21.61

 

CMYK 0 / 87 / 29 / 25

HEX #BF1887

RGB 191 24 135

HSL 320.12, 0.78%, 0.42%

LAB 43.48, 68.98, -18.51

 

CMYK 0 / 97 / 33 / 32

HEX #AE0674

RGB 174 6 116

HSL 320.71, 0.93%, 0.35%

LAB 38.53, 65.64, -14.59

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC0

RGB 241 79 192

HSL 318.15, 0.85%, 0.63%

LAB 59.98, 72.3, -26.06

 

CMYK 0 / 67 / 39 / 5

HEX #F14F94

RGB 241 79 148

HSL 334.44, 0.85%, 0.63%

LAB 58.44, 67.13, -2.91

 

CMYK 0 / 67 / 57 / 5

HEX #F14F68

RGB 241 79 104

HSL 350.74, 0.85%, 0.63%

LAB 57.36, 63.33, 21.41

 

CMYK 0 / 67 / 67 / 5

HEX #F14F4F

RGB 241 79 79

HSL 0, 0.85%, 0.63%

LAB 56.94, 61.82, 35.33

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC0

RGB 241 79 192

HSL 318.15, 0.85%, 0.63%

LAB 59.98, 72.3, -26.06

 

CMYK 0 / 67 / 2 / 5

HEX #F14FEC

RGB 241 79 236

HSL 301.85, 0.85%, 0.63%

LAB 61.95, 78.65, -47.82

 

CMYK 16 / 67 / 0 / 5

HEX #CB4FF1

RGB 203 79 241

HSL 285.93, 0.85%, 0.63%

LAB 56.72, 71.27, -59.27

 

CMYK 34 / 67 / 0 / 5

HEX #9F4FF1

RGB 159 79 241

HSL 269.63, 0.85%, 0.63%

LAB 51.05, 62.3, -68.7

 

CMYK 52 / 67 / 0 / 5

HEX #744FF1

RGB 116 79 241

HSL 253.7, 0.85%, 0.63%

LAB 46.52, 54.58, -76.27

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC0

RGB 241 79 192

HSL 318.15, 0.85%, 0.63%

LAB 59.98, 72.3, -26.06

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC0

RGB 241 79 192

HSL 318.15, 0.85%, 0.63%

LAB 59.98, 72.3, -26.06

 

CMYK 0 / 58 / 18 / 11

HEX #E25EBA

RGB 226 94 186

HSL 318.18, 0.69%, 0.63%

LAB 59.63, 61.45, -23.35

 

CMYK 0 / 48 / 15 / 17

HEX #D36EB4

RGB 211 110 180

HSL 318.42, 0.53%, 0.63%

LAB 60.16, 48.54, -19.31

 

CMYK 0 / 36 / 11 / 24

HEX #C37DAE

RGB 195 125 174

HSL 318, 0.37%, 0.63%

LAB 61.07, 34.46, -14.68

 

CMYK 0 / 22 / 7 / 29

HEX #B48CA8

RGB 180 140 168

HSL 318, 0.21%, 0.63%

LAB 62.75, 19.86, -8.91

 

CMYK 16 / 67 / 0 / 5

HEX #CB4FF1

RGB 203 79 241

HSL 285.93, 0.85%, 0.63%

LAB 56.72, 71.27, -59.27

 

CMYK 0 / 67 / 2 / 5

HEX #F14FEC

RGB 241 79 236

HSL 301.85, 0.85%, 0.63%

LAB 61.95, 78.65, -47.82

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC1

RGB 241 79 193

HSL 317.78, 0.85%, 0.63%

LAB 60.02, 72.43, -26.58

 

CMYK 0 / 67 / 38 / 5

HEX #F14F95

RGB 241 79 149

HSL 334.07, 0.85%, 0.63%

LAB 58.47, 67.23, -3.45

 

CMYK 0 / 67 / 56 / 5

HEX #F14F6A

RGB 241 79 106

HSL 350, 0.85%, 0.63%

LAB 57.4, 63.47, 20.29

 

CMYK 0 / 93 / 28 / 13

HEX #DE109F

RGB 222 16 159

HSL 318.35, 0.87%, 0.47%

LAB 49.98, 79.25, -22.49

 

CMYK 0 / 83 / 25 / 7

HEX #EE29B2

RGB 238 41 178

HSL 318.27, 0.85%, 0.55%

LAB 55.05, 80.8, -25.62

 

CMYK 0 / 67 / 20 / 5

HEX #F14FC0

RGB 241 79 192

HSL 318.15, 0.85%, 0.63%

LAB 59.98, 72.3, -26.06

 

CMYK 0 / 52 / 16 / 4

HEX #F475CE

RGB 244 117 206

HSL 317.95, 0.85%, 0.71%

LAB 66.83, 59.14, -23.43

 

CMYK 0 / 37 / 11 / 3

HEX #F79CDB

RGB 247 156 219

HSL 318.46, 0.85%, 0.79%

LAB 75.24, 42.74, -17.8

 

CMYK 0 / 68 / 21 / 5

HEX #F24EC0

RGB 242 78 192

HSL 318.29, 0.86%, 0.63%

LAB 60.01, 72.91, -26.01

 

CMYK 0 / 34 / 67 / 5

HEX #F1A04F

RGB 241 160 79

HSL 30, 0.85%, 0.63%

LAB 72.5, 22.86, 53.3

 

CMYK 67 / 0 / 7 / 5

HEX #4FF1E1

RGB 79 241 225

HSL 174.07, 0.85%, 0.63%

LAB 87, -45.05, -4.52

 

CMYK 0 / 68 / 21 / 5

HEX #F24EC0

RGB 242 78 192

HSL 318.29, 0.86%, 0.63%

LAB 60.01, 72.91, -26.01

 

CMYK 20 / 0 / 67 / 5

HEX #C1F14F

RGB 193 241 79

HSL 77.78, 0.85%, 0.63%

LAB 89.31, -37.6, 69.9

 

CMYK 67 / 20 / 0 / 5

HEX #4FC1F1

RGB 79 193 241

HSL 197.78, 0.85%, 0.63%

LAB 73.64, -17.5, -33.22

 

CMYK 0 / 68 / 21 / 5

HEX #F24EC0

RGB 242 78 192

HSL 318.29, 0.86%, 0.63%

LAB 60.01, 72.91, -26.01

 

CMYK 0 / 34 / 67 / 5

HEX #F1A04F

RGB 241 160 79

HSL 30, 0.85%, 0.63%

LAB 72.5, 22.86, 53.3

 

CMYK 67 / 0 / 47 / 5

HEX #4FF180

RGB 79 241 128

HSL 138.15, 0.85%, 0.63%

LAB 85.06, -65.42, 42.46

 

CMYK 67 / 34 / 0 / 5

HEX #4FA0F1

RGB 79 160 241

HSL 210, 0.85%, 0.63%

LAB 64.29, 0.58, -47.84

 

CMYK 0 / 68 / 21 / 5

HEX #F24EC0

RGB 242 78 192

HSL 318.29, 0.86%, 0.63%

LAB 60.01, 72.91, -26.01

 

CMYK 0 / 13 / 67 / 5

HEX #F1D14F

RGB 241 209 79

HSL 48.15, 0.85%, 0.63%

LAB 84.41, -2.75, 66.01

 

CMYK 67 / 0 / 47 / 5

HEX #4FF180

RGB 79 241 128

HSL 138.15, 0.85%, 0.63%

LAB 85.06, -65.42, 42.46

 

CMYK 67 / 54 / 0 / 5

HEX #4F6FF1

RGB 79 111 241

HSL 228.15, 0.85%, 0.63%

LAB 51.13, 30.08, -68.88

 

Description

Color code: HEX #F24EC0 | qconv.com Color code: HEX #F24EC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 78 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 78 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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