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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F268E9 it is the complementary color #0D9716. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F268E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F268E9 shade: #F768E4, #FF7AF7, #FF8CFF, #FF9EFF and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F268E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F268E9 shade: #F268E9, #E156D6, #D044C3, #BF32B0 and #AE209D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F268E9 shade: #F168E9, #F168C4, #F1689F, #F1687A and #F16868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F268E9 shade: #F168E9, #D568F1, #B068F1, #8B68F1 and #6868F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F268E9 shade matches the following richer shades: #F168E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F268E9 shade: #F168E9, #E476DD, #D783D2, #CA90C6 and #BD9DBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F268E9 shade: #AF68F1, #D468F1, #F168EB, #F168C6 and #F168A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F268E9 shade: #EB1CDD, #EE42E3, #F168E9, #F58EEE and #F8B4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F268E9 shade: #F268E9, #F18B68 and #68F1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F268E9 shade: #F268E9, #EBF168 and #68EBF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F268E9 shade: #F268E9, #F18B68, #68F16F and #68CFF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F268E9 shade: #F268E9, #F1B468, #68F16F and #68A6F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 4 / 5

HEX #F268E9

RGB 242 104 233

HSL 303.91, 0.84%, 0.68%

LAB 65.48, 68.63, -40.59

 

Complementary color

CMYK 91 / 0 / 85 / 41

HEX #0D9716

RGB 13 151 22

HSL 123.91, 0.84%, 0.32%

LAB 54.32, -56.68, 52.3

 

CMYK 0 / 58 / 8 / 3

HEX #F768E4

RGB 247 104 228

HSL 307.97, 0.9%, 0.69%

LAB 65.96, 69.12, -37.01

 

CMYK 0 / 52 / 3 / 0

HEX #FF7AF7

RGB 255 122 247

HSL 303.61, 1%, 0.74%

LAB 70.8, 66.36, -39.87

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 57 / 4 / 5

HEX #F268E9

RGB 242 104 233

HSL 303.91, 0.84%, 0.68%

LAB 65.48, 68.63, -40.59

 

CMYK 0 / 62 / 5 / 12

HEX #E156D6

RGB 225 86 214

HSL 304.75, 0.7%, 0.61%

LAB 59.45, 68.81, -39.58

 

CMYK 0 / 67 / 6 / 18

HEX #D044C3

RGB 208 68 195

HSL 305.57, 0.6%, 0.54%

LAB 53.48, 68.65, -38.31

 

CMYK 0 / 74 / 8 / 25

HEX #BF32B0

RGB 191 50 176

HSL 306.38, 0.59%, 0.47%

LAB 47.61, 67.98, -36.66

 

CMYK 0 / 82 / 10 / 32

HEX #AE209D

RGB 174 32 157

HSL 307.18, 0.69%, 0.4%

LAB 41.95, 66.51, -34.48

 

CMYK 0 / 57 / 3 / 5

HEX #F168E9

RGB 241 104 233

HSL 303.5, 0.83%, 0.68%

LAB 65.35, 68.37, -40.82

 

CMYK 0 / 57 / 19 / 5

HEX #F168C4

RGB 241 104 196

HSL 319.71, 0.83%, 0.68%

LAB 63.83, 62.73, -22.44

 

CMYK 0 / 57 / 34 / 5

HEX #F1689F

RGB 241 104 159

HSL 335.91, 0.83%, 0.68%

LAB 62.6, 57.96, -3.17

 

CMYK 0 / 57 / 49 / 5

HEX #F1687A

RGB 241 104 122

HSL 352.12, 0.83%, 0.68%

LAB 61.66, 54.2, 16.81

 

CMYK 0 / 57 / 57 / 5

HEX #F16868

RGB 241 104 104

HSL 0, 0.83%, 0.68%

LAB 61.31, 52.76, 26.65

 

CMYK 0 / 57 / 3 / 5

HEX #F168E9

RGB 241 104 233

HSL 303.5, 0.83%, 0.68%

LAB 65.35, 68.37, -40.82

 

CMYK 12 / 57 / 0 / 5

HEX #D568F1

RGB 213 104 241

HSL 287.74, 0.83%, 0.68%

LAB 62, 62.72, -50.79

 

CMYK 27 / 57 / 0 / 5

HEX #B068F1

RGB 176 104 241

HSL 271.53, 0.83%, 0.68%

LAB 57.54, 53.7, -58.15

 

CMYK 42 / 57 / 0 / 5

HEX #8B68F1

RGB 139 104 241

HSL 255.33, 0.83%, 0.68%

LAB 53.75, 45.27, -64.44

 

CMYK 57 / 57 / 0 / 5

HEX #6868F1

RGB 104 104 241

HSL 240, 0.83%, 0.68%

LAB 50.91, 38.37, -69.16

 

CMYK 0 / 57 / 3 / 5

HEX #F168E9

RGB 241 104 233

HSL 303.5, 0.83%, 0.68%

LAB 65.35, 68.37, -40.82

 

CMYK 0 / 57 / 3 / 5

HEX #F168E9

RGB 241 104 233

HSL 303.5, 0.83%, 0.68%

LAB 65.35, 68.37, -40.82

 

CMYK 0 / 48 / 3 / 11

HEX #E476DD

RGB 228 118 221

HSL 303.82, 0.67%, 0.68%

LAB 65.49, 56.43, -34.05

 

CMYK 0 / 39 / 2 / 16

HEX #D783D2

RGB 215 131 210

HSL 303.57, 0.51%, 0.68%

LAB 66.01, 44.07, -27.25

 

CMYK 0 / 29 / 2 / 21

HEX #CA90C6

RGB 202 144 198

HSL 304.14, 0.35%, 0.68%

LAB 66.96, 30.73, -19.22

 

CMYK 0 / 17 / 1 / 26

HEX #BD9DBB

RGB 189 157 187

HSL 303.75, 0.2%, 0.68%

LAB 68.4, 17.07, -11.04

 

CMYK 27 / 57 / 0 / 5

HEX #AF68F1

RGB 175 104 241

HSL 271.09, 0.83%, 0.68%

LAB 57.43, 53.46, -58.33

 

CMYK 12 / 57 / 0 / 5

HEX #D468F1

RGB 212 104 241

HSL 287.3, 0.83%, 0.68%

LAB 61.87, 62.48, -51

 

CMYK 0 / 57 / 2 / 5

HEX #F168EB

RGB 241 104 235

HSL 302.63, 0.83%, 0.68%

LAB 65.44, 68.7, -41.79

 

CMYK 0 / 57 / 18 / 5

HEX #F168C6

RGB 241 104 198

HSL 318.83, 0.83%, 0.68%

LAB 63.9, 63.01, -23.45

 

CMYK 0 / 57 / 33 / 5

HEX #F168A1

RGB 241 104 161

HSL 335.04, 0.83%, 0.68%

LAB 62.65, 58.2, -4.23

 

CMYK 0 / 88 / 6 / 8

HEX #EB1CDD

RGB 235 28 221

HSL 304.06, 0.84%, 0.52%

LAB 55.8, 87.94, -49.21

 

CMYK 0 / 72 / 5 / 7

HEX #EE42E3

RGB 238 66 227

HSL 303.84, 0.83%, 0.6%

LAB 59.54, 80.88, -46.63

 

CMYK 0 / 57 / 3 / 5

HEX #F168E9

RGB 241 104 233

HSL 303.5, 0.83%, 0.68%

LAB 65.35, 68.37, -40.82

 

CMYK 0 / 42 / 3 / 4

HEX #F58EEE

RGB 245 142 238

HSL 304.08, 0.84%, 0.76%

LAB 72.85, 52.44, -31.87

 

CMYK 0 / 27 / 2 / 3

HEX #F8B4F4

RGB 248 180 244

HSL 303.53, 0.83%, 0.84%

LAB 81.36, 34.77, -22.06

 

CMYK 0 / 57 / 4 / 5

HEX #F268E9

RGB 242 104 233

HSL 303.91, 0.84%, 0.68%

LAB 65.48, 68.63, -40.59

 

CMYK 0 / 42 / 57 / 5

HEX #F18B68

RGB 241 139 104

HSL 15.33, 0.83%, 0.68%

LAB 68.14, 35.51, 35.44

 

CMYK 57 / 0 / 20 / 5

HEX #68F1C1

RGB 104 241 193

HSL 158.98, 0.83%, 0.68%

LAB 86.85, -48.53, 12.06

 

CMYK 0 / 57 / 4 / 5

HEX #F268E9

RGB 242 104 233

HSL 303.91, 0.84%, 0.68%

LAB 65.48, 68.63, -40.59

 

CMYK 2 / 0 / 57 / 5

HEX #EBF168

RGB 235 241 104

HSL 62.63, 0.83%, 0.68%

LAB 92.39, -19.52, 64

 

CMYK 57 / 2 / 0 / 5

HEX #68EBF1

RGB 104 235 241

HSL 182.63, 0.83%, 0.68%

LAB 86.36, -34.13, -13.8

 

CMYK 0 / 57 / 4 / 5

HEX #F268E9

RGB 242 104 233

HSL 303.91, 0.84%, 0.68%

LAB 65.48, 68.63, -40.59

 

CMYK 0 / 42 / 57 / 5

HEX #F18B68

RGB 241 139 104

HSL 15.33, 0.83%, 0.68%

LAB 68.14, 35.51, 35.44

 

CMYK 57 / 0 / 54 / 5

HEX #68F16F

RGB 104 241 111

HSL 123.07, 0.83%, 0.68%

LAB 85.5, -62.72, 51.15

 

CMYK 57 / 14 / 0 / 5

HEX #68CFF1

RGB 104 207 241

HSL 194.89, 0.83%, 0.68%

LAB 78.41, -20.47, -25.82

 

CMYK 0 / 57 / 4 / 5

HEX #F268E9

RGB 242 104 233

HSL 303.91, 0.84%, 0.68%

LAB 65.48, 68.63, -40.59

 

CMYK 0 / 25 / 57 / 5

HEX #F1B468

RGB 241 180 104

HSL 33.28, 0.83%, 0.68%

LAB 77.49, 13.94, 46.93

 

CMYK 57 / 0 / 54 / 5

HEX #68F16F

RGB 104 241 111

HSL 123.07, 0.83%, 0.68%

LAB 85.5, -62.72, 51.15

 

CMYK 57 / 31 / 0 / 5

HEX #68A6F1

RGB 104 166 241

HSL 212.85, 0.83%, 0.68%

LAB 66.95, 1.59, -43.57

 

Description

Color code: HEX #F268E9 | qconv.com Color code: HEX #F268E9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 104 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 104 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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