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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2888B it is the complementary color #0D7774. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2888B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2888B shade: #F78886, #FF9A99, #FFACAC, #FFBEBF and #FFD0D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2888B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2888B shade: #F2888B, #E17678, #D06465, #BF5252 and #AE403F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2888B shade: #F1878A and #F18787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2888B shade: #F1878A, #F187A7, #F187C3, #F187E0 and #E687F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2888B shade matches the following richer shades: #F1878A and #FC7C80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2888B shade: #F1878A, #E79294, #DC9D9E, #D1A7A9 and #C6B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2888B shade: #F187C3, #F187A7, #F1878B, #F1A087 and #F1BC87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2888B shade: #E93D42, #ED6266, #F1878A, #F5ACAE and #F9D1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2888B shade: #F2888B, #E0F187 and #87B5F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2888B shade: #F2888B, #8BF187 and #878BF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2888B shade: #F2888B, #E0F187, #87F1EE and #9987F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2888B shade: #F2888B, #C0F187, #87F1EE and #B987F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 43 / 5

HEX #F2888B

RGB 242 136 139

HSL 358.3, 0.8%, 0.74%

LAB 68.28, 40.58, 16.35

 

Complementary color

CMYK 89 / 0 / 3 / 53

HEX #0D7774

RGB 13 119 116

HSL 178.3, 0.8%, 0.26%

LAB 45, -27.55, -6.21

 

CMYK 0 / 45 / 46 / 3

HEX #F78886

RGB 247 136 134

HSL 1.06, 0.88%, 0.75%

LAB 68.83, 41.9, 20

 

CMYK 0 / 40 / 40 / 0

HEX #FF9A99

RGB 255 154 153

HSL 0.59, 1%, 0.8%

LAB 73.98, 37.58, 16.76

 

CMYK 0 / 33 / 33 / 0

HEX #FFACAC

RGB 255 172 172

HSL 0, 1%, 0.84%

LAB 78.31, 30.44, 12.47

 

CMYK 0 / 25 / 25 / 0

HEX #FFBEBF

RGB 255 190 191

HSL 359.08, 1%, 0.87%

LAB 82.83, 23.49, 8.66

 

CMYK 0 / 18 / 18 / 0

HEX #FFD0D2

RGB 255 208 210

HSL 357.45, 1%, 0.91%

LAB 87.5, 16.81, 5.25

 

CMYK 0 / 44 / 43 / 5

HEX #F2888B

RGB 242 136 139

HSL 358.3, 0.8%, 0.74%

LAB 68.28, 40.58, 16.35

 

CMYK 0 / 48 / 47 / 12

HEX #E17678

RGB 225 118 120

HSL 358.88, 0.64%, 0.67%

LAB 61.93, 41.64, 17.96

 

CMYK 0 / 52 / 51 / 18

HEX #D06465

RGB 208 100 101

HSL 359.44, 0.53%, 0.6%

LAB 55.55, 42.74, 19.82

 

CMYK 0 / 57 / 57 / 25

HEX #BF5252

RGB 191 82 82

HSL 0, 0.46%, 0.54%

LAB 49.15, 43.84, 22.01

 

CMYK 0 / 63 / 64 / 32

HEX #AE403F

RGB 174 64 63

HSL 0.54, 0.47%, 0.46%

LAB 42.8, 44.87, 24.63

 

CMYK 0 / 44 / 43 / 5

HEX #F1878A

RGB 241 135 138

HSL 358.3, 0.79%, 0.74%

LAB 67.92, 40.63, 16.39

 

CMYK 0 / 44 / 44 / 5

HEX #F18787

RGB 241 135 135

HSL 0, 0.79%, 0.74%

LAB 67.86, 40.32, 17.98

 

CMYK 0 / 44 / 43 / 5

HEX #F1878A

RGB 241 135 138

HSL 358.3, 0.79%, 0.74%

LAB 67.92, 40.63, 16.39

 

CMYK 0 / 44 / 31 / 5

HEX #F187A7

RGB 241 135 167

HSL 341.89, 0.79%, 0.74%

LAB 68.62, 43.97, 1.1

 

CMYK 0 / 44 / 19 / 5

HEX #F187C3

RGB 241 135 195

HSL 326.04, 0.79%, 0.74%

LAB 69.45, 47.82, -13.35

 

CMYK 0 / 44 / 7 / 5

HEX #F187E0

RGB 241 135 224

HSL 309.62, 0.79%, 0.74%

LAB 70.46, 52.37, -27.9

 

CMYK 5 / 44 / 0 / 5

HEX #E687F1

RGB 230 135 241

HSL 293.77, 0.79%, 0.74%

LAB 69.83, 52.14, -38.34

 

CMYK 0 / 44 / 43 / 5

HEX #F1878A

RGB 241 135 138

HSL 358.3, 0.79%, 0.74%

LAB 67.92, 40.63, 16.39

 

CMYK 0 / 51 / 49 / 1

HEX #FC7C80

RGB 252 124 128

HSL 358.13, 0.96%, 0.74%

LAB 67.03, 49.08, 21.01

 

CMYK 0 / 44 / 43 / 5

HEX #F1878A

RGB 241 135 138

HSL 358.3, 0.79%, 0.74%

LAB 67.92, 40.63, 16.39

 

CMYK 0 / 37 / 36 / 9

HEX #E79294

RGB 231 146 148

HSL 358.59, 0.64%, 0.74%

LAB 69.24, 32.33, 12.47

 

CMYK 0 / 29 / 28 / 14

HEX #DC9D9E

RGB 220 157 158

HSL 359.05, 0.47%, 0.74%

LAB 70.73, 23.62, 8.85

 

CMYK 0 / 20 / 19 / 18

HEX #D1A7A9

RGB 209 167 169

HSL 357.14, 0.31%, 0.74%

LAB 72.27, 15.7, 4.83

 

CMYK 0 / 10 / 10 / 22

HEX #C6B2B3

RGB 198 178 179

HSL 357, 0.15%, 0.74%

LAB 74.25, 7.33, 2.09

 

CMYK 0 / 44 / 19 / 5

HEX #F187C3

RGB 241 135 195

HSL 326.04, 0.79%, 0.74%

LAB 69.45, 47.82, -13.35

 

CMYK 0 / 44 / 31 / 5

HEX #F187A7

RGB 241 135 167

HSL 341.89, 0.79%, 0.74%

LAB 68.62, 43.97, 1.1

 

CMYK 0 / 44 / 42 / 5

HEX #F1878B

RGB 241 135 139

HSL 357.74, 0.79%, 0.74%

LAB 67.94, 40.73, 15.86

 

CMYK 0 / 34 / 44 / 5

HEX #F1A087

RGB 241 160 135

HSL 14.15, 0.79%, 0.74%

LAB 73.28, 27.28, 25.37

 

CMYK 0 / 22 / 44 / 5

HEX #F1BC87

RGB 241 188 135

HSL 30, 0.79%, 0.74%

LAB 79.85, 12.49, 34.08

 

CMYK 0 / 74 / 72 / 9

HEX #E93D42

RGB 233 61 66

HSL 358.26, 0.8%, 0.58%

LAB 53.01, 65.17, 37.71

 

CMYK 0 / 59 / 57 / 7

HEX #ED6266

RGB 237 98 102

HSL 358.27, 0.79%, 0.66%

LAB 59.62, 53.97, 25.45

 

CMYK 0 / 44 / 43 / 5

HEX #F1878A

RGB 241 135 138

HSL 358.3, 0.79%, 0.74%

LAB 67.92, 40.63, 16.39

 

CMYK 0 / 30 / 29 / 4

HEX #F5ACAE

RGB 245 172 174

HSL 358.36, 0.78%, 0.82%

LAB 77.26, 27.03, 9.75

 

CMYK 0 / 16 / 15 / 2

HEX #F9D1D3

RGB 249 209 211

HSL 357, 0.77%, 0.9%

LAB 87.21, 14.31, 4.24

 

CMYK 0 / 44 / 43 / 5

HEX #F2888B

RGB 242 136 139

HSL 358.3, 0.8%, 0.74%

LAB 68.28, 40.58, 16.35

 

CMYK 7 / 0 / 44 / 5

HEX #E0F187

RGB 224 241 135

HSL 69.62, 0.79%, 0.74%

LAB 91.91, -21.11, 49.11

 

CMYK 44 / 25 / 0 / 5

HEX #87B5F1

RGB 135 181 241

HSL 213.96, 0.79%, 0.74%

LAB 72.59, 0.15, -34.66

 

CMYK 0 / 44 / 43 / 5

HEX #F2888B

RGB 242 136 139

HSL 358.3, 0.8%, 0.74%

LAB 68.28, 40.58, 16.35

 

CMYK 42 / 0 / 44 / 5

HEX #8BF187

RGB 139 241 135

HSL 117.74, 0.79%, 0.74%

LAB 87.07, -50.35, 42

 

CMYK 44 / 42 / 0 / 5

HEX #878BF1

RGB 135 139 241

HSL 237.74, 0.79%, 0.74%

LAB 61.63, 24.13, -51.86

 

CMYK 0 / 44 / 43 / 5

HEX #F2888B

RGB 242 136 139

HSL 358.3, 0.8%, 0.74%

LAB 68.28, 40.58, 16.35

 

CMYK 7 / 0 / 44 / 5

HEX #E0F187

RGB 224 241 135

HSL 69.62, 0.79%, 0.74%

LAB 91.91, -21.11, 49.11

 

CMYK 44 / 0 / 1 / 5

HEX #87F1EE

RGB 135 241 238

HSL 178.3, 0.79%, 0.74%

LAB 89.03, -31.38, -8.14

 

CMYK 37 / 44 / 0 / 5

HEX #9987F1

RGB 153 135 241

HSL 250.19, 0.79%, 0.74%

LAB 62.04, 30.91, -51.11

 

CMYK 0 / 44 / 43 / 5

HEX #F2888B

RGB 242 136 139

HSL 358.3, 0.8%, 0.74%

LAB 68.28, 40.58, 16.35

 

CMYK 20 / 0 / 44 / 5

HEX #C0F187

RGB 192 241 135

HSL 87.74, 0.79%, 0.74%

LAB 89.8, -32.98, 46.02

 

CMYK 44 / 0 / 1 / 5

HEX #87F1EE

RGB 135 241 238

HSL 178.3, 0.79%, 0.74%

LAB 89.03, -31.38, -8.14

 

CMYK 23 / 44 / 0 / 5

HEX #B987F1

RGB 185 135 241

HSL 268.3, 0.79%, 0.74%

LAB 64.96, 39.44, -46.31

 

Description

Color code: HEX #F2888B | qconv.com Color code: HEX #F2888B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 136 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 136 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 43 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 43% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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