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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F296DE it is the complementary color #0D6921. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F296DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F296DE shade: #F796D9, #FFA8EC, #FFBAFF, #FFCCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F296DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F296DE shade: #F296DE, #E184CB, #D072B8, #BF60A5 and #AE4E92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F296DE shade: #F296DE, #F296C5, #F296AC and #F29696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F296DE shade: #F296DE, #ED96F2, #D496F2, #BB96F2 and #A396F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F296DE shade matches the following richer shades: #F296DE and #FB8DE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F296DE shade: #F296DE, #E8A0D8, #DFA9D3, #D5B3CE and #CCBCC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F296DE shade: #D596F2, #ED96F2, #F296DE, #F296C5 and #F296AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F296DE shade: #E94DC7, #ED71D2, #F296DE, #F6BBE9 and #FBE0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F296DE shade: #F296DE, #F2BC96 and #96F2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F296DE shade: #F296DE, #DEF296 and #96DEF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F296DE shade: #F296DE, #F2BC96, #96F2AA and #96CBF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F296DE shade: #F296DE, #F2D896, #96F2AA and #96B0F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

Complementary color

CMYK 88 / 0 / 69 / 59

HEX #0D6921

RGB 13 105 33

HSL 133.04, 0.78%, 0.23%

LAB 38.37, -41.06, 32.43

 

CMYK 0 / 39 / 12 / 3

HEX #F796D9

RGB 247 150 217

HSL 318.56, 0.86%, 0.78%

LAB 73.93, 45.5, -18.69

 

CMYK 0 / 34 / 7 / 0

HEX #FFA8EC

RGB 255 168 236

HSL 313.1, 1%, 0.83%

LAB 79.23, 41.9, -20.92

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 41 / 10 / 12

HEX #E184CB

RGB 225 132 203

HSL 314.19, 0.61%, 0.7%

LAB 67.14, 45.47, -21.49

 

CMYK 0 / 45 / 12 / 18

HEX #D072B8

RGB 208 114 184

HSL 315.32, 0.5%, 0.63%

LAB 60.7, 46.22, -20.8

 

CMYK 0 / 50 / 14 / 25

HEX #BF60A5

RGB 191 96 165

HSL 316.42, 0.43%, 0.56%

LAB 54.2, 46.93, -19.99

 

CMYK 0 / 55 / 16 / 32

HEX #AE4E92

RGB 174 78 146

HSL 317.5, 0.38%, 0.49%

LAB 47.65, 47.56, -19

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 38 / 19 / 5

HEX #F296C5

RGB 242 150 197

HSL 329.35, 0.78%, 0.77%

LAB 72.71, 40.77, -9.57

 

CMYK 0 / 38 / 29 / 5

HEX #F296AC

RGB 242 150 172

HSL 345.65, 0.78%, 0.77%

LAB 72.01, 37.24, 3.25

 

CMYK 0 / 38 / 38 / 5

HEX #F29696

RGB 242 150 150

HSL 0, 0.78%, 0.77%

LAB 71.48, 34.54, 14.7

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 2 / 38 / 0 / 5

HEX #ED96F2

RGB 237 150 242

HSL 296.74, 0.78%, 0.77%

LAB 73.69, 46.69, -32.82

 

CMYK 12 / 38 / 0 / 5

HEX #D496F2

RGB 212 150 242

HSL 280.43, 0.78%, 0.77%

LAB 71.02, 39.23, -37.17

 

CMYK 23 / 38 / 0 / 5

HEX #BB96F2

RGB 187 150 242

HSL 264.13, 0.78%, 0.77%

LAB 68.6, 31.94, -41.14

 

CMYK 33 / 38 / 0 / 5

HEX #A396F2

RGB 163 150 242

HSL 248.48, 0.78%, 0.77%

LAB 66.53, 25.23, -44.53

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 44 / 10 / 2

HEX #FB8DE3

RGB 251 141 227

HSL 313.09, 0.93%, 0.77%

LAB 72.96, 52.9, -25.61

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 31 / 7 / 9

HEX #E8A0D8

RGB 232 160 216

HSL 313.33, 0.61%, 0.77%

LAB 74.35, 35.24, -17.67

 

CMYK 0 / 24 / 5 / 13

HEX #DFA9D3

RGB 223 169 211

HSL 313.33, 0.46%, 0.77%

LAB 75.31, 26.54, -13.59

 

CMYK 0 / 16 / 3 / 16

HEX #D5B3CE

RGB 213 179 206

HSL 312.35, 0.29%, 0.77%

LAB 76.58, 16.83, -9.05

 

CMYK 0 / 8 / 2 / 20

HEX #CCBCC8

RGB 204 188 200

HSL 315, 0.14%, 0.77%

LAB 77.86, 7.78, -4

 

CMYK 12 / 38 / 0 / 5

HEX #D596F2

RGB 213 150 242

HSL 281.09, 0.78%, 0.77%

LAB 71.13, 39.53, -37.01

 

CMYK 2 / 38 / 0 / 5

HEX #ED96F2

RGB 237 150 242

HSL 296.74, 0.78%, 0.77%

LAB 73.69, 46.69, -32.82

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 38 / 19 / 5

HEX #F296C5

RGB 242 150 197

HSL 329.35, 0.78%, 0.77%

LAB 72.71, 40.77, -9.57

 

CMYK 0 / 38 / 29 / 5

HEX #F296AD

RGB 242 150 173

HSL 345, 0.78%, 0.77%

LAB 72.03, 37.38, 2.73

 

CMYK 0 / 67 / 15 / 9

HEX #E94DC7

RGB 233 77 199

HSL 313.08, 0.78%, 0.61%

LAB 58.75, 71.99, -32.07

 

CMYK 0 / 52 / 11 / 7

HEX #ED71D2

RGB 237 113 210

HSL 313.06, 0.78%, 0.69%

LAB 65.33, 59.58, -28.05

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 24 / 5 / 4

HEX #F6BBE9

RGB 246 187 233

HSL 313.22, 0.77%, 0.85%

LAB 82.39, 28.49, -14.63

 

CMYK 0 / 11 / 2 / 2

HEX #FBE0F5

RGB 251 224 245

HSL 313.33, 0.77%, 0.93%

LAB 91.87, 12.81, -6.81

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 22 / 38 / 5

HEX #F2BC96

RGB 242 188 150

HSL 24.78, 0.78%, 0.77%

LAB 80.21, 14.49, 26.69

 

CMYK 38 / 0 / 7 / 5

HEX #96F2E1

RGB 150 242 225

HSL 168.91, 0.78%, 0.77%

LAB 89.59, -31.23, -0.45

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 8 / 0 / 38 / 5

HEX #DEF296

RGB 222 242 150

HSL 73.04, 0.78%, 0.77%

LAB 92.24, -20.71, 42.21

 

CMYK 38 / 8 / 0 / 5

HEX #96DEF2

RGB 150 222 242

HSL 193.04, 0.78%, 0.77%

LAB 84.55, -17.46, -16.86

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 22 / 38 / 5

HEX #F2BC96

RGB 242 188 150

HSL 24.78, 0.78%, 0.77%

LAB 80.21, 14.49, 26.69

 

CMYK 38 / 0 / 30 / 5

HEX #96F2AA

RGB 150 242 170

HSL 133.04, 0.78%, 0.77%

LAB 88.4, -42.13, 26.33

 

CMYK 38 / 16 / 0 / 5

HEX #96CBF2

RGB 150 203 242

HSL 205.43, 0.78%, 0.77%

LAB 79.39, -7.64, -24.68

 

CMYK 0 / 38 / 8 / 5

HEX #F296DE

RGB 242 150 222

HSL 313.04, 0.78%, 0.77%

LAB 73.52, 44.73, -22.11

 

CMYK 0 / 11 / 38 / 5

HEX #F2D896

RGB 242 216 150

HSL 43.04, 0.78%, 0.77%

LAB 87.09, -0.08, 35.84

 

CMYK 38 / 0 / 30 / 5

HEX #96F2AA

RGB 150 242 170

HSL 133.04, 0.78%, 0.77%

LAB 88.4, -42.13, 26.33

 

CMYK 38 / 27 / 0 / 5

HEX #96B0F2

RGB 150 176 242

HSL 223.04, 0.78%, 0.77%

LAB 72.19, 7.03, -35.75

 

Description

Color code: HEX #F296DE | qconv.com Color code: HEX #F296DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 150 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 150 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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