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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2A1E2 it is the complementary color #0D5E1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2A1E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2A1E2 shade: #F7A1DD, #FFB3F0, #FFC5FF, #FFD7FF and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2A1E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2A1E2 shade: #F2A1E2, #E18FCF, #D07DBC, #BF6BA9 and #AE5996

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2A1E2 shade: #F2A0E2, #F2A0CC, #F2A0B6 and #F2A0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2A1E2 shade: #F2A0E2, #ECA0F2, #D6A0F2, #C0A0F2 and #AAA0F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2A1E2 shade matches the following richer shades: #F2A0E2 and #FA98E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2A1E2 shade: #F2A0E2, #E9A9DC, #E0B2D7, #D8BAD2 and #CFC3CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2A1E2 shade: #D5A0F2, #EBA0F2, #F2A0E3, #F2A0CD and #F2A0B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2A1E2 shade: #E858CB, #ED7CD6, #F2A0E2, #F7C5ED and #FCE9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2A1E2 shade: #F2A1E2, #F2BFA0 and #A0F2E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2A1E2 shade: #F2A1E2, #E3F2A0 and #A0E3F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2A1E2 shade: #F2A1E2, #F2BFA0, #A0F2AF and #A0D2F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2A1E2 shade: #F2A1E2, #F2D8A0, #A0F2AF and #A0BAF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 7 / 5

HEX #F2A1E2

RGB 242 161 226

HSL 311.85, 0.76%, 0.79%

LAB 75.98, 39.68, -20.56

 

Complementary color

CMYK 86 / 0 / 69 / 63

HEX #0D5E1D

RGB 13 94 29

HSL 131.85, 0.76%, 0.21%

LAB 34.35, -37.64, 29.9

 

CMYK 0 / 35 / 11 / 3

HEX #F7A1DD

RGB 247 161 221

HSL 318.14, 0.84%, 0.8%

LAB 76.37, 40.47, -17.2

 

CMYK 0 / 30 / 6 / 0

HEX #FFB3F0

RGB 255 179 240

HSL 311.84, 1%, 0.85%

LAB 81.72, 36.85, -19.29

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 33 / 7 / 5

HEX #F2A1E2

RGB 242 161 226

HSL 311.85, 0.76%, 0.79%

LAB 75.98, 39.68, -20.56

 

CMYK 0 / 36 / 8 / 12

HEX #E18FCF

RGB 225 143 207

HSL 313.17, 0.58%, 0.72%

LAB 69.58, 40.41, -20.01

 

CMYK 0 / 40 / 10 / 18

HEX #D07DBC

RGB 208 125 188

HSL 314.46, 0.47%, 0.65%

LAB 63.1, 41.16, -19.41

 

CMYK 0 / 44 / 12 / 25

HEX #BF6BA9

RGB 191 107 169

HSL 315.71, 0.4%, 0.58%

LAB 56.54, 41.92, -18.73

 

CMYK 0 / 49 / 14 / 32

HEX #AE5996

RGB 174 89 150

HSL 316.94, 0.34%, 0.52%

LAB 49.91, 42.67, -17.93

 

CMYK 0 / 34 / 7 / 5

HEX #F2A0E2

RGB 242 160 226

HSL 311.71, 0.76%, 0.79%

LAB 75.77, 40.21, -20.88

 

CMYK 0 / 34 / 16 / 5

HEX #F2A0CC

RGB 242 160 204

HSL 327.8, 0.76%, 0.79%

LAB 75.06, 36.61, -9.91

 

CMYK 0 / 34 / 25 / 5

HEX #F2A0B6

RGB 242 160 182

HSL 343.9, 0.76%, 0.79%

LAB 74.44, 33.36, 1.26

 

CMYK 0 / 34 / 34 / 5

HEX #F2A0A0

RGB 242 160 160

HSL 0, 0.76%, 0.79%

LAB 73.91, 30.48, 12.59

 

CMYK 0 / 34 / 7 / 5

HEX #F2A0E2

RGB 242 160 226

HSL 311.71, 0.76%, 0.79%

LAB 75.77, 40.21, -20.88

 

CMYK 2 / 34 / 0 / 5

HEX #ECA0F2

RGB 236 160 242

HSL 295.61, 0.76%, 0.79%

LAB 75.69, 41.17, -29.75

 

CMYK 12 / 34 / 0 / 5

HEX #D6A0F2

RGB 214 160 242

HSL 279.51, 0.76%, 0.79%

LAB 73.45, 34.44, -33.4

 

CMYK 21 / 34 / 0 / 5

HEX #C0A0F2

RGB 192 160 242

HSL 263.41, 0.76%, 0.79%

LAB 71.39, 27.84, -36.75

 

CMYK 30 / 34 / 0 / 5

HEX #AAA0F2

RGB 170 160 242

HSL 247.32, 0.76%, 0.79%

LAB 69.54, 21.5, -39.77

 

CMYK 0 / 34 / 7 / 5

HEX #F2A0E2

RGB 242 160 226

HSL 311.71, 0.76%, 0.79%

LAB 75.77, 40.21, -20.88

 

CMYK 0 / 39 / 8 / 2

HEX #FA98E7

RGB 250 152 231

HSL 311.63, 0.91%, 0.79%

LAB 75.17, 47.71, -24.43

 

CMYK 0 / 34 / 7 / 5

HEX #F2A0E2

RGB 242 160 226

HSL 311.71, 0.76%, 0.79%

LAB 75.77, 40.21, -20.88

 

CMYK 0 / 27 / 6 / 9

HEX #E9A9DC

RGB 233 169 220

HSL 312.19, 0.59%, 0.79%

LAB 76.6, 31.47, -16.45

 

CMYK 0 / 21 / 4 / 12

HEX #E0B2D7

RGB 224 178 215

HSL 311.74, 0.43%, 0.79%

LAB 77.63, 22.75, -12.27

 

CMYK 0 / 14 / 3 / 15

HEX #D8BAD2

RGB 216 186 210

HSL 312, 0.28%, 0.79%

LAB 78.68, 14.81, -8.08

 

CMYK 0 / 6 / 1 / 19

HEX #CFC3CD

RGB 207 195 205

HSL 310, 0.11%, 0.79%

LAB 80.01, 5.98, -3.5

 

CMYK 12 / 34 / 0 / 5

HEX #D5A0F2

RGB 213 160 242

HSL 278.78, 0.76%, 0.79%

LAB 73.35, 34.14, -33.56

 

CMYK 3 / 34 / 0 / 5

HEX #EBA0F2

RGB 235 160 242

HSL 294.88, 0.76%, 0.79%

LAB 75.58, 40.86, -29.93

 

CMYK 0 / 34 / 6 / 5

HEX #F2A0E3

RGB 242 160 227

HSL 310.98, 0.76%, 0.79%

LAB 75.8, 40.38, -21.37

 

CMYK 0 / 34 / 15 / 5

HEX #F2A0CD

RGB 242 160 205

HSL 327.07, 0.76%, 0.79%

LAB 75.09, 36.77, -10.42

 

CMYK 0 / 34 / 24 / 5

HEX #F2A0B7

RGB 242 160 183

HSL 343.17, 0.76%, 0.79%

LAB 74.47, 33.5, 0.75

 

CMYK 0 / 62 / 13 / 9

HEX #E858CB

RGB 232 88 203

HSL 312.08, 0.76%, 0.63%

LAB 60.29, 68.08, -31.96

 

CMYK 0 / 48 / 10 / 7

HEX #ED7CD6

RGB 237 124 214

HSL 312.21, 0.76%, 0.71%

LAB 67.48, 54.97, -26.98

 

CMYK 0 / 34 / 7 / 5

HEX #F2A0E2

RGB 242 160 226

HSL 311.71, 0.76%, 0.79%

LAB 75.77, 40.21, -20.88

 

CMYK 0 / 20 / 4 / 3

HEX #F7C5ED

RGB 247 197 237

HSL 312, 0.76%, 0.87%

LAB 84.91, 24.23, -12.99

 

CMYK 0 / 8 / 2 / 1

HEX #FCE9F8

RGB 252 233 248

HSL 312.63, 0.76%, 0.95%

LAB 94.21, 9.01, -4.92

 

CMYK 0 / 33 / 7 / 5

HEX #F2A1E2

RGB 242 161 226

HSL 311.85, 0.76%, 0.79%

LAB 75.98, 39.68, -20.56

 

CMYK 0 / 21 / 34 / 5

HEX #F2BFA0

RGB 242 191 160

HSL 22.68, 0.76%, 0.79%

LAB 81.11, 14.09, 22.62

 

CMYK 34 / 0 / 7 / 5

HEX #A0F2E0

RGB 160 242 224

HSL 166.83, 0.76%, 0.79%

LAB 90.03, -28.8, 0.76

 

CMYK 0 / 33 / 7 / 5

HEX #F2A1E2

RGB 242 161 226

HSL 311.85, 0.76%, 0.79%

LAB 75.98, 39.68, -20.56

 

CMYK 6 / 0 / 34 / 5

HEX #E3F2A0

RGB 227 242 160

HSL 70.98, 0.76%, 0.79%

LAB 92.74, -17.65, 37.98

 

CMYK 34 / 6 / 0 / 5

HEX #A0E3F2

RGB 160 227 242

HSL 190.98, 0.76%, 0.79%

LAB 86.42, -17.37, -14.01

 

CMYK 0 / 33 / 7 / 5

HEX #F2A1E2

RGB 242 161 226

HSL 311.85, 0.76%, 0.79%

LAB 75.98, 39.68, -20.56

 

CMYK 0 / 21 / 34 / 5

HEX #F2BFA0

RGB 242 191 160

HSL 22.68, 0.76%, 0.79%

LAB 81.11, 14.09, 22.62

 

CMYK 34 / 0 / 28 / 5

HEX #A0F2AF

RGB 160 242 175

HSL 130.98, 0.76%, 0.79%

LAB 88.96, -38.32, 24.62

 

CMYK 34 / 13 / 0 / 5

HEX #A0D2F2

RGB 160 210 242

HSL 203.41, 0.76%, 0.79%

LAB 81.83, -8.65, -20.93

 

CMYK 0 / 33 / 7 / 5

HEX #F2A1E2

RGB 242 161 226

HSL 311.85, 0.76%, 0.79%

LAB 75.98, 39.68, -20.56

 

CMYK 0 / 11 / 34 / 5

HEX #F2D8A0

RGB 242 216 160

HSL 40.98, 0.76%, 0.79%

LAB 87.25, 1.07, 30.94

 

CMYK 34 / 0 / 28 / 5

HEX #A0F2AF

RGB 160 242 175

HSL 130.98, 0.76%, 0.79%

LAB 88.96, -38.32, 24.62

 

CMYK 34 / 23 / 0 / 5

HEX #A0BAF2

RGB 160 186 242

HSL 220.98, 0.76%, 0.79%

LAB 75.45, 4.21, -30.66

 

Description

Color code: HEX #F2A1E2 | qconv.com Color code: HEX #F2A1E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 161 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 161 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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