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Color name
HEX #F2AA20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2AA20 it is the complementary color #0D55DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2AA20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2AA20 shade: #F7AA1B, #FFBC2E, #FFCE41, #FFE054 and #FFF267

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2AA20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2AA20 shade: #F2AA20, #E1980D, #D08600, #BF7400 and #AE6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2AA20 shade: #F2AA21, #F27221, #F23921 and #F22121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2AA20 shade: #F2AA21, #F2E221, #C9F221, #90F221 and #58F221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2AA20 shade matches the following richer shades: #F2AA21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2AA20 shade: #F2AA21, #DFA434, #CC9E47, #B9985A and #A6926D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2AA20 shade: #F23921, #F27121, #F2A921, #F2E021 and #CBF221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2AA20 shade: #B67B0A, #DD950C, #F2AA21, #F4B948 and #F6C86F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2AA20 shade: #F2AA20, #40F221 and #5521F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2AA20 shade: #F2AA20, #21F2A9 and #A921F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2AA20 shade: #F2AA20, #40F221, #216AF2 and #D221F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2AA20 shade: #F2AA20, #21F240, #216AF2 and #F221D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 87 / 5

HEX #F2AA20

RGB 242 170 32

HSL 39.43, 0.89%, 0.54%

LAB 74.65, 16.22, 72.96

 

Complementary color

CMYK 94 / 62 / 0 / 13

HEX #0D55DF

RGB 13 85 223

HSL 219.43, 0.89%, 0.46%

LAB 41.07, 34.23, -75.22

 

CMYK 0 / 31 / 89 / 3

HEX #F7AA1B

RGB 247 170 27

HSL 39, 0.93%, 0.54%

LAB 75.2, 18.24, 74.8

 

CMYK 0 / 26 / 82 / 0

HEX #FFBC2E

RGB 255 188 46

HSL 40.77, 1%, 0.59%

LAB 80.42, 12.65, 74.46

 

CMYK 0 / 19 / 75 / 0

HEX #FFCE41

RGB 255 206 65

HSL 44.53, 1%, 0.63%

LAB 84.89, 4, 72.25

 

CMYK 0 / 12 / 67 / 0

HEX #FFE054

RGB 255 224 84

HSL 49.12, 1%, 0.66%

LAB 89.49, -4.26, 69.65

 

CMYK 0 / 5 / 60 / 0

HEX #FFF267

RGB 255 242 103

HSL 54.87, 1%, 0.7%

LAB 94.2, -12.07, 66.88

 

CMYK 0 / 30 / 87 / 5

HEX #F2AA20

RGB 242 170 32

HSL 39.43, 0.89%, 0.54%

LAB 74.65, 16.22, 72.96

 

CMYK 0 / 32 / 94 / 12

HEX #E1980D

RGB 225 152 13

HSL 39.34, 0.89%, 0.47%

LAB 68.38, 18.18, 71.21

 

CMYK 0 / 36 / 100 / 18

HEX #D08600

RGB 208 134 0

HSL 38.65, 1%, 0.41%

LAB 62.05, 20.38, 67.76

 

CMYK 0 / 39 / 100 / 25

HEX #BF7400

RGB 191 116 0

HSL 36.44, 1%, 0.37%

LAB 55.65, 22.78, 62.55

 

CMYK 0 / 44 / 100 / 32

HEX #AE6200

RGB 174 98 0

HSL 33.79, 1%, 0.34%

LAB 49.17, 25.26, 57.3

 

CMYK 0 / 30 / 86 / 5

HEX #F2AA21

RGB 242 170 33

HSL 39.33, 0.89%, 0.54%

LAB 74.66, 16.24, 72.71

 

CMYK 0 / 53 / 86 / 5

HEX #F27221

RGB 242 114 33

HSL 23.25, 0.89%, 0.54%

LAB 62.53, 45.09, 62.99

 

CMYK 0 / 76 / 86 / 5

HEX #F23921

RGB 242 57 33

HSL 6.89, 0.89%, 0.54%

LAB 53.93, 68.04, 56.11

 

CMYK 0 / 86 / 86 / 5

HEX #F22121

RGB 242 33 33

HSL 0, 0.89%, 0.54%

LAB 51.92, 73.75, 54.5

 

CMYK 0 / 30 / 86 / 5

HEX #F2AA21

RGB 242 170 33

HSL 39.33, 0.89%, 0.54%

LAB 74.66, 16.24, 72.71

 

CMYK 0 / 7 / 86 / 5

HEX #F2E221

RGB 242 226 33

HSL 55.41, 0.89%, 0.54%

LAB 88.63, -12.54, 83.91

 

CMYK 17 / 0 / 86 / 5

HEX #C9F221

RGB 201 242 33

HSL 71.77, 0.89%, 0.54%

LAB 89.87, -36.9, 83.66

 

CMYK 40 / 0 / 86 / 5

HEX #90F221

RGB 144 242 33

HSL 88.13, 0.89%, 0.54%

LAB 86.77, -57.58, 79.82

 

CMYK 64 / 0 / 86 / 5

HEX #58F221

RGB 88 242 33

HSL 104.21, 0.89%, 0.54%

LAB 84.84, -72.71, 77.39

 

CMYK 0 / 30 / 86 / 5

HEX #F2AA21

RGB 242 170 33

HSL 39.33, 0.89%, 0.54%

LAB 74.66, 16.24, 72.71

 

CMYK 0 / 30 / 86 / 5

HEX #F2AA21

RGB 242 170 33

HSL 39.33, 0.89%, 0.54%

LAB 74.66, 16.24, 72.71

 

CMYK 0 / 26 / 77 / 13

HEX #DFA434

RGB 223 164 52

HSL 39.3, 0.73%, 0.54%

LAB 71.21, 11.86, 62.87

 

CMYK 0 / 23 / 65 / 20

HEX #CC9E47

RGB 204 158 71

HSL 39.25, 0.57%, 0.54%

LAB 67.83, 7.85, 50.75

 

CMYK 0 / 18 / 51 / 27

HEX #B9985A

RGB 185 152 90

HSL 39.16, 0.4%, 0.54%

LAB 64.57, 4.42, 37.02

 

CMYK 0 / 12 / 34 / 35

HEX #A6926D

RGB 166 146 109

HSL 38.95, 0.24%, 0.54%

LAB 61.45, 1.84, 22.38

 

CMYK 0 / 76 / 86 / 5

HEX #F23921

RGB 242 57 33

HSL 6.89, 0.89%, 0.54%

LAB 53.93, 68.04, 56.11

 

CMYK 0 / 53 / 86 / 5

HEX #F27121

RGB 242 113 33

HSL 22.97, 0.89%, 0.54%

LAB 62.34, 45.58, 62.84

 

CMYK 0 / 30 / 86 / 5

HEX #F2A921

RGB 242 169 33

HSL 39.04, 0.89%, 0.54%

LAB 74.42, 16.77, 72.52

 

CMYK 0 / 7 / 86 / 5

HEX #F2E021

RGB 242 224 33

HSL 54.83, 0.89%, 0.54%

LAB 88.11, -11.55, 83.5

 

CMYK 16 / 0 / 86 / 5

HEX #CBF221

RGB 203 242 33

HSL 71.2, 0.89%, 0.54%

LAB 90, -36.12, 83.82

 

CMYK 0 / 32 / 95 / 29

HEX #B67B0A

RGB 182 123 10

HSL 39.42, 0.9%, 0.38%

LAB 56.22, 15.06, 60.61

 

CMYK 0 / 33 / 95 / 13

HEX #DD950C

RGB 221 149 12

HSL 39.33, 0.9%, 0.46%

LAB 67.2, 18.05, 70.29

 

CMYK 0 / 30 / 86 / 5

HEX #F2AA21

RGB 242 170 33

HSL 39.33, 0.89%, 0.54%

LAB 74.66, 16.24, 72.71

 

CMYK 0 / 24 / 70 / 4

HEX #F4B948

RGB 244 185 72

HSL 39.42, 0.89%, 0.62%

LAB 78.69, 10.57, 63.07

 

CMYK 0 / 19 / 55 / 4

HEX #F6C86F

RGB 246 200 111

HSL 39.56, 0.88%, 0.7%

LAB 82.94, 6.07, 50.16

 

CMYK 0 / 30 / 87 / 5

HEX #F2AA20

RGB 242 170 32

HSL 39.43, 0.89%, 0.54%

LAB 74.65, 16.22, 72.96

 

CMYK 74 / 0 / 86 / 5

HEX #40F221

RGB 64 242 33

HSL 111.1, 0.89%, 0.54%

LAB 84.33, -77.04, 76.75

 

CMYK 65 / 86 / 0 / 5

HEX #5521F2

RGB 85 33 242

HSL 254.93, 0.89%, 0.54%

LAB 36.8, 71.38, -92.94

 

CMYK 0 / 30 / 87 / 5

HEX #F2AA20

RGB 242 170 32

HSL 39.43, 0.89%, 0.54%

LAB 74.65, 16.22, 72.96

 

CMYK 86 / 0 / 30 / 5

HEX #21F2A9

RGB 33 242 169

HSL 159.04, 0.89%, 0.54%

LAB 85.35, -63.59, 22.18

 

CMYK 30 / 86 / 0 / 5

HEX #A921F2

RGB 169 33 242

HSL 279.04, 0.89%, 0.54%

LAB 46.89, 80.12, -75.98

 

CMYK 0 / 30 / 87 / 5

HEX #F2AA20

RGB 242 170 32

HSL 39.43, 0.89%, 0.54%

LAB 74.65, 16.22, 72.96

 

CMYK 74 / 0 / 86 / 5

HEX #40F221

RGB 64 242 33

HSL 111.1, 0.89%, 0.54%

LAB 84.33, -77.04, 76.75

 

CMYK 86 / 56 / 0 / 5

HEX #216AF2

RGB 33 106 242

HSL 219.04, 0.89%, 0.54%

LAB 48.31, 28.89, -74.09

 

CMYK 13 / 86 / 0 / 5

HEX #D221F2

RGB 210 33 242

HSL 290.81, 0.89%, 0.54%

LAB 53.17, 86.14, -65.49

 

CMYK 0 / 30 / 87 / 5

HEX #F2AA20

RGB 242 170 32

HSL 39.43, 0.89%, 0.54%

LAB 74.65, 16.22, 72.96

 

CMYK 86 / 0 / 74 / 5

HEX #21F240

RGB 33 242 64

HSL 128.9, 0.89%, 0.54%

LAB 84.07, -78.83, 68.13

 

CMYK 86 / 56 / 0 / 5

HEX #216AF2

RGB 33 106 242

HSL 219.04, 0.89%, 0.54%

LAB 48.31, 28.89, -74.09

 

CMYK 0 / 86 / 13 / 5

HEX #F221D2

RGB 242 33 210

HSL 309.19, 0.89%, 0.54%

LAB 56.7, 86.99, -41.44

 

Description

Color code: HEX #F2AA20 | qconv.com Color code: HEX #F2AA20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 170 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 170 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 87% 5% C M Y K

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