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Color name
HEX #F2B447

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B447 it is the complementary color #0D4BB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B447. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2B447 shade: #F7B442, #FFC655, #FFD868, #FFEA7B and #FFFC8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B447. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2B447 shade: #F2B447, #E1A234, #D09021, #BF7E0E and #AE6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2B447 shade: #F2B345, #F28445, #F25645 and #F24545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2B447 shade: #F2B345, #F2E245, #D3F245, #A4F245 and #76F245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2B447 shade matches the following richer shades: #F2B345

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2B447 shade: #F2B345, #E1AE55, #D1AA65, #C1A675 and #B1A185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2B447 shade: #F25645, #F28445, #F2B245, #F2E045 and #D5F245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2B447 shade: #D58D0E, #EFA31E, #F2B345, #F4C36B and #F7D292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2B447 shade: #F2B447, #61F245 and #6D45F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2B447 shade: #F2B447, #45F2B2 and #B245F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2B447 shade: #F2B447, #61F245, #4584F2 and #D545F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2B447 shade: #F2B447, #45F25C, #4584F2 and #F245DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 71 / 5

HEX #F2B447

RGB 242 180 71

HSL 38.25, 0.87%, 0.61%

LAB 77.27, 12.3, 61.96

 

Complementary color

CMYK 93 / 59 / 0 / 28

HEX #0D4BB8

RGB 13 75 184

HSL 218.25, 0.87%, 0.39%

LAB 35.16, 25.59, -62.3

 

CMYK 0 / 27 / 73 / 3

HEX #F7B442

RGB 247 180 66

HSL 37.79, 0.92%, 0.61%

LAB 77.76, 14.17, 64.68

 

CMYK 0 / 22 / 67 / 0

HEX #FFC655

RGB 255 198 85

HSL 39.88, 1%, 0.67%

LAB 83.07, 9.07, 62.5

 

CMYK 0 / 15 / 59 / 0

HEX #FFD868

RGB 255 216 104

HSL 44.5, 1%, 0.7%

LAB 87.67, 1, 59.15

 

CMYK 0 / 8 / 52 / 0

HEX #FFEA7B

RGB 255 234 123

HSL 50.45, 1%, 0.74%

LAB 92.37, -6.64, 55.89

 

CMYK 0 / 1 / 44 / 0

HEX #FFFC8E

RGB 255 252 142

HSL 58.41, 1%, 0.78%

LAB 97.16, -13.85, 52.77

 

CMYK 0 / 26 / 71 / 5

HEX #F2B447

RGB 242 180 71

HSL 38.25, 0.87%, 0.61%

LAB 77.27, 12.3, 61.96

 

CMYK 0 / 28 / 77 / 12

HEX #E1A234

RGB 225 162 52

HSL 38.15, 0.74%, 0.54%

LAB 70.94, 13.79, 62.69

 

CMYK 0 / 31 / 84 / 18

HEX #D09021

RGB 208 144 33

HSL 38.06, 0.73%, 0.47%

LAB 64.54, 15.49, 62.8

 

CMYK 0 / 34 / 93 / 25

HEX #BF7E0E

RGB 191 126 14

HSL 37.97, 0.86%, 0.4%

LAB 58.07, 17.46, 61.72

 

CMYK 0 / 38 / 100 / 32

HEX #AE6C00

RGB 174 108 0

HSL 37.24, 1%, 0.34%

LAB 51.52, 19.7, 58.79

 

CMYK 0 / 26 / 71 / 5

HEX #F2B345

RGB 242 179 69

HSL 38.15, 0.87%, 0.61%

LAB 77.01, 12.73, 62.53

 

CMYK 0 / 45 / 71 / 5

HEX #F28445

RGB 242 132 69

HSL 21.85, 0.87%, 0.61%

LAB 66.37, 37.34, 51.43

 

CMYK 0 / 64 / 71 / 5

HEX #F25645

RGB 242 86 69

HSL 5.9, 0.87%, 0.61%

LAB 58, 58.88, 42.18

 

CMYK 0 / 71 / 71 / 5

HEX #F24545

RGB 242 69 69

HSL 0, 0.87%, 0.61%

LAB 55.65, 65.31, 39.49

 

CMYK 0 / 26 / 71 / 5

HEX #F2B345

RGB 242 179 69

HSL 38.15, 0.87%, 0.61%

LAB 77.01, 12.73, 62.53

 

CMYK 0 / 7 / 71 / 5

HEX #F2E245

RGB 242 226 69

HSL 54.45, 0.87%, 0.61%

LAB 88.78, -11.38, 74.17

 

CMYK 13 / 0 / 71 / 5

HEX #D3F245

RGB 211 242 69

HSL 70.75, 0.87%, 0.61%

LAB 90.68, -31.65, 75.2

 

CMYK 32 / 0 / 71 / 5

HEX #A4F245

RGB 164 242 69

HSL 87.05, 0.87%, 0.61%

LAB 87.88, -49.23, 71.51

 

CMYK 51 / 0 / 71 / 5

HEX #76F245

RGB 118 242 69

HSL 103.01, 0.87%, 0.61%

LAB 85.9, -63.6, 68.87

 

CMYK 0 / 26 / 71 / 5

HEX #F2B345

RGB 242 179 69

HSL 38.15, 0.87%, 0.61%

LAB 77.01, 12.73, 62.53

 

CMYK 0 / 26 / 71 / 5

HEX #F2B345

RGB 242 179 69

HSL 38.15, 0.87%, 0.61%

LAB 77.01, 12.73, 62.53

 

CMYK 0 / 23 / 62 / 12

HEX #E1AE55

RGB 225 174 85

HSL 38.14, 0.7%, 0.61%

LAB 74.15, 9.12, 51.83

 

CMYK 0 / 19 / 52 / 18

HEX #D1AA65

RGB 209 170 101

HSL 38.33, 0.54%, 0.61%

LAB 71.72, 5.79, 40.69

 

CMYK 0 / 14 / 39 / 24

HEX #C1A675

RGB 193 166 117

HSL 38.68, 0.38%, 0.61%

LAB 69.39, 2.96, 29.02

 

CMYK 0 / 9 / 25 / 31

HEX #B1A185

RGB 177 161 133

HSL 38.18, 0.22%, 0.61%

LAB 66.92, 1.33, 16.72

 

CMYK 0 / 64 / 71 / 5

HEX #F25645

RGB 242 86 69

HSL 5.9, 0.87%, 0.61%

LAB 58, 58.88, 42.18

 

CMYK 0 / 45 / 71 / 5

HEX #F28445

RGB 242 132 69

HSL 21.85, 0.87%, 0.61%

LAB 66.37, 37.34, 51.43

 

CMYK 0 / 26 / 71 / 5

HEX #F2B245

RGB 242 178 69

HSL 37.8, 0.87%, 0.61%

LAB 76.77, 13.26, 62.29

 

CMYK 0 / 7 / 71 / 5

HEX #F2E045

RGB 242 224 69

HSL 53.76, 0.87%, 0.61%

LAB 88.27, -10.38, 73.67

 

CMYK 12 / 0 / 71 / 5

HEX #D5F245

RGB 213 242 69

HSL 70.06, 0.87%, 0.61%

LAB 90.82, -30.86, 75.37

 

CMYK 0 / 34 / 93 / 16

HEX #D58D0E

RGB 213 141 14

HSL 38.29, 0.88%, 0.45%

LAB 64.34, 18.92, 67.5

 

CMYK 0 / 32 / 87 / 6

HEX #EFA31E

RGB 239 163 30

HSL 38.18, 0.87%, 0.53%

LAB 72.65, 18.6, 71.73

 

CMYK 0 / 26 / 71 / 5

HEX #F2B345

RGB 242 179 69

HSL 38.15, 0.87%, 0.61%

LAB 77.01, 12.73, 62.53

 

CMYK 0 / 20 / 56 / 4

HEX #F4C36B

RGB 244 195 107

HSL 38.54, 0.86%, 0.69%

LAB 81.47, 7.54, 50.29

 

CMYK 0 / 15 / 41 / 3

HEX #F7D292

RGB 247 210 146

HSL 38.02, 0.86%, 0.77%

LAB 85.98, 4.53, 36.51

 

CMYK 0 / 26 / 71 / 5

HEX #F2B447

RGB 242 180 71

HSL 38.25, 0.87%, 0.61%

LAB 77.27, 12.3, 61.96

 

CMYK 60 / 0 / 71 / 5

HEX #61F245

RGB 97 242 69

HSL 110.29, 0.87%, 0.61%

LAB 85.24, -68.82, 67.98

 

CMYK 55 / 71 / 0 / 5

HEX #6D45F2

RGB 109 69 242

HSL 253.87, 0.87%, 0.61%

LAB 44.12, 58.93, -80.8

 

CMYK 0 / 26 / 71 / 5

HEX #F2B447

RGB 242 180 71

HSL 38.25, 0.87%, 0.61%

LAB 77.27, 12.3, 61.96

 

CMYK 71 / 0 / 26 / 5

HEX #45F2B2

RGB 69 242 178

HSL 157.8, 0.87%, 0.61%

LAB 86, -58.08, 18.52

 

CMYK 26 / 71 / 0 / 5

HEX #B245F2

RGB 178 69 242

HSL 277.8, 0.87%, 0.61%

LAB 51.99, 70.44, -67.63

 

CMYK 0 / 26 / 71 / 5

HEX #F2B447

RGB 242 180 71

HSL 38.25, 0.87%, 0.61%

LAB 77.27, 12.3, 61.96

 

CMYK 60 / 0 / 71 / 5

HEX #61F245

RGB 97 242 69

HSL 110.29, 0.87%, 0.61%

LAB 85.24, -68.82, 67.98

 

CMYK 71 / 45 / 0 / 5

HEX #4584F2

RGB 69 132 242

HSL 218.15, 0.87%, 0.61%

LAB 56.27, 16.1, -61.18

 

CMYK 12 / 71 / 0 / 5

HEX #D545F2

RGB 213 69 242

HSL 289.94, 0.87%, 0.61%

LAB 56.89, 77.22, -59.48

 

CMYK 0 / 26 / 71 / 5

HEX #F2B447

RGB 242 180 71

HSL 38.25, 0.87%, 0.61%

LAB 77.27, 12.3, 61.96

 

CMYK 71 / 0 / 62 / 5

HEX #45F25C

RGB 69 242 92

HSL 127.98, 0.87%, 0.61%

LAB 84.76, -72.09, 58.41

 

CMYK 71 / 45 / 0 / 5

HEX #4584F2

RGB 69 132 242

HSL 218.15, 0.87%, 0.61%

LAB 56.27, 16.1, -61.18

 

CMYK 0 / 71 / 10 / 5

HEX #F245DA

RGB 242 69 218

HSL 308.32, 0.87%, 0.61%

LAB 60.06, 79.5, -40.69

 

Description

Color code: HEX #F2B447 | qconv.com Color code: HEX #F2B447 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 180 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 180 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 71 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 71% 5% C M Y K

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