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Color name
HEX #F2B22A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B22A it is the complementary color #0D4DD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B22A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2B22A shade: #F7B225, #FFC438, #FFD64B, #FFE85E and #FFFA71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B22A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2B22A shade: #F2B22A, #E1A017, #D08E04, #BF7C00 and #AE6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2B22A shade: #F1B22C, #F17D2C, #F1472C and #F12C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2B22A shade: #F1B22C, #F1E72C, #C6F12C, #90F12C and #5BF12C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2B22A shade matches the following richer shades: #F1B22C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2B22A shade: #F1B22C, #DFAB3E, #CDA550, #BB9E62 and #A89874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2B22A shade: #F1462C, #F17B2C, #F1AF2C, #F1E42C and #CAF12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2B22A shade: #BE850C, #E5A00E, #F1B22C, #F4C052 and #F6CE79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2B22A shade: #F2B22A, #46F12C and #602CF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2B22A shade: #F2B22A, #2CF1AF and #AF2CF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2B22A shade: #F2B22A, #46F12C, #2C6DF1 and #D72CF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2B22A shade: #F2B22A, #2CF14C, #2C6DF1 and #F12CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 83 / 5

HEX #F2B22A

RGB 242 178 42

HSL 40.8, 0.88%, 0.56%

LAB 76.61, 12.25, 71.84

 

Complementary color

CMYK 94 / 64 / 0 / 16

HEX #0D4DD5

RGB 13 77 213

HSL 220.8, 0.88%, 0.44%

LAB 38.19, 35.58, -74.22

 

CMYK 0 / 28 / 85 / 3

HEX #F7B225

RGB 247 178 37

HSL 40.29, 0.93%, 0.56%

LAB 77.13, 14.25, 73.9

 

CMYK 0 / 23 / 78 / 0

HEX #FFC438

RGB 255 196 56

HSL 42.21, 1%, 0.61%

LAB 82.39, 8.81, 73.04

 

CMYK 0 / 16 / 71 / 0

HEX #FFD64B

RGB 255 214 75

HSL 46.33, 1%, 0.65%

LAB 86.93, 0.35, 70.55

 

CMYK 0 / 9 / 63 / 0

HEX #FFE85E

RGB 255 232 94

HSL 51.43, 1%, 0.68%

LAB 91.59, -7.7, 67.8

 

CMYK 0 / 2 / 56 / 0

HEX #FFFA71

RGB 255 250 113

HSL 57.89, 1%, 0.72%

LAB 96.34, -15.28, 64.97

 

CMYK 0 / 26 / 83 / 5

HEX #F2B22A

RGB 242 178 42

HSL 40.8, 0.88%, 0.56%

LAB 76.61, 12.25, 71.84

 

CMYK 0 / 29 / 90 / 12

HEX #E1A017

RGB 225 160 23

HSL 40.69, 0.81%, 0.49%

LAB 70.32, 14.05, 70.84

 

CMYK 0 / 32 / 98 / 18

HEX #D08E04

RGB 208 142 4

HSL 40.59, 0.96%, 0.42%

LAB 63.97, 16.08, 68.44

 

CMYK 0 / 35 / 100 / 25

HEX #BF7C00

RGB 191 124 0

HSL 38.95, 1%, 0.37%

LAB 57.55, 18.39, 63.78

 

CMYK 0 / 39 / 100 / 32

HEX #AE6A00

RGB 174 106 0

HSL 36.55, 1%, 0.34%

LAB 51.04, 20.82, 58.49

 

CMYK 0 / 26 / 82 / 5

HEX #F1B22C

RGB 241 178 44

HSL 40.81, 0.88%, 0.56%

LAB 76.51, 11.88, 71.11

 

CMYK 0 / 48 / 82 / 5

HEX #F17D2C

RGB 241 125 44

HSL 24.67, 0.88%, 0.56%

LAB 64.6, 39.55, 60.66

 

CMYK 0 / 71 / 82 / 5

HEX #F1472C

RGB 241 71 44

HSL 8.22, 0.88%, 0.56%

LAB 55.47, 63.43, 52.36

 

CMYK 0 / 82 / 82 / 5

HEX #F12C2C

RGB 241 44 44

HSL 0, 0.88%, 0.56%

LAB 52.6, 71.45, 49.69

 

CMYK 0 / 26 / 82 / 5

HEX #F1B22C

RGB 241 178 44

HSL 40.81, 0.88%, 0.56%

LAB 76.51, 11.88, 71.11

 

CMYK 0 / 4 / 82 / 5

HEX #F1E72C

RGB 241 231 44

HSL 56.95, 0.88%, 0.56%

LAB 89.88, -15.15, 82.53

 

CMYK 18 / 0 / 82 / 5

HEX #C6F12C

RGB 198 241 44

HSL 73.1, 0.88%, 0.56%

LAB 89.44, -37.32, 80.92

 

CMYK 40 / 0 / 82 / 5

HEX #90F12C

RGB 144 241 44

HSL 89.54, 0.88%, 0.56%

LAB 86.51, -56.82, 77.22

 

CMYK 62 / 0 / 82 / 5

HEX #5BF12C

RGB 91 241 44

HSL 105.69, 0.88%, 0.56%

LAB 84.65, -71.31, 74.84

 

CMYK 0 / 26 / 82 / 5

HEX #F1B22C

RGB 241 178 44

HSL 40.81, 0.88%, 0.56%

LAB 76.51, 11.88, 71.11

 

CMYK 0 / 26 / 82 / 5

HEX #F1B22C

RGB 241 178 44

HSL 40.81, 0.88%, 0.56%

LAB 76.51, 11.88, 71.11

 

CMYK 0 / 23 / 72 / 13

HEX #DFAB3E

RGB 223 171 62

HSL 40.62, 0.72%, 0.56%

LAB 73, 8.56, 60.7

 

CMYK 0 / 20 / 61 / 20

HEX #CDA550

RGB 205 165 80

HSL 40.8, 0.56%, 0.56%

LAB 69.8, 5.11, 48.73

 

CMYK 0 / 16 / 48 / 27

HEX #BB9E62

RGB 187 158 98

HSL 40.45, 0.4%, 0.56%

LAB 66.44, 2.77, 35.21

 

CMYK 0 / 10 / 31 / 34

HEX #A89874

RGB 168 152 116

HSL 41.54, 0.23%, 0.56%

LAB 63.38, 0.28, 21.12

 

CMYK 0 / 71 / 82 / 5

HEX #F1462C

RGB 241 70 44

HSL 7.92, 0.88%, 0.56%

LAB 55.34, 63.78, 52.25

 

CMYK 0 / 49 / 82 / 5

HEX #F17B2C

RGB 241 123 44

HSL 24.06, 0.88%, 0.56%

LAB 64.2, 40.55, 60.3

 

CMYK 0 / 27 / 82 / 5

HEX #F1AF2C

RGB 241 175 44

HSL 39.9, 0.88%, 0.56%

LAB 75.79, 13.46, 70.49

 

CMYK 0 / 5 / 82 / 5

HEX #F1E42C

RGB 241 228 44

HSL 56.04, 0.88%, 0.56%

LAB 89.1, -13.68, 81.87

 

CMYK 16 / 0 / 82 / 5

HEX #CAF12C

RGB 202 241 44

HSL 71.88, 0.88%, 0.56%

LAB 89.7, -35.76, 81.24

 

CMYK 0 / 30 / 94 / 25

HEX #BE850C

RGB 190 133 12

HSL 40.79, 0.88%, 0.4%

LAB 59.66, 13.13, 63.2

 

CMYK 0 / 30 / 94 / 10

HEX #E5A00E

RGB 229 160 14

HSL 40.74, 0.88%, 0.48%

LAB 70.75, 15.65, 72.97

 

CMYK 0 / 26 / 82 / 5

HEX #F1B22C

RGB 241 178 44

HSL 40.81, 0.88%, 0.56%

LAB 76.51, 11.88, 71.11

 

CMYK 0 / 21 / 66 / 4

HEX #F4C052

RGB 244 192 82

HSL 40.74, 0.88%, 0.64%

LAB 80.48, 7.44, 60.7

 

CMYK 0 / 16 / 51 / 4

HEX #F6CE79

RGB 246 206 121

HSL 40.8, 0.87%, 0.72%

LAB 84.54, 3.79, 47.22

 

CMYK 0 / 26 / 83 / 5

HEX #F2B22A

RGB 242 178 42

HSL 40.8, 0.88%, 0.56%

LAB 76.61, 12.25, 71.84

 

CMYK 71 / 0 / 82 / 5

HEX #46F12C

RGB 70 241 44

HSL 112.08, 0.88%, 0.56%

LAB 84.17, -75.32, 74.23

 

CMYK 60 / 82 / 0 / 5

HEX #602CF1

RGB 96 44 241

HSL 255.84, 0.88%, 0.56%

LAB 38.97, 68.21, -88.76

 

CMYK 0 / 26 / 83 / 5

HEX #F2B22A

RGB 242 178 42

HSL 40.8, 0.88%, 0.56%

LAB 76.61, 12.25, 71.84

 

CMYK 82 / 0 / 27 / 5

HEX #2CF1AF

RGB 44 241 175

HSL 159.9, 0.88%, 0.56%

LAB 85.27, -61.1, 19

 

CMYK 27 / 82 / 0 / 5

HEX #AF2CF1

RGB 175 44 241

HSL 279.9, 0.88%, 0.56%

LAB 48.59, 78.1, -72.6

 

CMYK 0 / 26 / 83 / 5

HEX #F2B22A

RGB 242 178 42

HSL 40.8, 0.88%, 0.56%

LAB 76.61, 12.25, 71.84

 

CMYK 71 / 0 / 82 / 5

HEX #46F12C

RGB 70 241 44

HSL 112.08, 0.88%, 0.56%

LAB 84.17, -75.32, 74.23

 

CMYK 82 / 55 / 0 / 5

HEX #2C6DF1

RGB 44 109 241

HSL 220.2, 0.88%, 0.56%

LAB 49.28, 27.39, -71.95

 

CMYK 11 / 82 / 0 / 5

HEX #D72CF1

RGB 215 44 241

HSL 292.08, 0.88%, 0.56%

LAB 54.66, 84.57, -62.49

 

CMYK 0 / 26 / 83 / 5

HEX #F2B22A

RGB 242 178 42

HSL 40.8, 0.88%, 0.56%

LAB 76.61, 12.25, 71.84

 

CMYK 82 / 0 / 68 / 5

HEX #2CF14C

RGB 44 241 76

HSL 129.75, 0.88%, 0.56%

LAB 83.95, -76.58, 63.79

 

CMYK 82 / 55 / 0 / 5

HEX #2C6DF1

RGB 44 109 241

HSL 220.2, 0.88%, 0.56%

LAB 49.28, 27.39, -71.95

 

CMYK 0 / 82 / 14 / 5

HEX #F12CD0

RGB 241 44 208

HSL 310.05, 0.88%, 0.56%

LAB 57.13, 84.5, -39.64

 

Description

Color code: HEX #F2B22A | qconv.com Color code: HEX #F2B22A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 178 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 178 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 83 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 83% 5% C M Y K

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