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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2CADF it is the complementary color #0D3520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2CADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2CADF shade: #F7CADA, #FFDCED and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2CADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2CADF shade: #F2CADF, #E1B8CC, #D0A6B9, #BF94A6 and #AE8293

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2CADF shade: #F2C9DE, #F2C9D3 and #F2C9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2CADF shade: #F2C9DE, #F2C9E9, #EFC9F2, #E4C9F2 and #D9C9F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2CADF shade matches the following richer shades: #F2C9DE, #F7C4DF and #FCBEDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2CADF shade: #F2C9DE, #ECCEDE, #E7D4DE, #E1D9DE and #DCDFDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2CADF shade: #EFC9F2, #F2C9E9, #F2C9DF, #F2C9D4 and #F2C9C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2CADF shade: #E187B6, #EAA8CA, #F2C9DE and #FAEAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2CADF shade: #F2CADF, #F2E4C9 and #C9EFF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2CADF shade: #F2CADF, #DFF2C9 and #C9DFF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2CADF shade: #F2CADF, #F2E4C9, #C9F2DC and #C9D7F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2CADF shade: #F2CADF, #F2F0C9, #C9F2DC and #C9CAF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 8 / 5

HEX #F2CADF

RGB 242 202 223

HSL 328.5, 0.61%, 0.87%

LAB 85.22, 17.49, -5.11

 

Complementary color

CMYK 75 / 0 / 40 / 79

HEX #0D3520

RGB 13 53 32

HSL 148.5, 0.61%, 0.13%

LAB 18.95, -19.91, 9.27

 

CMYK 0 / 18 / 12 / 3

HEX #F7CADA

RGB 247 202 218

HSL 338.67, 0.74%, 0.88%

LAB 85.54, 18.39, -1.93

 

CMYK 0 / 14 / 7 / 0

HEX #FFDCED

RGB 255 220 237

HSL 330.86, 1%, 0.93%

LAB 91.04, 14.86, -3.82

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 17 / 8 / 5

HEX #F2CADF

RGB 242 202 223

HSL 328.5, 0.61%, 0.87%

LAB 85.22, 17.49, -5.11

 

CMYK 0 / 18 / 9 / 12

HEX #E1B8CC

RGB 225 184 204

HSL 330.73, 0.41%, 0.8%

LAB 78.84, 17.96, -4.51

 

CMYK 0 / 20 / 11 / 18

HEX #D0A6B9

RGB 208 166 185

HSL 332.86, 0.31%, 0.73%

LAB 72.35, 18.46, -3.88

 

CMYK 0 / 23 / 13 / 25

HEX #BF94A6

RGB 191 148 166

HSL 334.88, 0.25%, 0.66%

LAB 65.76, 19.02, -3.21

 

CMYK 0 / 25 / 16 / 32

HEX #AE8293

RGB 174 130 147

HSL 336.82, 0.21%, 0.6%

LAB 59.04, 19.63, -2.49

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DE

RGB 242 201 222

HSL 329.27, 0.61%, 0.87%

LAB 84.96, 17.85, -4.97

 

CMYK 0 / 17 / 13 / 5

HEX #F2C9D3

RGB 242 201 211

HSL 345.37, 0.61%, 0.87%

LAB 84.67, 16.04, 0.46

 

CMYK 0 / 17 / 17 / 5

HEX #F2C9C9

RGB 242 201 201

HSL 0, 0.61%, 0.87%

LAB 84.42, 14.47, 5.43

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DE

RGB 242 201 222

HSL 329.27, 0.61%, 0.87%

LAB 84.96, 17.85, -4.97

 

CMYK 0 / 17 / 4 / 5

HEX #F2C9E9

RGB 242 201 233

HSL 313.17, 0.61%, 0.87%

LAB 85.27, 19.74, -10.37

 

CMYK 1 / 17 / 0 / 5

HEX #EFC9F2

RGB 239 201 242

HSL 295.61, 0.61%, 0.87%

LAB 85.27, 20.37, -15.18

 

CMYK 6 / 17 / 0 / 5

HEX #E4C9F2

RGB 228 201 242

HSL 279.51, 0.61%, 0.87%

LAB 84.32, 16.77, -16.7

 

CMYK 10 / 17 / 0 / 5

HEX #D9C9F2

RGB 217 201 242

HSL 263.41, 0.61%, 0.87%

LAB 83.41, 13.22, -18.16

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DE

RGB 242 201 222

HSL 329.27, 0.61%, 0.87%

LAB 84.96, 17.85, -4.97

 

CMYK 0 / 21 / 10 / 3

HEX #F7C4DF

RGB 247 196 223

HSL 328.24, 0.76%, 0.87%

LAB 84.27, 22.37, -6.47

 

CMYK 0 / 25 / 12 / 1

HEX #FCBEDF

RGB 252 190 223

HSL 328.06, 0.91%, 0.87%

LAB 83.36, 27.24, -7.76

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DE

RGB 242 201 222

HSL 329.27, 0.61%, 0.87%

LAB 84.96, 17.85, -4.97

 

CMYK 0 / 13 / 6 / 7

HEX #ECCEDE

RGB 236 206 222

HSL 328, 0.44%, 0.87%

LAB 85.63, 13.15, -4.04

 

CMYK 0 / 8 / 4 / 9

HEX #E7D4DE

RGB 231 212 222

HSL 328.42, 0.28%, 0.87%

LAB 86.68, 8.28, -2.55

 

CMYK 0 / 4 / 1 / 12

HEX #E1D9DE

RGB 225 217 222

HSL 322.5, 0.12%, 0.87%

LAB 87.44, 3.62, -1.49

 

CMYK 1 / 0 / 1 / 13

HEX #DCDFDD

RGB 220 223 221

HSL 140, 0.04%, 0.87%

LAB 88.55, -1.37, 0.61

 

CMYK 1 / 17 / 0 / 5

HEX #EFC9F2

RGB 239 201 242

HSL 295.61, 0.61%, 0.87%

LAB 85.27, 20.37, -15.18

 

CMYK 0 / 17 / 4 / 5

HEX #F2C9E9

RGB 242 201 233

HSL 313.17, 0.61%, 0.87%

LAB 85.27, 19.74, -10.37

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DF

RGB 242 201 223

HSL 327.8, 0.61%, 0.87%

LAB 84.99, 18.02, -5.46

 

CMYK 0 / 17 / 12 / 5

HEX #F2C9D4

RGB 242 201 212

HSL 343.9, 0.61%, 0.87%

LAB 84.69, 16.2, -0.03

 

CMYK 0 / 17 / 17 / 5

HEX #F2C9C9

RGB 242 201 201

HSL 0, 0.61%, 0.87%

LAB 84.42, 14.47, 5.43

 

CMYK 0 / 40 / 19 / 12

HEX #E187B6

RGB 225 135 182

HSL 328.67, 0.6%, 0.71%

LAB 67.06, 40.59, -9.85

 

CMYK 0 / 28 / 14 / 8

HEX #EAA8CA

RGB 234 168 202

HSL 329.09, 0.61%, 0.79%

LAB 75.92, 29.32, -7.63

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DE

RGB 242 201 222

HSL 329.27, 0.61%, 0.87%

LAB 84.96, 17.85, -4.97

 

CMYK 0 / 6 / 3 / 2

HEX #FAEAF2

RGB 250 234 242

HSL 330, 0.62%, 0.95%

LAB 94.13, 6.77, -1.93

 

CMYK 0 / 17 / 8 / 5

HEX #F2CADF

RGB 242 202 223

HSL 328.5, 0.61%, 0.87%

LAB 85.22, 17.49, -5.11

 

CMYK 0 / 6 / 17 / 5

HEX #F2E4C9

RGB 242 228 201

HSL 39.51, 0.61%, 0.87%

LAB 91.04, 0.44, 14.89

 

CMYK 17 / 1 / 0 / 5

HEX #C9EFF2

RGB 201 239 242

HSL 184.39, 0.61%, 0.87%

LAB 91.94, -11.61, -5.56

 

CMYK 0 / 17 / 8 / 5

HEX #F2CADF

RGB 242 202 223

HSL 328.5, 0.61%, 0.87%

LAB 85.22, 17.49, -5.11

 

CMYK 8 / 0 / 17 / 5

HEX #DFF2C9

RGB 223 242 201

HSL 87.8, 0.61%, 0.87%

LAB 93.19, -13.34, 17.71

 

CMYK 17 / 8 / 0 / 5

HEX #C9DFF2

RGB 201 223 242

HSL 207.8, 0.61%, 0.87%

LAB 87.78, -3.43, -11.73

 

CMYK 0 / 17 / 8 / 5

HEX #F2CADF

RGB 242 202 223

HSL 328.5, 0.61%, 0.87%

LAB 85.22, 17.49, -5.11

 

CMYK 0 / 6 / 17 / 5

HEX #F2E4C9

RGB 242 228 201

HSL 39.51, 0.61%, 0.87%

LAB 91.04, 0.44, 14.89

 

CMYK 17 / 0 / 9 / 5

HEX #C9F2DC

RGB 201 242 220

HSL 147.8, 0.61%, 0.87%

LAB 92.17, -17.41, 6.23

 

CMYK 17 / 11 / 0 / 5

HEX #C9D7F2

RGB 201 215 242

HSL 219.51, 0.61%, 0.87%

LAB 85.72, 0.74, -14.8

 

CMYK 0 / 17 / 8 / 5

HEX #F2CADF

RGB 242 202 223

HSL 328.5, 0.61%, 0.87%

LAB 85.22, 17.49, -5.11

 

CMYK 0 / 1 / 17 / 5

HEX #F2F0C9

RGB 242 240 201

HSL 57.07, 0.61%, 0.87%

LAB 94.06, -5.64, 19.13

 

CMYK 17 / 0 / 9 / 5

HEX #C9F2DC

RGB 201 242 220

HSL 147.8, 0.61%, 0.87%

LAB 92.17, -17.41, 6.23

 

CMYK 17 / 17 / 0 / 5

HEX #C9CAF2

RGB 201 202 242

HSL 238.54, 0.61%, 0.87%

LAB 82.42, 7.63, -19.78

 

Description

Color code: HEX #F2CADF | qconv.com Color code: HEX #F2CADF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 202 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 202 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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