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Color name
HEX #F2D3B0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2D3B0 it is the complementary color #0D2C4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2D3B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2D3B0 shade: #F7D3AB, #FFE5BE, #FFF7D1, #FFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2D3B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2D3B0 shade: #F2D3B0, #E1C19D, #D0AF8A, #BF9D77 and #AE8B64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2D3B0 shade: #F2D3B0, #F2C1B0 and #F2B0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2D3B0 shade: #F2D3B0, #F2E4B0, #EDF2B0, #DBF2B0 and #C9F2B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2D3B0 shade matches the following richer shades: #F2D3B0 and #F9D3A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2D3B0 shade: #F2D3B0, #EAD2B7, #E3D2BE, #DBD1C6 and #D4D1CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2D3B0 shade: #F2B0B1, #F2C0B0, #F2D2B0, #F2E3B0 and #EEF2B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2D3B0 shade: #E6AB69, #ECBF8C, #F2D3B0, #F7E6D3 and #FDFAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2D3B0 shade: #F2D3B0, #C2F2B0 and #B7B0F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2D3B0 shade: #F2D3B0, #B0F2D2 and #D2B0F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2D3B0 shade: #F2D3B0, #C2F2B0, #B0CFF2 and #DFB0F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2D3B0 shade: #F2D3B0, #B0F2B1, #B0CFF2 and #F2B0F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

Complementary color

CMYK 84 / 44 / 0 / 69

HEX #0D2C4F

RGB 13 44 79

HSL 211.82, 0.72%, 0.18%

LAB 17.7, 3.01, -24.75

 

CMYK 0 / 15 / 31 / 3

HEX #F7D3AB

RGB 247 211 171

HSL 31.58, 0.83%, 0.82%

LAB 86.65, 6.91, 24.49

 

CMYK 0 / 10 / 25 / 0

HEX #FFE5BE

RGB 255 229 190

HSL 36, 1%, 0.87%

LAB 92.14, 3.11, 22.28

 

CMYK 0 / 3 / 18 / 0

HEX #FFF7D1

RGB 255 247 209

HSL 49.57, 1%, 0.91%

LAB 96.98, -3.35, 19.25

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 0 / 14 / 30 / 12

HEX #E1C19D

RGB 225 193 157

HSL 31.76, 0.53%, 0.75%

LAB 79.94, 6.13, 22.35

 

CMYK 0 / 16 / 34 / 18

HEX #D0AF8A

RGB 208 175 138

HSL 31.71, 0.43%, 0.68%

LAB 73.48, 6.66, 23.44

 

CMYK 0 / 18 / 38 / 25

HEX #BF9D77

RGB 191 157 119

HSL 31.67, 0.36%, 0.61%

LAB 66.92, 7.26, 24.62

 

CMYK 0 / 20 / 43 / 32

HEX #AE8B64

RGB 174 139 100

HSL 31.62, 0.31%, 0.54%

LAB 60.23, 7.97, 25.88

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 0 / 20 / 27 / 5

HEX #F2C1B0

RGB 242 193 176

HSL 15.45, 0.72%, 0.82%

LAB 81.92, 15.09, 15.21

 

CMYK 0 / 27 / 27 / 5

HEX #F2B0B0

RGB 242 176 176

HSL 0, 0.72%, 0.82%

LAB 77.91, 24.08, 9.54

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 0 / 6 / 27 / 5

HEX #F2E4B0

RGB 242 228 176

HSL 47.27, 0.72%, 0.82%

LAB 90.55, -3.06, 27.15

 

CMYK 2 / 0 / 27 / 5

HEX #EDF2B0

RGB 237 242 176

HSL 64.55, 0.72%, 0.82%

LAB 93.73, -11.93, 31.38

 

CMYK 10 / 0 / 27 / 5

HEX #DBF2B0

RGB 219 242 176

HSL 80.91, 0.72%, 0.82%

LAB 92.44, -18.48, 29.43

 

CMYK 17 / 0 / 27 / 5

HEX #C9F2B0

RGB 201 242 176

HSL 97.27, 0.72%, 0.82%

LAB 91.26, -24.82, 27.63

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 0 / 15 / 33 / 2

HEX #F9D3A8

RGB 249 211 168

HSL 31.85, 0.87%, 0.82%

LAB 86.78, 7.29, 26.26

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 0 / 10 / 22 / 8

HEX #EAD2B7

RGB 234 210 183

HSL 31.76, 0.55%, 0.82%

LAB 85.51, 4.17, 16.43

 

CMYK 0 / 7 / 16 / 11

HEX #E3D2BE

RGB 227 210 190

HSL 32.43, 0.4%, 0.82%

LAB 85.07, 2.65, 12.03

 

CMYK 0 / 5 / 10 / 14

HEX #DBD1C6

RGB 219 209 198

HSL 31.43, 0.23%, 0.82%

LAB 84.35, 1.58, 6.67

 

CMYK 0 / 1 / 3 / 17

HEX #D4D1CD

RGB 212 209 205

HSL 34.29, 0.08%, 0.82%

LAB 83.97, 0.32, 2.33

 

CMYK 0 / 27 / 27 / 5

HEX #F2B0B1

RGB 242 176 177

HSL 359.09, 0.72%, 0.82%

LAB 77.94, 24.21, 9.03

 

CMYK 0 / 21 / 27 / 5

HEX #F2C0B0

RGB 242 192 176

HSL 14.55, 0.72%, 0.82%

LAB 81.68, 15.61, 14.88

 

CMYK 0 / 13 / 27 / 5

HEX #F2D2B0

RGB 242 210 176

HSL 30.91, 0.72%, 0.82%

LAB 86.06, 6.19, 20.99

 

CMYK 0 / 6 / 27 / 5

HEX #F2E3B0

RGB 242 227 176

HSL 46.36, 0.72%, 0.82%

LAB 90.3, -2.55, 26.81

 

CMYK 2 / 0 / 27 / 5

HEX #EEF2B0

RGB 238 242 176

HSL 63.64, 0.72%, 0.82%

LAB 93.8, -11.57, 31.5

 

CMYK 0 / 26 / 54 / 10

HEX #E6AB69

RGB 230 171 105

HSL 31.68, 0.71%, 0.66%

LAB 74.17, 14.28, 42.14

 

CMYK 0 / 19 / 41 / 7

HEX #ECBF8C

RGB 236 191 140

HSL 31.88, 0.72%, 0.74%

LAB 80.17, 9.45, 31.8

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 0 / 7 / 15 / 3

HEX #F7E6D3

RGB 247 230 211

HSL 31.67, 0.69%, 0.9%

LAB 92.16, 2.72, 11.33

 

CMYK 0 / 1 / 2 / 1

HEX #FDFAF7

RGB 253 250 247

HSL 30, 0.6%, 0.98%

LAB 98.42, 0.48, 1.78

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 20 / 0 / 27 / 5

HEX #C2F2B0

RGB 194 242 176

HSL 103.64, 0.72%, 0.82%

LAB 90.83, -27.22, 26.97

 

CMYK 24 / 27 / 0 / 5

HEX #B7B0F2

RGB 183 176 242

HSL 246.36, 0.72%, 0.82%

LAB 74.53, 16.31, -31.95

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 27 / 0 / 13 / 5

HEX #B0F2D2

RGB 176 242 210

HSL 150.91, 0.72%, 0.82%

LAB 90.5, -27.08, 8.83

 

CMYK 13 / 27 / 0 / 5

HEX #D2B0F2

RGB 210 176 242

HSL 270.91, 0.72%, 0.82%

LAB 76.78, 24.51, -28.3

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 20 / 0 / 27 / 5

HEX #C2F2B0

RGB 194 242 176

HSL 103.64, 0.72%, 0.82%

LAB 90.83, -27.22, 26.97

 

CMYK 27 / 14 / 0 / 5

HEX #B0CFF2

RGB 176 207 242

HSL 211.82, 0.72%, 0.82%

LAB 81.98, -2.56, -20.6

 

CMYK 8 / 27 / 0 / 5

HEX #DFB0F2

RGB 223 176 242

HSL 282.73, 0.72%, 0.82%

LAB 77.96, 28.58, -26.38

 

CMYK 0 / 13 / 27 / 5

HEX #F2D3B0

RGB 242 211 176

HSL 31.82, 0.72%, 0.82%

LAB 86.31, 5.67, 21.33

 

CMYK 27 / 0 / 27 / 5

HEX #B0F2B1

RGB 176 242 177

HSL 120.91, 0.72%, 0.82%

LAB 89.82, -33, 24.91

 

CMYK 27 / 14 / 0 / 5

HEX #B0CFF2

RGB 176 207 242

HSL 211.82, 0.72%, 0.82%

LAB 81.98, -2.56, -20.6

 

CMYK 0 / 27 / 0 / 5

HEX #F2B0F1

RGB 242 176 241

HSL 300.91, 0.72%, 0.82%

LAB 79.77, 34.43, -22.92

 

Description

Color code: HEX #F2D3B0 | qconv.com Color code: HEX #F2D3B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 211 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 211 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 27 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 27% 5% C M Y K

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Provide designers and agencies with accurate color values.

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