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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2F607 it is the complementary color #0D09F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2F607. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F2F607 shade: #F7F602, #FFFF15, #FFFF28, #FFFF3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2F607. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F2F607 shade: #F2F607, #E1E400, #D0D200, #BFC000 and #AEAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F2F607 shade: #F3F707, #F7BA07, #F77A07, #F73907 and #F70707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F2F607 shade: #F3F707, #B2F707, #72F707, #31F707 and #07F71E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F2F607 shade matches the following richer shades: #F3F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F2F607 shade: #F3F707, #DFE21C, #CBCE30, #B7B945 and #A3A45A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F2F607 shade: #F77B07, #F7BB07, #F3F707, #B3F707 and #73F707

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F2F607 shade: #A4A705, #CBCF06, #F3F707, #F5F82F and #F7F957

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F2F607 shade: #F2F607, #07F73B and #9B07F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F2F607 shade: #F2F607, #07F3F7 and #F707F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F2F607 shade: #F2F607, #07F73B, #0B07F7 and #F707C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F2F607 shade: #F2F607, #07F783, #0B07F7 and #F7077B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 97 / 4

HEX #F2F607

RGB 242 246 7

HSL 61, 0.94%, 0.5%

LAB 93.8, -22.57, 91.08

 

Complementary color

CMYK 95 / 96 / 0 / 3

HEX #0D09F8

RGB 13 9 248

HSL 241, 0.94%, 0.5%

LAB 31.94, 76.22, -104.53

 

CMYK 0 / 0 / 99 / 3

HEX #F7F602

RGB 247 246 2

HSL 59.76, 0.98%, 0.49%

LAB 94.18, -20.55, 91.89

 

CMYK 0 / 0 / 92 / 0

HEX #FFFF15

RGB 255 255 21

HSL 60, 1%, 0.54%

LAB 97.16, -21.38, 92.82

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF28

RGB 255 255 40

HSL 60, 1%, 0.58%

LAB 97.2, -21.05, 89.93

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 2 / 0 / 97 / 4

HEX #F2F607

RGB 242 246 7

HSL 61, 0.94%, 0.5%

LAB 93.8, -22.57, 91.08

 

CMYK 1 / 0 / 100 / 11

HEX #E1E400

RGB 225 228 0

HSL 60.79, 1%, 0.45%

LAB 87.72, -21.06, 86.54

 

CMYK 1 / 0 / 100 / 18

HEX #D0D200

RGB 208 210 0

HSL 60.57, 1%, 0.41%

LAB 81.57, -19.47, 81.42

 

CMYK 1 / 0 / 100 / 25

HEX #BFC000

RGB 191 192 0

HSL 60.31, 1%, 0.38%

LAB 75.31, -17.85, 76.23

 

CMYK 0 / 0 / 100 / 32

HEX #AEAE00

RGB 174 174 0

HSL 60, 1%, 0.34%

LAB 68.95, -16.18, 70.94

HEX #AEAE00

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 0 / 25 / 97 / 3

HEX #F7BA07

RGB 247 186 7

HSL 44.75, 0.94%, 0.5%

LAB 78.99, 9.62, 80.53

 

CMYK 0 / 51 / 97 / 3

HEX #F77A07

RGB 247 122 7

HSL 28.75, 0.94%, 0.5%

LAB 64.73, 42.75, 70.99

 

CMYK 0 / 77 / 97 / 3

HEX #F73907

RGB 247 57 7

HSL 12.5, 0.94%, 0.5%

LAB 54.78, 69.18, 65.3

 

CMYK 0 / 97 / 97 / 3

HEX #F70707

RGB 247 7 7

HSL 0, 0.94%, 0.5%

LAB 51.77, 77.75, 63.88

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 28 / 0 / 97 / 3

HEX #B2F707

RGB 178 247 7

HSL 77.25, 0.94%, 0.5%

LAB 89.86, -48.25, 86.24

 

CMYK 54 / 0 / 97 / 3

HEX #72F707

RGB 114 247 7

HSL 93.25, 0.94%, 0.5%

LAB 87.05, -68.76, 82.83

 

CMYK 80 / 0 / 97 / 3

HEX #31F707

RGB 49 247 7

HSL 109.5, 0.94%, 0.5%

LAB 85.6, -81.04, 81.05

 

CMYK 97 / 0 / 88 / 3

HEX #07F71E

RGB 7 247 30

HSL 125.75, 0.94%, 0.5%

LAB 85.33, -83.3, 77.96

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 1 / 0 / 77 / 19

HEX #CBCE30

RGB 203 206 48

HSL 61.14, 0.62%, 0.5%

LAB 80.21, -18.65, 71.84

 

CMYK 1 / 0 / 63 / 27

HEX #B7B945

RGB 183 185 69

HSL 61.03, 0.46%, 0.5%

LAB 73.02, -15.52, 56.66

 

CMYK 1 / 0 / 45 / 36

HEX #A3A45A

RGB 163 164 90

HSL 60.81, 0.29%, 0.5%

LAB 65.81, -11.34, 38.1

 

CMYK 0 / 50 / 97 / 3

HEX #F77B07

RGB 247 123 7

HSL 29, 0.94%, 0.5%

LAB 64.93, 42.25, 71.12

 

CMYK 0 / 24 / 97 / 3

HEX #F7BB07

RGB 247 187 7

HSL 45, 0.94%, 0.5%

LAB 79.23, 9.1, 80.7

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 28 / 0 / 97 / 3

HEX #B3F707

RGB 179 247 7

HSL 77, 0.94%, 0.5%

LAB 89.92, -47.88, 86.3

 

CMYK 53 / 0 / 97 / 3

HEX #73F707

RGB 115 247 7

HSL 93, 0.94%, 0.5%

LAB 87.09, -68.49, 82.87

 

CMYK 2 / 0 / 97 / 35

HEX #A4A705

RGB 164 167 5

HSL 61.11, 0.94%, 0.34%

LAB 66.17, -16.96, 67.88

 

CMYK 2 / 0 / 97 / 19

HEX #CBCF06

RGB 203 207 6

HSL 61.19, 0.94%, 0.42%

LAB 80.37, -20.06, 79.8

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 1 / 0 / 81 / 3

HEX #F5F82F

RGB 245 248 47

HSL 60.9, 0.93%, 0.58%

LAB 94.63, -21.63, 85.97

 

CMYK 1 / 0 / 65 / 2

HEX #F7F957

RGB 247 249 87

HSL 60.74, 0.93%, 0.66%

LAB 95.25, -19.65, 74.19

 

CMYK 2 / 0 / 97 / 4

HEX #F2F607

RGB 242 246 7

HSL 61, 0.94%, 0.5%

LAB 93.8, -22.57, 91.08

 

CMYK 97 / 0 / 76 / 3

HEX #07F73B

RGB 7 247 59

HSL 133, 0.94%, 0.5%

LAB 85.44, -81.85, 71.04

 

CMYK 37 / 97 / 0 / 3

HEX #9B07F7

RGB 155 7 247

HSL 277, 0.94%, 0.5%

LAB 44, 83.27, -83.6

 

CMYK 2 / 0 / 97 / 4

HEX #F2F607

RGB 242 246 7

HSL 61, 0.94%, 0.5%

LAB 93.8, -22.57, 91.08

 

CMYK 97 / 2 / 0 / 3

HEX #07F3F7

RGB 7 243 247

HSL 181, 0.94%, 0.5%

LAB 87.42, -45.05, -15.51

 

CMYK 0 / 97 / 2 / 3

HEX #F707F3

RGB 247 7 243

HSL 301, 0.94%, 0.5%

LAB 58.41, 94.93, -57.3

 

CMYK 2 / 0 / 97 / 4

HEX #F2F607

RGB 242 246 7

HSL 61, 0.94%, 0.5%

LAB 93.8, -22.57, 91.08

 

CMYK 97 / 0 / 76 / 3

HEX #07F73B

RGB 7 247 59

HSL 133, 0.94%, 0.5%

LAB 85.44, -81.85, 71.04

 

CMYK 96 / 97 / 0 / 3

HEX #0B07F7

RGB 11 7 247

HSL 241, 0.94%, 0.5%

LAB 31.67, 76.27, -104.42

 

CMYK 0 / 97 / 21 / 3

HEX #F707C3

RGB 247 7 195

HSL 313, 0.94%, 0.5%

LAB 55.95, 88.81, -33.95

 

CMYK 2 / 0 / 97 / 4

HEX #F2F607

RGB 242 246 7

HSL 61, 0.94%, 0.5%

LAB 93.8, -22.57, 91.08

 

CMYK 97 / 0 / 47 / 3

HEX #07F783

RGB 7 247 131

HSL 151, 0.94%, 0.5%

LAB 86.11, -73.58, 42.16

 

CMYK 96 / 97 / 0 / 3

HEX #0B07F7

RGB 11 7 247

HSL 241, 0.94%, 0.5%

LAB 31.67, 76.27, -104.42

 

CMYK 0 / 97 / 50 / 3

HEX #F7077B

RGB 247 7 123

HSL 331, 0.94%, 0.5%

LAB 53.34, 82, 4.64

 

Description

Color code: HEX #F2F607 | qconv.com Color code: HEX #F2F607 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 246 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 246 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 97 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 97% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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