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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F31A7B it is the complementary color #0CE584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F31A7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F31A7B shade: #F81A76, #FF2C89, #FF3E9C, #FF50AF and #FF62C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F31A7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F31A7B shade: #F31A7B, #E20868, #D10055, #C00042 and #AF002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F31A7B shade: #F31B7B, #F31B41 and #F31B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F31A7B shade: #F31B7B, #F31BB5, #F31BF0, #BB1BF3 and #811BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F31A7B shade matches the following richer shades: #F31B7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F31A7B shade: #F31B7B, #DF2E7D, #CC427F, #B85581 and #A56883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F31A7B shade: #F31BEF, #F31BB5, #F31B7C, #F31B42 and #F32D1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F31A7B shade: #B20954, #D90B67, #F31B7B, #F54292 and #F769A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F31A7B shade: #F31A7B, #F3BD1B and #1BD2F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F31A7B shade: #F31A7B, #7CF31B and #1B7CF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F31A7B shade: #F31A7B, #F3BD1B, #1BF391 and #1B51F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F31A7B shade: #F31A7B, #E8F31B, #1BF391 and #261BF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 49 / 5

HEX #F31A7B

RGB 243 26 123

HSL 333.18, 0.9%, 0.53%

LAB 53.19, 79.26, 4.34

 

Complementary color

CMYK 95 / 0 / 42 / 10

HEX #0CE584

RGB 12 229 132

HSL 153.18, 0.9%, 0.47%

LAB 80.62, -67.41, 34.62

 

CMYK 0 / 90 / 52 / 3

HEX #F81A76

RGB 248 26 118

HSL 335.14, 0.94%, 0.54%

LAB 54.03, 80.04, 8.68

 

CMYK 0 / 83 / 46 / 0

HEX #FF2C89

RGB 255 44 137

HSL 333.55, 1%, 0.59%

LAB 56.95, 80, 1.68

 

CMYK 0 / 76 / 39 / 0

HEX #FF3E9C

RGB 255 62 156

HSL 330.78, 1%, 0.62%

LAB 59.07, 77.23, -6.39

 

CMYK 0 / 69 / 31 / 0

HEX #FF50AF

RGB 255 80 175

HSL 327.43, 1%, 0.66%

LAB 61.73, 73.48, -13.43

 

CMYK 0 / 62 / 24 / 0

HEX #FF62C2

RGB 255 98 194

HSL 323.31, 1%, 0.69%

LAB 64.88, 68.93, -19.52

 

CMYK 0 / 89 / 49 / 5

HEX #F31A7B

RGB 243 26 123

HSL 333.18, 0.9%, 0.53%

LAB 53.19, 79.26, 4.34

 

CMYK 0 / 96 / 54 / 11

HEX #E20868

RGB 226 8 104

HSL 333.58, 0.93%, 0.46%

LAB 48.69, 75.93, 9.04

 

CMYK 0 / 100 / 59 / 18

HEX #D10055

RGB 209 0 85

HSL 335.6, 1%, 0.41%

LAB 44.53, 71.51, 14.54

 

CMYK 0 / 100 / 66 / 25

HEX #C00042

RGB 192 0 66

HSL 339.38, 1%, 0.38%

LAB 40.57, 66.47, 20.61

 

CMYK 0 / 100 / 73 / 31

HEX #AF002F

RGB 175 0 47

HSL 343.89, 1%, 0.34%

LAB 36.59, 61.46, 26.91

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7B

RGB 243 27 123

HSL 333.33, 0.9%, 0.53%

LAB 53.24, 79.12, 4.41

 

CMYK 0 / 89 / 73 / 5

HEX #F31B41

RGB 243 27 65

HSL 349.44, 0.9%, 0.53%

LAB 52.09, 75.86, 37.71

 

CMYK 0 / 89 / 89 / 5

HEX #F31B1B

RGB 243 27 27

HSL 0, 0.9%, 0.53%

LAB 51.74, 74.89, 57.06

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7B

RGB 243 27 123

HSL 333.33, 0.9%, 0.53%

LAB 53.24, 79.12, 4.41

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB5

RGB 243 27 181

HSL 317.22, 0.9%, 0.53%

LAB 55.25, 84.57, -26.98

 

CMYK 0 / 89 / 1 / 5

HEX #F31BF0

RGB 243 27 240

HSL 300.83, 0.9%, 0.53%

LAB 58.16, 92.1, -56.06

 

CMYK 23 / 89 / 0 / 5

HEX #BB1BF3

RGB 187 27 243

HSL 284.44, 0.9%, 0.53%

LAB 49.28, 83.92, -72.53

 

CMYK 47 / 89 / 0 / 5

HEX #811BF3

RGB 129 27 243

HSL 268.33, 0.9%, 0.53%

LAB 41.09, 76.91, -86.26

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7B

RGB 243 27 123

HSL 333.33, 0.9%, 0.53%

LAB 53.24, 79.12, 4.41

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7B

RGB 243 27 123

HSL 333.33, 0.9%, 0.53%

LAB 53.24, 79.12, 4.41

 

CMYK 0 / 79 / 44 / 13

HEX #DF2E7D

RGB 223 46 125

HSL 333.22, 0.73%, 0.53%

LAB 50.83, 70.7, -0.77

 

CMYK 0 / 68 / 38 / 20

HEX #CC427F

RGB 204 66 127

HSL 333.48, 0.58%, 0.53%

LAB 49.82, 59.29, -3.86

 

CMYK 0 / 54 / 30 / 28

HEX #B85581

RGB 184 85 129

HSL 333.33, 0.41%, 0.53%

LAB 49.82, 44.87, -5.4

 

CMYK 0 / 37 / 21 / 35

HEX #A56883

RGB 165 104 131

HSL 333.44, 0.25%, 0.53%

LAB 51.31, 28.35, -4.67

 

CMYK 0 / 89 / 2 / 5

HEX #F31BEF

RGB 243 27 239

HSL 301.11, 0.9%, 0.53%

LAB 58.1, 91.96, -55.59

 

CMYK 0 / 89 / 26 / 5

HEX #F31BB5

RGB 243 27 181

HSL 317.22, 0.9%, 0.53%

LAB 55.25, 84.57, -26.98

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7C

RGB 243 27 124

HSL 333.06, 0.9%, 0.53%

LAB 53.27, 79.19, 3.84

 

CMYK 0 / 89 / 73 / 5

HEX #F31B42

RGB 243 27 66

HSL 349.17, 0.9%, 0.53%

LAB 52.1, 75.9, 37.14

 

CMYK 0 / 81 / 89 / 5

HEX #F32D1B

RGB 243 45 27

HSL 5, 0.9%, 0.53%

LAB 52.96, 71.41, 57.93

 

CMYK 0 / 95 / 53 / 30

HEX #B20954

RGB 178 9 84

HSL 333.37, 0.9%, 0.37%

LAB 38.38, 63.3, 5.62

 

CMYK 0 / 95 / 53 / 15

HEX #D90B67

RGB 217 11 103

HSL 333.2, 0.9%, 0.45%

LAB 46.94, 73.58, 6.92

 

CMYK 0 / 89 / 49 / 5

HEX #F31B7B

RGB 243 27 123

HSL 333.33, 0.9%, 0.53%

LAB 53.24, 79.12, 4.41

 

CMYK 0 / 73 / 40 / 4

HEX #F54292

RGB 245 66 146

HSL 333.18, 0.9%, 0.61%

LAB 57.45, 72.51, -3.12

 

CMYK 0 / 57 / 32 / 3

HEX #F769A8

RGB 247 105 168

HSL 333.38, 0.9%, 0.69%

LAB 63.92, 60.42, -6.27

 

CMYK 0 / 89 / 49 / 5

HEX #F31A7B

RGB 243 26 123

HSL 333.18, 0.9%, 0.53%

LAB 53.19, 79.26, 4.34

 

CMYK 0 / 22 / 89 / 5

HEX #F3BD1B

RGB 243 189 27

HSL 45, 0.9%, 0.53%

LAB 79.35, 6.59, 77.79

 

CMYK 89 / 14 / 0 / 5

HEX #1BD2F3

RGB 27 210 243

HSL 189.17, 0.9%, 0.53%

LAB 77.76, -30.44, -28.04

 

CMYK 0 / 89 / 49 / 5

HEX #F31A7B

RGB 243 26 123

HSL 333.18, 0.9%, 0.53%

LAB 53.19, 79.26, 4.34

 

CMYK 49 / 0 / 89 / 5

HEX #7CF31B

RGB 124 243 27

HSL 93.06, 0.9%, 0.53%

LAB 86.24, -64.25, 80.08

 

CMYK 89 / 49 / 0 / 5

HEX #1B7CF3

RGB 27 124 243

HSL 213.06, 0.9%, 0.53%

LAB 53.08, 17.56, -66.92

 

CMYK 0 / 89 / 49 / 5

HEX #F31A7B

RGB 243 26 123

HSL 333.18, 0.9%, 0.53%

LAB 53.19, 79.26, 4.34

 

CMYK 0 / 22 / 89 / 5

HEX #F3BD1B

RGB 243 189 27

HSL 45, 0.9%, 0.53%

LAB 79.35, 6.59, 77.79

 

CMYK 89 / 0 / 40 / 5

HEX #1BF391

RGB 27 243 145

HSL 152.78, 0.9%, 0.53%

LAB 85.19, -69.07, 34.13

 

CMYK 89 / 67 / 0 / 5

HEX #1B51F3

RGB 27 81 243

HSL 225, 0.9%, 0.53%

LAB 42.14, 44.67, -84.78

 

CMYK 0 / 89 / 49 / 5

HEX #F31A7B

RGB 243 26 123

HSL 333.18, 0.9%, 0.53%

LAB 53.19, 79.26, 4.34

 

CMYK 5 / 0 / 89 / 5

HEX #E8F31B

RGB 232 243 27

HSL 63.06, 0.9%, 0.53%

LAB 92.28, -25.03, 87.5

 

CMYK 89 / 0 / 40 / 5

HEX #1BF391

RGB 27 243 145

HSL 152.78, 0.9%, 0.53%

LAB 85.19, -69.07, 34.13

 

CMYK 84 / 89 / 0 / 5

HEX #261BF3

RGB 38 27 243

HSL 243.06, 0.9%, 0.53%

LAB 33.28, 71.32, -99.45

 

Description

Color code: HEX #F31A7B | qconv.com Color code: HEX #F31A7B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 26 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 26 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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