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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F31F79 it is the complementary color #0CE086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F31F79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F31F79 shade: #F81F74, #FF3187, #FF439A, #FF55AD and #FF67C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F31F79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F31F79 shade: #F31F79, #E20D66, #D10053, #C00040 and #AF002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F31F79 shade: #F32079, #F32040 and #F32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F31F79 shade: #F32079, #F320B2, #F320EB, #C120F3 and #8920F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F31F79 shade matches the following richer shades: #F32079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F31F79 shade: #F32079, #E0337C, #CD467F, #BA5982 and #A76C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F31F79 shade: #F320EC, #F320B3, #F3207B, #F32043 and #F33520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F31F79 shade: #B70953, #DE0B65, #F32079, #F54791 and #F76EA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F31F79 shade: #F31F79, #F3C220 and #20D0F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F31F79 shade: #F31F79, #7BF320 and #207BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F31F79 shade: #F31F79, #F3C220, #20F397 and #2051F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F31F79 shade: #F31F79, #E5F320, #20F397 and #2E20F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 50 / 5

HEX #F31F79

RGB 243 31 121

HSL 334.53, 0.9%, 0.54%

LAB 53.4, 78.35, 5.84

 

Complementary color

CMYK 95 / 0 / 40 / 12

HEX #0CE086

RGB 12 224 134

HSL 154.53, 0.9%, 0.46%

LAB 79.1, -65.35, 31.63

 

CMYK 0 / 88 / 53 / 3

HEX #F81F74

RGB 248 31 116

HSL 336.5, 0.94%, 0.55%

LAB 54.24, 79.16, 10.17

 

CMYK 0 / 81 / 47 / 0

HEX #FF3187

RGB 255 49 135

HSL 334.95, 1%, 0.6%

LAB 57.28, 78.73, 3.34

 

CMYK 0 / 74 / 40 / 0

HEX #FF439A

RGB 255 67 154

HSL 332.23, 1%, 0.63%

LAB 59.53, 75.57, -4.54

 

CMYK 0 / 67 / 32 / 0

HEX #FF55AD

RGB 255 85 173

HSL 328.94, 1%, 0.67%

LAB 62.32, 71.45, -11.4

 

CMYK 0 / 60 / 25 / 0

HEX #FF67C0

RGB 255 103 192

HSL 324.87, 1%, 0.7%

LAB 65.57, 66.6, -17.33

 

CMYK 0 / 87 / 50 / 5

HEX #F31F79

RGB 243 31 121

HSL 334.53, 0.9%, 0.54%

LAB 53.4, 78.35, 5.84

 

CMYK 0 / 94 / 55 / 11

HEX #E20D66

RGB 226 13 102

HSL 334.93, 0.89%, 0.47%

LAB 48.78, 75.39, 10.4

 

CMYK 0 / 100 / 60 / 18

HEX #D10053

RGB 209 0 83

HSL 336.17, 1%, 0.41%

LAB 44.49, 71.39, 15.74

 

CMYK 0 / 100 / 67 / 25

HEX #C00040

RGB 192 0 64

HSL 340, 1%, 0.38%

LAB 40.54, 66.37, 21.83

 

CMYK 0 / 100 / 74 / 31

HEX #AF002D

RGB 175 0 45

HSL 344.57, 1%, 0.34%

LAB 36.56, 61.38, 28.13

 

CMYK 0 / 87 / 50 / 5

HEX #F32079

RGB 243 32 121

HSL 334.69, 0.9%, 0.54%

LAB 53.46, 78.19, 5.92

 

CMYK 0 / 87 / 74 / 5

HEX #F32040

RGB 243 32 64

HSL 350.9, 0.9%, 0.54%

LAB 52.35, 75.03, 38.59

 

CMYK 0 / 87 / 87 / 5

HEX #F32020

RGB 243 32 32

HSL 0, 0.9%, 0.54%

LAB 52.05, 74.16, 55.14

 

CMYK 0 / 87 / 50 / 5

HEX #F32079

RGB 243 32 121

HSL 334.69, 0.9%, 0.54%

LAB 53.46, 78.19, 5.92

 

CMYK 0 / 87 / 27 / 5

HEX #F320B2

RGB 243 32 178

HSL 318.48, 0.9%, 0.54%

LAB 55.38, 83.5, -25.04

 

CMYK 0 / 87 / 3 / 5

HEX #F320EB

RGB 243 32 235

HSL 302.27, 0.9%, 0.54%

LAB 58.12, 90.7, -53.33

 

CMYK 21 / 87 / 0 / 5

HEX #C120F3

RGB 193 32 243

HSL 285.78, 0.9%, 0.54%

LAB 50.5, 83.9, -70.5

 

CMYK 44 / 87 / 0 / 5

HEX #8920F3

RGB 137 32 243

HSL 269.86, 0.9%, 0.54%

LAB 42.49, 76.6, -83.91

 

CMYK 0 / 87 / 50 / 5

HEX #F32079

RGB 243 32 121

HSL 334.69, 0.9%, 0.54%

LAB 53.46, 78.19, 5.92

 

CMYK 0 / 87 / 50 / 5

HEX #F32079

RGB 243 32 121

HSL 334.69, 0.9%, 0.54%

LAB 53.46, 78.19, 5.92

 

CMYK 0 / 77 / 45 / 12

HEX #E0337C

RGB 224 51 124

HSL 334.68, 0.74%, 0.54%

LAB 51.46, 69.51, 0.78

 

CMYK 0 / 66 / 38 / 20

HEX #CD467F

RGB 205 70 127

HSL 334.67, 0.57%, 0.54%

LAB 50.56, 58.01, -2.74

 

CMYK 0 / 52 / 30 / 27

HEX #BA5982

RGB 186 89 130

HSL 334.64, 0.41%, 0.54%

LAB 50.92, 43.68, -4.35

 

CMYK 0 / 35 / 20 / 35

HEX #A76C85

RGB 167 108 133

HSL 334.58, 0.25%, 0.54%

LAB 52.55, 27.16, -4

 

CMYK 0 / 87 / 3 / 5

HEX #F320EC

RGB 243 32 236

HSL 301.99, 0.9%, 0.54%

LAB 58.17, 90.84, -53.8

 

CMYK 0 / 87 / 26 / 5

HEX #F320B3

RGB 243 32 179

HSL 318.2, 0.9%, 0.54%

LAB 55.42, 83.61, -25.55

 

CMYK 0 / 87 / 49 / 5

HEX #F3207B

RGB 243 32 123

HSL 334.12, 0.9%, 0.54%

LAB 53.51, 78.34, 4.79

 

CMYK 0 / 87 / 72 / 5

HEX #F32043

RGB 243 32 67

HSL 350.05, 0.9%, 0.54%

LAB 52.39, 75.14, 36.9

 

CMYK 0 / 78 / 87 / 5

HEX #F33520

RGB 243 53 32

HSL 5.97, 0.9%, 0.54%

LAB 53.71, 69.45, 56.44

 

CMYK 0 / 95 / 55 / 28

HEX #B70953

RGB 183 9 83

HSL 334.48, 0.91%, 0.38%

LAB 39.39, 64.42, 7.84

 

CMYK 0 / 95 / 55 / 13

HEX #DE0B65

RGB 222 11 101

HSL 334.41, 0.91%, 0.46%

LAB 47.89, 74.58, 9.65

 

CMYK 0 / 87 / 50 / 5

HEX #F32079

RGB 243 32 121

HSL 334.69, 0.9%, 0.54%

LAB 53.46, 78.19, 5.92

 

CMYK 0 / 71 / 41 / 4

HEX #F54791

RGB 245 71 145

HSL 334.48, 0.9%, 0.62%

LAB 58, 70.78, -1.72

 

CMYK 0 / 55 / 32 / 3

HEX #F76EA8

RGB 247 110 168

HSL 334.6, 0.9%, 0.7%

LAB 64.77, 58.17, -5.02

 

CMYK 0 / 87 / 50 / 5

HEX #F31F79

RGB 243 31 121

HSL 334.53, 0.9%, 0.54%

LAB 53.4, 78.35, 5.84

 

CMYK 0 / 20 / 87 / 5

HEX #F3C220

RGB 243 194 32

HSL 46.07, 0.9%, 0.54%

LAB 80.6, 4.09, 77.73

 

CMYK 87 / 14 / 0 / 5

HEX #20D0F3

RGB 32 208 243

HSL 189.95, 0.9%, 0.54%

LAB 77.21, -29.2, -28.87

 

CMYK 0 / 87 / 50 / 5

HEX #F31F79

RGB 243 31 121

HSL 334.53, 0.9%, 0.54%

LAB 53.4, 78.35, 5.84

 

CMYK 49 / 0 / 87 / 5

HEX #7BF320

RGB 123 243 32

HSL 94.12, 0.9%, 0.54%

LAB 86.21, -64.39, 79.19

 

CMYK 87 / 49 / 0 / 5

HEX #207BF3

RGB 32 123 243

HSL 214.12, 0.9%, 0.54%

LAB 52.89, 18.47, -67.23

 

CMYK 0 / 87 / 50 / 5

HEX #F31F79

RGB 243 31 121

HSL 334.53, 0.9%, 0.54%

LAB 53.4, 78.35, 5.84

 

CMYK 0 / 20 / 87 / 5

HEX #F3C220

RGB 243 194 32

HSL 46.07, 0.9%, 0.54%

LAB 80.6, 4.09, 77.73

 

CMYK 87 / 0 / 38 / 5

HEX #20F397

RGB 32 243 151

HSL 153.84, 0.9%, 0.54%

LAB 85.32, -67.65, 31.3

 

CMYK 87 / 67 / 0 / 5

HEX #2051F3

RGB 32 81 243

HSL 226.07, 0.9%, 0.54%

LAB 42.25, 44.9, -84.58

 

CMYK 0 / 87 / 50 / 5

HEX #F31F79

RGB 243 31 121

HSL 334.53, 0.9%, 0.54%

LAB 53.4, 78.35, 5.84

 

CMYK 6 / 0 / 87 / 5

HEX #E5F320

RGB 229 243 32

HSL 63.98, 0.9%, 0.54%

LAB 92.07, -26.16, 86.43

 

CMYK 87 / 0 / 38 / 5

HEX #20F397

RGB 32 243 151

HSL 153.84, 0.9%, 0.54%

LAB 85.32, -67.65, 31.3

 

CMYK 81 / 87 / 0 / 5

HEX #2E20F3

RGB 46 32 243

HSL 243.98, 0.9%, 0.54%

LAB 34.16, 69.97, -97.97

 

Description

Color code: HEX #F31F79 | qconv.com Color code: HEX #F31F79 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 31 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 31 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 50 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 50% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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