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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3383E it is the complementary color #0CC7C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3383E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3383E shade: #F83839, #FF4A4C, #FF5C5F, #FF6E72 and #FF8085

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3383E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3383E shade: #F3383E, #E2262B, #D11418, #C00205 and #AF0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3383E shade: #F3393F and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3383E shade: #F3393F, #F33971, #F339A3, #F339D5 and #DE39F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3383E shade matches the following richer shades: #F3393F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3383E shade: #F3393F, #E24A4F, #D15B5F, #C06C6E and #AF7D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3383E shade: #F339A2, #F33971, #F3393F, #F36439 and #F39639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3383E shade: #CE0C12, #F11219, #F3393F, #F56065 and #F8878B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3383E shade: #F3383E, #D4F339 and #398AF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3383E shade: #F3383E, #3FF339 and #393FF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3383E shade: #F3383E, #D4F339, #39F3ED and #5839F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3383E shade: #F3383E, #9CF339, #39F3ED and #9039F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 74 / 5

HEX #F3383E

RGB 243 56 62

HSL 358.07, 0.89%, 0.59%

LAB 54.27, 69.43, 41.89

 

Complementary color

CMYK 94 / 0 / 3 / 22

HEX #0CC7C1

RGB 12 199 193

HSL 178.07, 0.89%, 0.41%

LAB 72.74, -41.33, -8.66

 

CMYK 0 / 77 / 77 / 3

HEX #F83839

RGB 248 56 57

HSL 359.69, 0.93%, 0.6%

LAB 55.15, 70.67, 45.85

 

CMYK 0 / 71 / 70 / 0

HEX #FF4A4C

RGB 255 74 76

HSL 359.34, 1%, 0.65%

LAB 58.68, 67.8, 39.69

 

CMYK 0 / 64 / 63 / 0

HEX #FF5C5F

RGB 255 92 95

HSL 358.9, 1%, 0.68%

LAB 61.43, 62.01, 32.36

 

CMYK 0 / 57 / 55 / 0

HEX #FF6E72

RGB 255 110 114

HSL 358.34, 1%, 0.72%

LAB 64.67, 55.54, 25.8

 

CMYK 0 / 50 / 48 / 0

HEX #FF8085

RGB 255 128 133

HSL 357.64, 1%, 0.75%

LAB 68.31, 48.64, 20.02

 

CMYK 0 / 77 / 74 / 5

HEX #F3383E

RGB 243 56 62

HSL 358.07, 0.89%, 0.59%

LAB 54.27, 69.43, 41.89

 

CMYK 0 / 83 / 81 / 11

HEX #E2262B

RGB 226 38 43

HSL 358.4, 0.76%, 0.52%

LAB 49.17, 68.72, 45.9

 

CMYK 0 / 90 / 89 / 18

HEX #D11418

RGB 209 20 24

HSL 358.73, 0.83%, 0.45%

LAB 44.41, 67.13, 49.82

 

CMYK 0 / 99 / 97 / 25

HEX #C00205

RGB 192 2 5

HSL 359.05, 0.98%, 0.38%

LAB 40.02, 64.55, 52.46

 

CMYK 0 / 100 / 100 / 31

HEX #AF0000

RGB 175 0 0

HSL 0, 1%, 0.34%

LAB 36.2, 60.4, 50.58

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 77 / 53 / 5

HEX #F33971

RGB 243 57 113

HSL 341.94, 0.89%, 0.59%

LAB 55.25, 71.92, 13.26

 

CMYK 0 / 77 / 33 / 5

HEX #F339A3

RGB 243 57 163

HSL 325.81, 0.89%, 0.59%

LAB 56.71, 76.4, -14.24

 

CMYK 0 / 77 / 12 / 5

HEX #F339D5

RGB 243 57 213

HSL 309.68, 0.89%, 0.59%

LAB 58.77, 82.49, -39.88

 

CMYK 9 / 77 / 0 / 5

HEX #DE39F3

RGB 222 57 243

HSL 293.23, 0.89%, 0.59%

LAB 57, 82.85, -59.78

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 67 / 65 / 11

HEX #E24A4F

RGB 226 74 79

HSL 358.03, 0.72%, 0.59%

LAB 53.63, 59, 30.68

 

CMYK 0 / 56 / 55 / 18

HEX #D15B5F

RGB 209 91 95

HSL 357.97, 0.56%, 0.59%

LAB 53.88, 46.99, 21.12

 

CMYK 0 / 44 / 43 / 25

HEX #C06C6E

RGB 192 108 110

HSL 358.57, 0.4%, 0.59%

LAB 55.13, 33.51, 13.64

 

CMYK 0 / 29 / 28 / 31

HEX #AF7D7E

RGB 175 125 126

HSL 358.8, 0.24%, 0.59%

LAB 57.35, 19.57, 7.18

 

CMYK 0 / 77 / 33 / 5

HEX #F339A2

RGB 243 57 162

HSL 326.13, 0.89%, 0.59%

LAB 56.67, 76.3, -13.71

 

CMYK 0 / 77 / 53 / 5

HEX #F33971

RGB 243 57 113

HSL 341.94, 0.89%, 0.59%

LAB 55.25, 71.92, 13.26

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 59 / 77 / 5

HEX #F36439

RGB 243 100 57

HSL 13.87, 0.89%, 0.59%

LAB 60.31, 52.71, 50.92

 

CMYK 0 / 38 / 77 / 5

HEX #F39639

RGB 243 150 57

HSL 30, 0.89%, 0.59%

LAB 70.29, 27.9, 60.84

 

CMYK 0 / 94 / 91 / 19

HEX #CE0C12

RGB 206 12 18

HSL 358.14, 0.89%, 0.43%

LAB 43.4, 67.26, 51.37

 

CMYK 0 / 93 / 90 / 5

HEX #F11219

RGB 241 18 25

HSL 358.12, 0.89%, 0.51%

LAB 50.92, 75.52, 57.11

 

CMYK 0 / 77 / 74 / 5

HEX #F3393F

RGB 243 57 63

HSL 358.06, 0.89%, 0.59%

LAB 54.39, 69.18, 41.46

 

CMYK 0 / 61 / 59 / 4

HEX #F56065

RGB 245 96 101

HSL 357.99, 0.88%, 0.67%

LAB 60.53, 57.46, 27.46

 

CMYK 0 / 46 / 44 / 3

HEX #F8878B

RGB 248 135 139

HSL 357.88, 0.89%, 0.75%

LAB 68.86, 43.26, 17.27

 

CMYK 0 / 77 / 74 / 5

HEX #F3383E

RGB 243 56 62

HSL 358.07, 0.89%, 0.59%

LAB 54.27, 69.43, 41.89

 

CMYK 13 / 0 / 77 / 5

HEX #D4F339

RGB 212 243 57

HSL 70, 0.89%, 0.59%

LAB 90.96, -32.26, 79.22

 

CMYK 77 / 43 / 0 / 5

HEX #398AF3

RGB 57 138 243

HSL 213.87, 0.89%, 0.59%

LAB 57.58, 11.35, -59.65

 

CMYK 0 / 77 / 74 / 5

HEX #F3383E

RGB 243 56 62

HSL 358.07, 0.89%, 0.59%

LAB 54.27, 69.43, 41.89

 

CMYK 74 / 0 / 77 / 5

HEX #3FF339

RGB 63 243 57

HSL 118.06, 0.89%, 0.59%

LAB 84.72, -76.29, 71.12

 

CMYK 77 / 74 / 0 / 5

HEX #393FF3

RGB 57 63 243

HSL 238.06, 0.89%, 0.59%

LAB 39.4, 56.8, -89.25

 

CMYK 0 / 77 / 74 / 5

HEX #F3383E

RGB 243 56 62

HSL 358.07, 0.89%, 0.59%

LAB 54.27, 69.43, 41.89

 

CMYK 13 / 0 / 77 / 5

HEX #D4F339

RGB 212 243 57

HSL 70, 0.89%, 0.59%

LAB 90.96, -32.26, 79.22

 

CMYK 77 / 0 / 2 / 5

HEX #39F3ED

RGB 57 243 237

HSL 178.06, 0.89%, 0.59%

LAB 87.53, -45.25, -10.07

 

CMYK 64 / 77 / 0 / 5

HEX #5839F3

RGB 88 57 243

HSL 250, 0.89%, 0.59%

LAB 40.36, 62.48, -87.6

 

CMYK 0 / 77 / 74 / 5

HEX #F3383E

RGB 243 56 62

HSL 358.07, 0.89%, 0.59%

LAB 54.27, 69.43, 41.89

 

CMYK 36 / 0 / 77 / 5

HEX #9CF339

RGB 156 243 57

HSL 88.06, 0.89%, 0.59%

LAB 87.71, -53.05, 75.03

 

CMYK 77 / 0 / 2 / 5

HEX #39F3ED

RGB 57 243 237

HSL 178.06, 0.89%, 0.59%

LAB 87.53, -45.25, -10.07

 

CMYK 41 / 77 / 0 / 5

HEX #9039F3

RGB 144 57 243

HSL 268.06, 0.89%, 0.59%

LAB 46.08, 69.58, -78

 

Description

Color code: HEX #F3383E | qconv.com Color code: HEX #F3383E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 56 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 56 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 74% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Welcome :: Routesonl...
Link: http://www.routesonline.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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