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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35C0B it is the complementary color #0CA3F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35C0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F35C0B shade: #F85C06, #FF6E19, #FF802C, #FF923F and #FFA452

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35C0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F35C0B shade: #F35C0B, #E24A00, #D13800, #C02600 and #AF1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F35C0B shade: #F35C0B, #F31D0B and #F30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F35C0B shade: #F35C0B, #F39B0B, #F3D90B, #CEF30B and #90F30B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F35C0B shade matches the following richer shades: #F35C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F35C0B shade: #F35C0B, #DE6220, #CA6834, #B56F49 and #A1755D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F35C0B shade: #F30B39, #F31A0B, #F3580B, #F3960B and #F3D40B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F35C0B shade: #A43E07, #CC4D09, #F35C0B, #F57632 and #F7915A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F35C0B shade: #F35C0B, #77F30B and #0B1AF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F35C0B shade: #F35C0B, #0BF358 and #580BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F35C0B shade: #F35C0B, #77F30B, #0BA6F3 and #870BF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F35C0B shade: #F35C0B, #32F30B, #0BA6F3 and #CC0BF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

Complementary color

CMYK 95 / 33 / 0 / 4

HEX #0CA3F4

RGB 12 163 244

HSL 200.95, 0.91%, 0.5%

LAB 64, -6.01, -50.01

 

CMYK 0 / 63 / 98 / 3

HEX #F85C06

RGB 248 92 6

HSL 21.32, 0.95%, 0.5%

LAB 59.55, 56.92, 68.15

 

CMYK 0 / 57 / 90 / 0

HEX #FF6E19

RGB 255 110 25

HSL 22.17, 1%, 0.55%

LAB 63.74, 51.66, 67.26

 

CMYK 0 / 50 / 83 / 0

HEX #FF802C

RGB 255 128 44

HSL 23.89, 1%, 0.59%

LAB 67.19, 43.48, 63.7

 

CMYK 0 / 43 / 75 / 0

HEX #FF923F

RGB 255 146 63

HSL 25.94, 1%, 0.62%

LAB 70.99, 35.06, 59.51

 

CMYK 0 / 36 / 68 / 0

HEX #FFA452

RGB 255 164 82

HSL 28.44, 1%, 0.66%

LAB 75.09, 26.64, 55.21

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 0 / 67 / 100 / 11

HEX #E24A00

RGB 226 74 0

HSL 19.65, 1%, 0.44%

LAB 53.02, 56.77, 63.84

 

CMYK 0 / 73 / 100 / 18

HEX #D13800

RGB 209 56 0

HSL 16.08, 1%, 0.41%

LAB 47.47, 57.94, 59.43

 

CMYK 0 / 80 / 100 / 25

HEX #C02600

RGB 192 38 0

HSL 11.88, 1%, 0.38%

LAB 42.14, 58.37, 55.15

 

CMYK 0 / 89 / 100 / 31

HEX #AF1400

RGB 175 20 0

HSL 6.86, 1%, 0.34%

LAB 37.14, 57.7, 51.01

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 0 / 88 / 95 / 5

HEX #F31D0B

RGB 243 29 11

HSL 4.66, 0.91%, 0.5%

LAB 51.79, 74.4, 62.45

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 0 / 36 / 95 / 5

HEX #F39B0B

RGB 243 155 11

HSL 37.24, 0.91%, 0.5%

LAB 71.23, 24.23, 74.48

 

CMYK 0 / 11 / 95 / 5

HEX #F3D90B

RGB 243 217 11

HSL 53.28, 0.91%, 0.5%

LAB 86.36, -7.95, 85.29

 

CMYK 15 / 0 / 95 / 5

HEX #CEF30B

RGB 206 243 11

HSL 69.57, 0.91%, 0.5%

LAB 90.44, -35.74, 87.11

 

CMYK 41 / 0 / 95 / 5

HEX #90F30B

RGB 144 243 11

HSL 85.6, 0.91%, 0.5%

LAB 87.02, -58.42, 82.98

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 0 / 56 / 86 / 13

HEX #DE6220

RGB 222 98 32

HSL 20.84, 0.75%, 0.5%

LAB 56.46, 45.23, 57.14

 

CMYK 0 / 49 / 74 / 21

HEX #CA6834

RGB 202 104 52

HSL 20.8, 0.59%, 0.5%

LAB 54.77, 35.13, 45.68

 

CMYK 0 / 39 / 60 / 29

HEX #B56F49

RGB 181 111 73

HSL 21.11, 0.43%, 0.5%

LAB 53.68, 24, 32.63

 

CMYK 0 / 27 / 42 / 37

HEX #A1755D

RGB 161 117 93

HSL 21.18, 0.27%, 0.5%

LAB 53.05, 14.12, 20.03

 

CMYK 0 / 95 / 77 / 5

HEX #F30B39

RGB 243 11 57

HSL 348.1, 0.91%, 0.5%

LAB 51.37, 77.37, 41.52

 

CMYK 0 / 89 / 95 / 5

HEX #F31A0B

RGB 243 26 11

HSL 3.88, 0.91%, 0.5%

LAB 51.63, 74.86, 62.37

 

CMYK 0 / 64 / 95 / 5

HEX #F3580B

RGB 243 88 11

HSL 19.91, 0.91%, 0.5%

LAB 58.09, 56.92, 65.95

 

CMYK 0 / 38 / 95 / 5

HEX #F3960B

RGB 243 150 11

HSL 35.95, 0.91%, 0.5%

LAB 70.1, 26.86, 73.7

 

CMYK 0 / 13 / 95 / 5

HEX #F3D40B

RGB 243 212 11

HSL 51.98, 0.91%, 0.5%

LAB 85.08, -5.43, 84.36

 

CMYK 0 / 62 / 96 / 36

HEX #A43E07

RGB 164 62 7

HSL 21.02, 0.92%, 0.34%

LAB 40.17, 40, 48.98

 

CMYK 0 / 62 / 96 / 20

HEX #CC4D09

RGB 204 77 9

HSL 20.92, 0.92%, 0.42%

LAB 49.7, 47.95, 57.9

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 0 / 52 / 80 / 4

HEX #F57632

RGB 245 118 50

HSL 20.92, 0.91%, 0.58%

LAB 63.84, 44.74, 57.7

 

CMYK 0 / 41 / 64 / 3

HEX #F7915A

RGB 247 145 90

HSL 21.02, 0.91%, 0.66%

LAB 70.01, 33.78, 45.26

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 51 / 0 / 95 / 5

HEX #77F30B

RGB 119 243 11

HSL 92.07, 0.91%, 0.5%

LAB 86.03, -65.97, 81.77

 

CMYK 95 / 89 / 0 / 5

HEX #0B1AF3

RGB 11 26 243

HSL 236.12, 0.91%, 0.5%

LAB 32.44, 71.18, -100.87

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 95 / 0 / 64 / 5

HEX #0BF358

RGB 11 243 88

HSL 139.91, 0.91%, 0.5%

LAB 84.42, -78.08, 59.51

 

CMYK 64 / 95 / 0 / 5

HEX #580BF3

RGB 88 11 243

HSL 259.91, 0.91%, 0.5%

LAB 35.57, 76.71, -95.55

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 51 / 0 / 95 / 5

HEX #77F30B

RGB 119 243 11

HSL 92.07, 0.91%, 0.5%

LAB 86.03, -65.97, 81.77

 

CMYK 95 / 32 / 0 / 5

HEX #0BA6F3

RGB 11 166 243

HSL 199.91, 0.91%, 0.5%

LAB 64.82, -8.09, -48.18

 

CMYK 44 / 95 / 0 / 5

HEX #870BF3

RGB 135 11 243

HSL 272.07, 0.91%, 0.5%

LAB 40.99, 80.11, -86.39

 

CMYK 0 / 62 / 95 / 5

HEX #F35C0B

RGB 243 92 11

HSL 20.95, 0.91%, 0.5%

LAB 58.73, 55.23, 66.33

 

CMYK 79 / 0 / 95 / 5

HEX #32F30B

RGB 50 243 11

HSL 109.91, 0.91%, 0.5%

LAB 84.38, -79.75, 79.75

 

CMYK 95 / 32 / 0 / 5

HEX #0BA6F3

RGB 11 166 243

HSL 199.91, 0.91%, 0.5%

LAB 64.82, -8.09, -48.18

 

CMYK 16 / 95 / 0 / 5

HEX #CC0BF3

RGB 204 11 243

HSL 289.91, 0.91%, 0.5%

LAB 51.32, 88.22, -69.08

 

Description

Color code: HEX #F35C0B | qconv.com Color code: HEX #F35C0B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 92 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 92 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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