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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F35CC6 it is the complementary color #0CA339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F35CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F35CC6 shade: #F85CC1, #FF6ED4, #FF80E7, #FF92FA and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F35CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F35CC6 shade: #F35CC6, #E24AB3, #D138A0, #C0268D and #AF147A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F35CC6 shade: #F25DC6, #F25D9E, #F25D75 and #F25D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F35CC6 shade: #F25DC6, #F25DEE, #CE5DF2, #A65DF2 and #7E5DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F35CC6 shade matches the following richer shades: #F25DC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F35CC6 shade: #F25DC6, #E46BC0, #D679BB, #C887B5 and #BA95AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F35CC6 shade: #CD5DF2, #F25DF0, #F25DC8, #F25DA0 and #F25D79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F35CC6 shade: #EC11AB, #EF37B8, #F25DC6, #F584D3 and #F8AAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F35CC6 shade: #F35CC6, #F2A55D and #5DF2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F35CC6 shade: #F35CC6, #C8F25D and #5DC8F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F35CC6 shade: #F35CC6, #F2A55D, #5DF287 and #5DAAF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F35CC6 shade: #F35CC6, #F2D25D, #5DF287 and #5D7EF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 19 / 5

HEX #F35CC6

RGB 243 92 198

HSL 317.88, 0.86%, 0.66%

LAB 62.33, 68.64, -25.84

 

Complementary color

CMYK 93 / 0 / 65 / 36

HEX #0CA339

RGB 12 163 57

HSL 137.88, 0.86%, 0.34%

LAB 58.57, -57.45, 43.9

 

CMYK 0 / 63 / 22 / 3

HEX #F85CC1

RGB 248 92 193

HSL 321.15, 0.92%, 0.67%

LAB 62.89, 69.3, -22.06

 

CMYK 0 / 57 / 17 / 0

HEX #FF6ED4

RGB 255 110 212

HSL 317.79, 1%, 0.72%

LAB 67.4, 66.31, -25.78

 

CMYK 0 / 50 / 9 / 0

HEX #FF80E7

RGB 255 128 231

HSL 311.34, 1%, 0.75%

LAB 71.19, 61, -30.48

 

CMYK 0 / 43 / 2 / 0

HEX #FF92FA

RGB 255 146 250

HSL 302.75, 1%, 0.79%

LAB 75.28, 55.45, -34.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 62 / 19 / 5

HEX #F35CC6

RGB 243 92 198

HSL 317.88, 0.86%, 0.66%

LAB 62.33, 68.64, -25.84

 

CMYK 0 / 67 / 21 / 11

HEX #E24AB3

RGB 226 74 179

HSL 318.55, 0.72%, 0.59%

LAB 56.41, 68.58, -24.28

 

CMYK 0 / 73 / 23 / 18

HEX #D138A0

RGB 209 56 160

HSL 319.22, 0.62%, 0.52%

LAB 50.6, 68.07, -22.33

 

CMYK 0 / 80 / 27 / 25

HEX #C0268D

RGB 192 38 141

HSL 319.87, 0.67%, 0.45%

LAB 44.96, 66.88, -19.86

 

CMYK 0 / 89 / 30 / 31

HEX #AF147A

RGB 175 20 122

HSL 320.52, 0.79%, 0.38%

LAB 39.61, 64.67, -16.67

 

CMYK 0 / 62 / 18 / 5

HEX #F25DC6

RGB 242 93 198

HSL 317.72, 0.85%, 0.66%

LAB 62.32, 67.97, -25.86

 

CMYK 0 / 62 / 35 / 5

HEX #F25D9E

RGB 242 93 158

HSL 333.83, 0.85%, 0.66%

LAB 60.94, 62.94, -5.03

 

CMYK 0 / 62 / 52 / 5

HEX #F25D75

RGB 242 93 117

HSL 350.34, 0.85%, 0.66%

LAB 59.88, 58.97, 17.28

 

CMYK 0 / 62 / 62 / 5

HEX #F25D5D

RGB 242 93 93

HSL 0, 0.85%, 0.66%

LAB 59.43, 57.23, 30.51

 

CMYK 0 / 62 / 18 / 5

HEX #F25DC6

RGB 242 93 198

HSL 317.72, 0.85%, 0.66%

LAB 62.32, 67.97, -25.86

 

CMYK 0 / 62 / 2 / 5

HEX #F25DEE

RGB 242 93 238

HSL 301.61, 0.85%, 0.66%

LAB 64.06, 73.98, -45.6

 

CMYK 15 / 62 / 0 / 5

HEX #CE5DF2

RGB 206 93 242

HSL 285.5, 0.85%, 0.66%

LAB 59.31, 66.23, -55.67

 

CMYK 31 / 62 / 0 / 5

HEX #A65DF2

RGB 166 93 242

HSL 269.4, 0.85%, 0.66%

LAB 54.39, 57.23, -63.82

 

CMYK 48 / 62 / 0 / 5

HEX #7E5DF2

RGB 126 93 242

HSL 253.29, 0.85%, 0.66%

LAB 50.3, 49.04, -70.63

 

CMYK 0 / 62 / 18 / 5

HEX #F25DC6

RGB 242 93 198

HSL 317.72, 0.85%, 0.66%

LAB 62.32, 67.97, -25.86

 

CMYK 0 / 62 / 18 / 5

HEX #F25DC6

RGB 242 93 198

HSL 317.72, 0.85%, 0.66%

LAB 62.32, 67.97, -25.86

 

CMYK 0 / 53 / 16 / 11

HEX #E46BC0

RGB 228 107 192

HSL 317.85, 0.69%, 0.66%

LAB 62.35, 57.01, -22.59

 

CMYK 0 / 43 / 13 / 16

HEX #D679BB

RGB 214 121 187

HSL 317.42, 0.53%, 0.66%

LAB 62.98, 45.02, -18.96

 

CMYK 0 / 33 / 10 / 22

HEX #C887B5

RGB 200 135 181

HSL 317.54, 0.37%, 0.66%

LAB 64.12, 31.93, -14

 

CMYK 0 / 20 / 6 / 27

HEX #BA95AF

RGB 186 149 175

HSL 317.84, 0.21%, 0.66%

LAB 65.77, 18.24, -8.3

 

CMYK 15 / 62 / 0 / 5

HEX #CD5DF2

RGB 205 93 242

HSL 285.1, 0.85%, 0.66%

LAB 59.18, 66, -55.89

 

CMYK 0 / 62 / 1 / 5

HEX #F25DF0

RGB 242 93 240

HSL 300.81, 0.85%, 0.66%

LAB 64.16, 74.3, -46.56

 

CMYK 0 / 62 / 17 / 5

HEX #F25DC8

RGB 242 93 200

HSL 316.91, 0.85%, 0.66%

LAB 62.4, 68.24, -26.87

 

CMYK 0 / 62 / 34 / 5

HEX #F25DA0

RGB 242 93 160

HSL 333.02, 0.85%, 0.66%

LAB 61, 63.16, -6.09

 

CMYK 0 / 62 / 50 / 5

HEX #F25D79

RGB 242 93 121

HSL 348.72, 0.85%, 0.66%

LAB 59.97, 59.3, 15.07

 

CMYK 0 / 93 / 28 / 7

HEX #EC11AB

RGB 236 17 171

HSL 317.81, 0.87%, 0.5%

LAB 53.14, 83.26, -24.5

 

CMYK 0 / 77 / 23 / 6

HEX #EF37B8

RGB 239 55 184

HSL 317.93, 0.85%, 0.58%

LAB 56.63, 78.41, -26.66

 

CMYK 0 / 62 / 18 / 5

HEX #F25DC6

RGB 242 93 198

HSL 317.72, 0.85%, 0.66%

LAB 62.32, 67.97, -25.86

 

CMYK 0 / 46 / 14 / 4

HEX #F584D3

RGB 245 132 211

HSL 318.05, 0.85%, 0.74%

LAB 69.91, 52.99, -21.51

 

CMYK 0 / 31 / 9 / 3

HEX #F8AAE1

RGB 248 170 225

HSL 317.69, 0.85%, 0.82%

LAB 78.54, 36.75, -16.08

 

CMYK 0 / 62 / 19 / 5

HEX #F35CC6

RGB 243 92 198

HSL 317.88, 0.86%, 0.66%

LAB 62.33, 68.64, -25.84

 

CMYK 0 / 32 / 62 / 5

HEX #F2A55D

RGB 242 165 93

HSL 28.99, 0.85%, 0.66%

LAB 73.92, 21.49, 48.18

 

CMYK 62 / 0 / 7 / 5

HEX #5DF2E1

RGB 93 242 225

HSL 173.15, 0.85%, 0.66%

LAB 87.61, -43.37, -3.58

 

CMYK 0 / 62 / 19 / 5

HEX #F35CC6

RGB 243 92 198

HSL 317.88, 0.86%, 0.66%

LAB 62.33, 68.64, -25.84

 

CMYK 17 / 0 / 62 / 5

HEX #C8F25D

RGB 200 242 93

HSL 76.91, 0.85%, 0.66%

LAB 90.13, -34.44, 65.43

 

CMYK 62 / 17 / 0 / 5

HEX #5DC8F2

RGB 93 200 242

HSL 196.91, 0.85%, 0.66%

LAB 76.1, -18.58, -29.94

 

CMYK 0 / 62 / 19 / 5

HEX #F35CC6

RGB 243 92 198

HSL 317.88, 0.86%, 0.66%

LAB 62.33, 68.64, -25.84

 

CMYK 0 / 32 / 62 / 5

HEX #F2A55D

RGB 242 165 93

HSL 28.99, 0.85%, 0.66%

LAB 73.92, 21.49, 48.18

 

CMYK 62 / 0 / 44 / 5

HEX #5DF287

RGB 93 242 135

HSL 136.91, 0.85%, 0.66%

LAB 85.8, -62.1, 40.06

 

CMYK 62 / 30 / 0 / 5

HEX #5DAAF2

RGB 93 170 242

HSL 208.99, 0.85%, 0.66%

LAB 67.64, -2.43, -43.07

 

CMYK 0 / 62 / 19 / 5

HEX #F35CC6

RGB 243 92 198

HSL 317.88, 0.86%, 0.66%

LAB 62.33, 68.64, -25.84

 

CMYK 0 / 13 / 62 / 5

HEX #F2D25D

RGB 242 210 93

HSL 47.11, 0.85%, 0.66%

LAB 84.87, -2.01, 60.61

 

CMYK 62 / 0 / 44 / 5

HEX #5DF287

RGB 93 242 135

HSL 136.91, 0.85%, 0.66%

LAB 85.8, -62.1, 40.06

 

CMYK 62 / 48 / 0 / 5

HEX #5D7EF2

RGB 93 126 242

HSL 226.71, 0.85%, 0.66%

LAB 55.75, 23.45, -61.96

 

Description

Color code: HEX #F35CC6 | qconv.com Color code: HEX #F35CC6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 92 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 92 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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