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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F36CA6 it is the complementary color #0C9359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F36CA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F36CA6 shade: #F86CA1, #FF7EB4, #FF90C7, #FFA2DA and #FFB4ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F36CA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F36CA6 shade: #F36CA6, #E25A93, #D14880, #C0366D and #AF245A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F36CA6 shade: #F36CA6, #F36C82 and #F36C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F36CA6 shade: #F36CA6, #F36CCA, #F36CEE, #D36CF3 and #AE6CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F36CA6 shade matches the following richer shades: #F36CA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F36CA6 shade: #F36CA6, #E679A8, #D986AA, #CC93AB and #BF9FAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F36CA6 shade: #F36CEE, #F36CCA, #F36CA6, #F36C83 and #F37A6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F36CA6 shade: #EC2078, #F0468F, #F36CA6, #F692BD and #F9B9D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F36CA6 shade: #F36CA6, #F3D36C and #6CDCF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F36CA6 shade: #F36CA6, #A6F36C and #6CA6F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F36CA6 shade: #F36CA6, #F3D36C, #6CF3B8 and #6C8CF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F36CA6 shade: #F36CA6, #EAF36C, #6CF3B8 and #756CF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

Complementary color

CMYK 92 / 0 / 39 / 42

HEX #0C9359

RGB 12 147 89

HSL 154.22, 0.85%, 0.31%

LAB 53.67, -46.8, 21.69

 

CMYK 0 / 56 / 35 / 3

HEX #F86CA1

RGB 248 108 161

HSL 337.29, 0.91%, 0.7%

LAB 64.37, 58.58, -1.6

 

CMYK 0 / 51 / 29 / 0

HEX #FF7EB4

RGB 255 126 180

HSL 334.88, 1%, 0.75%

LAB 69.1, 54.71, -5.29

 

CMYK 0 / 44 / 22 / 0

HEX #FF90C7

RGB 255 144 199

HSL 330.27, 1%, 0.78%

LAB 73.11, 48.43, -9.91

 

CMYK 0 / 36 / 15 / 0

HEX #FFA2DA

RGB 255 162 218

HSL 323.87, 1%, 0.82%

LAB 77.38, 42.09, -13.95

 

CMYK 0 / 29 / 7 / 0

HEX #FFB4ED

RGB 255 180 237

HSL 314.4, 1%, 0.85%

LAB 81.85, 35.82, -17.5

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 60 / 35 / 11

HEX #E25A93

RGB 226 90 147

HSL 334.85, 0.7%, 0.62%

LAB 57.64, 58.16, -3.77

 

CMYK 0 / 66 / 39 / 18

HEX #D14880

RGB 209 72 128

HSL 335.47, 0.6%, 0.55%

LAB 51.55, 58.5, -1.81

 

CMYK 0 / 72 / 43 / 25

HEX #C0366D

RGB 192 54 109

HSL 336.09, 0.56%, 0.48%

LAB 45.56, 58.45, 0.62

 

CMYK 0 / 79 / 49 / 31

HEX #AF245A

RGB 175 36 90

HSL 336.69, 0.66%, 0.41%

LAB 39.77, 57.77, 3.7

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 56 / 47 / 5

HEX #F36C82

RGB 243 108 130

HSL 350.22, 0.85%, 0.69%

LAB 62.84, 53.75, 13.89

 

CMYK 0 / 56 / 56 / 5

HEX #F36C6C

RGB 243 108 108

HSL 0, 0.85%, 0.69%

LAB 62.39, 51.89, 25.86

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 56 / 17 / 5

HEX #F36CCA

RGB 243 108 202

HSL 318.22, 0.85%, 0.69%

LAB 65, 62.38, -24

 

CMYK 0 / 56 / 2 / 5

HEX #F36CEE

RGB 243 108 238

HSL 302.22, 0.85%, 0.69%

LAB 66.48, 67.97, -41.79

 

CMYK 13 / 56 / 0 / 5

HEX #D36CF3

RGB 211 108 243

HSL 285.78, 0.85%, 0.69%

LAB 62.55, 60.73, -51.04

 

CMYK 28 / 56 / 0 / 5

HEX #AE6CF3

RGB 174 108 243

HSL 269.33, 0.85%, 0.69%

LAB 58.22, 51.61, -58.18

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 47 / 27 / 10

HEX #E679A8

RGB 230 121 168

HSL 334.13, 0.69%, 0.69%

LAB 64.42, 47.44, -5.79

 

CMYK 0 / 38 / 22 / 15

HEX #D986AA

RGB 217 134 170

HSL 333.98, 0.52%, 0.69%

LAB 65.52, 36.58, -5.49

 

CMYK 0 / 28 / 16 / 20

HEX #CC93AB

RGB 204 147 171

HSL 334.74, 0.36%, 0.69%

LAB 67.01, 25.1, -4.01

 

CMYK 0 / 17 / 9 / 25

HEX #BF9FAD

RGB 191 159 173

HSL 333.75, 0.2%, 0.69%

LAB 68.67, 14.13, -2.83

 

CMYK 0 / 56 / 2 / 5

HEX #F36CEE

RGB 243 108 238

HSL 302.22, 0.85%, 0.69%

LAB 66.48, 67.97, -41.79

 

CMYK 0 / 56 / 17 / 5

HEX #F36CCA

RGB 243 108 202

HSL 318.22, 0.85%, 0.69%

LAB 65, 62.38, -24

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 56 / 46 / 5

HEX #F36C83

RGB 243 108 131

HSL 349.78, 0.85%, 0.69%

LAB 62.86, 53.85, 13.35

 

CMYK 0 / 50 / 56 / 5

HEX #F37A6C

RGB 243 122 108

HSL 6.22, 0.85%, 0.69%

LAB 65.01, 45.17, 29.29

 

CMYK 0 / 86 / 49 / 7

HEX #EC2078

RGB 236 32 120

HSL 334.12, 0.84%, 0.53%

LAB 52.09, 76.47, 4.38

 

CMYK 0 / 71 / 40 / 6

HEX #F0468F

RGB 240 70 143

HSL 334.24, 0.85%, 0.61%

LAB 56.97, 69.57, -2.16

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 41 / 23 / 4

HEX #F692BD

RGB 246 146 189

HSL 334.2, 0.85%, 0.77%

LAB 72.11, 43.01, -5.98

 

CMYK 0 / 26 / 15 / 2

HEX #F9B9D4

RGB 249 185 212

HSL 334.69, 0.84%, 0.85%

LAB 81.62, 27.09, -4.47

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 13 / 56 / 5

HEX #F3D36C

RGB 243 211 108

HSL 45.78, 0.85%, 0.69%

LAB 85.37, -1.05, 54.38

 

CMYK 56 / 9 / 0 / 5

HEX #6CDCF3

RGB 108 220 243

HSL 190.22, 0.85%, 0.69%

LAB 82.3, -25.64, -20.97

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 32 / 0 / 56 / 5

HEX #A6F36C

RGB 166 243 108

HSL 94.22, 0.85%, 0.69%

LAB 88.59, -45.88, 56.76

 

CMYK 56 / 32 / 0 / 5

HEX #6CA6F3

RGB 108 166 243

HSL 214.22, 0.85%, 0.69%

LAB 67.23, 3.03, -44.22

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 0 / 13 / 56 / 5

HEX #F3D36C

RGB 243 211 108

HSL 45.78, 0.85%, 0.69%

LAB 85.37, -1.05, 54.38

 

CMYK 56 / 0 / 24 / 5

HEX #6CF3B8

RGB 108 243 184

HSL 153.78, 0.85%, 0.69%

LAB 87.36, -50.46, 17.47

 

CMYK 56 / 42 / 0 / 5

HEX #6C8CF3

RGB 108 140 243

HSL 225.78, 0.85%, 0.69%

LAB 60.26, 18.17, -55.24

 

CMYK 0 / 56 / 32 / 5

HEX #F36CA6

RGB 243 108 166

HSL 334.22, 0.85%, 0.69%

LAB 63.78, 57.6, -5.4

 

CMYK 4 / 0 / 56 / 5

HEX #EAF36C

RGB 234 243 108

HSL 64, 0.85%, 0.69%

LAB 92.87, -20.58, 62.8

 

CMYK 56 / 0 / 24 / 5

HEX #6CF3B8

RGB 108 243 184

HSL 153.78, 0.85%, 0.69%

LAB 87.36, -50.46, 17.47

 

CMYK 52 / 56 / 0 / 5

HEX #756CF3

RGB 117 108 243

HSL 244, 0.85%, 0.69%

LAB 52.93, 39.04, -66.98

 

Description

Color code: HEX #F36CA6 | qconv.com Color code: HEX #F36CA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 108 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 108 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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