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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F376C4 it is the complementary color #0C893B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F376C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F376C4 shade: #F876BF, #FF88D2, #FF9AE5, #FFACF8 and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F376C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F376C4 shade: #F376C4, #E264B1, #D1529E, #C0408B and #AF2E78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F376C4 shade: #F376C4, #F376A2, #F37681 and #F37676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F376C4 shade: #F376C4, #F376E5, #DE76F3, #BD76F3 and #9B76F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F376C4 shade matches the following richer shades: #F376C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F376C4 shade: #F376C4, #E782C1, #DB8EBE, #CF9ABB and #C3A6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F376C4 shade: #DE76F3, #F376E6, #F376C5, #F376A4 and #F37683

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F376C4 shade: #EC2BA3, #EF50B4, #F376C4, #F69CD4 and #F9C2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F376C4 shade: #F376C4, #F3BD76 and #76F3EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F376C4 shade: #F376C4, #C5F376 and #76C5F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F376C4 shade: #F376C4, #F3BD76, #76F3A4 and #76ACF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F376C4 shade: #F376C4, #F3E276, #76F3A4 and #7687F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

Complementary color

CMYK 91 / 0 / 57 / 46

HEX #0C893B

RGB 12 137 59

HSL 142.56, 0.84%, 0.29%

LAB 49.84, -48.65, 32.84

 

CMYK 0 / 52 / 23 / 3

HEX #F876BF

RGB 248 118 191

HSL 326.31, 0.9%, 0.72%

LAB 67.03, 57.73, -14.65

 

CMYK 0 / 47 / 18 / 0

HEX #FF88D2

RGB 255 136 210

HSL 322.69, 1%, 0.77%

LAB 71.91, 53.97, -17.8

 

CMYK 0 / 40 / 10 / 0

HEX #FF9AE5

RGB 255 154 229

HSL 315.45, 1%, 0.8%

LAB 76.09, 47.93, -21.89

 

CMYK 0 / 33 / 3 / 0

HEX #FFACF8

RGB 255 172 248

HSL 305.06, 1%, 0.84%

LAB 80.48, 41.88, -25.47

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 56 / 22 / 11

HEX #E264B1

RGB 226 100 177

HSL 323.33, 0.68%, 0.64%

LAB 60.3, 57.49, -17.18

 

CMYK 0 / 61 / 24 / 18

HEX #D1529E

RGB 209 82 158

HSL 324.09, 0.58%, 0.57%

LAB 54.09, 57.92, -15.81

 

CMYK 0 / 67 / 28 / 25

HEX #C0408B

RGB 192 64 139

HSL 324.84, 0.5%, 0.5%

LAB 47.93, 58.06, -14.13

 

CMYK 0 / 74 / 31 / 31

HEX #AF2E78

RGB 175 46 120

HSL 325.58, 0.58%, 0.43%

LAB 41.88, 57.72, -11.98

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 51 / 33 / 5

HEX #F376A2

RGB 243 118 162

HSL 338.88, 0.84%, 0.71%

LAB 65.45, 52.44, -0.66

 

CMYK 0 / 51 / 47 / 5

HEX #F37681

RGB 243 118 129

HSL 354.72, 0.84%, 0.71%

LAB 64.64, 48.92, 16.97

 

CMYK 0 / 51 / 51 / 5

HEX #F37676

RGB 243 118 118

HSL 0, 0.84%, 0.71%

LAB 64.42, 47.94, 22.9

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 51 / 6 / 5

HEX #F376E5

RGB 243 118 229

HSL 306.72, 0.84%, 0.71%

LAB 67.78, 61.98, -34.79

 

CMYK 9 / 51 / 0 / 5

HEX #DE76F3

RGB 222 118 243

HSL 289.92, 0.84%, 0.71%

LAB 65.72, 58.75, -45.94

 

CMYK 22 / 51 / 0 / 5

HEX #BD76F3

RGB 189 118 243

HSL 274.08, 0.84%, 0.71%

LAB 61.87, 50.11, -52.28

 

CMYK 36 / 51 / 0 / 5

HEX #9B76F3

RGB 155 118 243

HSL 257.76, 0.84%, 0.71%

LAB 58.41, 41.61, -57.99

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 44 / 16 / 9

HEX #E782C1

RGB 231 130 193

HSL 322.57, 0.68%, 0.71%

LAB 67.13, 46.82, -15.85

 

CMYK 0 / 35 / 13 / 14

HEX #DB8EBE

RGB 219 142 190

HSL 322.6, 0.52%, 0.71%

LAB 68.11, 36.12, -12.83

 

CMYK 0 / 26 / 10 / 19

HEX #CF9ABB

RGB 207 154 187

HSL 322.64, 0.36%, 0.71%

LAB 69.44, 25, -9.3

 

CMYK 0 / 15 / 6 / 24

HEX #C3A6B8

RGB 195 166 184

HSL 322.76, 0.19%, 0.71%

LAB 71.1, 13.66, -5.31

 

CMYK 9 / 51 / 0 / 5

HEX #DE76F3

RGB 222 118 243

HSL 289.92, 0.84%, 0.71%

LAB 65.72, 58.75, -45.94

 

CMYK 0 / 51 / 5 / 5

HEX #F376E6

RGB 243 118 230

HSL 306.24, 0.84%, 0.71%

LAB 67.82, 62.14, -35.28

 

CMYK 0 / 51 / 19 / 5

HEX #F376C5

RGB 243 118 197

HSL 322.08, 0.84%, 0.71%

LAB 66.55, 57.05, -18.82

 

CMYK 0 / 51 / 33 / 5

HEX #F376A4

RGB 243 118 164

HSL 337.92, 0.84%, 0.71%

LAB 65.51, 52.68, -1.72

 

CMYK 0 / 51 / 46 / 5

HEX #F37683

RGB 243 118 131

HSL 353.76, 0.84%, 0.71%

LAB 64.68, 49.11, 15.89

 

CMYK 0 / 82 / 31 / 7

HEX #EC2BA3

RGB 236 43 163

HSL 322.69, 0.84%, 0.55%

LAB 54.24, 78.26, -18.1

 

CMYK 0 / 67 / 25 / 6

HEX #EF50B4

RGB 239 80 180

HSL 322.26, 0.83%, 0.63%

LAB 59.33, 69.87, -20.2

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 37 / 14 / 4

HEX #F69CD4

RGB 246 156 212

HSL 322.67, 0.83%, 0.79%

LAB 74.9, 41.29, -14.49

 

CMYK 0 / 22 / 8 / 2

HEX #F9C2E5

RGB 249 194 229

HSL 321.82, 0.82%, 0.87%

LAB 84.16, 25.11, -9.81

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 22 / 51 / 5

HEX #F3BD76

RGB 243 189 118

HSL 34.08, 0.84%, 0.71%

LAB 80.04, 11.16, 43.1

 

CMYK 51 / 0 / 2 / 5

HEX #76F3EF

RGB 118 243 239

HSL 178.08, 0.84%, 0.71%

LAB 89.01, -35.71, -8.76

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 19 / 0 / 51 / 5

HEX #C5F376

RGB 197 243 118

HSL 82.08, 0.84%, 0.71%

LAB 90.45, -33.9, 54.88

 

CMYK 51 / 19 / 0 / 5

HEX #76C5F3

RGB 118 197 243

HSL 202.08, 0.84%, 0.71%

LAB 76.23, -11.87, -30.2

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 22 / 51 / 5

HEX #F3BD76

RGB 243 189 118

HSL 34.08, 0.84%, 0.71%

LAB 80.04, 11.16, 43.1

 

CMYK 51 / 0 / 33 / 5

HEX #76F3A4

RGB 118 243 164

HSL 142.08, 0.84%, 0.71%

LAB 87.31, -52.09, 27.7

 

CMYK 51 / 29 / 0 / 5

HEX #76ACF3

RGB 118 172 243

HSL 214.08, 0.84%, 0.71%

LAB 69.35, 1.76, -40.87

 

CMYK 0 / 51 / 19 / 5

HEX #F376C4

RGB 243 118 196

HSL 322.56, 0.84%, 0.71%

LAB 66.52, 56.91, -18.31

 

CMYK 0 / 7 / 51 / 5

HEX #F3E276

RGB 243 226 118

HSL 51.84, 0.84%, 0.71%

LAB 89.28, -7.85, 54.31

 

CMYK 51 / 0 / 33 / 5

HEX #76F3A4

RGB 118 243 164

HSL 142.08, 0.84%, 0.71%

LAB 87.31, -52.09, 27.7

 

CMYK 51 / 44 / 0 / 5

HEX #7687F3

RGB 118 135 243

HSL 231.84, 0.84%, 0.71%

LAB 59.57, 23.23, -56.3

 

Description

Color code: HEX #F376C4 | qconv.com Color code: HEX #F376C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 118 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 118 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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