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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37A7A it is the complementary color #0C8585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37A7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37A7A shade: #F87A75, #FF8C88, #FF9E9B, #FFB0AE and #FFC2C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37A7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37A7A shade: #F37A7A, #E26867, #D15654, #C04441 and #AF322E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37A7A shade: #F27C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37A7A shade: #F27C7C, #F29C7C, #F2BC7C, #F2DC7C and #E9F27C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37A7A shade matches the following richer shades: #F27C7C and #FE7070

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37A7A shade: #F27C7C, #E78787, #DB9393, #D09E9E and #C4AAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37A7A shade: #F27CBB, #F27C9B, #F27C7C, #F29B7C and #F2BB7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37A7A shade: #EB3030, #EF5656, #F27C7C, #F6A2A2 and #F9C7C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37A7A shade: #F37A7A, #DBF27C and #7CABF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37A7A shade: #F37A7A, #7CF27C and #7C7CF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37A7A shade: #F37A7A, #DBF27C, #7CF2F2 and #947CF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37A7A shade: #F37A7A, #B7F27C, #7CF2F2 and #B77CF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 50 / 5

HEX #F37A7A

RGB 243 122 122

HSL 0, 0.83%, 0.72%

LAB 65.26, 46.33, 21.78

 

Complementary color

CMYK 91 / 0 / 0 / 48

HEX #0C8585

RGB 12 133 133

HSL 180, 0.83%, 0.28%

LAB 50.15, -29.03, -8.57

 

CMYK 0 / 51 / 53 / 3

HEX #F87A75

RGB 248 122 117

HSL 2.29, 0.9%, 0.72%

LAB 65.87, 47.7, 25.53

 

CMYK 0 / 45 / 47 / 0

HEX #FF8C88

RGB 255 140 136

HSL 2.02, 1%, 0.77%

LAB 70.73, 42.98, 21.66

 

CMYK 0 / 38 / 39 / 0

HEX #FF9E9B

RGB 255 158 155

HSL 1.8, 1%, 0.8%

LAB 74.88, 35.74, 16.91

 

CMYK 0 / 31 / 32 / 0

HEX #FFB0AE

RGB 255 176 174

HSL 1.48, 1%, 0.84%

LAB 79.25, 28.6, 12.72

 

CMYK 0 / 24 / 24 / 0

HEX #FFC2C1

RGB 255 194 193

HSL 0.97, 1%, 0.88%

LAB 83.81, 21.67, 8.98

 

CMYK 0 / 50 / 50 / 5

HEX #F37A7A

RGB 243 122 122

HSL 0, 0.83%, 0.72%

LAB 65.26, 46.33, 21.78

 

CMYK 0 / 54 / 54 / 11

HEX #E26867

RGB 226 104 103

HSL 0.49, 0.68%, 0.65%

LAB 59.02, 47.43, 23.78

 

CMYK 0 / 59 / 60 / 18

HEX #D15654

RGB 209 86 84

HSL 0.96, 0.58%, 0.57%

LAB 52.79, 48.5, 26.11

 

CMYK 0 / 65 / 66 / 25

HEX #C04441

RGB 192 68 65

HSL 1.42, 0.5%, 0.5%

LAB 46.61, 49.47, 28.87

 

CMYK 0 / 71 / 74 / 31

HEX #AF322E

RGB 175 50 46

HSL 1.86, 0.58%, 0.43%

LAB 40.56, 50.15, 32.13

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 36 / 49 / 5

HEX #F29C7C

RGB 242 156 124

HSL 16.27, 0.82%, 0.72%

LAB 72.3, 28.71, 30.05

 

CMYK 0 / 22 / 49 / 5

HEX #F2BC7C

RGB 242 188 124

HSL 32.54, 0.82%, 0.72%

LAB 79.78, 11.82, 39.7

 

CMYK 0 / 9 / 49 / 5

HEX #F2DC7C

RGB 242 220 124

HSL 48.81, 0.82%, 0.72%

LAB 87.74, -4.71, 49.58

 

CMYK 4 / 0 / 49 / 5

HEX #E9F27C

RGB 233 242 124

HSL 64.58, 0.82%, 0.72%

LAB 92.7, -19.17, 55.4

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 56 / 56 / 0

HEX #FE7070

RGB 254 112 112

HSL 0, 0.99%, 0.72%

LAB 64.83, 54.14, 27.12

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 42 / 42 / 9

HEX #E78787

RGB 231 135 135

HSL 0, 0.67%, 0.72%

LAB 66.57, 36.63, 16

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 24 / 24 / 18

HEX #D09E9E

RGB 208 158 158

HSL 0, 0.35%, 0.72%

LAB 69.71, 18.57, 7.21

 

CMYK 0 / 13 / 13 / 23

HEX #C4AAAA

RGB 196 170 170

HSL 0, 0.18%, 0.72%

LAB 71.82, 9.42, 3.47

 

CMYK 0 / 49 / 23 / 5

HEX #F27CBB

RGB 242 124 187

HSL 327.97, 0.82%, 0.72%

LAB 67.19, 52.45, -12.25

 

CMYK 0 / 49 / 36 / 5

HEX #F27C9B

RGB 242 124 155

HSL 344.24, 0.82%, 0.72%

LAB 66.26, 48.37, 4.47

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 36 / 49 / 5

HEX #F29B7C

RGB 242 155 124

HSL 15.76, 0.82%, 0.72%

LAB 72.08, 29.23, 29.75

 

CMYK 0 / 23 / 49 / 5

HEX #F2BB7C

RGB 242 187 124

HSL 32.03, 0.82%, 0.72%

LAB 79.54, 12.35, 39.39

 

CMYK 0 / 80 / 80 / 8

HEX #EB3030

RGB 235 48 48

HSL 0, 0.82%, 0.55%

LAB 51.83, 68.91, 46.46

 

CMYK 0 / 64 / 64 / 6

HEX #EF5656

RGB 239 86 86

HSL 0, 0.83%, 0.64%

LAB 57.73, 58.77, 32.25

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 34 / 34 / 4

HEX #F6A2A2

RGB 246 162 162

HSL 0, 0.82%, 0.8%

LAB 74.85, 31.15, 12.89

 

CMYK 0 / 20 / 20 / 2

HEX #F9C7C7

RGB 249 199 199

HSL 0, 0.81%, 0.88%

LAB 84.54, 17.74, 6.76

 

CMYK 0 / 50 / 50 / 5

HEX #F37A7A

RGB 243 122 122

HSL 0, 0.83%, 0.72%

LAB 65.26, 46.33, 21.78

 

CMYK 10 / 0 / 49 / 5

HEX #DBF27C

RGB 219 242 124

HSL 71.69, 0.82%, 0.72%

LAB 91.69, -24.58, 53.95

 

CMYK 49 / 29 / 0 / 5

HEX #7CABF2

RGB 124 171 242

HSL 216.1, 0.82%, 0.72%

LAB 69.34, 3.38, -40.3

 

CMYK 0 / 50 / 50 / 5

HEX #F37A7A

RGB 243 122 122

HSL 0, 0.83%, 0.72%

LAB 65.26, 46.33, 21.78

 

CMYK 49 / 0 / 49 / 5

HEX #7CF27C

RGB 124 242 124

HSL 120, 0.82%, 0.72%

LAB 86.63, -56.43, 46.61

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF2

RGB 124 124 242

HSL 240, 0.82%, 0.72%

LAB 57.18, 30.74, -59.54

 

CMYK 0 / 50 / 50 / 5

HEX #F37A7A

RGB 243 122 122

HSL 0, 0.83%, 0.72%

LAB 65.26, 46.33, 21.78

 

CMYK 10 / 0 / 49 / 5

HEX #DBF27C

RGB 219 242 124

HSL 71.69, 0.82%, 0.72%

LAB 91.69, -24.58, 53.95

 

CMYK 49 / 0 / 0 / 5

HEX #7CF2F2

RGB 124 242 242

HSL 180, 0.82%, 0.72%

LAB 89.02, -33.27, -10.29

 

CMYK 39 / 49 / 0 / 5

HEX #947CF2

RGB 148 124 242

HSL 252.2, 0.82%, 0.72%

LAB 59.09, 36.25, -56.39

 

CMYK 0 / 50 / 50 / 5

HEX #F37A7A

RGB 243 122 122

HSL 0, 0.83%, 0.72%

LAB 65.26, 46.33, 21.78

 

CMYK 24 / 0 / 49 / 5

HEX #B7F27C

RGB 183 242 124

HSL 90, 0.82%, 0.72%

LAB 89.41, -37.88, 50.65

 

CMYK 49 / 0 / 0 / 5

HEX #7CF2F2

RGB 124 242 242

HSL 180, 0.82%, 0.72%

LAB 89.02, -33.27, -10.29

 

CMYK 24 / 49 / 0 / 5

HEX #B77CF2

RGB 183 124 242

HSL 270, 0.82%, 0.72%

LAB 62.42, 45.12, -50.89

 

Description

Color code: HEX #F37A7A | qconv.com Color code: HEX #F37A7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 122 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 122 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 50 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 50% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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