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Color name
HEX #F37AAE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37AAE it is the complementary color #0C8551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37AAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37AAE shade: #F87AA9, #FF8CBC, #FF9ECF, #FFB0E2 and #FFC2F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37AAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37AAE shade: #F37AAE, #E2689B, #D15688, #C04475 and #AF3262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37AAE shade: #F27CAF, #F27C8F and #F27C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37AAE shade: #F27CAF, #F27CCF, #F27CEF, #D67CF2 and #B67CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37AAE shade matches the following richer shades: #F27CAF and #FE70AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37AAE shade: #F27CAF, #E787B0, #DB93B2, #D09EB4 and #C4AAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37AAE shade: #F27CEE, #F27CCF, #F27CAF, #F27C90 and #F2887C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37AAE shade: #EB3081, #EF5698, #F27CAF, #F6A2C6 and #F9C7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37AAE shade: #F37AAE, #F2D77C and #7CDFF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37AAE shade: #F37AAE, #AFF27C and #7CAFF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37AAE shade: #F37AAE, #F2D77C, #7CF2BF and #7C97F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37AAE shade: #F37AAE, #EAF27C, #7CF2BF and #847CF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 28 / 5

HEX #F37AAE

RGB 243 122 174

HSL 334.21, 0.83%, 0.72%

LAB 66.54, 52, -5.86

 

Complementary color

CMYK 91 / 0 / 39 / 48

HEX #0C8551

RGB 12 133 81

HSL 154.21, 0.83%, 0.28%

LAB 48.82, -43.16, 19.68

 

CMYK 0 / 51 / 32 / 3

HEX #F87AA9

RGB 248 122 169

HSL 337.62, 0.9%, 0.73%

LAB 67.08, 53, -2.16

 

CMYK 0 / 45 / 26 / 0

HEX #FF8CBC

RGB 255 140 188

HSL 334.96, 1%, 0.77%

LAB 71.99, 48.91, -5.47

 

CMYK 0 / 38 / 19 / 0

HEX #FF9ECF

RGB 255 158 207

HSL 329.69, 1%, 0.81%

LAB 76.2, 42.48, -9.7

 

CMYK 0 / 31 / 11 / 0

HEX #FFB0E2

RGB 255 176 226

HSL 322.03, 1%, 0.85%

LAB 80.63, 36.09, -13.41

 

CMYK 0 / 24 / 4 / 0

HEX #FFC2F5

RGB 255 194 245

HSL 309.84, 1%, 0.88%

LAB 85.22, 29.85, -16.7

 

CMYK 0 / 50 / 28 / 5

HEX #F37AAE

RGB 243 122 174

HSL 334.21, 0.83%, 0.72%

LAB 66.54, 52, -5.86

 

CMYK 0 / 54 / 31 / 11

HEX #E2689B

RGB 226 104 155

HSL 334.92, 0.68%, 0.65%

LAB 60.28, 52.74, -4.53

 

CMYK 0 / 59 / 35 / 18

HEX #D15688

RGB 209 86 136

HSL 335.61, 0.57%, 0.58%

LAB 54.01, 53.38, -2.95

 

CMYK 0 / 65 / 39 / 25

HEX #C04475

RGB 192 68 117

HSL 336.29, 0.5%, 0.51%

LAB 47.78, 53.82, -1.03

 

CMYK 0 / 71 / 44 / 31

HEX #AF3262

RGB 175 50 98

HSL 336.96, 0.56%, 0.44%

LAB 41.65, 53.88, 1.38

 

CMYK 0 / 49 / 28 / 5

HEX #F27CAF

RGB 242 124 175

HSL 334.07, 0.82%, 0.72%

LAB 66.82, 50.83, -6.04

 

CMYK 0 / 49 / 41 / 5

HEX #F27C8F

RGB 242 124 143

HSL 350.34, 0.82%, 0.72%

LAB 65.96, 47.04, 10.85

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 49 / 28 / 5

HEX #F27CAF

RGB 242 124 175

HSL 334.07, 0.82%, 0.72%

LAB 66.82, 50.83, -6.04

 

CMYK 0 / 49 / 14 / 5

HEX #F27CCF

RGB 242 124 207

HSL 317.8, 0.82%, 0.72%

LAB 67.87, 55.37, -22.42

 

CMYK 0 / 49 / 1 / 5

HEX #F27CEF

RGB 242 124 239

HSL 301.53, 0.82%, 0.72%

LAB 69.13, 60.56, -38.21

 

CMYK 12 / 49 / 0 / 5

HEX #D67CF2

RGB 214 124 242

HSL 285.76, 0.82%, 0.72%

LAB 65.84, 53.44, -45.26

 

CMYK 25 / 49 / 0 / 5

HEX #B67CF2

RGB 182 124 242

HSL 269.49, 0.82%, 0.72%

LAB 62.31, 44.86, -51.06

 

CMYK 0 / 49 / 28 / 5

HEX #F27CAF

RGB 242 124 175

HSL 334.07, 0.82%, 0.72%

LAB 66.82, 50.83, -6.04

 

CMYK 0 / 56 / 32 / 0

HEX #FE70AD

RGB 254 112 173

HSL 334.23, 0.99%, 0.72%

LAB 66.27, 60.03, -5.53

 

CMYK 0 / 49 / 28 / 5

HEX #F27CAF

RGB 242 124 175

HSL 334.07, 0.82%, 0.72%

LAB 66.82, 50.83, -6.04

 

CMYK 0 / 42 / 24 / 9

HEX #E787B0

RGB 231 135 176

HSL 334.38, 0.67%, 0.72%

LAB 67.61, 41.75, -5.58

 

CMYK 0 / 33 / 19 / 14

HEX #DB93B2

RGB 219 147 178

HSL 334.17, 0.5%, 0.72%

LAB 68.85, 31.54, -5.02

 

CMYK 0 / 24 / 13 / 18

HEX #D09EB4

RGB 208 158 180

HSL 333.6, 0.35%, 0.72%

LAB 70.29, 21.99, -4.15

 

CMYK 0 / 13 / 8 / 23

HEX #C4AAB5

RGB 196 170 181

HSL 334.62, 0.18%, 0.72%

LAB 72.11, 11.3, -2.16

 

CMYK 0 / 49 / 2 / 5

HEX #F27CEE

RGB 242 124 238

HSL 302.03, 0.82%, 0.72%

LAB 69.09, 60.39, -37.73

 

CMYK 0 / 49 / 14 / 5

HEX #F27CCF

RGB 242 124 207

HSL 317.8, 0.82%, 0.72%

LAB 67.87, 55.37, -22.42

 

CMYK 0 / 49 / 28 / 5

HEX #F27CAF

RGB 242 124 175

HSL 334.07, 0.82%, 0.72%

LAB 66.82, 50.83, -6.04

 

CMYK 0 / 49 / 40 / 5

HEX #F27C90

RGB 242 124 144

HSL 349.83, 0.82%, 0.72%

LAB 65.99, 47.15, 10.32

 

CMYK 0 / 44 / 49 / 5

HEX #F2887C

RGB 242 136 124

HSL 6.1, 0.82%, 0.72%

LAB 67.98, 39.11, 24.3

 

CMYK 0 / 80 / 45 / 8

HEX #EB3081

RGB 235 48 129

HSL 334.01, 0.82%, 0.55%

LAB 53.34, 73.54, 0.75

 

CMYK 0 / 64 / 36 / 6

HEX #EF5698

RGB 239 86 152

HSL 334.12, 0.83%, 0.64%

LAB 59.23, 64.26, -4.12

 

CMYK 0 / 49 / 28 / 5

HEX #F27CAF

RGB 242 124 175

HSL 334.07, 0.82%, 0.72%

LAB 66.82, 50.83, -6.04

 

CMYK 0 / 34 / 20 / 4

HEX #F6A2C6

RGB 246 162 198

HSL 334.29, 0.82%, 0.8%

LAB 75.77, 36.02, -5.53

 

CMYK 0 / 20 / 11 / 2

HEX #F9C7DD

RGB 249 199 221

HSL 333.6, 0.81%, 0.88%

LAB 85.1, 21.15, -4.15

 

CMYK 0 / 50 / 28 / 5

HEX #F37AAE

RGB 243 122 174

HSL 334.21, 0.83%, 0.72%

LAB 66.54, 52, -5.86

 

CMYK 0 / 11 / 49 / 5

HEX #F2D77C

RGB 242 215 124

HSL 46.27, 0.82%, 0.72%

LAB 86.47, -2.17, 48.04

 

CMYK 49 / 8 / 0 / 5

HEX #7CDFF2

RGB 124 223 242

HSL 189.66, 0.82%, 0.72%

LAB 83.69, -24.12, -18.28

 

CMYK 0 / 50 / 28 / 5

HEX #F37AAE

RGB 243 122 174

HSL 334.21, 0.83%, 0.72%

LAB 66.54, 52, -5.86

 

CMYK 28 / 0 / 49 / 5

HEX #AFF27C

RGB 175 242 124

HSL 94.07, 0.82%, 0.72%

LAB 88.96, -40.68, 50

 

CMYK 49 / 28 / 0 / 5

HEX #7CAFF2

RGB 124 175 242

HSL 214.07, 0.82%, 0.72%

LAB 70.42, 1.14, -38.62

 

CMYK 0 / 50 / 28 / 5

HEX #F37AAE

RGB 243 122 174

HSL 334.21, 0.83%, 0.72%

LAB 66.54, 52, -5.86

 

CMYK 0 / 11 / 49 / 5

HEX #F2D77C

RGB 242 215 124

HSL 46.27, 0.82%, 0.72%

LAB 86.47, -2.17, 48.04

 

CMYK 49 / 0 / 21 / 5

HEX #7CF2BF

RGB 124 242 191

HSL 154.07, 0.82%, 0.72%

LAB 87.75, -45.02, 14.47

 

CMYK 49 / 38 / 0 / 5

HEX #7C97F2

RGB 124 151 242

HSL 226.27, 0.82%, 0.72%

LAB 64.02, 14.84, -48.66

 

CMYK 0 / 50 / 28 / 5

HEX #F37AAE

RGB 243 122 174

HSL 334.21, 0.83%, 0.72%

LAB 66.54, 52, -5.86

 

CMYK 3 / 0 / 49 / 5

HEX #EAF27C

RGB 234 242 124

HSL 64.07, 0.82%, 0.72%

LAB 92.77, -18.78, 55.5

 

CMYK 49 / 0 / 21 / 5

HEX #7CF2BF

RGB 124 242 191

HSL 154.07, 0.82%, 0.72%

LAB 87.75, -45.02, 14.47

 

CMYK 45 / 49 / 0 / 5

HEX #847CF2

RGB 132 124 242

HSL 244.07, 0.82%, 0.72%

LAB 57.78, 32.51, -58.55

 

Description

Color code: HEX #F37AAE | qconv.com Color code: HEX #F37AAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 122 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 122 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 28% 5% C M Y K

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Provide designers and agencies with accurate color values.

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