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Color name
HEX #F37D15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37D15 it is the complementary color #0C82EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37D15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37D15 shade: #F87D10, #FF8F23, #FFA136, #FFB349 and #FFC55C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37D15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37D15 shade: #F37D15, #E26B02, #D15900, #C04700 and #AF3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37D15 shade: #F27D16, #F24216 and #F21616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37D15 shade: #F27D16, #F2B916, #F1F216, #B5F216 and #7AF216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37D15 shade matches the following richer shades: #F27D16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37D15 shade: #F27D16, #DE7E2A, #CB803E, #B78151 and #A38265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37D15 shade: #F21625, #F24216, #F27D16, #F2B816 and #F2F216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37D15 shade: #AD5609, #D4690B, #F27D16, #F4933D and #F6A964

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37D15 shade: #F37D15, #5FF216 and #2516F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37D15 shade: #F37D15, #16F27D and #7D16F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37D15 shade: #F37D15, #5FF216, #168BF2 and #A916F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37D15 shade: #F37D15, #1DF216, #168BF2 and #EB16F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 91 / 5

HEX #F37D15

RGB 243 125 21

HSL 28.11, 0.9%, 0.52%

LAB 64.78, 39.84, 68.21

 

Complementary color

CMYK 95 / 44 / 0 / 8

HEX #0C82EA

RGB 12 130 234

HSL 208.11, 0.9%, 0.48%

LAB 54.01, 9.75, -60.42

 

CMYK 0 / 50 / 94 / 3

HEX #F87D10

RGB 248 125 16

HSL 28.19, 0.94%, 0.52%

LAB 65.48, 41.73, 70.09

 

CMYK 0 / 44 / 86 / 0

HEX #FF8F23

RGB 255 143 35

HSL 29.45, 1%, 0.57%

LAB 70.19, 35.74, 69.25

 

CMYK 0 / 37 / 79 / 0

HEX #FFA136

RGB 255 161 54

HSL 31.94, 1%, 0.61%

LAB 74.2, 26.98, 66.24

 

CMYK 0 / 30 / 71 / 0

HEX #FFB349

RGB 255 179 73

HSL 34.95, 1%, 0.64%

LAB 78.45, 18.35, 62.78

 

CMYK 0 / 23 / 64 / 0

HEX #FFC55C

RGB 255 197 92

HSL 38.65, 1%, 0.68%

LAB 82.89, 10, 59.22

 

CMYK 0 / 49 / 91 / 5

HEX #F37D15

RGB 243 125 21

HSL 28.11, 0.9%, 0.52%

LAB 64.78, 39.84, 68.21

 

CMYK 0 / 53 / 99 / 11

HEX #E26B02

RGB 226 107 2

HSL 28.13, 0.98%, 0.45%

LAB 58.68, 41.95, 66.55

 

CMYK 0 / 57 / 100 / 18

HEX #D15900

RGB 209 89 0

HSL 25.55, 1%, 0.41%

LAB 52.62, 44.15, 62.07

 

CMYK 0 / 63 / 100 / 25

HEX #C04700

RGB 192 71 0

HSL 22.19, 1%, 0.38%

LAB 46.6, 46.18, 57.27

 

CMYK 0 / 70 / 100 / 31

HEX #AF3500

RGB 175 53 0

HSL 18.17, 1%, 0.34%

LAB 40.67, 47.84, 52.57

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 0 / 73 / 91 / 5

HEX #F24216

RGB 242 66 22

HSL 12, 0.89%, 0.52%

LAB 54.9, 65.03, 61

 

CMYK 0 / 91 / 91 / 5

HEX #F21616

RGB 242 22 22

HSL 0, 0.89%, 0.52%

LAB 51.28, 75.26, 58.61

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 0 / 24 / 91 / 5

HEX #F2B916

RGB 242 185 22

HSL 44.45, 0.89%, 0.52%

LAB 78.25, 8.16, 77.83

 

CMYK 0 / 0 / 91 / 5

HEX #F1F216

RGB 241 242 22

HSL 60.27, 0.89%, 0.52%

LAB 92.69, -20.93, 88.8

 

CMYK 25 / 0 / 91 / 5

HEX #B5F216

RGB 181 242 22

HSL 76.64, 0.89%, 0.52%

LAB 88.63, -44.82, 83.88

 

CMYK 50 / 0 / 91 / 5

HEX #7AF216

RGB 122 242 22

HSL 92.73, 0.89%, 0.52%

LAB 85.86, -64.58, 80.47

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 0 / 43 / 81 / 13

HEX #DE7E2A

RGB 222 126 42

HSL 28, 0.73%, 0.52%

LAB 62.18, 31.35, 58.28

 

CMYK 0 / 37 / 69 / 20

HEX #CB803E

RGB 203 128 62

HSL 28.09, 0.58%, 0.52%

LAB 60.32, 23.22, 46.77

 

CMYK 0 / 30 / 56 / 28

HEX #B78151

RGB 183 129 81

HSL 28.24, 0.41%, 0.52%

LAB 58.38, 15.48, 34.11

 

CMYK 0 / 20 / 38 / 36

HEX #A38265

RGB 163 130 101

HSL 28.06, 0.25%, 0.52%

LAB 56.77, 8.53, 20.51

 

CMYK 0 / 91 / 85 / 5

HEX #F21625

RGB 242 22 37

HSL 355.91, 0.89%, 0.52%

LAB 51.36, 75.5, 52.15

 

CMYK 0 / 73 / 91 / 5

HEX #F24216

RGB 242 66 22

HSL 12, 0.89%, 0.52%

LAB 54.9, 65.03, 61

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 0 / 24 / 91 / 5

HEX #F2B816

RGB 242 184 22

HSL 44.18, 0.89%, 0.52%

LAB 78, 8.69, 77.65

 

CMYK 0 / 0 / 91 / 5

HEX #F2F216

RGB 242 242 22

HSL 60, 0.89%, 0.52%

LAB 92.77, -20.51, 88.9

 

CMYK 0 / 50 / 95 / 32

HEX #AD5609

RGB 173 86 9

HSL 28.17, 0.9%, 0.36%

LAB 46.39, 31.46, 53.3

 

CMYK 0 / 50 / 95 / 17

HEX #D4690B

RGB 212 105 11

HSL 28.06, 0.9%, 0.44%

LAB 56.21, 37.53, 62.32

 

CMYK 0 / 48 / 91 / 5

HEX #F27D16

RGB 242 125 22

HSL 28.09, 0.89%, 0.52%

LAB 64.65, 39.46, 67.8

 

CMYK 0 / 40 / 75 / 4

HEX #F4933D

RGB 244 147 61

HSL 28.2, 0.89%, 0.6%

LAB 69.78, 30.04, 58.7

 

CMYK 0 / 31 / 59 / 4

HEX #F6A964

RGB 246 169 100

HSL 28.36, 0.89%, 0.68%

LAB 75.38, 21.49, 46.54

 

CMYK 0 / 49 / 91 / 5

HEX #F37D15

RGB 243 125 21

HSL 28.11, 0.9%, 0.52%

LAB 64.78, 39.84, 68.21

 

CMYK 61 / 0 / 91 / 5

HEX #5FF216

RGB 95 242 22

HSL 100.09, 0.89%, 0.52%

LAB 84.99, -71.5, 79.4

 

CMYK 85 / 91 / 0 / 5

HEX #2516F2

RGB 37 22 242

HSL 244.09, 0.89%, 0.52%

LAB 32.65, 72.43, -99.93

 

CMYK 0 / 49 / 91 / 5

HEX #F37D15

RGB 243 125 21

HSL 28.11, 0.9%, 0.52%

LAB 64.78, 39.84, 68.21

 

CMYK 91 / 0 / 48 / 5

HEX #16F27D

RGB 22 242 125

HSL 148.09, 0.89%, 0.52%

LAB 84.56, -72.42, 43.11

 

CMYK 48 / 91 / 0 / 5

HEX #7D16F2

RGB 125 22 242

HSL 268.09, 0.89%, 0.52%

LAB 40.15, 77.33, -87.26

 

CMYK 0 / 49 / 91 / 5

HEX #F37D15

RGB 243 125 21

HSL 28.11, 0.9%, 0.52%

LAB 64.78, 39.84, 68.21

 

CMYK 61 / 0 / 91 / 5

HEX #5FF216

RGB 95 242 22

HSL 100.09, 0.89%, 0.52%

LAB 84.99, -71.5, 79.4

 

CMYK 91 / 43 / 0 / 5

HEX #168BF2

RGB 22 139 242

HSL 208.09, 0.89%, 0.52%

LAB 57.12, 7.69, -59.87

 

CMYK 30 / 91 / 0 / 5

HEX #A916F2

RGB 169 22 242

HSL 280.09, 0.89%, 0.52%

LAB 46.2, 82.15, -77.09

 

CMYK 0 / 49 / 91 / 5

HEX #F37D15

RGB 243 125 21

HSL 28.11, 0.9%, 0.52%

LAB 64.78, 39.84, 68.21

 

CMYK 88 / 0 / 91 / 5

HEX #1DF216

RGB 29 242 22

HSL 118.09, 0.89%, 0.52%

LAB 83.87, -81.2, 78.01

 

CMYK 91 / 43 / 0 / 5

HEX #168BF2

RGB 22 139 242

HSL 208.09, 0.89%, 0.52%

LAB 57.12, 7.69, -59.87

 

CMYK 3 / 91 / 0 / 5

HEX #EB16F2

RGB 235 22 242

HSL 298.09, 0.89%, 0.52%

LAB 56.73, 91.68, -59.55

 

Description

Color code: HEX #F37D15 | qconv.com Color code: HEX #F37D15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 125 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 125 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 91% 5% C M Y K

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