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Color name
HEX #F38B2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F38B2A it is the complementary color #0C74D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F38B2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F38B2A shade: #F88B25, #FF9D38, #FFAF4B, #FFC15E and #FFD371

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F38B2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F38B2A shade: #F38B2A, #E27917, #D16704, #C05500 and #AF4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F38B2A shade: #F28B2A, #F2552A and #F22A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F38B2A shade: #F28B2A, #F2C12A, #EEF22A, #B8F22A and #82F22A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F38B2A shade matches the following richer shades: #F28B2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F38B2A shade: #F28B2A, #E08B3D, #CE8C4F, #BC8D61 and #AA8D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F38B2A shade: #F22A38, #F2522A, #F2882A, #F2BD2A and #F2F22A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F38B2A shade: #BF620B, #E6760D, #F28B2A, #F4A051 and #F7B578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F38B2A shade: #F38B2A, #6DF22A and #382AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F38B2A shade: #F38B2A, #2AF288 and #882AF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F38B2A shade: #F38B2A, #6DF22A, #2A95F2 and #B02AF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F38B2A shade: #F38B2A, #31F22A, #2A95F2 and #EC2AF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 83 / 5

HEX #F38B2A

RGB 243 139 42

HSL 28.96, 0.89%, 0.56%

LAB 67.79, 33.14, 64.31

 

Complementary color

CMYK 94 / 46 / 0 / 16

HEX #0C74D5

RGB 12 116 213

HSL 208.96, 0.89%, 0.44%

LAB 48.73, 10.29, -57.09

 

CMYK 0 / 44 / 85 / 3

HEX #F88B25

RGB 248 139 37

HSL 29, 0.94%, 0.56%

LAB 68.43, 35.03, 66.81

 

CMYK 0 / 38 / 78 / 0

HEX #FF9D38

RGB 255 157 56

HSL 30.45, 1%, 0.61%

LAB 73.32, 29.13, 64.66

 

CMYK 0 / 31 / 71 / 0

HEX #FFAF4B

RGB 255 175 75

HSL 33.33, 1%, 0.65%

LAB 77.54, 20.54, 60.98

 

CMYK 0 / 24 / 63 / 0

HEX #FFC15E

RGB 255 193 94

HSL 36.89, 1%, 0.68%

LAB 81.95, 12.2, 57.26

 

CMYK 0 / 17 / 56 / 0

HEX #FFD371

RGB 255 211 113

HSL 41.41, 1%, 0.72%

LAB 86.52, 4.21, 53.66

 

CMYK 0 / 43 / 83 / 5

HEX #F38B2A

RGB 243 139 42

HSL 28.96, 0.89%, 0.56%

LAB 67.79, 33.14, 64.31

 

CMYK 0 / 46 / 90 / 11

HEX #E27917

RGB 226 121 23

HSL 28.97, 0.82%, 0.49%

LAB 61.57, 35.13, 64.28

 

CMYK 0 / 51 / 98 / 18

HEX #D16704

RGB 209 103 4

HSL 28.98, 0.96%, 0.42%

LAB 55.34, 37.27, 62.85

 

CMYK 0 / 56 / 100 / 25

HEX #C05500

RGB 192 85 0

HSL 26.56, 1%, 0.38%

LAB 49.13, 39.55, 58.66

 

CMYK 0 / 62 / 100 / 31

HEX #AF4300

RGB 175 67 0

HSL 22.97, 1%, 0.34%

LAB 42.96, 41.71, 53.74

 

CMYK 0 / 43 / 83 / 5

HEX #F28B2A

RGB 242 139 42

HSL 29.1, 0.88%, 0.56%

LAB 67.66, 32.73, 64.15

 

CMYK 0 / 65 / 83 / 5

HEX #F2552A

RGB 242 85 42

HSL 12.9, 0.88%, 0.56%

LAB 57.6, 58.34, 55.29

 

CMYK 0 / 83 / 83 / 5

HEX #F22A2A

RGB 242 42 42

HSL 0, 0.88%, 0.56%

LAB 52.62, 72.13, 50.79

 

CMYK 0 / 43 / 83 / 5

HEX #F28B2A

RGB 242 139 42

HSL 29.1, 0.88%, 0.56%

LAB 67.66, 32.73, 64.15

 

CMYK 0 / 20 / 83 / 5

HEX #F2C12A

RGB 242 193 42

HSL 45.3, 0.88%, 0.56%

LAB 80.28, 4.42, 74.96

 

CMYK 2 / 0 / 83 / 5

HEX #EEF22A

RGB 238 242 42

HSL 61.2, 0.88%, 0.56%

LAB 92.51, -21.77, 85.1

 

CMYK 24 / 0 / 83 / 5

HEX #B8F22A

RGB 184 242 42

HSL 77.4, 0.88%, 0.56%

LAB 88.86, -43.2, 80.55

 

CMYK 46 / 0 / 83 / 5

HEX #82F22A

RGB 130 242 42

HSL 93.6, 0.88%, 0.56%

LAB 86.21, -61.64, 77.21

 

CMYK 0 / 43 / 83 / 5

HEX #F28B2A

RGB 242 139 42

HSL 29.1, 0.88%, 0.56%

LAB 67.66, 32.73, 64.15

 

CMYK 0 / 43 / 83 / 5

HEX #F28B2A

RGB 242 139 42

HSL 29.1, 0.88%, 0.56%

LAB 67.66, 32.73, 64.15

 

CMYK 0 / 38 / 73 / 12

HEX #E08B3D

RGB 224 139 61

HSL 28.71, 0.72%, 0.56%

LAB 65.47, 26.04, 53.51

 

CMYK 0 / 32 / 62 / 19

HEX #CE8C4F

RGB 206 140 79

HSL 28.82, 0.56%, 0.56%

LAB 63.71, 19.01, 42.21

 

CMYK 0 / 25 / 48 / 26

HEX #BC8D61

RGB 188 141 97

HSL 29.01, 0.4%, 0.56%

LAB 62.17, 12.41, 30.33

 

CMYK 0 / 17 / 32 / 33

HEX #AA8D73

RGB 170 141 115

HSL 28.36, 0.24%, 0.56%

LAB 60.63, 7.05, 17.97

 

CMYK 0 / 83 / 77 / 5

HEX #F22A38

RGB 242 42 56

HSL 355.8, 0.88%, 0.56%

LAB 52.75, 72.52, 43.51

 

CMYK 0 / 66 / 83 / 5

HEX #F2522A

RGB 242 82 42

HSL 12, 0.88%, 0.56%

LAB 57.15, 59.55, 54.89

 

CMYK 0 / 44 / 83 / 5

HEX #F2882A

RGB 242 136 42

HSL 28.2, 0.88%, 0.56%

LAB 67.02, 34.28, 63.59

 

CMYK 0 / 22 / 83 / 5

HEX #F2BD2A

RGB 242 189 42

HSL 44.1, 0.88%, 0.56%

LAB 79.29, 6.5, 74.12

 

CMYK 0 / 0 / 83 / 5

HEX #F2F22A

RGB 242 242 42

HSL 60, 0.88%, 0.56%

LAB 92.82, -20.12, 85.49

 

CMYK 0 / 49 / 94 / 25

HEX #BF620B

RGB 191 98 11

HSL 29, 0.89%, 0.4%

LAB 51.65, 32.62, 57.75

 

CMYK 0 / 49 / 94 / 10

HEX #E6760D

RGB 230 118 13

HSL 29.03, 0.89%, 0.48%

LAB 61.49, 38.13, 66.73

 

CMYK 0 / 43 / 83 / 5

HEX #F28B2A

RGB 242 139 42

HSL 29.1, 0.88%, 0.56%

LAB 67.66, 32.73, 64.15

 

CMYK 0 / 34 / 67 / 4

HEX #F4A051

RGB 244 160 81

HSL 29.08, 0.88%, 0.64%

LAB 72.87, 24.2, 52.87

 

CMYK 0 / 27 / 51 / 3

HEX #F7B578

RGB 247 181 120

HSL 28.82, 0.89%, 0.72%

LAB 78.57, 17.15, 40.32

 

CMYK 0 / 43 / 83 / 5

HEX #F38B2A

RGB 243 139 42

HSL 28.96, 0.89%, 0.56%

LAB 67.79, 33.14, 64.31

 

CMYK 55 / 0 / 83 / 5

HEX #6DF22A

RGB 109 242 42

HSL 99.9, 0.88%, 0.56%

LAB 85.46, -67.47, 76.26

 

CMYK 77 / 83 / 0 / 5

HEX #382AF2

RGB 56 42 242

HSL 244.2, 0.88%, 0.56%

LAB 35.81, 66.39, -94.65

 

CMYK 0 / 43 / 83 / 5

HEX #F38B2A

RGB 243 139 42

HSL 28.96, 0.89%, 0.56%

LAB 67.79, 33.14, 64.31

 

CMYK 83 / 0 / 44 / 5

HEX #2AF288

RGB 42 242 136

HSL 148.2, 0.88%, 0.56%

LAB 84.88, -69.25, 38.21

 

CMYK 44 / 83 / 0 / 5

HEX #882AF2

RGB 136 42 242

HSL 268.2, 0.88%, 0.56%

LAB 43.21, 73.49, -82.17

 

CMYK 0 / 43 / 83 / 5

HEX #F38B2A

RGB 243 139 42

HSL 28.96, 0.89%, 0.56%

LAB 67.79, 33.14, 64.31

 

CMYK 55 / 0 / 83 / 5

HEX #6DF22A

RGB 109 242 42

HSL 99.9, 0.88%, 0.56%

LAB 85.46, -67.47, 76.26

 

CMYK 83 / 38 / 0 / 5

HEX #2A95F2

RGB 42 149 242

HSL 207.9, 0.88%, 0.56%

LAB 60.25, 2.97, -54.85

 

CMYK 27 / 83 / 0 / 5

HEX #B02AF2

RGB 176 42 242

HSL 280.2, 0.88%, 0.56%

LAB 48.63, 78.97, -73.09

 

CMYK 0 / 43 / 83 / 5

HEX #F38B2A

RGB 243 139 42

HSL 28.96, 0.89%, 0.56%

LAB 67.79, 33.14, 64.31

 

CMYK 80 / 0 / 83 / 5

HEX #31F22A

RGB 49 242 42

HSL 117.9, 0.88%, 0.56%

LAB 84.13, -78.65, 74.56

 

CMYK 83 / 38 / 0 / 5

HEX #2A95F2

RGB 42 149 242

HSL 207.9, 0.88%, 0.56%

LAB 60.25, 2.97, -54.85

 

CMYK 2 / 83 / 0 / 5

HEX #EC2AF2

RGB 236 42 242

HSL 298.2, 0.88%, 0.56%

LAB 57.94, 88.77, -57.6

 

Description

Color code: HEX #F38B2A | qconv.com Color code: HEX #F38B2A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 139 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 139 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 83 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 83% 5% C M Y K

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Provide designers and agencies with accurate color values.

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