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Color name
HEX #F394B1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F394B1 it is the complementary color #0C6B4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F394B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F394B1 shade: #F894AC, #FFA6BF, #FFB8D2, #FFCAE5 and #FFDCF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F394B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F394B1 shade: #F394B1, #E2829E, #D1708B, #C05E78 and #AF4C65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F394B1 shade: #F395B2, #F39598 and #F39595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F394B1 shade: #F395B2, #F395CB, #F395E4, #E895F3 and #CF95F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F394B1 shade matches the following richer shades: #F395B2 and #FC8BAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F394B1 shade: #F395B2, #E99EB5, #E0A8B9, #D6B1BD and #CDBBC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F394B1 shade: #F395E5, #F395CC, #F395B3, #F3959A and #F3A995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F394B1 shade: #EB4B7B, #EF7097, #F395B2, #F7BACD and #FBDFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F394B1 shade: #F394B1, #F3E895 and #95D8F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F394B1 shade: #F394B1, #B3F395 and #95B3F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F394B1 shade: #F394B1, #F3E895, #95F3D5 and #95A0F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F394B1 shade: #F394B1, #E2F395, #95F3D5 and #A695F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 27 / 5

HEX #F394B1

RGB 243 148 177

HSL 341.68, 0.8%, 0.77%

LAB 71.83, 39.3, 0.23

 

Complementary color

CMYK 89 / 0 / 27 / 58

HEX #0C6B4E

RGB 12 107 78

HSL 161.68, 0.8%, 0.23%

LAB 39.82, -33.2, 9.12

 

CMYK 0 / 40 / 31 / 3

HEX #F894AC

RGB 248 148 172

HSL 345.6, 0.88%, 0.78%

LAB 72.31, 40.4, 3.77

 

CMYK 0 / 35 / 25 / 0

HEX #FFA6BF

RGB 255 166 191

HSL 343.15, 1%, 0.83%

LAB 77.46, 36.05, 0.89

 

CMYK 0 / 28 / 18 / 0

HEX #FFB8D2

RGB 255 184 210

HSL 338.03, 1%, 0.86%

LAB 81.94, 29.39, -2.84

 

CMYK 0 / 21 / 10 / 0

HEX #FFCAE5

RGB 255 202 229

HSL 329.43, 1%, 0.9%

LAB 86.58, 22.94, -6.16

 

CMYK 0 / 14 / 3 / 0

HEX #FFDCF8

RGB 255 220 248

HSL 312, 1%, 0.93%

LAB 91.34, 16.75, -9.14

 

CMYK 0 / 39 / 27 / 5

HEX #F394B1

RGB 243 148 177

HSL 341.68, 0.8%, 0.77%

LAB 71.83, 39.3, 0.23

 

CMYK 0 / 42 / 30 / 11

HEX #E2829E

RGB 226 130 158

HSL 342.5, 0.62%, 0.7%

LAB 65.44, 40.16, 1.32

 

CMYK 0 / 46 / 33 / 18

HEX #D1708B

RGB 209 112 139

HSL 343.3, 0.51%, 0.63%

LAB 58.98, 41.06, 2.55

 

CMYK 0 / 51 / 38 / 25

HEX #C05E78

RGB 192 94 120

HSL 344.08, 0.44%, 0.56%

LAB 52.47, 41.97, 3.98

 

CMYK 0 / 57 / 42 / 31

HEX #AF4C65

RGB 175 76 101

HSL 344.85, 0.39%, 0.49%

LAB 45.94, 42.85, 5.7

 

CMYK 0 / 39 / 27 / 5

HEX #F395B2

RGB 243 149 178

HSL 341.49, 0.8%, 0.77%

LAB 72.07, 38.92, 0.02

 

CMYK 0 / 39 / 37 / 5

HEX #F39598

RGB 243 149 152

HSL 358.09, 0.8%, 0.77%

LAB 71.43, 35.66, 13.53

 

CMYK 0 / 39 / 39 / 5

HEX #F39595

RGB 243 149 149

HSL 0, 0.8%, 0.77%

LAB 71.36, 35.32, 15.1

 

CMYK 0 / 39 / 27 / 5

HEX #F395B2

RGB 243 149 178

HSL 341.49, 0.8%, 0.77%

LAB 72.07, 38.92, 0.02

 

CMYK 0 / 39 / 16 / 5

HEX #F395CB

RGB 243 149 203

HSL 325.53, 0.8%, 0.77%

LAB 72.8, 42.53, -12.73

 

CMYK 0 / 39 / 6 / 5

HEX #F395E4

RGB 243 149 228

HSL 309.57, 0.8%, 0.77%

LAB 73.64, 46.57, -25.2

 

CMYK 5 / 39 / 0 / 5

HEX #E895F3

RGB 232 149 243

HSL 292.98, 0.8%, 0.77%

LAB 72.97, 45.9, -34.53

 

CMYK 15 / 39 / 0 / 5

HEX #CF95F3

RGB 207 149 243

HSL 277.02, 0.8%, 0.77%

LAB 70.34, 38.51, -38.82

 

CMYK 0 / 39 / 27 / 5

HEX #F395B2

RGB 243 149 178

HSL 341.49, 0.8%, 0.77%

LAB 72.07, 38.92, 0.02

 

CMYK 0 / 45 / 31 / 1

HEX #FC8BAE

RGB 252 139 174

HSL 341.42, 0.95%, 0.77%

LAB 71.02, 46.6, 0.85

 

CMYK 0 / 39 / 27 / 5

HEX #F395B2

RGB 243 149 178

HSL 341.49, 0.8%, 0.77%

LAB 72.07, 38.92, 0.02

 

CMYK 0 / 32 / 22 / 9

HEX #E99EB5

RGB 233 158 181

HSL 341.6, 0.63%, 0.77%

LAB 72.97, 31.08, -0.46

 

CMYK 0 / 25 / 17 / 12

HEX #E0A8B9

RGB 224 168 185

HSL 341.79, 0.47%, 0.77%

LAB 74.42, 23.11, -0.66

 

CMYK 0 / 17 / 12 / 16

HEX #D6B1BD

RGB 214 177 189

HSL 340.54, 0.31%, 0.77%

LAB 75.71, 15.31, -1.07

 

CMYK 0 / 9 / 6 / 20

HEX #CDBBC0

RGB 205 187 192

HSL 343.33, 0.15%, 0.77%

LAB 77.48, 7.24, -0.22

 

CMYK 0 / 39 / 6 / 5

HEX #F395E5

RGB 243 149 229

HSL 308.94, 0.8%, 0.77%

LAB 73.68, 46.74, -25.69

 

CMYK 0 / 39 / 16 / 5

HEX #F395CC

RGB 243 149 204

HSL 324.89, 0.8%, 0.77%

LAB 72.83, 42.68, -13.24

 

CMYK 0 / 39 / 26 / 5

HEX #F395B3

RGB 243 149 179

HSL 340.85, 0.8%, 0.77%

LAB 72.1, 39.05, -0.49

 

CMYK 0 / 39 / 37 / 5

HEX #F3959A

RGB 243 149 154

HSL 356.81, 0.8%, 0.77%

LAB 71.48, 35.89, 12.49

 

CMYK 0 / 30 / 39 / 5

HEX #F3A995

RGB 243 169 149

HSL 12.77, 0.8%, 0.77%

LAB 75.82, 24.81, 21.28

 

CMYK 0 / 68 / 48 / 8

HEX #EB4B7B

RGB 235 75 123

HSL 342, 0.8%, 0.61%

LAB 56.21, 64.53, 8.46

 

CMYK 0 / 53 / 37 / 6

HEX #EF7097

RGB 239 112 151

HSL 341.57, 0.8%, 0.69%

LAB 63.49, 52.71, 2.69

 

CMYK 0 / 39 / 27 / 5

HEX #F395B2

RGB 243 149 178

HSL 341.49, 0.8%, 0.77%

LAB 72.07, 38.92, 0.02

 

CMYK 0 / 25 / 17 / 3

HEX #F7BACD

RGB 247 186 205

HSL 341.31, 0.79%, 0.85%

LAB 81.46, 24.78, -0.96

 

CMYK 0 / 11 / 8 / 2

HEX #FBDFE8

RGB 251 223 232

HSL 340.71, 0.78%, 0.93%

LAB 91.28, 11.1, -0.87

 

CMYK 0 / 39 / 27 / 5

HEX #F394B1

RGB 243 148 177

HSL 341.68, 0.8%, 0.77%

LAB 71.83, 39.3, 0.23

 

CMYK 0 / 5 / 39 / 5

HEX #F3E895

RGB 243 232 149

HSL 52.98, 0.8%, 0.77%

LAB 91.21, -7.9, 41.7

 

CMYK 39 / 11 / 0 / 5

HEX #95D8F3

RGB 149 216 243

HSL 197.23, 0.8%, 0.77%

LAB 82.9, -14.41, -19.89

 

CMYK 0 / 39 / 27 / 5

HEX #F394B1

RGB 243 148 177

HSL 341.68, 0.8%, 0.77%

LAB 71.83, 39.3, 0.23

 

CMYK 26 / 0 / 39 / 5

HEX #B3F395

RGB 179 243 149

HSL 100.85, 0.8%, 0.77%

LAB 89.79, -36.67, 39.02

 

CMYK 39 / 26 / 0 / 5

HEX #95B3F3

RGB 149 179 243

HSL 220.85, 0.8%, 0.77%

LAB 72.96, 5.37, -35.11

 

CMYK 0 / 39 / 27 / 5

HEX #F394B1

RGB 243 148 177

HSL 341.68, 0.8%, 0.77%

LAB 71.83, 39.3, 0.23

 

CMYK 0 / 5 / 39 / 5

HEX #F3E895

RGB 243 232 149

HSL 52.98, 0.8%, 0.77%

LAB 91.21, -7.9, 41.7

 

CMYK 39 / 0 / 12 / 5

HEX #95F3D5

RGB 149 243 213

HSL 160.85, 0.8%, 0.77%

LAB 89.53, -34.58, 5.71

 

CMYK 39 / 34 / 0 / 5

HEX #95A0F3

RGB 149 160 243

HSL 232.98, 0.8%, 0.77%

LAB 68.02, 16.06, -42.8

 

CMYK 0 / 39 / 27 / 5

HEX #F394B1

RGB 243 148 177

HSL 341.68, 0.8%, 0.77%

LAB 71.83, 39.3, 0.23

 

CMYK 7 / 0 / 39 / 5

HEX #E2F395

RGB 226 243 149

HSL 70.85, 0.8%, 0.77%

LAB 92.77, -19.81, 43.44

 

CMYK 39 / 0 / 12 / 5

HEX #95F3D5

RGB 149 243 213

HSL 160.85, 0.8%, 0.77%

LAB 89.53, -34.58, 5.71

 

CMYK 32 / 39 / 0 / 5

HEX #A695F3

RGB 166 149 243

HSL 250.85, 0.8%, 0.77%

LAB 66.58, 26.87, -44.98

 

Description

Color code: HEX #F394B1 | qconv.com Color code: HEX #F394B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 148 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 148 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 27 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 27% 5% C M Y K

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Provide designers and agencies with accurate color values.

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