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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7A396 it is the complementary color #085C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7A396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7A396 shade: #FCA391, #FFB5A4, #FFC7B7, #FFD9CA and #FFEBDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7A396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7A396 shade: #F7A396, #E69183, #D57F70, #C46D5D and #B35B4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7A396 shade: #F7A396 and #F79696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7A396 shade: #F7A396, #F7BD96, #F7D796, #F7F196 and #E2F796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7A396 shade matches the following richer shades: #F7A396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7A396 shade: #F7A396, #EEAA9F, #E4B0A8, #DBB7B1 and #D2BEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7A396 shade: #F796BD, #F796A3, #F7A396, #F7BD96 and #F7D696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7A396 shade: #F16049, #F48170, #F7A396, #FAC5BD and #FCE6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7A396 shade: #F7A396, #D6F796 and #96B0F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7A396 shade: #F7A396, #96F7A3 and #A396F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7A396 shade: #F7A396, #D6F796, #96EAF7 and #B696F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7A396 shade: #F7A396, #BAF796, #96EAF7 and #D396F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

Complementary color

CMYK 92 / 12 / 0 / 59

HEX #085C69

RGB 8 92 105

HSL 188.04, 0.86%, 0.22%

LAB 35.45, -17.54, -13.91

 

CMYK 0 / 35 / 42 / 1

HEX #FCA391

RGB 252 163 145

HSL 10.09, 0.95%, 0.78%

LAB 75.41, 30.95, 23.05

 

CMYK 0 / 29 / 36 / 0

HEX #FFB5A4

RGB 255 181 164

HSL 11.21, 1%, 0.82%

LAB 80.17, 24.77, 19.4

 

CMYK 0 / 22 / 28 / 0

HEX #FFC7B7

RGB 255 199 183

HSL 13.33, 1%, 0.86%

LAB 84.75, 17.7, 15.65

 

CMYK 0 / 15 / 21 / 0

HEX #FFD9CA

RGB 255 217 202

HSL 16.98, 1%, 0.9%

LAB 89.46, 10.95, 12.28

 

CMYK 0 / 8 / 13 / 0

HEX #FFEBDD

RGB 255 235 221

HSL 24.71, 1%, 0.93%

LAB 94.27, 4.53, 9.23

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 37 / 43 / 10

HEX #E69183

RGB 230 145 131

HSL 8.48, 0.66%, 0.71%

LAB 68.54, 30.57, 20.93

 

CMYK 0 / 40 / 47 / 16

HEX #D57F70

RGB 213 127 112

HSL 8.91, 0.55%, 0.64%

LAB 62.08, 31.65, 22.44

 

CMYK 0 / 44 / 53 / 23

HEX #C46D5D

RGB 196 109 93

HSL 9.32, 0.47%, 0.57%

LAB 55.55, 32.83, 24.14

 

CMYK 0 / 49 / 59 / 30

HEX #B35B4A

RGB 179 91 74

HSL 9.71, 0.42%, 0.5%

LAB 48.96, 34.13, 26.1

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 39 / 39 / 3

HEX #F79696

RGB 247 150 150

HSL 0, 0.86%, 0.78%

LAB 72.09, 36.39, 15.63

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 23 / 39 / 3

HEX #F7BD96

RGB 247 189 150

HSL 24.12, 0.86%, 0.78%

LAB 80.94, 15.91, 27.77

 

CMYK 0 / 13 / 39 / 3

HEX #F7D796

RGB 247 215 150

HSL 40.21, 0.86%, 0.78%

LAB 87.28, 2.38, 36.17

 

CMYK 0 / 2 / 39 / 3

HEX #F7F196

RGB 247 241 150

HSL 56.29, 0.86%, 0.78%

LAB 93.83, -10.73, 44.63

 

CMYK 9 / 0 / 39 / 3

HEX #E2F796

RGB 226 247 150

HSL 72.99, 0.86%, 0.78%

LAB 93.84, -21.62, 44.31

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 29 / 33 / 7

HEX #EEAA9F

RGB 238 170 159

HSL 8.35, 0.7%, 0.78%

LAB 75.72, 23.56, 15.62

 

CMYK 0 / 23 / 26 / 11

HEX #E4B0A8

RGB 228 176 168

HSL 8, 0.53%, 0.78%

LAB 76.3, 17.78, 11.39

 

CMYK 0 / 16 / 19 / 14

HEX #DBB7B1

RGB 219 183 177

HSL 8.57, 0.37%, 0.78%

LAB 77.34, 11.99, 7.88

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBA

RGB 210 190 186

HSL 10, 0.21%, 0.78%

LAB 78.5, 6.4, 4.58

 

CMYK 0 / 39 / 23 / 3

HEX #F796BD

RGB 247 150 189

HSL 335.88, 0.86%, 0.78%

LAB 73.06, 41.3, -4.56

 

CMYK 0 / 39 / 34 / 3

HEX #F796A3

RGB 247 150 163

HSL 351.96, 0.86%, 0.78%

LAB 72.38, 37.89, 8.86

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 23 / 39 / 3

HEX #F7BD96

RGB 247 189 150

HSL 24.12, 0.86%, 0.78%

LAB 80.94, 15.91, 27.77

 

CMYK 0 / 13 / 39 / 3

HEX #F7D696

RGB 247 214 150

HSL 39.59, 0.86%, 0.78%

LAB 87.03, 2.89, 35.85

 

CMYK 0 / 60 / 70 / 5

HEX #F16049

RGB 241 96 73

HSL 8.21, 0.86%, 0.62%

LAB 59.48, 54.48, 41.66

 

CMYK 0 / 47 / 54 / 4

HEX #F48170

RGB 244 129 112

HSL 7.73, 0.86%, 0.7%

LAB 66.6, 42.37, 29.17

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 0 / 21 / 24 / 2

HEX #FAC5BD

RGB 250 197 189

HSL 7.87, 0.86%, 0.86%

LAB 83.93, 17.72, 11.23

 

CMYK 0 / 9 / 10 / 1

HEX #FCE6E3

RGB 252 230 227

HSL 7.2, 0.81%, 0.94%

LAB 92.94, 7, 4.17

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 13 / 0 / 39 / 3

HEX #D6F796

RGB 214 247 150

HSL 80.41, 0.86%, 0.78%

LAB 93.02, -26.05, 43.11

 

CMYK 39 / 29 / 0 / 3

HEX #96B0F7

RGB 150 176 247

HSL 223.92, 0.86%, 0.78%

LAB 72.4, 8.37, -38.15

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 39 / 0 / 34 / 3

HEX #96F7A3

RGB 150 247 163

HSL 128.04, 0.86%, 0.78%

LAB 89.7, -45.48, 31.64

 

CMYK 34 / 39 / 0 / 3

HEX #A396F7

RGB 163 150 247

HSL 248.04, 0.86%, 0.78%

LAB 66.76, 26.52, -46.9

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 13 / 0 / 39 / 3

HEX #D6F796

RGB 214 247 150

HSL 80.41, 0.86%, 0.78%

LAB 93.02, -26.05, 43.11

 

CMYK 39 / 5 / 0 / 3

HEX #96EAF7

RGB 150 234 247

HSL 188.04, 0.86%, 0.78%

LAB 87.99, -22.22, -14.33

 

CMYK 26 / 39 / 0 / 3

HEX #B696F7

RGB 182 150 247

HSL 259.79, 0.86%, 0.78%

LAB 68.37, 31.69, -44.26

 

CMYK 0 / 34 / 39 / 3

HEX #F7A396

RGB 247 163 150

HSL 8.04, 0.86%, 0.78%

LAB 74.93, 29.6, 19.58

 

CMYK 25 / 0 / 39 / 3

HEX #BAF796

RGB 186 247 150

HSL 97.73, 0.86%, 0.78%

LAB 91.31, -35.97, 40.56

 

CMYK 39 / 5 / 0 / 3

HEX #96EAF7

RGB 150 234 247

HSL 188.04, 0.86%, 0.78%

LAB 87.99, -22.22, -14.33

 

CMYK 15 / 39 / 0 / 3

HEX #D396F7

RGB 211 150 247

HSL 277.73, 0.86%, 0.78%

LAB 71.13, 39.98, -39.74

 

Description

Color code: HEX #F7A396 | qconv.com Color code: HEX #F7A396 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 163 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 163 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 39 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 39% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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