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Color name
HEX #F7ABD4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7ABD4 it is the complementary color #08542B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7ABD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7ABD4 shade: #FCABCF, #FFBDE2, #FFCFF5, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7ABD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7ABD4 shade: #F7ABD4, #E699C1, #D587AE, #C4759B and #B36388

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7ABD4 shade: #F7ABD4, #F7ABBF, #F7ABAB and #F7ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7ABD4 shade: #F7ABD4, #F7ABE8, #F1ABF7, #DCABF7 and #C8ABF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7ABD4 shade matches the following richer shades: #F7ABD4 and #FEA3D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7ABD4 shade: #F7ABD4, #EFB2D3, #E8B9D2, #E0C1D2 and #D9C8D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7ABD4 shade: #F0ABF7, #F7ABE9, #F7ABD4, #F7ABC0 and #F7ABAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7ABD4 shade: #F05FAD, #F385C0, #F7ABD4, #FAD0E7 and #FEF6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7ABD4 shade: #F7ABD4, #F7DCAB and #ABF3F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7ABD4 shade: #F7ABD4, #D4F7AB and #ABD4F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7ABD4 shade: #F7ABD4, #F7DCAB, #ABF7CD and #ABC5F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7ABD4 shade: #F7ABD4, #F7F3AB, #ABF7CD and #ABAEF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

Complementary color

CMYK 90 / 0 / 49 / 67

HEX #08542B

RGB 8 84 43

HSL 147.63, 0.83%, 0.18%

LAB 30.8, -32.17, 17.97

 

CMYK 0 / 32 / 18 / 1

HEX #FCABCF

RGB 252 171 207

HSL 333.33, 0.93%, 0.83%

LAB 78.65, 34.72, -6.1

 

CMYK 0 / 26 / 11 / 0

HEX #FFBDE2

RGB 255 189 226

HSL 326.36, 1%, 0.87%

LAB 83.52, 29.28, -9.1

 

CMYK 0 / 19 / 4 / 0

HEX #FFCFF5

RGB 255 207 245

HSL 312.5, 1%, 0.91%

LAB 88.2, 23.02, -12.23

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 33 / 16 / 10

HEX #E699C1

RGB 230 153 193

HSL 328.83, 0.61%, 0.75%

LAB 71.86, 34.5, -8.76

 

CMYK 0 / 37 / 18 / 16

HEX #D587AE

RGB 213 135 174

HSL 330, 0.48%, 0.68%

LAB 65.38, 35.26, -8

 

CMYK 0 / 40 / 21 / 23

HEX #C4759B

RGB 196 117 155

HSL 331.14, 0.4%, 0.61%

LAB 58.81, 36.06, -7.15

 

CMYK 0 / 45 / 24 / 30

HEX #B36388

RGB 179 99 136

HSL 332.25, 0.34%, 0.55%

LAB 52.16, 36.9, -6.18

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 31 / 23 / 3

HEX #F7ABBF

RGB 247 171 191

HSL 344.21, 0.83%, 0.82%

LAB 77.67, 30.62, 1.11

 

CMYK 0 / 31 / 31 / 3

HEX #F7ABAB

RGB 247 171 171

HSL 0, 0.83%, 0.82%

LAB 77.19, 27.9, 11.3

 

CMYK 0 / 31 / 31 / 3

HEX #F7ABAB

RGB 247 171 171

HSL 0, 0.83%, 0.82%

LAB 77.19, 27.9, 11.3

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 31 / 6 / 3

HEX #F7ABE8

RGB 247 171 232

HSL 311.84, 0.83%, 0.82%

LAB 78.88, 37.08, -19.36

 

CMYK 2 / 31 / 0 / 3

HEX #F1ABF7

RGB 241 171 247

HSL 295.26, 0.83%, 0.82%

LAB 78.78, 37.85, -27.67

 

CMYK 11 / 31 / 0 / 3

HEX #DCABF7

RGB 220 171 247

HSL 278.68, 0.83%, 0.82%

LAB 76.71, 31.35, -31.02

 

CMYK 19 / 31 / 0 / 3

HEX #C8ABF7

RGB 200 171 247

HSL 262.89, 0.83%, 0.82%

LAB 74.9, 25.27, -33.97

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 36 / 17 / 0

HEX #FEA3D4

RGB 254 163 212

HSL 327.69, 0.98%, 0.82%

LAB 77.29, 40.32, -10.82

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 26 / 12 / 6

HEX #EFB2D3

RGB 239 178 211

HSL 327.54, 0.66%, 0.82%

LAB 78.98, 27.18, -7.94

 

CMYK 0 / 20 / 9 / 9

HEX #E8B9D2

RGB 232 185 210

HSL 328.09, 0.51%, 0.82%

LAB 79.9, 20.87, -6.11

 

CMYK 0 / 14 / 6 / 12

HEX #E0C1D2

RGB 224 193 210

HSL 327.1, 0.33%, 0.82%

LAB 81.09, 13.82, -4.43

 

CMYK 0 / 8 / 4 / 15

HEX #D9C8D1

RGB 217 200 209

HSL 328.24, 0.18%, 0.82%

LAB 82.2, 7.5, -2.34

 

CMYK 3 / 31 / 0 / 3

HEX #F0ABF7

RGB 240 171 247

HSL 294.47, 0.83%, 0.82%

LAB 78.67, 37.54, -27.84

 

CMYK 0 / 31 / 6 / 3

HEX #F7ABE9

RGB 247 171 233

HSL 311.05, 0.83%, 0.82%

LAB 78.92, 37.25, -19.85

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 31 / 22 / 3

HEX #F7ABC0

RGB 247 171 192

HSL 343.42, 0.83%, 0.82%

LAB 77.7, 30.76, 0.6

 

CMYK 0 / 31 / 30 / 3

HEX #F7ABAC

RGB 247 171 172

HSL 359.21, 0.83%, 0.82%

LAB 77.21, 28.03, 10.78

 

CMYK 0 / 60 / 28 / 6

HEX #F05FAD

RGB 240 95 173

HSL 327.72, 0.83%, 0.66%

LAB 61.42, 63.28, -12.99

 

CMYK 0 / 45 / 21 / 5

HEX #F385C0

RGB 243 133 192

HSL 327.82, 0.82%, 0.74%

LAB 69.21, 49.03, -12.01

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 17 / 8 / 2

HEX #FAD0E7

RGB 250 208 231

HSL 327.14, 0.81%, 0.9%

LAB 87.58, 18.42, -5.79

 

CMYK 0 / 3 / 2 / 0

HEX #FEF6FA

RGB 254 246 250

HSL 330, 0.8%, 0.98%

LAB 97.59, 3.36, -0.98

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 11 / 31 / 3

HEX #F7DCAB

RGB 247 220 171

HSL 38.68, 0.83%, 0.82%

LAB 88.88, 2.27, 27.52

 

CMYK 31 / 2 / 0 / 3

HEX #ABF3F7

RGB 171 243 247

HSL 183.16, 0.83%, 0.82%

LAB 91.45, -21.2, -9.07

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 14 / 0 / 31 / 3

HEX #D4F7AB

RGB 212 247 171

HSL 87.63, 0.83%, 0.82%

LAB 93.21, -24.08, 32.91

 

CMYK 31 / 14 / 0 / 3

HEX #ABD4F7

RGB 171 212 247

HSL 207.63, 0.83%, 0.82%

LAB 83.16, -5.44, -21.51

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 11 / 31 / 3

HEX #F7DCAB

RGB 247 220 171

HSL 38.68, 0.83%, 0.82%

LAB 88.88, 2.27, 27.52

 

CMYK 31 / 0 / 17 / 3

HEX #ABF7CD

RGB 171 247 205

HSL 146.84, 0.83%, 0.82%

LAB 91.5, -31.9, 12.81

 

CMYK 31 / 20 / 0 / 3

HEX #ABC5F7

RGB 171 197 247

HSL 219.47, 0.83%, 0.82%

LAB 79.22, 2.54, -27.51

 

CMYK 0 / 31 / 14 / 3

HEX #F7ABD4

RGB 247 171 212

HSL 327.63, 0.83%, 0.82%

LAB 78.26, 33.78, -9.46

 

CMYK 0 / 2 / 31 / 3

HEX #F7F3AB

RGB 247 243 171

HSL 56.84, 0.83%, 0.82%

LAB 94.66, -9.35, 35.28

 

CMYK 31 / 0 / 17 / 3

HEX #ABF7CD

RGB 171 247 205

HSL 146.84, 0.83%, 0.82%

LAB 91.5, -31.9, 12.81

 

CMYK 31 / 30 / 0 / 3

HEX #ABAEF7

RGB 171 174 247

HSL 237.63, 0.83%, 0.82%

LAB 73.31, 15.17, -36.61

 

Description

Color code: HEX #F7ABD4 | qconv.com Color code: HEX #F7ABD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 171 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 171 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 14% 3% C M Y K

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Provide designers and agencies with accurate color values.

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