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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7B559 it is the complementary color #084AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7B559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7B559 shade: #FCB554, #FFC767, #FFD97A, #FFEB8D and #FFFDA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7B559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7B559 shade: #F7B559, #E6A346, #D59133, #C47F20 and #B36D0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7B559 shade: #F7B559, #F78A59, #F76059 and #F75959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7B559 shade: #F7B559, #F7DF59, #E3F759, #B9F759 and #8EF759

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7B559 shade matches the following richer shades: #F7B559

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7B559 shade: #F7B559, #E9B267, #DBB075, #CDAE83 and #BFAC91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7B559 shade: #F75E59, #F78859, #F7B259, #F7DC59 and #E7F759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7B559 shade: #F2920B, #F5A332, #F7B559, #F9C680 and #FAD8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7B559 shade: #F7B559, #7EF759 and #7359F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7B559 shade: #F7B559, #59F7B2 and #B259F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7B559 shade: #F7B559, #7EF759, #599DF7 and #D259F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7B559 shade: #F7B559, #59F763, #599DF7 and #F759EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

Complementary color

CMYK 95 / 55 / 0 / 35

HEX #084AA6

RGB 8 74 166

HSL 214.94, 0.91%, 0.34%

LAB 33.36, 18.75, -54.55

 

CMYK 0 / 28 / 67 / 1

HEX #FCB554

RGB 252 181 84

HSL 34.64, 0.97%, 0.66%

LAB 78.68, 16.63, 58.12

 

CMYK 0 / 22 / 60 / 0

HEX #FFC767

RGB 255 199 103

HSL 37.89, 1%, 0.7%

LAB 83.49, 9.67, 54.83

 

CMYK 0 / 15 / 52 / 0

HEX #FFD97A

RGB 255 217 122

HSL 42.86, 1%, 0.74%

LAB 88.11, 1.85, 51.26

 

CMYK 0 / 8 / 45 / 0

HEX #FFEB8D

RGB 255 235 141

HSL 49.47, 1%, 0.78%

LAB 92.84, -5.55, 47.9

 

CMYK 0 / 1 / 37 / 0

HEX #FFFDA0

RGB 255 253 160

HSL 58.74, 1%, 0.81%

LAB 97.65, -12.52, 44.75

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 0 / 29 / 70 / 10

HEX #E6A346

RGB 230 163 70

HSL 34.88, 0.76%, 0.59%

LAB 71.87, 16.19, 56.37

 

CMYK 0 / 32 / 76 / 16

HEX #D59133

RGB 213 145 51

HSL 34.81, 0.66%, 0.52%

LAB 65.46, 17.73, 57.37

 

CMYK 0 / 35 / 84 / 23

HEX #C47F20

RGB 196 127 32

HSL 34.76, 0.72%, 0.45%

LAB 58.99, 19.5, 57.83

 

CMYK 0 / 39 / 93 / 30

HEX #B36D0D

RGB 179 109 13

HSL 34.7, 0.86%, 0.38%

LAB 52.45, 21.55, 57.11

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 0 / 44 / 64 / 3

HEX #F78A59

RGB 247 138 89

HSL 18.61, 0.91%, 0.66%

LAB 68.51, 37.32, 44

 

CMYK 0 / 61 / 64 / 3

HEX #F76059

RGB 247 96 89

HSL 2.66, 0.91%, 0.66%

LAB 60.66, 57.37, 34.49

 

CMYK 0 / 64 / 64 / 3

HEX #F75959

RGB 247 89 89

HSL 0, 0.91%, 0.66%

LAB 59.56, 60.31, 33.13

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 0 / 10 / 64 / 3

HEX #F7DF59

RGB 247 223 89

HSL 50.89, 0.91%, 0.66%

LAB 88.58, -6.77, 66.45

 

CMYK 8 / 0 / 64 / 3

HEX #E3F759

RGB 227 247 89

HSL 67.59, 0.91%, 0.66%

LAB 93.27, -26.55, 70.91

 

CMYK 25 / 0 / 64 / 3

HEX #B9F759

RGB 185 247 89

HSL 83.54, 0.91%, 0.66%

LAB 90.58, -42.55, 67.26

 

CMYK 43 / 0 / 64 / 3

HEX #8EF759

RGB 142 247 89

HSL 99.87, 0.91%, 0.66%

LAB 88.44, -57.01, 64.33

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 0 / 24 / 56 / 9

HEX #E9B267

RGB 233 178 103

HSL 34.62, 0.75%, 0.66%

LAB 76.16, 11.64, 45.64

 

CMYK 0 / 20 / 47 / 14

HEX #DBB075

RGB 219 176 117

HSL 34.71, 0.59%, 0.66%

LAB 74.44, 8.2, 36.05

 

CMYK 0 / 15 / 36 / 20

HEX #CDAE83

RGB 205 174 131

HSL 34.86, 0.43%, 0.66%

LAB 72.82, 5.14, 26.26

 

CMYK 0 / 10 / 24 / 25

HEX #BFAC91

RGB 191 172 145

HSL 35.22, 0.26%, 0.66%

LAB 71.3, 2.57, 16.4

 

CMYK 0 / 62 / 64 / 3

HEX #F75E59

RGB 247 94 89

HSL 1.9, 0.91%, 0.66%

LAB 60.34, 58.22, 34.09

 

CMYK 0 / 45 / 64 / 3

HEX #F78859

RGB 247 136 89

HSL 17.85, 0.91%, 0.66%

LAB 68.1, 38.34, 43.51

 

CMYK 0 / 28 / 64 / 3

HEX #F7B259

RGB 247 178 89

HSL 33.8, 0.91%, 0.66%

LAB 77.48, 16.43, 54.34

 

CMYK 0 / 11 / 64 / 3

HEX #F7DC59

RGB 247 220 89

HSL 49.75, 0.91%, 0.66%

LAB 87.82, -5.27, 65.64

 

CMYK 6 / 0 / 64 / 3

HEX #E7F759

RGB 231 247 89

HSL 66.08, 0.91%, 0.66%

LAB 93.55, -24.97, 71.3

 

CMYK 0 / 40 / 95 / 5

HEX #F2920B

RGB 242 146 11

HSL 35.06, 0.91%, 0.5%

LAB 69.08, 28.53, 72.95

 

CMYK 0 / 33 / 80 / 4

HEX #F5A332

RGB 245 163 50

HSL 34.77, 0.91%, 0.58%

LAB 73.44, 21.66, 66.57

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 0 / 20 / 49 / 2

HEX #F9C680

RGB 249 198 128

HSL 34.71, 0.91%, 0.74%

LAB 82.96, 9.76, 41.83

 

CMYK 0 / 14 / 33 / 2

HEX #FAD8A8

RGB 250 216 168

HSL 35.12, 0.89%, 0.82%

LAB 88.09, 5.09, 28.06

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 49 / 0 / 64 / 3

HEX #7EF759

RGB 126 247 89

HSL 105.95, 0.91%, 0.66%

LAB 87.81, -61.66, 63.46

 

CMYK 53 / 64 / 0 / 3

HEX #7359F7

RGB 115 89 247

HSL 249.87, 0.91%, 0.66%

LAB 48.89, 50.73, -75.77

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 64 / 0 / 28 / 3

HEX #59F7B2

RGB 89 247 178

HSL 153.8, 0.91%, 0.66%

LAB 87.9, -56.95, 21.23

 

CMYK 28 / 64 / 0 / 3

HEX #B259F7

RGB 178 89 247

HSL 273.8, 0.91%, 0.66%

LAB 55.41, 62.87, -64.9

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 49 / 0 / 64 / 3

HEX #7EF759

RGB 126 247 89

HSL 105.95, 0.91%, 0.66%

LAB 87.81, -61.66, 63.46

 

CMYK 64 / 36 / 0 / 3

HEX #599DF7

RGB 89 157 247

HSL 214.18, 0.91%, 0.66%

LAB 64.12, 5.94, -51.36

 

CMYK 15 / 64 / 0 / 3

HEX #D259F7

RGB 210 89 247

HSL 285.95, 0.91%, 0.66%

LAB 59.49, 69.83, -58.12

 

CMYK 0 / 27 / 64 / 3

HEX #F7B559

RGB 247 181 89

HSL 34.94, 0.91%, 0.66%

LAB 78.19, 14.86, 55.14

 

CMYK 64 / 0 / 60 / 3

HEX #59F763

RGB 89 247 99

HSL 123.8, 0.91%, 0.66%

LAB 86.77, -69.45, 57.85

 

CMYK 64 / 36 / 0 / 3

HEX #599DF7

RGB 89 157 247

HSL 214.18, 0.91%, 0.66%

LAB 64.12, 5.94, -51.36

 

CMYK 0 / 64 / 4 / 3

HEX #F759EC

RGB 247 89 236

HSL 304.18, 0.91%, 0.66%

LAB 64.14, 76.39, -44.32

 

Description

Color code: HEX #F7B559 | qconv.com Color code: HEX #F7B559 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 181 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 181 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 64 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 64% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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