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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7C95E it is the complementary color #0836A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7C95E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7C95E shade: #FCC959, #FFDB6C, #FFED7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7C95E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7C95E shade: #F7C95E, #E6B74B, #D5A538, #C49325 and #B38112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7C95E shade: #F7C95E, #F7A05E, #F7765E and #F75E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7C95E shade: #F7C95E, #F7F25E, #D2F75E, #A9F75E and #80F75E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7C95E shade matches the following richer shades: #F7C95E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7C95E shade: #F7C95E, #E9C36B, #DCBE79, #CEB987 and #C0B394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7C95E shade: #F7755E, #F79E5E, #F7C65E, #F7EF5E and #D6F75E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7C95E shade: #F3AF0F, #F5BC36, #F7C95E, #F9D685 and #FBE3AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7C95E shade: #F7C95E, #70F75E and #895EF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7C95E shade: #F7C95E, #5EF7C6 and #C65EF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7C95E shade: #F7C95E, #70F75E, #5E8EF7 and #E55EF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7C95E shade: #F7C95E, #5EF77A, #5E8EF7 and #F75EDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

Complementary color

CMYK 95 / 66 / 0 / 37

HEX #0836A1

RGB 8 54 161

HSL 221.96, 0.91%, 0.33%

LAB 27.47, 30.39, -61.16

 

CMYK 0 / 20 / 65 / 1

HEX #FCC959

RGB 252 201 89

HSL 41.23, 0.96%, 0.67%

LAB 83.54, 6.51, 61.18

 

CMYK 0 / 14 / 58 / 0

HEX #FFDB6C

RGB 255 219 108

HSL 45.31, 1%, 0.71%

LAB 88.45, -0.24, 58.23

 

CMYK 0 / 7 / 50 / 0

HEX #FFED7F

RGB 255 237 127

HSL 51.56, 1%, 0.75%

LAB 93.17, -7.8, 54.98

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 20 / 67 / 10

HEX #E6B74B

RGB 230 183 75

HSL 41.81, 0.76%, 0.6%

LAB 76.8, 5.87, 59.39

 

CMYK 0 / 23 / 74 / 16

HEX #D5A538

RGB 213 165 56

HSL 41.66, 0.65%, 0.53%

LAB 70.41, 7.18, 60.2

 

CMYK 0 / 25 / 81 / 23

HEX #C49325

RGB 196 147 37

HSL 41.51, 0.68%, 0.46%

LAB 63.95, 8.7, 60.48

 

CMYK 0 / 28 / 90 / 30

HEX #B38112

RGB 179 129 18

HSL 41.37, 0.82%, 0.39%

LAB 57.39, 10.5, 59.71

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 35 / 62 / 3

HEX #F7A05E

RGB 247 160 94

HSL 25.88, 0.91%, 0.67%

LAB 73.37, 26.21, 47.18

 

CMYK 0 / 52 / 62 / 3

HEX #F7765E

RGB 247 118 94

HSL 9.41, 0.91%, 0.67%

LAB 64.6, 47.59, 36.6

 

CMYK 0 / 62 / 62 / 3

HEX #F75E5E

RGB 247 94 94

HSL 0, 0.91%, 0.67%

LAB 60.42, 58.52, 31.37

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 2 / 62 / 3

HEX #F7F25E

RGB 247 242 94

HSL 58.04, 0.91%, 0.67%

LAB 93.49, -15.86, 69.63

 

CMYK 15 / 0 / 62 / 3

HEX #D2F75E

RGB 210 247 94

HSL 74.51, 0.91%, 0.67%

LAB 92.15, -32.84, 67.4

 

CMYK 32 / 0 / 62 / 3

HEX #A9F75E

RGB 169 247 94

HSL 90.59, 0.91%, 0.67%

LAB 89.75, -47.82, 64.1

 

CMYK 48 / 0 / 62 / 3

HEX #80F75E

RGB 128 247 94

HSL 106.67, 0.91%, 0.67%

LAB 87.93, -60.65, 61.58

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 16 / 54 / 9

HEX #E9C36B

RGB 233 195 107

HSL 41.9, 0.74%, 0.67%

LAB 80.41, 3.03, 48.78

 

CMYK 0 / 14 / 45 / 14

HEX #DCBE79

RGB 220 190 121

HSL 41.82, 0.59%, 0.67%

LAB 78.12, 1.6, 38.69

 

CMYK 0 / 10 / 34 / 19

HEX #CEB987

RGB 206 185 135

HSL 42.25, 0.42%, 0.67%

LAB 75.8, 0.17, 28.14

 

CMYK 0 / 7 / 23 / 25

HEX #C0B394

RGB 192 179 148

HSL 42.27, 0.26%, 0.67%

LAB 73.28, -0.37, 17.52

 

CMYK 0 / 53 / 62 / 3

HEX #F7755E

RGB 247 117 94

HSL 9.02, 0.91%, 0.67%

LAB 64.41, 48.07, 36.37

 

CMYK 0 / 36 / 62 / 3

HEX #F79E5E

RGB 247 158 94

HSL 25.1, 0.91%, 0.67%

LAB 72.92, 27.26, 46.65

 

CMYK 0 / 20 / 62 / 3

HEX #F7C65E

RGB 247 198 94

HSL 40.78, 0.91%, 0.67%

LAB 82.36, 6.3, 57.51

 

CMYK 0 / 3 / 62 / 3

HEX #F7EF5E

RGB 247 239 94

HSL 56.86, 0.91%, 0.67%

LAB 92.71, -14.4, 68.81

 

CMYK 13 / 0 / 62 / 3

HEX #D6F75E

RGB 214 247 94

HSL 72.94, 0.91%, 0.67%

LAB 92.41, -31.3, 67.76

 

CMYK 0 / 28 / 94 / 5

HEX #F3AF0F

RGB 243 175 15

HSL 42.11, 0.9%, 0.51%

LAB 75.92, 13.74, 77.25

 

CMYK 0 / 23 / 78 / 4

HEX #F5BC36

RGB 245 188 54

HSL 42.09, 0.91%, 0.59%

LAB 79.41, 8.67, 70.62

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 14 / 47 / 2

HEX #F9D685

RGB 249 214 133

HSL 41.9, 0.91%, 0.75%

LAB 86.96, 1.96, 44.36

 

CMYK 0 / 10 / 31 / 2

HEX #FBE3AD

RGB 251 227 173

HSL 41.54, 0.91%, 0.83%

LAB 90.99, 0.45, 29.41

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 55 / 0 / 62 / 3

HEX #70F75E

RGB 112 247 94

HSL 112.94, 0.91%, 0.67%

LAB 87.38, -64.86, 60.8

 

CMYK 45 / 62 / 0 / 3

HEX #895EF7

RGB 137 94 247

HSL 256.86, 0.91%, 0.67%

LAB 51.88, 51.98, -70.82

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 62 / 0 / 20 / 3

HEX #5EF7C6

RGB 94 247 198

HSL 160.78, 0.91%, 0.67%

LAB 88.44, -51.8, 11.68

 

CMYK 20 / 62 / 0 / 3

HEX #C65EF7

RGB 198 94 247

HSL 280.78, 0.91%, 0.67%

LAB 58.72, 64.95, -59.44

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 55 / 0 / 62 / 3

HEX #70F75E

RGB 112 247 94

HSL 112.94, 0.91%, 0.67%

LAB 87.38, -64.86, 60.8

 

CMYK 62 / 43 / 0 / 3

HEX #5E8EF7

RGB 94 142 247

HSL 221.18, 0.91%, 0.67%

LAB 60.29, 15.65, -57.45

 

CMYK 7 / 62 / 0 / 3

HEX #E55EF7

RGB 229 94 247

HSL 292.94, 0.91%, 0.67%

LAB 62.83, 72.05, -52.66

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 62 / 0 / 51 / 3

HEX #5EF77A

RGB 94 247 122

HSL 130.98, 0.91%, 0.67%

LAB 87.15, -65.61, 47.99

 

CMYK 62 / 43 / 0 / 3

HEX #5E8EF7

RGB 94 142 247

HSL 221.18, 0.91%, 0.67%

LAB 60.29, 15.65, -57.45

 

CMYK 0 / 62 / 11 / 3

HEX #F75EDB

RGB 247 94 219

HSL 310.98, 0.91%, 0.67%

LAB 64.08, 71.88, -34.93

 

Description

Color code: HEX #F7C95E | qconv.com Color code: HEX #F7C95E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 201 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 201 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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