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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7CD11 it is the complementary color #0832EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7CD11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7CD11 shade: #FCCD0C, #FFDF1F, #FFF132, #FFFF45 and #FFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7CD11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7CD11 shade: #F7CD11, #E6BB00, #D5A900, #C49700 and #B38500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7CD11 shade: #F6CC12, #F68F12, #F65212, #F61412 and #F61212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7CD11 shade: #F6CC12, #E2F612, #A5F612, #67F612 and #2AF612

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7CD11 shade matches the following richer shades: #F6CC12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7CD11 shade: #F6CC12, #E2C026, #CEB33A, #BBA74E and #A79A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7CD11 shade: #F65312, #F68F12, #F6CC12, #E3F612 and #A6F612

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7CD11 shade: #B09106, #D8B207, #F6CC12, #F7D53A and #F9DD62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7CD11 shade: #F7CD11, #12F616 and #7112F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7CD11 shade: #F7CD11, #12F6CC and #CC12F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7CD11 shade: #F7CD11, #12F616, #123CF6 and #F612F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7CD11 shade: #F7CD11, #12F65A, #123CF6 and #F612AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 93 / 3

HEX #F7CD11

RGB 247 205 17

HSL 49.04, 0.93%, 0.52%

LAB 83.69, -0.1, 82.85

 

Complementary color

CMYK 97 / 79 / 0 / 7

HEX #0832EE

RGB 8 50 238

HSL 229.04, 0.93%, 0.48%

LAB 35.01, 60, -93.75

 

CMYK 0 / 19 / 95 / 1

HEX #FCCD0C

RGB 252 205 12

HSL 48.25, 0.98%, 0.52%

LAB 84.17, 1.98, 83.98

 

CMYK 0 / 13 / 88 / 0

HEX #FFDF1F

RGB 255 223 31

HSL 51.43, 1%, 0.56%

LAB 88.99, -5.61, 85.05

 

CMYK 0 / 5 / 80 / 0

HEX #FFF132

RGB 255 241 50

HSL 55.9, 1%, 0.6%

LAB 93.62, -14.06, 84.7

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF45

RGB 255 255 69

HSL 60, 1%, 0.64%

LAB 97.31, -20.15, 82.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 17 / 93 / 3

HEX #F7CD11

RGB 247 205 17

HSL 49.04, 0.93%, 0.52%

LAB 83.69, -0.1, 82.85

 

CMYK 0 / 19 / 100 / 10

HEX #E6BB00

RGB 230 187 0

HSL 48.78, 1%, 0.45%

LAB 77.5, 1.7, 79.4

 

CMYK 0 / 21 / 100 / 16

HEX #D5A900

RGB 213 169 0

HSL 47.61, 1%, 0.42%

LAB 71.23, 3.72, 74.23

 

CMYK 0 / 23 / 100 / 23

HEX #C49700

RGB 196 151 0

HSL 46.22, 1%, 0.38%

LAB 64.86, 5.82, 68.98

 

CMYK 0 / 26 / 100 / 30

HEX #B38500

RGB 179 133 0

HSL 44.58, 1%, 0.35%

LAB 58.38, 8.01, 63.65

 

CMYK 0 / 17 / 93 / 4

HEX #F6CC12

RGB 246 204 18

HSL 48.95, 0.93%, 0.52%

LAB 83.35, -0.01, 82.43

 

CMYK 0 / 42 / 93 / 4

HEX #F68F12

RGB 246 143 18

HSL 32.89, 0.93%, 0.52%

LAB 68.95, 31.82, 71.97

 

CMYK 0 / 67 / 93 / 4

HEX #F65212

RGB 246 82 18

HSL 16.84, 0.93%, 0.52%

LAB 57.72, 60.42, 64.38

 

CMYK 0 / 92 / 93 / 4

HEX #F61412

RGB 246 20 18

HSL 0.53, 0.93%, 0.52%

LAB 51.99, 76.45, 60.86

 

CMYK 0 / 93 / 93 / 4

HEX #F61212

RGB 246 18 18

HSL 0, 0.93%, 0.52%

LAB 51.92, 76.67, 60.82

 

CMYK 0 / 17 / 93 / 4

HEX #F6CC12

RGB 246 204 18

HSL 48.95, 0.93%, 0.52%

LAB 83.35, -0.01, 82.43

 

CMYK 8 / 0 / 93 / 4

HEX #E2F612

RGB 226 246 18

HSL 65.26, 0.93%, 0.52%

LAB 92.63, -29.01, 88.74

 

CMYK 33 / 0 / 93 / 4

HEX #A5F612

RGB 165 246 18

HSL 81.32, 0.93%, 0.52%

LAB 88.9, -52.38, 84.22

 

CMYK 58 / 0 / 93 / 4

HEX #67F612

RGB 103 246 18

HSL 97.63, 0.93%, 0.52%

LAB 86.42, -71.03, 81.18

 

CMYK 83 / 0 / 93 / 4

HEX #2AF612

RGB 42 246 18

HSL 113.68, 0.93%, 0.52%

LAB 85.22, -81.31, 79.7

 

CMYK 0 / 17 / 93 / 4

HEX #F6CC12

RGB 246 204 18

HSL 48.95, 0.93%, 0.52%

LAB 83.35, -0.01, 82.43

 

CMYK 0 / 17 / 93 / 4

HEX #F6CC12

RGB 246 204 18

HSL 48.95, 0.93%, 0.52%

LAB 83.35, -0.01, 82.43

 

CMYK 0 / 15 / 83 / 11

HEX #E2C026

RGB 226 192 38

HSL 49.15, 0.76%, 0.52%

LAB 78.47, -2.04, 73.88

 

CMYK 0 / 13 / 72 / 19

HEX #CEB33A

RGB 206 179 58

HSL 49.05, 0.6%, 0.52%

LAB 73.33, -3.18, 62.05

 

CMYK 0 / 11 / 58 / 27

HEX #BBA74E

RGB 187 167 78

HSL 48.99, 0.44%, 0.52%

LAB 68.57, -3.82, 47.82

 

CMYK 0 / 8 / 42 / 35

HEX #A79A61

RGB 167 154 97

HSL 48.86, 0.28%, 0.52%

LAB 63.5, -3.57, 31.62

 

CMYK 0 / 66 / 93 / 4

HEX #F65312

RGB 246 83 18

HSL 17.11, 0.93%, 0.52%

LAB 57.87, 60.03, 64.47

 

CMYK 0 / 42 / 93 / 4

HEX #F68F12

RGB 246 143 18

HSL 32.89, 0.93%, 0.52%

LAB 68.95, 31.82, 71.97

 

CMYK 0 / 17 / 93 / 4

HEX #F6CC12

RGB 246 204 18

HSL 48.95, 0.93%, 0.52%

LAB 83.35, -0.01, 82.43

 

CMYK 8 / 0 / 93 / 4

HEX #E3F612

RGB 227 246 18

HSL 65, 0.93%, 0.52%

LAB 92.7, -28.6, 88.83

 

CMYK 33 / 0 / 93 / 4

HEX #A6F612

RGB 166 246 18

HSL 81.05, 0.93%, 0.52%

LAB 88.95, -52.03, 84.28

 

CMYK 0 / 18 / 97 / 31

HEX #B09106

RGB 176 145 6

HSL 49.06, 0.93%, 0.36%

LAB 61.22, 0.12, 64.57

 

CMYK 0 / 18 / 97 / 15

HEX #D8B207

RGB 216 178 7

HSL 49.09, 0.94%, 0.44%

LAB 73.84, 0.36, 75.41

 

CMYK 0 / 17 / 93 / 4

HEX #F6CC12

RGB 246 204 18

HSL 48.95, 0.93%, 0.52%

LAB 83.35, -0.01, 82.43

 

CMYK 0 / 14 / 77 / 3

HEX #F7D53A

RGB 247 213 58

HSL 49.21, 0.92%, 0.6%

LAB 85.84, -3.21, 75.25

 

CMYK 0 / 11 / 61 / 2

HEX #F9DD62

RGB 249 221 98

HSL 48.87, 0.93%, 0.68%

LAB 88.32, -4.39, 62.4

 

CMYK 0 / 17 / 93 / 3

HEX #F7CD11

RGB 247 205 17

HSL 49.04, 0.93%, 0.52%

LAB 83.69, -0.1, 82.85

 

CMYK 93 / 0 / 91 / 4

HEX #12F616

RGB 18 246 22

HSL 121.05, 0.93%, 0.52%

LAB 85.05, -82.89, 78.97

 

CMYK 54 / 93 / 0 / 4

HEX #7112F6

RGB 113 18 246

HSL 265, 0.93%, 0.52%

LAB 38.89, 77.92, -91.64

 

CMYK 0 / 17 / 93 / 3

HEX #F7CD11

RGB 247 205 17

HSL 49.04, 0.93%, 0.52%

LAB 83.69, -0.1, 82.85

 

CMYK 93 / 0 / 17 / 4

HEX #12F6CC

RGB 18 246 204

HSL 168.95, 0.93%, 0.52%

LAB 87.19, -57.7, 6.64

 

CMYK 17 / 93 / 0 / 4

HEX #CC12F6

RGB 204 18 246

HSL 288.95, 0.93%, 0.52%

LAB 51.75, 88.06, -70.07

 

CMYK 0 / 17 / 93 / 3

HEX #F7CD11

RGB 247 205 17

HSL 49.04, 0.93%, 0.52%

LAB 83.69, -0.1, 82.85

 

CMYK 93 / 0 / 91 / 4

HEX #12F616

RGB 18 246 22

HSL 121.05, 0.93%, 0.52%

LAB 85.05, -82.89, 78.97

 

CMYK 93 / 76 / 0 / 4

HEX #123CF6

RGB 18 60 246

HSL 228.95, 0.93%, 0.52%

LAB 37.87, 57.58, -93.52

 

CMYK 0 / 93 / 2 / 4

HEX #F612F2

RGB 246 18 242

HSL 301.05, 0.93%, 0.52%

LAB 58.45, 93.85, -56.69

 

CMYK 0 / 17 / 93 / 3

HEX #F7CD11

RGB 247 205 17

HSL 49.04, 0.93%, 0.52%

LAB 83.69, -0.1, 82.85

 

CMYK 93 / 0 / 63 / 4

HEX #12F65A

RGB 18 246 90

HSL 138.95, 0.93%, 0.52%

LAB 85.39, -78.48, 59.79

 

CMYK 93 / 76 / 0 / 4

HEX #123CF6

RGB 18 60 246

HSL 228.95, 0.93%, 0.52%

LAB 37.87, 57.58, -93.52

 

CMYK 0 / 93 / 29 / 4

HEX #F612AE

RGB 246 18 174

HSL 318.95, 0.93%, 0.52%

LAB 55.16, 85.46, -23

 

Description

Color code: HEX #F7CD11 | qconv.com Color code: HEX #F7CD11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 205 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 205 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 93 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 93% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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