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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F404E4 it is the complementary color #0BFB1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F404E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F404E4 shade: #F904DF, #FF16F2, #FF28FF, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F404E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F404E4 shade: #F404E4, #E300D1, #D200BE, #C100AB and #B00098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F404E4 shade: #F603E5, #F603A4, #F60363, #F60321 and #F60303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F404E4 shade: #F603E5, #C403F6, #8303F6, #4203F6 and #0303F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F404E4 shade matches the following richer shades: #F603E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F404E4 shade: #F603E5, #E117D4, #CD2CC2, #B940B1 and #A5549F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F404E4 shade: #8503F6, #C503F6, #F603E5, #F603A5 and #F60364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F404E4 shade: #A4029A, #CD03C0, #F603E5, #FB27ED and #FC50F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F404E4 shade: #F404E4, #F64403 and #03F6A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F404E4 shade: #F404E4, #E5F603 and #03E5F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F404E4 shade: #F404E4, #F64403, #03F613 and #03B5F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F404E4 shade: #F404E4, #F68D03, #03F613 and #036CF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 7 / 4

HEX #F404E4

RGB 244 4 228

HSL 304, 0.97%, 0.49%

LAB 57, 92.59, -51.16

 

Complementary color

CMYK 96 / 0 / 89 / 2

HEX #0BFB1B

RGB 11 251 27

HSL 124, 0.97%, 0.51%

LAB 86.58, -84.32, 79.53

 

CMYK 0 / 98 / 10 / 2

HEX #F904DF

RGB 249 4 223

HSL 306.37, 0.97%, 0.5%

LAB 57.61, 92.77, -47.31

 

CMYK 0 / 91 / 5 / 0

HEX #FF16F2

RGB 255 22 242

HSL 303.35, 1%, 0.54%

LAB 60.11, 94.95, -53.95

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FF

RGB 255 40 255

HSL 300, 1%, 0.58%

LAB 61.65, 94.33, -58.71

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 98 / 7 / 4

HEX #F404E4

RGB 244 4 228

HSL 304, 0.97%, 0.49%

LAB 57, 92.59, -51.16

 

CMYK 0 / 100 / 8 / 11

HEX #E300D1

RGB 227 0 209

HSL 304.76, 1%, 0.45%

LAB 52.88, 87.51, -47.09

 

CMYK 0 / 100 / 10 / 18

HEX #D200BE

RGB 210 0 190

HSL 305.71, 1%, 0.41%

LAB 48.78, 82.09, -42.8

 

CMYK 0 / 100 / 11 / 24

HEX #C100AB

RGB 193 0 171

HSL 306.84, 1%, 0.38%

LAB 44.63, 76.6, -38.39

 

CMYK 0 / 100 / 14 / 31

HEX #B00098

RGB 176 0 152

HSL 308.18, 1%, 0.35%

LAB 40.41, 71.01, -33.87

 

CMYK 0 / 99 / 7 / 4

HEX #F603E5

RGB 246 3 229

HSL 304.2, 0.98%, 0.49%

LAB 57.38, 93.12, -51.1

 

CMYK 0 / 99 / 33 / 4

HEX #F603A4

RGB 246 3 164

HSL 320.25, 0.98%, 0.49%

LAB 54.38, 85.56, -18.31

 

CMYK 0 / 99 / 60 / 4

HEX #F60363

RGB 246 3 99

HSL 336.3, 0.98%, 0.49%

LAB 52.46, 80.5, 17.95

 

CMYK 0 / 99 / 87 / 4

HEX #F60321

RGB 246 3 33

HSL 352.59, 0.98%, 0.49%

LAB 51.57, 78.09, 54.56

 

CMYK 0 / 99 / 99 / 4

HEX #F60303

RGB 246 3 3

HSL 0, 0.98%, 0.49%

LAB 51.46, 77.76, 64.65

 

CMYK 0 / 99 / 7 / 4

HEX #F603E5

RGB 246 3 229

HSL 304.2, 0.98%, 0.49%

LAB 57.38, 93.12, -51.1

 

CMYK 20 / 99 / 0 / 4

HEX #C403F6

RGB 196 3 246

HSL 287.65, 0.98%, 0.49%

LAB 50.04, 88.24, -72.9

 

CMYK 47 / 99 / 0 / 4

HEX #8303F6

RGB 131 3 246

HSL 271.6, 0.98%, 0.49%

LAB 40.48, 81.23, -88.94

 

CMYK 73 / 99 / 0 / 4

HEX #4203F6

RGB 66 3 246

HSL 255.56, 0.98%, 0.49%

LAB 33.73, 77.58, -100.36

 

CMYK 99 / 99 / 0 / 4

HEX #0303F6

RGB 3 3 246

HSL 240, 0.98%, 0.49%

LAB 31.2, 76.61, -104.63

 

CMYK 0 / 99 / 7 / 4

HEX #F603E5

RGB 246 3 229

HSL 304.2, 0.98%, 0.49%

LAB 57.38, 93.12, -51.1

 

CMYK 0 / 99 / 7 / 4

HEX #F603E5

RGB 246 3 229

HSL 304.2, 0.98%, 0.49%

LAB 57.38, 93.12, -51.1

 

CMYK 0 / 90 / 6 / 12

HEX #E117D4

RGB 225 23 212

HSL 303.86, 0.81%, 0.49%

LAB 53.36, 85.6, -48.07

 

CMYK 0 / 79 / 5 / 20

HEX #CD2CC2

RGB 205 44 194

HSL 304.1, 0.65%, 0.49%

LAB 50.31, 75.34, -42.77

 

CMYK 0 / 65 / 4 / 27

HEX #B940B1

RGB 185 64 177

HSL 303.97, 0.49%, 0.49%

LAB 48.46, 61.76, -35.99

 

CMYK 0 / 49 / 4 / 35

HEX #A5549F

RGB 165 84 159

HSL 304.44, 0.33%, 0.49%

LAB 48.06, 44, -26.21

 

CMYK 46 / 99 / 0 / 4

HEX #8503F6

RGB 133 3 246

HSL 272.1, 0.98%, 0.49%

LAB 40.74, 81.4, -88.5

 

CMYK 20 / 99 / 0 / 4

HEX #C503F6

RGB 197 3 246

HSL 287.9, 0.98%, 0.49%

LAB 50.2, 88.38, -72.63

 

CMYK 0 / 99 / 7 / 4

HEX #F603E5

RGB 246 3 229

HSL 304.2, 0.98%, 0.49%

LAB 57.38, 93.12, -51.1

 

CMYK 0 / 99 / 33 / 4

HEX #F603A5

RGB 246 3 165

HSL 320, 0.98%, 0.49%

LAB 54.42, 85.66, -18.84

 

CMYK 0 / 99 / 59 / 4

HEX #F60364

RGB 246 3 100

HSL 336.05, 0.98%, 0.49%

LAB 52.48, 80.56, 17.37

 

CMYK 0 / 99 / 6 / 36

HEX #A4029A

RGB 164 2 154

HSL 303.7, 0.98%, 0.33%

LAB 38.32, 68.92, -38.53

 

CMYK 0 / 99 / 6 / 20

HEX #CD03C0

RGB 205 3 192

HSL 303.86, 0.97%, 0.41%

LAB 48.07, 81.27, -45.15

 

CMYK 0 / 99 / 7 / 4

HEX #F603E5

RGB 246 3 229

HSL 304.2, 0.98%, 0.49%

LAB 57.38, 93.12, -51.1

 

CMYK 0 / 84 / 6 / 2

HEX #FB27ED

RGB 251 39 237

HSL 303.96, 0.96%, 0.57%

LAB 59.96, 91.26, -51.45

 

CMYK 0 / 68 / 5 / 1

HEX #FC50F0

RGB 252 80 240

HSL 304.19, 0.97%, 0.65%

LAB 63.94, 81.34, -46.81

 

CMYK 0 / 98 / 7 / 4

HEX #F404E4

RGB 244 4 228

HSL 304, 0.97%, 0.49%

LAB 57, 92.59, -51.16

 

CMYK 0 / 72 / 99 / 4

HEX #F64403

RGB 246 68 3

HSL 16.05, 0.98%, 0.49%

LAB 55.82, 65.4, 66.57

 

CMYK 99 / 0 / 33 / 4

HEX #03F6A5

RGB 3 246 165

HSL 160, 0.98%, 0.49%

LAB 86.33, -67.05, 25.55

 

CMYK 0 / 98 / 7 / 4

HEX #F404E4

RGB 244 4 228

HSL 304, 0.97%, 0.49%

LAB 57, 92.59, -51.16

 

CMYK 7 / 0 / 99 / 4

HEX #E5F603

RGB 229 246 3

HSL 64.2, 0.98%, 0.49%

LAB 92.83, -27.93, 90.22

 

CMYK 99 / 7 / 0 / 4

HEX #03E5F6

RGB 3 229 246

HSL 184.2, 0.98%, 0.49%

LAB 83.29, -39.17, -21.21

 

CMYK 0 / 98 / 7 / 4

HEX #F404E4

RGB 244 4 228

HSL 304, 0.97%, 0.49%

LAB 57, 92.59, -51.16

 

CMYK 0 / 72 / 99 / 4

HEX #F64403

RGB 246 68 3

HSL 16.05, 0.98%, 0.49%

LAB 55.82, 65.4, 66.57

 

CMYK 99 / 0 / 92 / 4

HEX #03F613

RGB 3 246 19

HSL 123.95, 0.98%, 0.49%

LAB 84.99, -83.47, 79.28

 

CMYK 99 / 26 / 0 / 4

HEX #03B5F6

RGB 3 181 246

HSL 196.05, 0.98%, 0.49%

LAB 69.27, -15.43, -42.81

 

CMYK 0 / 98 / 7 / 4

HEX #F404E4

RGB 244 4 228

HSL 304, 0.97%, 0.49%

LAB 57, 92.59, -51.16

 

CMYK 0 / 43 / 99 / 4

HEX #F68D03

RGB 246 141 3

HSL 34.07, 0.98%, 0.49%

LAB 68.5, 32.71, 73.87

 

CMYK 99 / 0 / 92 / 4

HEX #03F613

RGB 3 246 19

HSL 123.95, 0.98%, 0.49%

LAB 84.99, -83.47, 79.28

 

CMYK 99 / 56 / 0 / 4

HEX #036CF6

RGB 3 108 246

HSL 214.07, 0.98%, 0.49%

LAB 48.76, 28.03, -75.62

 

Description

Color code: HEX #F404E4 | qconv.com Color code: HEX #F404E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 4 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 4 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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