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Color name
HEX #F414A8

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F414A8 it is the complementary color #0BEB57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F414A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F414A8 shade: #F914A3, #FF26B6, #FF38C9, #FF4ADC and #FF5CEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F414A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F414A8 shade: #F414A8, #E30295, #D20082, #C1006F and #B0005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F414A8 shade: #F315A8, #F3156C, #F31530 and #F31515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F414A8 shade: #F315A8, #F315E4, #C715F3, #8B15F3 and #4F15F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F414A8 shade matches the following richer shades: #F315A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F414A8 shade: #F315A8, #E029A2, #CC3C9B, #B85095 and #A4648E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F414A8 shade: #C715F3, #F315E5, #F315A9, #F3156E and #F31532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F414A8 shade: #AE0876, #D50A90, #F315A8, #F53CB6 and #F764C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F414A8 shade: #F414A8, #F38C15 and #15F3E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F414A8 shade: #F414A8, #A9F315 and #15A9F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F414A8 shade: #F414A8, #F38C15, #15F35F and #157DF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F414A8 shade: #F414A8, #F3CE15, #15F35F and #153AF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 31 / 4

HEX #F414A8

RGB 244 20 168

HSL 320.36, 0.91%, 0.52%

LAB 54.62, 84.23, -20.34

 

Complementary color

CMYK 95 / 0 / 63 / 8

HEX #0BEB57

RGB 11 235 87

HSL 140.36, 0.91%, 0.48%

LAB 81.93, -75.87, 57.15

 

CMYK 0 / 92 / 35 / 2

HEX #F914A3

RGB 249 20 163

HSL 322.53, 0.95%, 0.53%

LAB 55.36, 84.75, -16.18

 

CMYK 0 / 85 / 29 / 0

HEX #FF26B6

RGB 255 38 182

HSL 320.18, 1%, 0.57%

LAB 58.06, 85.42, -23.06

 

CMYK 0 / 78 / 21 / 0

HEX #FF38C9

RGB 255 56 201

HSL 316.28, 1%, 0.61%

LAB 60.16, 83.76, -30.73

 

CMYK 0 / 71 / 14 / 0

HEX #FF4ADC

RGB 255 74 220

HSL 311.6, 1%, 0.65%

LAB 62.78, 81.1, -37.42

 

CMYK 0 / 64 / 6 / 0

HEX #FF5CEF

RGB 255 92 239

HSL 305.89, 1%, 0.68%

LAB 65.86, 77.6, -43.19

 

CMYK 0 / 92 / 31 / 4

HEX #F414A8

RGB 244 20 168

HSL 320.36, 0.91%, 0.52%

LAB 54.62, 84.23, -20.34

 

CMYK 0 / 99 / 34 / 11

HEX #E30295

RGB 227 2 149

HSL 320.8, 0.98%, 0.45%

LAB 50.15, 80.37, -16.17

 

CMYK 0 / 100 / 38 / 18

HEX #D20082

RGB 210 0 130

HSL 322.86, 1%, 0.41%

LAB 46.06, 75.21, -11.17

 

CMYK 0 / 100 / 42 / 24

HEX #C1006F

RGB 193 0 111

HSL 325.49, 1%, 0.38%

LAB 41.98, 69.87, -5.88

 

CMYK 0 / 100 / 48 / 31

HEX #B0005C

RGB 176 0 92

HSL 328.64, 1%, 0.35%

LAB 37.85, 64.48, -0.34

 

CMYK 0 / 91 / 31 / 5

HEX #F315A8

RGB 243 21 168

HSL 320.27, 0.9%, 0.52%

LAB 54.47, 83.92, -20.59

 

CMYK 0 / 91 / 56 / 5

HEX #F3156C

RGB 243 21 108

HSL 336.49, 0.9%, 0.52%

LAB 52.59, 78.85, 12.56

 

CMYK 0 / 91 / 80 / 5

HEX #F31530

RGB 243 21 48

HSL 352.7, 0.9%, 0.52%

LAB 51.62, 76.13, 46.78

 

CMYK 0 / 91 / 91 / 5

HEX #F31515

RGB 243 21 21

HSL 0, 0.9%, 0.52%

LAB 51.43, 75.62, 59.18

 

CMYK 0 / 91 / 31 / 5

HEX #F315A8

RGB 243 21 168

HSL 320.27, 0.9%, 0.52%

LAB 54.47, 83.92, -20.59

 

CMYK 0 / 91 / 6 / 5

HEX #F315E4

RGB 243 21 228

HSL 304.05, 0.9%, 0.52%

LAB 57.26, 91.13, -50.75

 

CMYK 18 / 91 / 0 / 5

HEX #C715F3

RGB 199 21 243

HSL 288.11, 0.9%, 0.52%

LAB 50.86, 86.49, -69.87

 

CMYK 43 / 91 / 0 / 5

HEX #8B15F3

RGB 139 21 243

HSL 271.89, 0.9%, 0.52%

LAB 41.99, 79.09, -84.72

 

CMYK 67 / 91 / 0 / 5

HEX #4F15F3

RGB 79 21 243

HSL 255.68, 0.9%, 0.52%

LAB 35.34, 74.46, -95.95

 

CMYK 0 / 91 / 31 / 5

HEX #F315A8

RGB 243 21 168

HSL 320.27, 0.9%, 0.52%

LAB 54.47, 83.92, -20.59

 

CMYK 0 / 91 / 31 / 5

HEX #F315A8

RGB 243 21 168

HSL 320.27, 0.9%, 0.52%

LAB 54.47, 83.92, -20.59

 

CMYK 0 / 82 / 28 / 12

HEX #E029A2

RGB 224 41 162

HSL 320.33, 0.75%, 0.52%

LAB 51.88, 75.91, -21.31

 

CMYK 0 / 71 / 24 / 20

HEX #CC3C9B

RGB 204 60 155

HSL 320.42, 0.59%, 0.52%

LAB 50.02, 64.83, -20.32

 

CMYK 0 / 57 / 19 / 28

HEX #B85095

RGB 184 80 149

HSL 320.19, 0.42%, 0.52%

LAB 49.61, 50.11, -17.66

 

CMYK 0 / 39 / 13 / 36

HEX #A4648E

RGB 164 100 142

HSL 320.63, 0.26%, 0.52%

LAB 50.64, 32.04, -12.2

 

CMYK 18 / 91 / 0 / 5

HEX #C715F3

RGB 199 21 243

HSL 288.11, 0.9%, 0.52%

LAB 50.86, 86.49, -69.87

 

CMYK 0 / 91 / 6 / 5

HEX #F315E5

RGB 243 21 229

HSL 303.78, 0.9%, 0.52%

LAB 57.32, 91.27, -51.23

 

CMYK 0 / 91 / 30 / 5

HEX #F315A9

RGB 243 21 169

HSL 320, 0.9%, 0.52%

LAB 54.51, 84.02, -21.11

 

CMYK 0 / 91 / 55 / 5

HEX #F3156E

RGB 243 21 110

HSL 335.95, 0.9%, 0.52%

LAB 52.64, 78.98, 11.41

 

CMYK 0 / 91 / 79 / 5

HEX #F31532

RGB 243 21 50

HSL 352.16, 0.9%, 0.52%

LAB 51.63, 76.19, 45.71

 

CMYK 0 / 95 / 32 / 32

HEX #AE0876

RGB 174 8 118

HSL 320.24, 0.91%, 0.36%

LAB 38.69, 65.63, -15.6

 

CMYK 0 / 95 / 32 / 16

HEX #D50A90

RGB 213 10 144

HSL 320.39, 0.91%, 0.44%

LAB 47.47, 76.38, -17.5

 

CMYK 0 / 91 / 31 / 5

HEX #F315A8

RGB 243 21 168

HSL 320.27, 0.9%, 0.52%

LAB 54.47, 83.92, -20.59

 

CMYK 0 / 76 / 26 / 4

HEX #F53CB6

RGB 245 60 182

HSL 320.43, 0.9%, 0.6%

LAB 58.06, 78.17, -23.21

 

CMYK 0 / 60 / 20 / 3

HEX #F764C5

RGB 247 100 197

HSL 320.41, 0.9%, 0.68%

LAB 64.1, 66.28, -22.51

 

CMYK 0 / 92 / 31 / 4

HEX #F414A8

RGB 244 20 168

HSL 320.36, 0.91%, 0.52%

LAB 54.62, 84.23, -20.34

 

CMYK 0 / 42 / 91 / 5

HEX #F38C15

RGB 243 140 21

HSL 32.16, 0.9%, 0.52%

LAB 67.92, 32.18, 70.45

 

CMYK 91 / 0 / 6 / 5

HEX #15F3E5

RGB 21 243 229

HSL 176.22, 0.9%, 0.52%

LAB 86.96, -49.79, -6.77

 

CMYK 0 / 92 / 31 / 4

HEX #F414A8

RGB 244 20 168

HSL 320.36, 0.91%, 0.52%

LAB 54.62, 84.23, -20.34

 

CMYK 30 / 0 / 91 / 5

HEX #A9F315

RGB 169 243 21

HSL 80, 0.9%, 0.52%

LAB 88.25, -49.68, 83.43

 

CMYK 91 / 30 / 0 / 5

HEX #15A9F3

RGB 21 169 243

HSL 200, 0.9%, 0.52%

LAB 65.75, -9.42, -46.7

 

CMYK 0 / 92 / 31 / 4

HEX #F414A8

RGB 244 20 168

HSL 320.36, 0.91%, 0.52%

LAB 54.62, 84.23, -20.34

 

CMYK 0 / 42 / 91 / 5

HEX #F38C15

RGB 243 140 21

HSL 32.16, 0.9%, 0.52%

LAB 67.92, 32.18, 70.45

 

CMYK 91 / 0 / 61 / 5

HEX #15F35F

RGB 21 243 95

HSL 140, 0.9%, 0.52%

LAB 84.53, -76.9, 56.73

 

CMYK 91 / 49 / 0 / 5

HEX #157DF3

RGB 21 125 243

HSL 211.89, 0.9%, 0.52%

LAB 53.27, 16.65, -66.61

 

CMYK 0 / 92 / 31 / 4

HEX #F414A8

RGB 244 20 168

HSL 320.36, 0.91%, 0.52%

LAB 54.62, 84.23, -20.34

 

CMYK 0 / 15 / 91 / 5

HEX #F3CE15

RGB 243 206 21

HSL 50, 0.9%, 0.52%

LAB 83.57, -2.27, 82.05

 

CMYK 91 / 0 / 61 / 5

HEX #15F35F

RGB 21 243 95

HSL 140, 0.9%, 0.52%

LAB 84.53, -76.9, 56.73

 

CMYK 91 / 76 / 0 / 5

HEX #153AF3

RGB 21 58 243

HSL 230, 0.9%, 0.52%

LAB 37.22, 57.74, -92.91

 

Description

Color code: HEX #F414A8 | qconv.com Color code: HEX #F414A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 20 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 20 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 31% 4% C M Y K

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