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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F43DEF it is the complementary color #0BC210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F43DEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F43DEF shade: #F93DEA, #FF4FFD, #FF61FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F43DEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F43DEF shade: #F43DEF, #E32BDC, #D219C9, #C107B6 and #B000A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F43DEF shade: #F33EEE, #F33EBD, #F33E8C, #F33E5B and #F33E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F43DEF shade: #F33EEE, #C73EF3, #963EF3, #653EF3 and #3E3EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F43DEF shade matches the following richer shades: #F33EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F43DEF shade: #F33EEE, #E34EDF, #D25FCF, #C26FC0 and #B180B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F43DEF shade: #953EF3, #C63EF3, #F33EF0, #F33EC0 and #F33E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F43DEF shade: #D30CCD, #F117EB, #F33EEE, #F665F2 and #F88CF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F43DEF shade: #F43DEF, #F3653E and #3EF3AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F43DEF shade: #F43DEF, #F0F33E and #3EF0F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F43DEF shade: #F43DEF, #F3653E, #3EF341 and #3ECCF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F43DEF shade: #F43DEF, #F39C3E, #3EF341 and #3E95F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 2 / 4

HEX #F43DEF

RGB 244 61 239

HSL 301.64, 0.89%, 0.6%

LAB 60.61, 85.33, -51.6

 

Complementary color

CMYK 94 / 0 / 92 / 24

HEX #0BC210

RGB 11 194 16

HSL 121.64, 0.89%, 0.4%

LAB 68.53, -69.33, 65.89

 

CMYK 0 / 76 / 6 / 2

HEX #F93DEA

RGB 249 61 234

HSL 304.79, 0.94%, 0.61%

LAB 61.15, 85.6, -47.9

 

CMYK 0 / 69 / 1 / 0

HEX #FF4FFD

RGB 255 79 253

HSL 300.68, 1%, 0.65%

LAB 64.92, 84.3, -52.41

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 75 / 2 / 4

HEX #F43DEF

RGB 244 61 239

HSL 301.64, 0.89%, 0.6%

LAB 60.61, 85.33, -51.6

 

CMYK 0 / 81 / 3 / 11

HEX #E32BDC

RGB 227 43 220

HSL 302.28, 0.77%, 0.53%

LAB 55.3, 83.68, -49.51

 

CMYK 0 / 88 / 4 / 18

HEX #D219C9

RGB 210 25 201

HSL 302.92, 0.79%, 0.46%

LAB 50.23, 81.13, -46.88

 

CMYK 0 / 96 / 6 / 24

HEX #C107B6

RGB 193 7 182

HSL 303.55, 0.93%, 0.39%

LAB 45.45, 77.48, -43.59

 

CMYK 0 / 100 / 7 / 31

HEX #B000A3

RGB 176 0 163

HSL 304.43, 1%, 0.35%

LAB 41.02, 72.52, -39.54

 

CMYK 0 / 74 / 2 / 5

HEX #F33EEE

RGB 243 62 238

HSL 301.66, 0.88%, 0.6%

LAB 60.49, 84.71, -51.23

 

CMYK 0 / 74 / 22 / 5

HEX #F33EBD

RGB 243 62 189

HSL 317.9, 0.88%, 0.6%

LAB 58.2, 77.98, -27.06

 

CMYK 0 / 74 / 42 / 5

HEX #F33E8C

RGB 243 62 140

HSL 334.14, 0.88%, 0.6%

LAB 56.48, 72.67, -1.04

 

CMYK 0 / 74 / 63 / 5

HEX #F33E5B

RGB 243 62 91

HSL 350.39, 0.88%, 0.6%

LAB 55.33, 69, 26.45

 

CMYK 0 / 74 / 74 / 5

HEX #F33E3E

RGB 243 62 62

HSL 0, 0.88%, 0.6%

LAB 54.92, 67.63, 42.6

 

CMYK 0 / 74 / 2 / 5

HEX #F33EEE

RGB 243 62 238

HSL 301.66, 0.88%, 0.6%

LAB 60.49, 84.71, -51.23

 

CMYK 18 / 74 / 0 / 5

HEX #C73EF3

RGB 199 62 243

HSL 285.41, 0.88%, 0.6%

LAB 54.09, 77.07, -64.65

 

CMYK 38 / 74 / 0 / 5

HEX #963EF3

RGB 150 62 243

HSL 269.17, 0.88%, 0.6%

LAB 47.5, 68.54, -75.65

 

CMYK 58 / 74 / 0 / 5

HEX #653EF3

RGB 101 62 243

HSL 252.93, 0.88%, 0.6%

LAB 42.28, 61.57, -84.4

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 0 / 74 / 2 / 5

HEX #F33EEE

RGB 243 62 238

HSL 301.66, 0.88%, 0.6%

LAB 60.49, 84.71, -51.23

 

CMYK 0 / 74 / 2 / 5

HEX #F33EEE

RGB 243 62 238

HSL 301.66, 0.88%, 0.6%

LAB 60.49, 84.71, -51.23

 

CMYK 0 / 66 / 2 / 11

HEX #E34EDF

RGB 227 78 223

HSL 301.61, 0.73%, 0.6%

LAB 59.07, 73.81, -45.23

 

CMYK 0 / 55 / 1 / 18

HEX #D25FCF

RGB 210 95 207

HSL 301.57, 0.56%, 0.6%

LAB 58.41, 59.92, -37.41

 

CMYK 0 / 43 / 1 / 24

HEX #C26FC0

RGB 194 111 192

HSL 301.45, 0.4%, 0.6%

LAB 58.64, 44.81, -28.67

 

CMYK 0 / 28 / 1 / 31

HEX #B180B0

RGB 177 128 176

HSL 301.22, 0.24%, 0.6%

LAB 59.82, 27.05, -17.91

 

CMYK 39 / 74 / 0 / 5

HEX #953EF3

RGB 149 62 243

HSL 268.84, 0.88%, 0.6%

LAB 47.37, 68.38, -75.86

 

CMYK 19 / 74 / 0 / 5

HEX #C63EF3

RGB 198 62 243

HSL 285.08, 0.88%, 0.6%

LAB 53.94, 76.89, -64.89

 

CMYK 0 / 74 / 1 / 5

HEX #F33EF0

RGB 243 62 240

HSL 300.99, 0.88%, 0.6%

LAB 60.6, 85.01, -52.18

 

CMYK 0 / 74 / 21 / 5

HEX #F33EC0

RGB 243 62 192

HSL 316.91, 0.88%, 0.6%

LAB 58.33, 78.35, -28.59

 

CMYK 0 / 74 / 41 / 5

HEX #F33E8F

RGB 243 62 143

HSL 333.15, 0.88%, 0.6%

LAB 56.57, 72.95, -2.69

 

CMYK 0 / 94 / 3 / 17

HEX #D30CCD

RGB 211 12 205

HSL 301.81, 0.89%, 0.44%

LAB 50.12, 83.39, -49.35

 

CMYK 0 / 90 / 2 / 5

HEX #F117EB

RGB 241 23 235

HSL 301.65, 0.89%, 0.52%

LAB 57.38, 91.54, -54.53

 

CMYK 0 / 74 / 2 / 5

HEX #F33EEE

RGB 243 62 238

HSL 301.66, 0.88%, 0.6%

LAB 60.49, 84.71, -51.23

 

CMYK 0 / 59 / 2 / 4

HEX #F665F2

RGB 246 101 242

HSL 301.66, 0.89%, 0.68%

LAB 65.99, 72.36, -44.74

 

CMYK 0 / 44 / 1 / 3

HEX #F88CF5

RGB 248 140 245

HSL 301.67, 0.89%, 0.76%

LAB 73.09, 55.53, -35.28

 

CMYK 0 / 75 / 2 / 4

HEX #F43DEF

RGB 244 61 239

HSL 301.64, 0.89%, 0.6%

LAB 60.61, 85.33, -51.6

 

CMYK 0 / 58 / 74 / 5

HEX #F3653E

RGB 243 101 62

HSL 12.93, 0.88%, 0.6%

LAB 60.52, 52.45, 48.66

 

CMYK 74 / 0 / 28 / 5

HEX #3EF3AE

RGB 62 243 174

HSL 157.13, 0.88%, 0.6%

LAB 86.1, -60.21, 20.7

 

CMYK 0 / 75 / 2 / 4

HEX #F43DEF

RGB 244 61 239

HSL 301.64, 0.89%, 0.6%

LAB 60.61, 85.33, -51.6

 

CMYK 1 / 0 / 74 / 5

HEX #F0F33E

RGB 240 243 62

HSL 60.99, 0.88%, 0.6%

LAB 93, -20.78, 80.36

 

CMYK 74 / 1 / 0 / 5

HEX #3EF0F3

RGB 62 240 243

HSL 180.99, 0.88%, 0.6%

LAB 86.91, -41.76, -14.13

 

CMYK 0 / 75 / 2 / 4

HEX #F43DEF

RGB 244 61 239

HSL 301.64, 0.89%, 0.6%

LAB 60.61, 85.33, -51.6

 

CMYK 0 / 58 / 74 / 5

HEX #F3653E

RGB 243 101 62

HSL 12.93, 0.88%, 0.6%

LAB 60.52, 52.45, 48.66

 

CMYK 74 / 0 / 73 / 5

HEX #3EF341

RGB 62 243 65

HSL 120.99, 0.88%, 0.6%

LAB 84.74, -75.89, 68.6

 

CMYK 74 / 16 / 0 / 5

HEX #3ECCF3

RGB 62 204 243

HSL 192.93, 0.88%, 0.6%

LAB 76.49, -24.71, -29.95

 

CMYK 0 / 75 / 2 / 4

HEX #F43DEF

RGB 244 61 239

HSL 301.64, 0.89%, 0.6%

LAB 60.61, 85.33, -51.6

 

CMYK 0 / 36 / 74 / 5

HEX #F39C3E

RGB 243 156 62

HSL 31.16, 0.88%, 0.6%

LAB 71.68, 24.96, 60.12

 

CMYK 74 / 0 / 73 / 5

HEX #3EF341

RGB 62 243 65

HSL 120.99, 0.88%, 0.6%

LAB 84.74, -75.89, 68.6

 

CMYK 74 / 39 / 0 / 5

HEX #3E95F3

RGB 62 149 243

HSL 211.16, 0.88%, 0.6%

LAB 60.77, 5.35, -54.54

 

Description

Color code: HEX #F43DEF | qconv.com Color code: HEX #F43DEF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 61 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 61 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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