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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F44CB1 it is the complementary color #0BB34E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F44CB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F44CB1 shade: #F94CAC, #FF5EBF, #FF70D2, #FF82E5 and #FF94F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F44CB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F44CB1 shade: #F44CB1, #E33A9E, #D2288B, #C11678 and #B00465

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F44CB1 shade: #F34DB1, #F34D84, #F34D57 and #F34D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F44CB1 shade: #F34DB1, #F34DDE, #DC4DF3, #AF4DF3 and #824DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F44CB1 shade matches the following richer shades: #F34DB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F44CB1 shade: #F34DB1, #E45CAE, #D56CAB, #C57BA8 and #B68AA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F44CB1 shade: #DA4DF3, #F34DE0, #F34DB4, #F34D87 and #F34D5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F44CB1 shade: #E00E8C, #F126A0, #F34DB1, #F674C2 and #F89BD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F44CB1 shade: #F44CB1, #F3AE4D and #4DF3F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F44CB1 shade: #F44CB1, #B4F34D and #4DB4F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F44CB1 shade: #F44CB1, #F3AE4D, #4DF38D and #4D92F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F44CB1 shade: #F44CB1, #F3E04D, #4DF38D and #4D60F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 27 / 4

HEX #F44CB1

RGB 244 76 177

HSL 323.93, 0.88%, 0.63%

LAB 59.5, 72.25, -18.13

 

Complementary color

CMYK 94 / 0 / 56 / 30

HEX #0BB34E

RGB 11 179 78

HSL 143.93, 0.88%, 0.37%

LAB 64.05, -59.87, 40.5

 

CMYK 0 / 69 / 31 / 2

HEX #F94CAC

RGB 249 76 172

HSL 326.71, 0.94%, 0.64%

LAB 60.15, 72.96, -14.19

 

CMYK 0 / 63 / 25 / 0

HEX #FF5EBF

RGB 255 94 191

HSL 323.85, 1%, 0.68%

LAB 64.18, 70.15, -18.87

 

CMYK 0 / 56 / 18 / 0

HEX #FF70D2

RGB 255 112 210

HSL 318.88, 1%, 0.72%

LAB 67.65, 65.15, -24.28

 

CMYK 0 / 49 / 10 / 0

HEX #FF82E5

RGB 255 130 229

HSL 312.48, 1%, 0.75%

LAB 71.48, 59.74, -28.95

 

CMYK 0 / 42 / 3 / 0

HEX #FF94F8

RGB 255 148 248

HSL 303.93, 1%, 0.79%

LAB 75.59, 54.11, -32.99

 

CMYK 0 / 69 / 27 / 4

HEX #F44CB1

RGB 244 76 177

HSL 323.93, 0.88%, 0.63%

LAB 59.5, 72.25, -18.13

 

CMYK 0 / 74 / 30 / 11

HEX #E33A9E

RGB 227 58 158

HSL 324.5, 0.75%, 0.56%

LAB 53.84, 71.65, -15.91

 

CMYK 0 / 81 / 34 / 18

HEX #D2288B

RGB 210 40 139

HSL 325.06, 0.68%, 0.49%

LAB 48.36, 70.39, -13.16

 

CMYK 0 / 89 / 38 / 24

HEX #C11678

RGB 193 22 120

HSL 325.61, 0.8%, 0.42%

LAB 43.16, 68.18, -9.71

 

CMYK 0 / 98 / 43 / 31

HEX #B00465

RGB 176 4 101

HSL 326.16, 0.96%, 0.35%

LAB 38.3, 64.81, -5.42

 

CMYK 0 / 68 / 27 / 5

HEX #F34DB1

RGB 243 77 177

HSL 323.86, 0.87%, 0.63%

LAB 59.47, 71.64, -18.2

 

CMYK 0 / 68 / 46 / 5

HEX #F34D84

RGB 243 77 132

HSL 340.12, 0.87%, 0.63%

LAB 58.06, 66.91, 5.97

 

CMYK 0 / 68 / 64 / 5

HEX #F34D57

RGB 243 77 87

HSL 356.39, 0.87%, 0.63%

LAB 57.12, 63.63, 31.07

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4D

RGB 243 77 77

HSL 0, 0.87%, 0.63%

LAB 56.98, 63.1, 36.59

 

CMYK 0 / 68 / 27 / 5

HEX #F34DB1

RGB 243 77 177

HSL 323.86, 0.87%, 0.63%

LAB 59.47, 71.64, -18.2

 

CMYK 0 / 68 / 9 / 5

HEX #F34DDE

RGB 243 77 222

HSL 307.59, 0.87%, 0.63%

LAB 61.34, 77.67, -40.94

 

CMYK 9 / 68 / 0 / 5

HEX #DC4DF3

RGB 220 77 243

HSL 291.69, 0.87%, 0.63%

LAB 58.97, 75.99, -56.65

 

CMYK 28 / 68 / 0 / 5

HEX #AF4DF3

RGB 175 77 243

HSL 275.42, 0.87%, 0.63%

LAB 52.83, 66.78, -66.84

 

CMYK 47 / 68 / 0 / 5

HEX #824DF3

RGB 130 77 243

HSL 259.16, 0.87%, 0.63%

LAB 47.66, 58.46, -75.49

 

CMYK 0 / 68 / 27 / 5

HEX #F34DB1

RGB 243 77 177

HSL 323.86, 0.87%, 0.63%

LAB 59.47, 71.64, -18.2

 

CMYK 0 / 68 / 27 / 5

HEX #F34DB1

RGB 243 77 177

HSL 323.86, 0.87%, 0.63%

LAB 59.47, 71.64, -18.2

 

CMYK 0 / 60 / 24 / 11

HEX #E45CAE

RGB 228 92 174

HSL 323.82, 0.72%, 0.63%

LAB 59.16, 61.23, -17.15

 

CMYK 0 / 49 / 20 / 16

HEX #D56CAB

RGB 213 108 171

HSL 324, 0.56%, 0.63%

LAB 59.72, 48.8, -14.79

 

CMYK 0 / 38 / 15 / 23

HEX #C57BA8

RGB 197 123 168

HSL 323.51, 0.39%, 0.63%

LAB 60.66, 35.23, -11.85

 

CMYK 0 / 24 / 9 / 29

HEX #B68AA5

RGB 182 138 165

HSL 323.18, 0.23%, 0.63%

LAB 62.37, 21.16, -7.75

 

CMYK 10 / 68 / 0 / 5

HEX #DA4DF3

RGB 218 77 243

HSL 290.96, 0.87%, 0.63%

LAB 58.68, 75.57, -57.13

 

CMYK 0 / 68 / 8 / 5

HEX #F34DE0

RGB 243 77 224

HSL 306.87, 0.87%, 0.63%

LAB 61.43, 77.96, -41.91

 

CMYK 0 / 68 / 26 / 5

HEX #F34DB4

RGB 243 77 180

HSL 322.77, 0.87%, 0.63%

LAB 59.58, 72, -19.76

 

CMYK 0 / 68 / 44 / 5

HEX #F34D87

RGB 243 77 135

HSL 339.04, 0.87%, 0.63%

LAB 58.14, 67.18, 4.32

 

CMYK 0 / 68 / 63 / 5

HEX #F34D5B

RGB 243 77 91

HSL 354.94, 0.87%, 0.63%

LAB 57.19, 63.86, 28.84

 

CMYK 0 / 94 / 38 / 12

HEX #E00E8C

RGB 224 14 140

HSL 324, 0.88%, 0.47%

LAB 49.56, 77.93, -11.7

 

CMYK 0 / 84 / 34 / 5

HEX #F126A0

RGB 241 38 160

HSL 323.94, 0.88%, 0.55%

LAB 54.68, 80.1, -15.58

 

CMYK 0 / 68 / 27 / 5

HEX #F34DB1

RGB 243 77 177

HSL 323.86, 0.87%, 0.63%

LAB 59.47, 71.64, -18.2

 

CMYK 0 / 53 / 21 / 4

HEX #F674C2

RGB 246 116 194

HSL 324, 0.88%, 0.71%

LAB 66.5, 58.47, -17.17

 

CMYK 0 / 38 / 15 / 3

HEX #F89BD3

RGB 248 155 211

HSL 323.87, 0.87%, 0.79%

LAB 74.89, 42.31, -13.94

 

CMYK 0 / 69 / 27 / 4

HEX #F44CB1

RGB 244 76 177

HSL 323.93, 0.88%, 0.63%

LAB 59.5, 72.25, -18.13

 

CMYK 0 / 28 / 68 / 5

HEX #F3AE4D

RGB 243 174 77

HSL 35.06, 0.87%, 0.63%

LAB 75.98, 16.19, 58.06

 

CMYK 68 / 0 / 1 / 5

HEX #4DF3F0

RGB 77 243 240

HSL 178.92, 0.87%, 0.63%

LAB 87.95, -42.21, -10.97

 

CMYK 0 / 69 / 27 / 4

HEX #F44CB1

RGB 244 76 177

HSL 323.93, 0.88%, 0.63%

LAB 59.5, 72.25, -18.13

 

CMYK 26 / 0 / 68 / 5

HEX #B4F34D

RGB 180 243 77

HSL 82.77, 0.87%, 0.63%

LAB 89.08, -43.45, 70.17

 

CMYK 68 / 26 / 0 / 5

HEX #4DB4F3

RGB 77 180 243

HSL 202.77, 0.87%, 0.63%

LAB 69.96, -10.23, -40.03

 

CMYK 0 / 69 / 27 / 4

HEX #F44CB1

RGB 244 76 177

HSL 323.93, 0.88%, 0.63%

LAB 59.5, 72.25, -18.13

 

CMYK 0 / 28 / 68 / 5

HEX #F3AE4D

RGB 243 174 77

HSL 35.06, 0.87%, 0.63%

LAB 75.98, 16.19, 58.06

 

CMYK 68 / 0 / 42 / 5

HEX #4DF38D

RGB 77 243 141

HSL 143.13, 0.87%, 0.63%

LAB 85.81, -64.38, 37.05

 

CMYK 68 / 40 / 0 / 5

HEX #4D92F3

RGB 77 146 243

HSL 215.06, 0.87%, 0.63%

LAB 60.43, 9.14, -55.05

 

CMYK 0 / 69 / 27 / 4

HEX #F44CB1

RGB 244 76 177

HSL 323.93, 0.88%, 0.63%

LAB 59.5, 72.25, -18.13

 

CMYK 0 / 8 / 68 / 5

HEX #F3E04D

RGB 243 224 77

HSL 53.13, 0.87%, 0.63%

LAB 88.4, -9.58, 70.91

 

CMYK 68 / 0 / 42 / 5

HEX #4DF38D

RGB 77 243 141

HSL 143.13, 0.87%, 0.63%

LAB 85.81, -64.38, 37.05

 

CMYK 68 / 60 / 0 / 5

HEX #4D60F3

RGB 77 96 243

HSL 233.13, 0.87%, 0.63%

LAB 47.51, 39.7, -75.89

 

Description

Color code: HEX #F44CB1 | qconv.com Color code: HEX #F44CB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 76 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 76 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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