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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F44DA8 it is the complementary color #0BB257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F44DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F44DA8 shade: #F94DA3, #FF5FB6, #FF71C9, #FF83DC and #FF95EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F44DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F44DA8 shade: #F44DA8, #E33B95, #D22982, #C1176F and #B0055C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F44DA8 shade: #F34DA8, #F34D7B, #F34D4E and #F34D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F44DA8 shade: #F34DA8, #F34DD4, #E54DF3, #B84DF3 and #8C4DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F44DA8 shade matches the following richer shades: #F34DA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F44DA8 shade: #F34DA8, #E45CA6, #D56CA5, #C57BA3 and #B68AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F44DA8 shade: #E54DF3, #F34DD5, #F34DA8, #F34D7C and #F34D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F44DA8 shade: #E00E80, #F12695, #F34DA8, #F674BB and #F89BCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F44DA8 shade: #F44DA8, #F3B94D and #4DEBF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F44DA8 shade: #F44DA8, #A8F34D and #4DA8F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F44DA8 shade: #F44DA8, #F3B94D, #4DF398 and #4D87F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F44DA8 shade: #F44DA8, #F3EB4D, #4DF398 and #4D55F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

Complementary color

CMYK 94 / 0 / 51 / 30

HEX #0BB257

RGB 11 178 87

HSL 147.31, 0.88%, 0.37%

LAB 63.84, -58.17, 35.82

 

CMYK 0 / 69 / 35 / 2

HEX #F94DA3

RGB 249 77 163

HSL 330, 0.93%, 0.64%

LAB 59.97, 71.62, -9.24

 

CMYK 0 / 63 / 29 / 0

HEX #FF5FB6

RGB 255 95 182

HSL 327.38, 1%, 0.69%

LAB 64.02, 68.64, -14

 

CMYK 0 / 56 / 21 / 0

HEX #FF71C9

RGB 255 113 201

HSL 322.82, 1%, 0.72%

LAB 67.49, 63.46, -19.48

 

CMYK 0 / 49 / 14 / 0

HEX #FF83DC

RGB 255 131 220

HSL 316.94, 1%, 0.76%

LAB 71.32, 57.88, -24.22

 

CMYK 0 / 42 / 6 / 0

HEX #FF95EF

RGB 255 149 239

HSL 309.06, 1%, 0.79%

LAB 75.44, 52.09, -28.32

 

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

CMYK 0 / 74 / 34 / 11

HEX #E33B95

RGB 227 59 149

HSL 327.86, 0.75%, 0.56%

LAB 53.63, 70.35, -10.91

 

CMYK 0 / 80 / 38 / 18

HEX #D22982

RGB 210 41 130

HSL 328.4, 0.67%, 0.49%

LAB 48.13, 69.22, -8.06

 

CMYK 0 / 88 / 42 / 24

HEX #C1176F

RGB 193 23 111

HSL 328.94, 0.79%, 0.42%

LAB 42.91, 67.15, -4.5

 

CMYK 0 / 97 / 48 / 31

HEX #B0055C

RGB 176 5 92

HSL 329.47, 0.94%, 0.35%

LAB 38.04, 63.91, -0.05

 

CMYK 0 / 68 / 31 / 5

HEX #F34DA8

RGB 243 77 168

HSL 327.11, 0.87%, 0.63%

LAB 59.15, 70.58, -13.47

 

CMYK 0 / 68 / 49 / 5

HEX #F34D7B

RGB 243 77 123

HSL 343.37, 0.87%, 0.63%

LAB 57.84, 66.13, 10.95

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4E

RGB 243 77 78

HSL 359.64, 0.87%, 0.63%

LAB 56.99, 63.15, 36.05

 

CMYK 0 / 68 / 68 / 5

HEX #F34D4D

RGB 243 77 77

HSL 0, 0.87%, 0.63%

LAB 56.98, 63.1, 36.59

 

CMYK 0 / 68 / 31 / 5

HEX #F34DA8

RGB 243 77 168

HSL 327.11, 0.87%, 0.63%

LAB 59.15, 70.58, -13.47

 

CMYK 0 / 68 / 13 / 5

HEX #F34DD4

RGB 243 77 212

HSL 311.2, 0.87%, 0.63%

LAB 60.88, 76.23, -36.01

 

CMYK 6 / 68 / 0 / 5

HEX #E54DF3

RGB 229 77 243

HSL 294.94, 0.87%, 0.63%

LAB 60.28, 77.89, -54.48

 

CMYK 24 / 68 / 0 / 5

HEX #B84DF3

RGB 184 77 243

HSL 278.67, 0.87%, 0.63%

LAB 53.99, 68.57, -64.91

 

CMYK 42 / 68 / 0 / 5

HEX #8C4DF3

RGB 140 77 243

HSL 262.77, 0.87%, 0.63%

LAB 48.7, 60.2, -73.73

 

CMYK 0 / 68 / 31 / 5

HEX #F34DA8

RGB 243 77 168

HSL 327.11, 0.87%, 0.63%

LAB 59.15, 70.58, -13.47

 

CMYK 0 / 68 / 31 / 5

HEX #F34DA8

RGB 243 77 168

HSL 327.11, 0.87%, 0.63%

LAB 59.15, 70.58, -13.47

 

CMYK 0 / 60 / 27 / 11

HEX #E45CA6

RGB 228 92 166

HSL 327.35, 0.72%, 0.63%

LAB 58.88, 60.19, -12.95

 

CMYK 0 / 49 / 23 / 16

HEX #D56CA5

RGB 213 108 165

HSL 327.43, 0.56%, 0.63%

LAB 59.51, 47.93, -11.64

 

CMYK 0 / 38 / 17 / 23

HEX #C57BA3

RGB 197 123 163

HSL 327.57, 0.39%, 0.63%

LAB 60.5, 34.42, -9.23

 

CMYK 0 / 24 / 11 / 29

HEX #B68AA2

RGB 182 138 162

HSL 327.27, 0.23%, 0.63%

LAB 62.28, 20.63, -6.18

 

CMYK 6 / 68 / 0 / 5

HEX #E54DF3

RGB 229 77 243

HSL 294.94, 0.87%, 0.63%

LAB 60.28, 77.89, -54.48

 

CMYK 0 / 68 / 12 / 5

HEX #F34DD5

RGB 243 77 213

HSL 310.84, 0.87%, 0.63%

LAB 60.93, 76.37, -36.51

 

CMYK 0 / 68 / 31 / 5

HEX #F34DA8

RGB 243 77 168

HSL 327.11, 0.87%, 0.63%

LAB 59.15, 70.58, -13.47

 

CMYK 0 / 68 / 49 / 5

HEX #F34D7C

RGB 243 77 124

HSL 343.01, 0.87%, 0.63%

LAB 57.86, 66.21, 10.4

 

CMYK 0 / 68 / 67 / 5

HEX #F34D50

RGB 243 77 80

HSL 358.92, 0.87%, 0.63%

LAB 57.02, 63.25, 34.94

 

CMYK 0 / 94 / 43 / 12

HEX #E00E80

RGB 224 14 128

HSL 327.43, 0.88%, 0.47%

LAB 49.15, 76.84, -5.04

 

CMYK 0 / 84 / 38 / 5

HEX #F12695

RGB 241 38 149

HSL 327.19, 0.88%, 0.55%

LAB 54.3, 79.01, -9.65

 

CMYK 0 / 68 / 31 / 5

HEX #F34DA8

RGB 243 77 168

HSL 327.11, 0.87%, 0.63%

LAB 59.15, 70.58, -13.47

 

CMYK 0 / 53 / 24 / 4

HEX #F674BB

RGB 246 116 187

HSL 327.23, 0.88%, 0.71%

LAB 66.27, 57.51, -13.58

 

CMYK 0 / 38 / 17 / 3

HEX #F89BCE

RGB 248 155 206

HSL 327.1, 0.87%, 0.79%

LAB 74.73, 41.54, -11.43

 

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

CMYK 0 / 24 / 68 / 5

HEX #F3B94D

RGB 243 185 77

HSL 39.04, 0.87%, 0.63%

LAB 78.63, 10.41, 60.86

 

CMYK 68 / 3 / 0 / 5

HEX #4DEBF3

RGB 77 235 243

HSL 182.89, 0.87%, 0.63%

LAB 85.74, -37.76, -15.86

 

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

CMYK 31 / 0 / 68 / 5

HEX #A8F34D

RGB 168 243 77

HSL 87.11, 0.87%, 0.63%

LAB 88.43, -47.75, 69.29

 

CMYK 68 / 31 / 0 / 5

HEX #4DA8F3

RGB 77 168 243

HSL 207.11, 0.87%, 0.63%

LAB 66.56, -3.59, -45.35

 

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

CMYK 0 / 24 / 68 / 5

HEX #F3B94D

RGB 243 185 77

HSL 39.04, 0.87%, 0.63%

LAB 78.63, 10.41, 60.86

 

CMYK 68 / 0 / 37 / 5

HEX #4DF398

RGB 77 243 152

HSL 147.11, 0.87%, 0.63%

LAB 85.98, -62.46, 31.79

 

CMYK 68 / 44 / 0 / 5

HEX #4D87F3

RGB 77 135 243

HSL 219.04, 0.87%, 0.63%

LAB 57.44, 15.75, -59.83

 

CMYK 0 / 68 / 31 / 4

HEX #F44DA8

RGB 244 77 168

HSL 327.31, 0.88%, 0.63%

LAB 59.31, 70.84, -13.21

 

CMYK 0 / 3 / 68 / 5

HEX #F3EB4D

RGB 243 235 77

HSL 57.11, 0.87%, 0.63%

LAB 91.24, -15.02, 73.75

 

CMYK 68 / 0 / 37 / 5

HEX #4DF398

RGB 77 243 152

HSL 147.11, 0.87%, 0.63%

LAB 85.98, -62.46, 31.79

 

CMYK 68 / 65 / 0 / 5

HEX #4D55F3

RGB 77 85 243

HSL 237.11, 0.87%, 0.63%

LAB 45.01, 46.29, -79.99

 

Description

Color code: HEX #F44DA8 | qconv.com Color code: HEX #F44DA8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 77 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 77 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 31% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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