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Color name
HEX #F46C23

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F46C23 it is the complementary color #0B93DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F46C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F46C23 shade: #F96C1E, #FF7E31, #FF9044, #FFA257 and #FFB46A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F46C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F46C23 shade: #F46C23, #E35A10, #D24800, #C13600 and #B02400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F46C23 shade: #F36D24, #F33524 and #F32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F46C23 shade: #F36D24, #F3A424, #F3DC24, #D2F324 and #9BF324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F46C23 shade matches the following richer shades: #F36D24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F46C23 shade: #F36D24, #E07237, #CE784A, #BB7D5C and #A9836F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F46C23 shade: #F3244E, #F33224, #F36924, #F3A024 and #F3D724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F46C23 shade: #BC4809, #E3570B, #F36D24, #F5874C and #F7A173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F46C23 shade: #F46C23, #85F324 and #2432F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F46C23 shade: #F46C23, #24F369 and #6924F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F46C23 shade: #F46C23, #85F324, #24AEF3 and #9324F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F46C23 shade: #F46C23, #47F324, #24AEF3 and #D124F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 86 / 4

HEX #F46C23

RGB 244 108 35

HSL 20.96, 0.9%, 0.55%

LAB 61.72, 48.75, 61.76

 

Complementary color

CMYK 95 / 33 / 0 / 14

HEX #0B93DC

RGB 11 147 220

HSL 200.96, 0.9%, 0.45%

LAB 58.14, -5.78, -46.02

 

CMYK 0 / 57 / 88 / 2

HEX #F96C1E

RGB 249 108 30

HSL 21.37, 0.95%, 0.55%

LAB 62.47, 50.48, 64.4

 

CMYK 0 / 51 / 81 / 0

HEX #FF7E31

RGB 255 126 49

HSL 22.43, 1%, 0.6%

LAB 66.83, 44.6, 61.42

 

CMYK 0 / 44 / 73 / 0

HEX #FF9044

RGB 255 144 68

HSL 24.39, 1%, 0.63%

LAB 70.61, 36.29, 56.9

 

CMYK 0 / 36 / 66 / 0

HEX #FFA257

RGB 255 162 87

HSL 26.79, 1%, 0.67%

LAB 74.69, 27.96, 52.4

 

CMYK 0 / 29 / 58 / 0

HEX #FFB46A

RGB 255 180 106

HSL 29.8, 1%, 0.71%

LAB 79.01, 19.79, 48.13

 

CMYK 0 / 56 / 86 / 4

HEX #F46C23

RGB 244 108 35

HSL 20.96, 0.9%, 0.55%

LAB 61.72, 48.75, 61.76

 

CMYK 0 / 60 / 93 / 11

HEX #E35A10

RGB 227 90 16

HSL 21.04, 0.87%, 0.48%

LAB 55.77, 50.5, 62.06

 

CMYK 0 / 66 / 100 / 18

HEX #D24800

RGB 210 72 0

HSL 20.57, 1%, 0.41%

LAB 49.9, 52.14, 60.71

 

CMYK 0 / 72 / 100 / 24

HEX #C13600

RGB 193 54 0

HSL 16.79, 1%, 0.38%

LAB 44.2, 53.5, 56.18

 

CMYK 0 / 80 / 100 / 31

HEX #B02400

RGB 176 36 0

HSL 12.27, 1%, 0.35%

LAB 38.71, 54.13, 51.78

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 0 / 78 / 85 / 5

HEX #F33524

RGB 243 53 36

HSL 4.93, 0.9%, 0.55%

LAB 53.74, 69.53, 54.7

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 0 / 33 / 85 / 5

HEX #F3A424

RGB 243 164 36

HSL 37.1, 0.9%, 0.55%

LAB 73.37, 19.89, 70.91

 

CMYK 0 / 9 / 85 / 5

HEX #F3DC24

RGB 243 220 36

HSL 53.33, 0.9%, 0.55%

LAB 87.18, -9.07, 82.17

 

CMYK 14 / 0 / 85 / 5

HEX #D2F324

RGB 210 243 36

HSL 69.57, 0.9%, 0.55%

LAB 90.75, -33.73, 84.06

 

CMYK 36 / 0 / 85 / 5

HEX #9BF324

RGB 155 243 36

HSL 85.51, 0.9%, 0.55%

LAB 87.58, -54.23, 80.12

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 0 / 49 / 75 / 12

HEX #E07237

RGB 224 114 55

HSL 20.95, 0.73%, 0.55%

LAB 60.03, 38.83, 50.68

 

CMYK 0 / 42 / 64 / 19

HEX #CE784A

RGB 206 120 74

HSL 20.91, 0.57%, 0.55%

LAB 59.02, 29.5, 39.29

 

CMYK 0 / 33 / 51 / 27

HEX #BB7D5C

RGB 187 125 92

HSL 20.84, 0.41%, 0.55%

LAB 58.04, 20.37, 27.74

 

CMYK 0 / 22 / 34 / 34

HEX #A9836F

RGB 169 131 111

HSL 20.69, 0.25%, 0.55%

LAB 57.86, 11.72, 16.41

 

CMYK 0 / 85 / 68 / 5

HEX #F3244E

RGB 243 36 78

HSL 347.83, 0.9%, 0.55%

LAB 52.8, 74.88, 30.92

 

CMYK 0 / 79 / 85 / 5

HEX #F33224

RGB 243 50 36

HSL 4.06, 0.9%, 0.55%

LAB 53.45, 70.33, 54.46

 

CMYK 0 / 57 / 85 / 5

HEX #F36924

RGB 243 105 36

HSL 20, 0.9%, 0.55%

LAB 61.03, 49.8, 60.77

 

CMYK 0 / 34 / 85 / 5

HEX #F3A024

RGB 243 160 36

HSL 35.94, 0.9%, 0.55%

LAB 72.44, 22, 70.15

 

CMYK 0 / 12 / 85 / 5

HEX #F3D724

RGB 243 215 36

HSL 51.88, 0.9%, 0.55%

LAB 85.9, -6.56, 81.13

 

CMYK 0 / 62 / 95 / 26

HEX #BC4809

RGB 188 72 9

HSL 21.12, 0.91%, 0.39%

LAB 46.1, 44.36, 54.28

 

CMYK 0 / 62 / 95 / 11

HEX #E3570B

RGB 227 87 11

HSL 21.11, 0.91%, 0.47%

LAB 55.25, 51.78, 62.86

 

CMYK 0 / 55 / 85 / 5

HEX #F36D24

RGB 243 109 36

HSL 21.16, 0.9%, 0.55%

LAB 61.76, 47.93, 61.36

 

CMYK 0 / 45 / 69 / 4

HEX #F5874C

RGB 245 135 76

HSL 20.95, 0.89%, 0.63%

LAB 67.47, 37.33, 49.33

 

CMYK 0 / 35 / 53 / 3

HEX #F7A173

RGB 247 161 115

HSL 20.91, 0.89%, 0.71%

LAB 73.87, 27.25, 36.99

 

CMYK 0 / 56 / 86 / 4

HEX #F46C23

RGB 244 108 35

HSL 20.96, 0.9%, 0.55%

LAB 61.72, 48.75, 61.76

 

CMYK 45 / 0 / 85 / 5

HEX #85F324

RGB 133 243 36

HSL 91.88, 0.9%, 0.55%

LAB 86.61, -61.32, 78.91

 

CMYK 85 / 79 / 0 / 5

HEX #2432F3

RGB 36 50 243

HSL 235.94, 0.9%, 0.55%

LAB 36.23, 62.25, -94.54

 

CMYK 0 / 56 / 86 / 4

HEX #F46C23

RGB 244 108 35

HSL 20.96, 0.9%, 0.55%

LAB 61.72, 48.75, 61.76

 

CMYK 85 / 0 / 57 / 5

HEX #24F369

RGB 36 243 105

HSL 140, 0.9%, 0.55%

LAB 84.74, -74.72, 52.63

 

CMYK 57 / 85 / 0 / 5

HEX #6924F3

RGB 105 36 243

HSL 260, 0.9%, 0.55%

LAB 39.13, 72.28, -89.58

 

CMYK 0 / 56 / 86 / 4

HEX #F46C23

RGB 244 108 35

HSL 20.96, 0.9%, 0.55%

LAB 61.72, 48.75, 61.76

 

CMYK 45 / 0 / 85 / 5

HEX #85F324

RGB 133 243 36

HSL 91.88, 0.9%, 0.55%

LAB 86.61, -61.32, 78.91

 

CMYK 85 / 28 / 0 / 5

HEX #24AEF3

RGB 36 174 243

HSL 200, 0.9%, 0.55%

LAB 67.37, -11.35, -44.15

 

CMYK 40 / 85 / 0 / 5

HEX #9324F3

RGB 147 36 243

HSL 272.17, 0.9%, 0.55%

LAB 44.14, 76.76, -81.16

 

CMYK 0 / 56 / 86 / 4

HEX #F46C23

RGB 244 108 35

HSL 20.96, 0.9%, 0.55%

LAB 61.72, 48.75, 61.76

 

CMYK 71 / 0 / 85 / 5

HEX #47F324

RGB 71 243 36

HSL 109.86, 0.9%, 0.55%

LAB 84.78, -76.11, 76.59

 

CMYK 85 / 28 / 0 / 5

HEX #24AEF3

RGB 36 174 243

HSL 200, 0.9%, 0.55%

LAB 67.37, -11.35, -44.15

 

CMYK 14 / 85 / 0 / 5

HEX #D124F3

RGB 209 36 243

HSL 290.14, 0.9%, 0.55%

LAB 53.26, 85.59, -65.91

 

Description

Color code: HEX #F46C23 | qconv.com Color code: HEX #F46C23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 108 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 108 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 86% 4% C M Y K

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