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Color name
HEX #F479A0

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F479A0 it is the complementary color #0B865F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F479A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F479A0 shade: #F9799B, #FF8BAE, #FF9DC1, #FFAFD4 and #FFC1E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F479A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F479A0 shade: #F479A0, #E3678D, #D2557A, #C14367 and #B03154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F479A0 shade: #F47AA1, #F47A80 and #F47A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F479A0 shade: #F47AA1, #F47AC2, #F47AE2, #E47AF4 and #C47AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F479A0 shade matches the following richer shades: #F47AA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F479A0 shade: #F47AA1, #E886A5, #DD92A9, #D19DAE and #C6A9B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F479A0 shade: #F47AE4, #F47AC3, #F47AA3, #F47A83 and #F4937A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F479A0 shade: #EE2E6B, #F15486, #F47AA1, #F7A1BC and #FAC7D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F479A0 shade: #F479A0, #F4E47A and #7AD3F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F479A0 shade: #F479A0, #A3F47A and #7AA3F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F479A0 shade: #F479A0, #F4E47A, #7AF4CB and #7A8BF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F479A0 shade: #F479A0, #E0F47A, #7AF4CB and #8F7AF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 34 / 4

HEX #F479A0

RGB 244 121 160

HSL 340.98, 0.85%, 0.72%

LAB 66.09, 51.09, 1.43

 

Complementary color

CMYK 92 / 0 / 29 / 47

HEX #0B865F

RGB 11 134 95

HSL 160.98, 0.85%, 0.28%

LAB 49.43, -40.39, 12.53

 

CMYK 0 / 51 / 38 / 2

HEX #F9799B

RGB 249 121 155

HSL 344.06, 0.91%, 0.73%

LAB 66.66, 52.18, 5.17

 

CMYK 0 / 45 / 32 / 0

HEX #FF8BAE

RGB 255 139 174

HSL 341.9, 1%, 0.77%

LAB 71.41, 47.62, 1.46

 

CMYK 0 / 38 / 24 / 0

HEX #FF9DC1

RGB 255 157 193

HSL 337.96, 1%, 0.81%

LAB 75.59, 40.99, -2.93

 

CMYK 0 / 31 / 17 / 0

HEX #FFAFD4

RGB 255 175 212

HSL 332.25, 1%, 0.84%

LAB 80, 34.41, -6.79

 

CMYK 0 / 24 / 9 / 0

HEX #FFC1E7

RGB 255 193 231

HSL 323.23, 1%, 0.88%

LAB 84.57, 27.99, -10.21

 

CMYK 0 / 50 / 34 / 4

HEX #F479A0

RGB 244 121 160

HSL 340.98, 0.85%, 0.72%

LAB 66.09, 51.09, 1.43

 

CMYK 0 / 55 / 38 / 11

HEX #E3678D

RGB 227 103 141

HSL 341.61, 0.69%, 0.65%

LAB 59.85, 51.89, 2.96

 

CMYK 0 / 60 / 42 / 18

HEX #D2557A

RGB 210 85 122

HSL 342.24, 0.58%, 0.58%

LAB 53.6, 52.61, 4.78

 

CMYK 0 / 65 / 47 / 24

HEX #C14367

RGB 193 67 103

HSL 342.86, 0.5%, 0.51%

LAB 47.41, 53.13, 6.98

 

CMYK 0 / 72 / 52 / 31

HEX #B03154

RGB 176 49 84

HSL 343.46, 0.56%, 0.44%

LAB 41.32, 53.28, 9.72

 

CMYK 0 / 50 / 34 / 4

HEX #F47AA1

RGB 244 122 161

HSL 340.82, 0.85%, 0.72%

LAB 66.31, 50.72, 1.17

 

CMYK 0 / 50 / 48 / 4

HEX #F47A80

RGB 244 122 128

HSL 357.05, 0.85%, 0.72%

LAB 65.52, 47.23, 18.77

 

CMYK 0 / 50 / 50 / 4

HEX #F47A7A

RGB 244 122 122

HSL 0, 0.85%, 0.72%

LAB 65.4, 46.69, 21.99

 

CMYK 0 / 50 / 34 / 4

HEX #F47AA1

RGB 244 122 161

HSL 340.82, 0.85%, 0.72%

LAB 66.31, 50.72, 1.17

 

CMYK 0 / 50 / 20 / 4

HEX #F47AC2

RGB 244 122 194

HSL 324.59, 0.85%, 0.72%

LAB 67.31, 55.02, -15.97

 

CMYK 0 / 50 / 7 / 4

HEX #F47AE2

RGB 244 122 226

HSL 308.85, 0.85%, 0.72%

LAB 68.49, 59.9, -32.01

 

CMYK 7 / 50 / 0 / 4

HEX #E47AF4

RGB 228 122 244

HSL 292.13, 0.85%, 0.72%

LAB 67.24, 58.6, -44.05

 

CMYK 20 / 50 / 0 / 4

HEX #C47AF4

RGB 196 122 244

HSL 276.39, 0.85%, 0.72%

LAB 63.5, 50.06, -50.2

 

CMYK 0 / 50 / 34 / 4

HEX #F47AA1

RGB 244 122 161

HSL 340.82, 0.85%, 0.72%

LAB 66.31, 50.72, 1.17

 

CMYK 0 / 50 / 34 / 4

HEX #F47AA1

RGB 244 122 161

HSL 340.82, 0.85%, 0.72%

LAB 66.31, 50.72, 1.17

 

CMYK 0 / 42 / 29 / 9

HEX #E886A5

RGB 232 134 165

HSL 341.02, 0.68%, 0.72%

LAB 67.22, 41.11, 0.05

 

CMYK 0 / 34 / 24 / 13

HEX #DD92A9

RGB 221 146 169

HSL 341.6, 0.52%, 0.72%

LAB 68.6, 31.45, -0.34

 

CMYK 0 / 25 / 17 / 18

HEX #D19DAE

RGB 209 157 174

HSL 340.38, 0.36%, 0.72%

LAB 69.98, 21.92, -1.26

 

CMYK 0 / 15 / 10 / 22

HEX #C6A9B2

RGB 198 169 178

HSL 341.38, 0.2%, 0.72%

LAB 71.96, 12.04, -0.71

 

CMYK 0 / 50 / 7 / 4

HEX #F47AE4

RGB 244 122 228

HSL 307.87, 0.85%, 0.72%

LAB 68.57, 60.22, -32.99

 

CMYK 0 / 50 / 20 / 4

HEX #F47AC3

RGB 244 122 195

HSL 324.1, 0.85%, 0.72%

LAB 67.35, 55.17, -16.48

 

CMYK 0 / 50 / 33 / 4

HEX #F47AA3

RGB 244 122 163

HSL 339.84, 0.85%, 0.72%

LAB 66.36, 50.96, 0.12

 

CMYK 0 / 50 / 46 / 4

HEX #F47A83

RGB 244 122 131

HSL 355.57, 0.85%, 0.72%

LAB 65.59, 47.52, 17.16

 

CMYK 0 / 40 / 50 / 4

HEX #F4937A

RGB 244 147 122

HSL 12.3, 0.85%, 0.72%

LAB 70.53, 34.01, 28.84

 

CMYK 0 / 81 / 55 / 7

HEX #EE2E6B

RGB 238 46 107

HSL 340.94, 0.85%, 0.56%

LAB 53.16, 73.1, 13.81

 

CMYK 0 / 65 / 44 / 5

HEX #F15486

RGB 241 84 134

HSL 340.89, 0.85%, 0.64%

LAB 58.75, 63.84, 5.75

 

CMYK 0 / 50 / 34 / 4

HEX #F47AA1

RGB 244 122 161

HSL 340.82, 0.85%, 0.72%

LAB 66.31, 50.72, 1.17

 

CMYK 0 / 35 / 24 / 3

HEX #F7A1BC

RGB 247 161 188

HSL 341.16, 0.84%, 0.8%

LAB 75.39, 35.44, -0.59

 

CMYK 0 / 20 / 14 / 2

HEX #FAC7D7

RGB 250 199 215

HSL 341.18, 0.84%, 0.88%

LAB 85.04, 20.53, -1.04

 

CMYK 0 / 50 / 34 / 4

HEX #F479A0

RGB 244 121 160

HSL 340.98, 0.85%, 0.72%

LAB 66.09, 51.09, 1.43

 

CMYK 0 / 7 / 50 / 4

HEX #F4E47A

RGB 244 228 122

HSL 52.13, 0.85%, 0.72%

LAB 89.92, -8.11, 53.21

 

CMYK 50 / 14 / 0 / 4

HEX #7AD3F4

RGB 122 211 244

HSL 196.23, 0.85%, 0.72%

LAB 80.32, -17.99, -24.45

 

CMYK 0 / 50 / 34 / 4

HEX #F479A0

RGB 244 121 160

HSL 340.98, 0.85%, 0.72%

LAB 66.09, 51.09, 1.43

 

CMYK 33 / 0 / 50 / 4

HEX #A3F47A

RGB 163 244 122

HSL 99.84, 0.85%, 0.72%

LAB 88.87, -45.82, 50.69

 

CMYK 50 / 33 / 0 / 4

HEX #7AA3F4

RGB 122 163 244

HSL 219.84, 0.85%, 0.72%

LAB 67.17, 8.05, -44.8

 

CMYK 0 / 50 / 34 / 4

HEX #F479A0

RGB 244 121 160

HSL 340.98, 0.85%, 0.72%

LAB 66.09, 51.09, 1.43

 

CMYK 0 / 7 / 50 / 4

HEX #F4E47A

RGB 244 228 122

HSL 52.13, 0.85%, 0.72%

LAB 89.92, -8.11, 53.21

 

CMYK 50 / 0 / 17 / 4

HEX #7AF4CB

RGB 122 244 203

HSL 159.84, 0.85%, 0.72%

LAB 88.52, -43.8, 9.32

 

CMYK 50 / 43 / 0 / 4

HEX #7A8BF4

RGB 122 139 244

HSL 231.64, 0.85%, 0.72%

LAB 60.9, 22.03, -54.72

 

CMYK 0 / 50 / 34 / 4

HEX #F479A0

RGB 244 121 160

HSL 340.98, 0.85%, 0.72%

LAB 66.09, 51.09, 1.43

 

CMYK 8 / 0 / 50 / 4

HEX #E0F47A

RGB 224 244 122

HSL 69.84, 0.85%, 0.72%

LAB 92.55, -23.8, 55.99

 

CMYK 50 / 0 / 17 / 4

HEX #7AF4CB

RGB 122 244 203

HSL 159.84, 0.85%, 0.72%

LAB 88.52, -43.8, 9.32

 

CMYK 41 / 50 / 0 / 4

HEX #8F7AF4

RGB 143 122 244

HSL 250.33, 0.85%, 0.72%

LAB 58.31, 36.76, -58.76

 

Description

Color code: HEX #F479A0 | qconv.com Color code: HEX #F479A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 121 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 121 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 34% 4% C M Y K

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Provide designers and agencies with accurate color values.

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