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Color name
HEX #F47DD9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F47DD9 it is the complementary color #0B8226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F47DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F47DD9 shade: #F97DD4, #FF8FE7, #FFA1FA, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F47DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F47DD9 shade: #F47DD9, #E36BC6, #D259B3, #C147A0 and #B0358D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F47DD9 shade: #F37BD8, #F37BB8, #F37B97 and #F37B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F47DD9 shade: #F37BD8, #EE7BF3, #CE7BF3, #AD7BF3 and #8D7BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F47DD9 shade matches the following richer shades: #F37BD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F47DD9 shade: #F37BD8, #E887D2, #DC92CB, #D09EC5 and #C5A9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F47DD9 shade: #CD7BF3, #ED7BF3, #F37BD9, #F37BB9 and #F37B99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F47DD9 shade: #EC2FC2, #F055CD, #F37BD8, #F6A1E3 and #FAC7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F47DD9 shade: #F47DD9, #F3AD7B and #7BF3DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F47DD9 shade: #F47DD9, #D9F37B and #7BD9F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F47DD9 shade: #F47DD9, #F3AD7B, #7BF395 and #7BC1F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F47DD9 shade: #F47DD9, #F3D17B, #7BF395 and #7B9DF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 11 / 4

HEX #F47DD9

RGB 244 125 217

HSL 313.61, 0.84%, 0.72%

LAB 68.69, 57.03, -26.72

 

Complementary color

CMYK 92 / 0 / 71 / 49

HEX #0B8226

RGB 11 130 38

HSL 133.61, 0.84%, 0.28%

LAB 47.21, -49.1, 39.78

 

CMYK 0 / 50 / 15 / 2

HEX #F97DD4

RGB 249 125 212

HSL 317.9, 0.91%, 0.73%

LAB 69.16, 57.74, -23.17

 

CMYK 0 / 44 / 9 / 0

HEX #FF8FE7

RGB 255 143 231

HSL 312.86, 1%, 0.78%

LAB 73.98, 53.76, -26.2

 

CMYK 0 / 37 / 2 / 0

HEX #FFA1FA

RGB 255 161 250

HSL 303.19, 1%, 0.82%

LAB 78.26, 47.9, -29.96

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 49 / 11 / 4

HEX #F47DD9

RGB 244 125 217

HSL 313.61, 0.84%, 0.72%

LAB 68.69, 57.03, -26.72

 

CMYK 0 / 53 / 13 / 11

HEX #E36BC6

RGB 227 107 198

HSL 314.5, 0.68%, 0.65%

LAB 62.44, 57.63, -25.86

 

CMYK 0 / 58 / 15 / 18

HEX #D259B3

RGB 210 89 179

HSL 315.37, 0.57%, 0.59%

LAB 56.19, 58.11, -24.82

 

CMYK 0 / 63 / 17 / 24

HEX #C147A0

RGB 193 71 160

HSL 316.23, 0.5%, 0.52%

LAB 49.96, 58.36, -23.54

 

CMYK 0 / 70 / 20 / 31

HEX #B0358D

RGB 176 53 141

HSL 317.07, 0.54%, 0.45%

LAB 43.8, 58.21, -21.89

 

CMYK 0 / 49 / 11 / 5

HEX #F37BD8

RGB 243 123 216

HSL 313.5, 0.83%, 0.72%

LAB 68.15, 57.54, -27

 

CMYK 0 / 49 / 24 / 5

HEX #F37BB8

RGB 243 123 184

HSL 329.5, 0.83%, 0.72%

LAB 67.04, 52.84, -10.77

 

CMYK 0 / 49 / 38 / 5

HEX #F37B97

RGB 243 123 151

HSL 346, 0.83%, 0.72%

LAB 66.1, 48.75, 6.53

 

CMYK 0 / 49 / 49 / 5

HEX #F37B7B

RGB 243 123 123

HSL 0, 0.83%, 0.72%

LAB 65.48, 45.93, 21.51

 

CMYK 0 / 49 / 11 / 5

HEX #F37BD8

RGB 243 123 216

HSL 313.5, 0.83%, 0.72%

LAB 68.15, 57.54, -27

 

CMYK 2 / 49 / 0 / 5

HEX #EE7BF3

RGB 238 123 243

HSL 297.5, 0.83%, 0.72%

LAB 68.62, 60.64, -41.25

 

CMYK 15 / 49 / 0 / 5

HEX #CE7BF3

RGB 206 123 243

HSL 281.5, 0.83%, 0.72%

LAB 64.77, 51.99, -47.56

 

CMYK 29 / 49 / 0 / 5

HEX #AD7BF3

RGB 173 123 243

HSL 265, 0.83%, 0.72%

LAB 61.24, 43.3, -53.38

 

CMYK 42 / 49 / 0 / 5

HEX #8D7BF3

RGB 141 123 243

HSL 249, 0.83%, 0.72%

LAB 58.32, 35.44, -58.2

 

CMYK 0 / 49 / 11 / 5

HEX #F37BD8

RGB 243 123 216

HSL 313.5, 0.83%, 0.72%

LAB 68.15, 57.54, -27

 

CMYK 0 / 49 / 11 / 5

HEX #F37BD8

RGB 243 123 216

HSL 313.5, 0.83%, 0.72%

LAB 68.15, 57.54, -27

 

CMYK 0 / 42 / 9 / 9

HEX #E887D2

RGB 232 135 210

HSL 313.61, 0.68%, 0.72%

LAB 68.85, 47.29, -22.71

 

CMYK 0 / 34 / 8 / 14

HEX #DC92CB

RGB 220 146 203

HSL 313.78, 0.51%, 0.72%

LAB 69.53, 36.5, -17.92

 

CMYK 0 / 24 / 5 / 18

HEX #D09EC5

RGB 208 158 197

HSL 313.2, 0.35%, 0.72%

LAB 70.8, 24.92, -12.81

 

CMYK 0 / 14 / 3 / 23

HEX #C5A9BF

RGB 197 169 191

HSL 312.86, 0.19%, 0.72%

LAB 72.23, 14, -7.47

 

CMYK 16 / 49 / 0 / 5

HEX #CD7BF3

RGB 205 123 243

HSL 281, 0.83%, 0.72%

LAB 64.66, 51.72, -47.75

 

CMYK 2 / 49 / 0 / 5

HEX #ED7BF3

RGB 237 123 243

HSL 297, 0.83%, 0.72%

LAB 68.49, 60.37, -41.46

 

CMYK 0 / 49 / 11 / 5

HEX #F37BD9

RGB 243 123 217

HSL 313, 0.83%, 0.72%

LAB 68.19, 57.69, -27.49

 

CMYK 0 / 49 / 24 / 5

HEX #F37BB9

RGB 243 123 185

HSL 329, 0.83%, 0.72%

LAB 67.07, 52.97, -11.29

 

CMYK 0 / 49 / 37 / 5

HEX #F37B99

RGB 243 123 153

HSL 345, 0.83%, 0.72%

LAB 66.15, 48.97, 5.47

 

CMYK 0 / 80 / 18 / 7

HEX #EC2FC2

RGB 236 47 194

HSL 313.33, 0.83%, 0.55%

LAB 55.85, 81.01, -33.68

 

CMYK 0 / 65 / 15 / 6

HEX #F055CD

RGB 240 85 205

HSL 313.55, 0.84%, 0.64%

LAB 61.16, 71.59, -31.65

 

CMYK 0 / 49 / 11 / 5

HEX #F37BD8

RGB 243 123 216

HSL 313.5, 0.83%, 0.72%

LAB 68.15, 57.54, -27

 

CMYK 0 / 35 / 8 / 4

HEX #F6A1E3

RGB 246 161 227

HSL 313.41, 0.83%, 0.8%

LAB 76.45, 41.14, -20.34

 

CMYK 0 / 20 / 5 / 2

HEX #FAC7EE

RGB 250 199 238

HSL 314.12, 0.84%, 0.88%

LAB 85.68, 24.35, -12.34

 

CMYK 0 / 49 / 11 / 4

HEX #F47DD9

RGB 244 125 217

HSL 313.61, 0.84%, 0.72%

LAB 68.69, 57.03, -26.72

 

CMYK 0 / 29 / 49 / 5

HEX #F3AD7B

RGB 243 173 123

HSL 25, 0.83%, 0.72%

LAB 76.3, 20.04, 35.79

 

CMYK 49 / 0 / 9 / 5

HEX #7BF3DD

RGB 123 243 221

HSL 169, 0.83%, 0.72%

LAB 88.7, -39.06, 0.2

 

CMYK 0 / 49 / 11 / 4

HEX #F47DD9

RGB 244 125 217

HSL 313.61, 0.84%, 0.72%

LAB 68.69, 57.03, -26.72

 

CMYK 11 / 0 / 49 / 5

HEX #D9F37B

RGB 217 243 123

HSL 73, 0.83%, 0.72%

LAB 91.81, -25.91, 54.52

 

CMYK 49 / 11 / 0 / 5

HEX #7BD9F3

RGB 123 217 243

HSL 193, 0.83%, 0.72%

LAB 82.01, -21.08, -21.36

 

CMYK 0 / 49 / 11 / 4

HEX #F47DD9

RGB 244 125 217

HSL 313.61, 0.84%, 0.72%

LAB 68.69, 57.03, -26.72

 

CMYK 0 / 29 / 49 / 5

HEX #F3AD7B

RGB 243 173 123

HSL 25, 0.83%, 0.72%

LAB 76.3, 20.04, 35.79

 

CMYK 49 / 0 / 39 / 5

HEX #7BF395

RGB 123 243 149

HSL 133, 0.83%, 0.72%

LAB 87.23, -53.42, 35.19

 

CMYK 49 / 21 / 0 / 5

HEX #7BC1F3

RGB 123 193 243

HSL 205, 0.83%, 0.72%

LAB 75.34, -8.64, -31.55

 

CMYK 0 / 49 / 11 / 4

HEX #F47DD9

RGB 244 125 217

HSL 313.61, 0.84%, 0.72%

LAB 68.69, 57.03, -26.72

 

CMYK 0 / 14 / 49 / 5

HEX #F3D17B

RGB 243 209 123

HSL 43, 0.83%, 0.72%

LAB 85.04, 1.21, 46.79

 

CMYK 49 / 0 / 39 / 5

HEX #7BF395

RGB 123 243 149

HSL 133, 0.83%, 0.72%

LAB 87.23, -53.42, 35.19

 

CMYK 49 / 35 / 0 / 5

HEX #7B9DF3

RGB 123 157 243

HSL 223, 0.83%, 0.72%

LAB 65.59, 11.43, -46.74

 

Description

Color code: HEX #F47DD9 | qconv.com Color code: HEX #F47DD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 125 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 125 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 11 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 11% 4% C M Y K

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Provide designers and agencies with accurate color values.

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