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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F48224 it is the complementary color #0B7DDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F48224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F48224 shade: #F9821F, #FF9432, #FFA645, #FFB858 and #FFCA6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F48224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F48224 shade: #F48224, #E37011, #D25E00, #C14C00 and #B03A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F48224 shade: #F38224, #F34A24 and #F32424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F48224 shade: #F38224, #F3BA24, #F3F124, #BDF324 and #85F324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F48224 shade matches the following richer shades: #F38224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F48224 shade: #F38224, #E08437, #CE854A, #BB875C and #A9896F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F48224 shade: #F32436, #F34A24, #F38124, #F3B924 and #F3F024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F48224 shade: #BC5A09, #E36D0B, #F38224, #F5984C and #F7AF73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F48224 shade: #F48224, #6DF324 and #2F24F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F48224 shade: #F48224, #24F381 and #8124F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F48224 shade: #F48224, #6DF324, #2496F3 and #AB24F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F48224 shade: #F48224, #2FF324, #2496F3 and #E924F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 85 / 4

HEX #F48224

RGB 244 130 36

HSL 27.12, 0.9%, 0.55%

LAB 66, 37.99, 64.92

 

Complementary color

CMYK 95 / 43 / 0 / 14

HEX #0B7DDB

RGB 11 125 219

HSL 207.12, 0.9%, 0.45%

LAB 51.67, 6.98, -55.76

 

CMYK 0 / 48 / 88 / 2

HEX #F9821F

RGB 249 130 31

HSL 27.25, 0.95%, 0.55%

LAB 66.68, 39.86, 67.33

 

CMYK 0 / 42 / 80 / 0

HEX #FF9432

RGB 255 148 50

HSL 28.68, 1%, 0.6%

LAB 71.33, 33.57, 65.12

 

CMYK 0 / 35 / 73 / 0

HEX #FFA645

RGB 255 166 69

HSL 31.29, 1%, 0.64%

LAB 75.43, 24.96, 61.39

 

CMYK 0 / 28 / 65 / 0

HEX #FFB858

RGB 255 184 88

HSL 34.49, 1%, 0.67%

LAB 79.75, 16.53, 57.57

 

CMYK 0 / 21 / 58 / 0

HEX #FFCA6B

RGB 255 202 107

HSL 38.51, 1%, 0.71%

LAB 84.26, 8.4, 53.84

 

CMYK 0 / 47 / 85 / 4

HEX #F48224

RGB 244 130 36

HSL 27.12, 0.9%, 0.55%

LAB 66, 37.99, 64.92

 

CMYK 0 / 51 / 93 / 11

HEX #E37011

RGB 227 112 17

HSL 27.14, 0.86%, 0.48%

LAB 59.85, 40.01, 64.59

 

CMYK 0 / 55 / 100 / 18

HEX #D25E00

RGB 210 94 0

HSL 26.86, 1%, 0.41%

LAB 53.71, 42.12, 62.77

 

CMYK 0 / 61 / 100 / 24

HEX #C14C00

RGB 193 76 0

HSL 23.63, 1%, 0.38%

LAB 47.63, 44.27, 57.92

 

CMYK 0 / 67 / 100 / 31

HEX #B03A00

RGB 176 58 0

HSL 19.77, 1%, 0.35%

LAB 41.62, 46.12, 53.14

 

CMYK 0 / 47 / 85 / 5

HEX #F38224

RGB 243 130 36

HSL 27.25, 0.9%, 0.55%

LAB 65.86, 37.6, 64.75

 

CMYK 0 / 70 / 85 / 5

HEX #F34A24

RGB 243 74 36

HSL 11.01, 0.9%, 0.55%

LAB 56.17, 62.78, 56.73

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 47 / 85 / 5

HEX #F38224

RGB 243 130 36

HSL 27.25, 0.9%, 0.55%

LAB 65.86, 37.6, 64.75

 

CMYK 0 / 23 / 85 / 5

HEX #F3BA24

RGB 243 186 36

HSL 43.48, 0.9%, 0.55%

LAB 78.64, 8.34, 75.21

 

CMYK 0 / 1 / 85 / 5

HEX #F3F124

RGB 243 241 36

HSL 59.42, 0.9%, 0.55%

LAB 92.62, -19.37, 86.58

 

CMYK 22 / 0 / 85 / 5

HEX #BDF324

RGB 189 243 36

HSL 75.65, 0.9%, 0.55%

LAB 89.42, -41.91, 82.41

 

CMYK 45 / 0 / 85 / 5

HEX #85F324

RGB 133 243 36

HSL 91.88, 0.9%, 0.55%

LAB 86.61, -61.32, 78.91

 

CMYK 0 / 47 / 85 / 5

HEX #F38224

RGB 243 130 36

HSL 27.25, 0.9%, 0.55%

LAB 65.86, 37.6, 64.75

 

CMYK 0 / 47 / 85 / 5

HEX #F38224

RGB 243 130 36

HSL 27.25, 0.9%, 0.55%

LAB 65.86, 37.6, 64.75

 

CMYK 0 / 41 / 75 / 12

HEX #E08437

RGB 224 132 55

HSL 27.34, 0.73%, 0.55%

LAB 63.86, 29.49, 54.55

 

CMYK 0 / 35 / 64 / 19

HEX #CE854A

RGB 206 133 74

HSL 26.82, 0.57%, 0.55%

LAB 61.99, 22.48, 42.76

 

CMYK 0 / 28 / 51 / 27

HEX #BB875C

RGB 187 135 92

HSL 27.16, 0.41%, 0.55%

LAB 60.49, 14.83, 30.88

 

CMYK 0 / 19 / 34 / 34

HEX #A9896F

RGB 169 137 111

HSL 26.9, 0.25%, 0.55%

LAB 59.41, 8.35, 18.54

 

CMYK 0 / 85 / 78 / 5

HEX #F32436

RGB 243 36 54

HSL 354.78, 0.9%, 0.55%

LAB 52.49, 73.96, 44.39

 

CMYK 0 / 70 / 85 / 5

HEX #F34A24

RGB 243 74 36

HSL 11.01, 0.9%, 0.55%

LAB 56.17, 62.78, 56.73

 

CMYK 0 / 47 / 85 / 5

HEX #F38124

RGB 243 129 36

HSL 26.96, 0.9%, 0.55%

LAB 65.66, 38.1, 64.58

 

CMYK 0 / 24 / 85 / 5

HEX #F3B924

RGB 243 185 36

HSL 43.19, 0.9%, 0.55%

LAB 78.39, 8.86, 75.02

 

CMYK 0 / 1 / 85 / 5

HEX #F3F024

RGB 243 240 36

HSL 59.13, 0.9%, 0.55%

LAB 92.35, -18.89, 86.37

 

CMYK 0 / 52 / 95 / 26

HEX #BC5A09

RGB 188 90 9

HSL 27.15, 0.91%, 0.39%

LAB 49.52, 35.54, 56.52

 

CMYK 0 / 52 / 95 / 11

HEX #E36D0B

RGB 227 109 11

HSL 27.22, 0.91%, 0.47%

LAB 59.24, 41.44, 65.4

 

CMYK 0 / 47 / 85 / 5

HEX #F38224

RGB 243 130 36

HSL 27.25, 0.9%, 0.55%

LAB 65.86, 37.6, 64.75

 

CMYK 0 / 38 / 69 / 4

HEX #F5984C

RGB 245 152 76

HSL 26.98, 0.89%, 0.63%

LAB 71.14, 28.53, 53.36

 

CMYK 0 / 29 / 53 / 3

HEX #F7AF73

RGB 247 175 115

HSL 27.27, 0.89%, 0.71%

LAB 77.08, 19.88, 41.03

 

CMYK 0 / 47 / 85 / 4

HEX #F48224

RGB 244 130 36

HSL 27.12, 0.9%, 0.55%

LAB 66, 37.99, 64.92

 

CMYK 55 / 0 / 85 / 5

HEX #6DF324

RGB 109 243 36

HSL 98.84, 0.9%, 0.55%

LAB 85.75, -68.05, 77.82

 

CMYK 81 / 85 / 0 / 5

HEX #2F24F3

RGB 47 36 243

HSL 243.19, 0.9%, 0.55%

LAB 34.68, 68.6, -97.11

 

CMYK 0 / 47 / 85 / 4

HEX #F48224

RGB 244 130 36

HSL 27.12, 0.9%, 0.55%

LAB 66, 37.99, 64.92

 

CMYK 85 / 0 / 47 / 5

HEX #24F381

RGB 36 243 129

HSL 146.96, 0.9%, 0.55%

LAB 85.03, -71.24, 41.79

 

CMYK 47 / 85 / 0 / 5

HEX #8124F3

RGB 129 36 243

HSL 266.96, 0.9%, 0.55%

LAB 41.84, 74.67, -85.02

 

CMYK 0 / 47 / 85 / 4

HEX #F48224

RGB 244 130 36

HSL 27.12, 0.9%, 0.55%

LAB 66, 37.99, 64.92

 

CMYK 55 / 0 / 85 / 5

HEX #6DF324

RGB 109 243 36

HSL 98.84, 0.9%, 0.55%

LAB 85.75, -68.05, 77.82

 

CMYK 85 / 38 / 0 / 5

HEX #2496F3

RGB 36 150 243

HSL 206.96, 0.9%, 0.55%

LAB 60.48, 2.29, -55.04

 

CMYK 30 / 85 / 0 / 5

HEX #AB24F3

RGB 171 36 243

HSL 279.13, 0.9%, 0.55%

LAB 47.48, 79.92, -75.55

 

CMYK 0 / 47 / 85 / 4

HEX #F48224

RGB 244 130 36

HSL 27.12, 0.9%, 0.55%

LAB 66, 37.99, 64.92

 

CMYK 81 / 0 / 85 / 5

HEX #2FF324

RGB 47 243 36

HSL 116.81, 0.9%, 0.55%

LAB 84.4, -79.42, 76.12

 

CMYK 85 / 38 / 0 / 5

HEX #2496F3

RGB 36 150 243

HSL 206.96, 0.9%, 0.55%

LAB 60.48, 2.29, -55.04

 

CMYK 4 / 85 / 0 / 5

HEX #E924F3

RGB 233 36 243

HSL 297.1, 0.9%, 0.55%

LAB 57.13, 89.52, -59.48

 

Description

Color code: HEX #F48224 | qconv.com Color code: HEX #F48224 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 130 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 130 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 85 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 85% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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