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Color name
HEX #F4920A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4920A it is the complementary color #0B6DF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4920A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4920A shade: #F99205, #FFA418, #FFB62B, #FFC83E and #FFDA51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4920A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4920A shade: #F4920A, #E38000, #D26E00, #C15C00 and #B04A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4920A shade: #F4920A, #F4530A, #F4140A and #F40A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4920A shade: #F4920A, #F4D10A, #D8F40A, #99F40A and #5AF40A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4920A shade matches the following richer shades: #F4920A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4920A shade: #F4920A, #E08F1E, #CB8B33, #B68848 and #A2855C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4920A shade: #F4120A, #F4500A, #F48F0A, #F4CD0A and #DDF40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4920A shade: #A56306, #CD7A08, #F4920A, #F6A431 and #F8B559

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4920A shade: #F4920A, #40F40A and #310AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4920A shade: #F4920A, #0AF48F and #8F0AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4920A shade: #F4920A, #40F40A, #0A6FF4 and #BE0AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4920A shade: #F4920A, #0AF419, #0A6FF4 and #F40AE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

Complementary color

CMYK 96 / 56 / 0 / 4

HEX #0B6DF5

RGB 11 109 245

HSL 214.87, 0.92%, 0.5%

LAB 49.01, 27.2, -74.65

 

CMYK 0 / 41 / 98 / 2

HEX #F99205

RGB 249 146 5

HSL 34.67, 0.96%, 0.5%

LAB 69.97, 31.37, 74.75

 

CMYK 0 / 36 / 91 / 0

HEX #FFA418

RGB 255 164 24

HSL 36.36, 1%, 0.55%

LAB 74.75, 24.7, 75.5

 

CMYK 0 / 29 / 83 / 0

HEX #FFB62B

RGB 255 182 43

HSL 39.34, 1%, 0.58%

LAB 78.98, 15.69, 74.12

 

CMYK 0 / 22 / 76 / 0

HEX #FFC83E

RGB 255 200 62

HSL 42.9, 1%, 0.62%

LAB 83.4, 6.96, 71.91

 

CMYK 0 / 15 / 68 / 0

HEX #FFDA51

RGB 255 218 81

HSL 47.24, 1%, 0.66%

LAB 87.97, -1.39, 69.27

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 0 / 44 / 100 / 11

HEX #E38000

RGB 227 128 0

HSL 33.83, 1%, 0.45%

LAB 63.15, 31.63, 69.68

 

CMYK 0 / 48 / 100 / 18

HEX #D26E00

RGB 210 110 0

HSL 31.43, 1%, 0.41%

LAB 56.93, 34.03, 64.66

 

CMYK 0 / 52 / 100 / 24

HEX #C15C00

RGB 193 92 0

HSL 28.6, 1%, 0.38%

LAB 50.68, 36.42, 59.64

 

CMYK 0 / 58 / 100 / 31

HEX #B04A00

RGB 176 74 0

HSL 25.23, 1%, 0.35%

LAB 44.42, 38.72, 54.63

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 0 / 66 / 96 / 4

HEX #F4530A

RGB 244 83 10

HSL 18.72, 0.92%, 0.5%

LAB 57.5, 59.29, 65.89

 

CMYK 0 / 92 / 96 / 4

HEX #F4140A

RGB 244 20 10

HSL 2.56, 0.92%, 0.5%

LAB 51.56, 75.88, 62.69

 

CMYK 0 / 96 / 96 / 4

HEX #F40A0A

RGB 244 10 10

HSL 0, 0.92%, 0.5%

LAB 51.24, 76.82, 62.54

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 0 / 14 / 96 / 4

HEX #F4D10A

RGB 244 209 10

HSL 51.03, 0.92%, 0.5%

LAB 84.41, -3.49, 84

 

CMYK 11 / 0 / 96 / 4

HEX #D8F40A

RGB 216 244 10

HSL 67.18, 0.92%, 0.5%

LAB 91.38, -32.21, 88.2

 

CMYK 37 / 0 / 96 / 4

HEX #99F40A

RGB 153 244 10

HSL 83.33, 0.92%, 0.5%

LAB 87.73, -55.83, 83.79

 

CMYK 63 / 0 / 96 / 4

HEX #5AF40A

RGB 90 244 10

HSL 99.49, 0.92%, 0.5%

LAB 85.45, -73.46, 81.01

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 0 / 36 / 87 / 12

HEX #E08F1E

RGB 224 143 30

HSL 34.95, 0.76%, 0.5%

LAB 66.2, 22.85, 65.85

 

CMYK 0 / 32 / 75 / 20

HEX #CB8B33

RGB 203 139 51

HSL 34.74, 0.6%, 0.5%

LAB 62.84, 16.68, 54.41

 

CMYK 0 / 25 / 60 / 29

HEX #B68848

RGB 182 136 72

HSL 34.91, 0.43%, 0.5%

LAB 59.91, 10.44, 40.65

 

CMYK 0 / 18 / 43 / 36

HEX #A2855C

RGB 162 133 92

HSL 35.14, 0.28%, 0.5%

LAB 57.3, 5.35, 26.24

 

CMYK 0 / 93 / 96 / 4

HEX #F4120A

RGB 244 18 10

HSL 2.05, 0.92%, 0.5%

LAB 51.48, 76.11, 62.66

 

CMYK 0 / 67 / 96 / 4

HEX #F4500A

RGB 244 80 10

HSL 17.95, 0.92%, 0.5%

LAB 57.07, 60.47, 65.64

 

CMYK 0 / 41 / 96 / 4

HEX #F48F0A

RGB 244 143 10

HSL 34.1, 0.92%, 0.5%

LAB 68.68, 30.91, 72.93

 

CMYK 0 / 16 / 96 / 4

HEX #F4CD0A

RGB 244 205 10

HSL 50, 0.92%, 0.5%

LAB 83.4, -1.45, 83.26

 

CMYK 9 / 0 / 96 / 4

HEX #DDF40A

RGB 221 244 10

HSL 65.9, 0.92%, 0.5%

LAB 91.73, -30.19, 88.62

 

CMYK 0 / 40 / 96 / 35

HEX #A56306

RGB 165 99 6

HSL 35.09, 0.93%, 0.34%

LAB 48.18, 20.82, 54.68

 

CMYK 0 / 40 / 96 / 20

HEX #CD7A08

RGB 205 122 8

HSL 34.72, 0.92%, 0.42%

LAB 58.9, 25.66, 64.18

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 0 / 33 / 80 / 4

HEX #F6A431

RGB 246 164 49

HSL 35.03, 0.92%, 0.58%

LAB 73.78, 21.52, 67.28

 

CMYK 0 / 27 / 64 / 3

HEX #F8B559

RGB 248 181 89

HSL 34.72, 0.92%, 0.66%

LAB 78.3, 15.27, 55.29

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 74 / 0 / 96 / 4

HEX #40F40A

RGB 64 244 10

HSL 106.15, 0.92%, 0.5%

LAB 84.9, -78.18, 80.34

 

CMYK 80 / 96 / 0 / 4

HEX #310AF4

RGB 49 10 244

HSL 250, 0.92%, 0.5%

LAB 32.7, 75.62, -100.96

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 96 / 0 / 41 / 4

HEX #0AF48F

RGB 10 244 143

HSL 154.1, 0.92%, 0.5%

LAB 85.38, -70.47, 35.35

 

CMYK 41 / 96 / 0 / 4

HEX #8F0AF4

RGB 143 10 244

HSL 274.1, 0.92%, 0.5%

LAB 42.14, 81.17, -85.04

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 74 / 0 / 96 / 4

HEX #40F40A

RGB 64 244 10

HSL 106.15, 0.92%, 0.5%

LAB 84.9, -78.18, 80.34

 

CMYK 96 / 55 / 0 / 4

HEX #0A6FF4

RGB 10 111 244

HSL 214.1, 0.92%, 0.5%

LAB 49.45, 25.51, -73.37

 

CMYK 22 / 96 / 0 / 4

HEX #BE0AF4

RGB 190 10 244

HSL 286.15, 0.92%, 0.5%

LAB 49.13, 86.57, -73.32

 

CMYK 0 / 40 / 96 / 4

HEX #F4920A

RGB 244 146 10

HSL 34.87, 0.92%, 0.5%

LAB 69.34, 29.35, 73.38

 

CMYK 96 / 0 / 90 / 4

HEX #0AF419

RGB 10 244 25

HSL 123.85, 0.92%, 0.5%

LAB 84.4, -82.58, 77.98

 

CMYK 96 / 55 / 0 / 4

HEX #0A6FF4

RGB 10 111 244

HSL 214.1, 0.92%, 0.5%

LAB 49.45, 25.51, -73.37

 

CMYK 0 / 96 / 6 / 4

HEX #F40AE5

RGB 244 10 229

HSL 303.85, 0.92%, 0.5%

LAB 57.18, 92.35, -51.44

 

Description

Color code: HEX #F4920A | qconv.com Color code: HEX #F4920A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 146 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 146 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 96% 4% C M Y K

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