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Color name
HEX #F49A0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F49A0A it is the complementary color #0B65F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F49A0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F49A0A shade: #F99A05, #FFAC18, #FFBE2B, #FFD03E and #FFE251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F49A0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F49A0A shade: #F49A0A, #E38800, #D27600, #C16400 and #B05200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F49A0A shade: #F49A0A, #F45B0A, #F41C0A and #F40A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F49A0A shade: #F49A0A, #F4D90A, #D0F40A, #91F40A and #51F40A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F49A0A shade matches the following richer shades: #F49A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F49A0A shade: #F49A0A, #E0951E, #CB9133, #B68C48 and #A2875C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F49A0A shade: #F4190A, #F4580A, #F4960A, #F4D50A and #D5F40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F49A0A shade: #A56806, #CD8108, #F49A0A, #F6AA31 and #F8BB59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F49A0A shade: #F49A0A, #39F40A and #390AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F49A0A shade: #F49A0A, #0AF496 and #960AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F49A0A shade: #F49A0A, #39F40A, #0A68F4 and #C50AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F49A0A shade: #F49A0A, #0AF421, #0A68F4 and #F40ADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

Complementary color

CMYK 96 / 59 / 0 / 4

HEX #0B65F5

RGB 11 101 245

HSL 216.92, 0.92%, 0.5%

LAB 46.94, 32.3, -78.03

 

CMYK 0 / 38 / 98 / 2

HEX #F99A05

RGB 249 154 5

HSL 36.64, 0.96%, 0.5%

LAB 71.73, 27.21, 75.91

 

CMYK 0 / 33 / 91 / 0

HEX #FFAC18

RGB 255 172 24

HSL 38.44, 1%, 0.55%

LAB 76.58, 20.52, 76.85

 

CMYK 0 / 25 / 83 / 0

HEX #FFBE2B

RGB 255 190 43

HSL 41.6, 1%, 0.58%

LAB 80.88, 11.53, 75.72

 

CMYK 0 / 18 / 76 / 0

HEX #FFD03E

RGB 255 208 62

HSL 45.39, 1%, 0.62%

LAB 85.36, 2.85, 73.75

 

CMYK 0 / 11 / 68 / 0

HEX #FFE251

RGB 255 226 81

HSL 50, 1%, 0.66%

LAB 89.97, -5.42, 71.31

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 40 / 100 / 11

HEX #E38800

RGB 227 136 0

HSL 35.95, 1%, 0.45%

LAB 64.91, 27.43, 70.79

 

CMYK 0 / 44 / 100 / 18

HEX #D27600

RGB 210 118 0

HSL 33.71, 1%, 0.41%

LAB 58.66, 29.83, 65.72

 

CMYK 0 / 48 / 100 / 24

HEX #C16400

RGB 193 100 0

HSL 31.09, 1%, 0.38%

LAB 52.34, 32.26, 60.63

 

CMYK 0 / 53 / 100 / 31

HEX #B05200

RGB 176 82 0

HSL 27.95, 1%, 0.35%

LAB 45.99, 34.68, 55.53

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 63 / 96 / 4

HEX #F45B0A

RGB 244 91 10

HSL 20.77, 0.92%, 0.5%

LAB 58.73, 56, 66.61

 

CMYK 0 / 89 / 96 / 4

HEX #F41C0A

RGB 244 28 10

HSL 4.62, 0.92%, 0.5%

LAB 51.93, 74.81, 62.88

 

CMYK 0 / 96 / 96 / 4

HEX #F40A0A

RGB 244 10 10

HSL 0, 0.92%, 0.5%

LAB 51.24, 76.82, 62.54

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 11 / 96 / 4

HEX #F4D90A

RGB 244 217 10

HSL 53.08, 0.92%, 0.5%

LAB 86.44, -7.53, 85.48

 

CMYK 15 / 0 / 96 / 4

HEX #D0F40A

RGB 208 244 10

HSL 69.23, 0.92%, 0.5%

LAB 90.84, -35.41, 87.55

 

CMYK 41 / 0 / 96 / 4

HEX #91F40A

RGB 145 244 10

HSL 85.38, 0.92%, 0.5%

LAB 87.36, -58.49, 83.34

 

CMYK 67 / 0 / 96 / 4

HEX #51F40A

RGB 81 244 10

HSL 101.79, 0.92%, 0.5%

LAB 85.24, -75.28, 80.75

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 33 / 87 / 12

HEX #E0951E

RGB 224 149 30

HSL 36.8, 0.76%, 0.5%

LAB 67.6, 19.64, 66.97

 

CMYK 0 / 29 / 75 / 20

HEX #CB9133

RGB 203 145 51

HSL 37.11, 0.6%, 0.5%

LAB 64.31, 13.41, 55.85

 

CMYK 0 / 23 / 60 / 29

HEX #B68C48

RGB 182 140 72

HSL 37.09, 0.43%, 0.5%

LAB 60.93, 8.23, 41.84

 

CMYK 0 / 17 / 43 / 36

HEX #A2875C

RGB 162 135 92

HSL 36.86, 0.28%, 0.5%

LAB 57.83, 4.23, 26.93

 

CMYK 0 / 90 / 96 / 4

HEX #F4190A

RGB 244 25 10

HSL 3.85, 0.92%, 0.5%

LAB 51.78, 75.25, 62.8

 

CMYK 0 / 64 / 96 / 4

HEX #F4580A

RGB 244 88 10

HSL 20, 0.92%, 0.5%

LAB 58.26, 57.26, 66.33

 

CMYK 0 / 39 / 96 / 4

HEX #F4960A

RGB 244 150 10

HSL 35.9, 0.92%, 0.5%

LAB 70.22, 27.26, 73.98

 

CMYK 0 / 13 / 96 / 4

HEX #F4D50A

RGB 244 213 10

HSL 52.05, 0.92%, 0.5%

LAB 85.42, -5.52, 84.74

 

CMYK 13 / 0 / 96 / 4

HEX #D5F40A

RGB 213 244 10

HSL 67.95, 0.92%, 0.5%

LAB 91.18, -33.41, 87.96

 

CMYK 0 / 37 / 96 / 35

HEX #A56806

RGB 165 104 6

HSL 36.98, 0.93%, 0.34%

LAB 49.39, 18, 55.53

 

CMYK 0 / 37 / 96 / 20

HEX #CD8108

RGB 205 129 8

HSL 36.85, 0.92%, 0.42%

LAB 60.51, 21.87, 65.29

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 0 / 31 / 80 / 4

HEX #F6AA31

RGB 246 170 49

HSL 36.85, 0.92%, 0.58%

LAB 75.18, 18.36, 68.53

 

CMYK 0 / 25 / 64 / 3

HEX #F8BB59

RGB 248 187 89

HSL 36.98, 0.92%, 0.66%

LAB 79.74, 12.13, 56.89

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 77 / 0 / 96 / 4

HEX #39F40A

RGB 57 244 10

HSL 107.95, 0.92%, 0.5%

LAB 84.79, -79.17, 80.2

 

CMYK 77 / 96 / 0 / 4

HEX #390AF4

RGB 57 10 244

HSL 252.05, 0.92%, 0.5%

LAB 33.18, 75.83, -100.16

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 96 / 0 / 39 / 4

HEX #0AF496

RGB 10 244 150

HSL 155.9, 0.92%, 0.5%

LAB 85.49, -69.17, 32

 

CMYK 39 / 96 / 0 / 4

HEX #960AF4

RGB 150 10 244

HSL 275.9, 0.92%, 0.5%

LAB 43.11, 81.87, -83.4

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 77 / 0 / 96 / 4

HEX #39F40A

RGB 57 244 10

HSL 107.95, 0.92%, 0.5%

LAB 84.79, -79.17, 80.2

 

CMYK 96 / 57 / 0 / 4

HEX #0A68F4

RGB 10 104 244

HSL 215.9, 0.92%, 0.5%

LAB 47.62, 29.98, -76.36

 

CMYK 19 / 96 / 0 / 4

HEX #C50AF4

RGB 197 10 244

HSL 287.95, 0.92%, 0.5%

LAB 50.24, 87.5, -71.46

 

CMYK 0 / 37 / 96 / 4

HEX #F49A0A

RGB 244 154 10

HSL 36.92, 0.92%, 0.5%

LAB 71.12, 25.17, 74.59

 

CMYK 96 / 0 / 86 / 4

HEX #0AF421

RGB 10 244 33

HSL 125.9, 0.92%, 0.5%

LAB 84.42, -82.31, 76.63

 

CMYK 96 / 57 / 0 / 4

HEX #0A68F4

RGB 10 104 244

HSL 215.9, 0.92%, 0.5%

LAB 47.62, 29.98, -76.36

 

CMYK 0 / 96 / 9 / 4

HEX #F40ADD

RGB 244 10 221

HSL 305.9, 0.92%, 0.5%

LAB 56.75, 91.29, -47.59

 

Description

Color code: HEX #F49A0A | qconv.com Color code: HEX #F49A0A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 154 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 154 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 96 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 96% 4% C M Y K

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Provide designers and agencies with accurate color values.

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