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Color name
HEX #F49A38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F49A38 it is the complementary color #0B65C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F49A38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F49A38 shade: #F99A33, #FFAC46, #FFBE59, #FFD06C and #FFE27F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F49A38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F49A38 shade: #F49A38, #E38825, #D27612, #C16400 and #B05200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F49A38 shade: #F49A38, #F46738 and #F43838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F49A38 shade: #F49A38, #F4CD38, #E9F438, #B6F438 and #83F438

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F49A38 shade matches the following richer shades: #F49A38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F49A38 shade: #F49A38, #E39949, #D2995A, #C1986B and #B0977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F49A38 shade: #F4383B, #F46738, #F49938, #F4CB38 and #EBF438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F49A38 shade: #CF710A, #F28611, #F49A38, #F6AE5F and #F8C286

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F49A38 shade: #F49A38, #6DF438 and #4E38F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F49A38 shade: #F49A38, #38F499 and #9938F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F49A38 shade: #F49A38, #6DF438, #3893F4 and #BF38F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F49A38 shade: #F49A38, #38F43B, #3893F4 and #F438F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

Complementary color

CMYK 94 / 49 / 0 / 22

HEX #0B65C7

RGB 11 101 199

HSL 211.28, 0.9%, 0.41%

LAB 43.51, 14.29, -57.49

 

CMYK 0 / 38 / 80 / 2

HEX #F99A33

RGB 249 154 51

HSL 31.21, 0.94%, 0.59%

LAB 71.89, 28.06, 64.97

 

CMYK 0 / 33 / 73 / 0

HEX #FFAC46

RGB 255 172 70

HSL 33.08, 1%, 0.64%

LAB 76.8, 21.87, 62.37

 

CMYK 0 / 25 / 65 / 0

HEX #FFBE59

RGB 255 190 89

HSL 36.51, 1%, 0.67%

LAB 81.19, 13.46, 58.69

 

CMYK 0 / 18 / 58 / 0

HEX #FFD06C

RGB 255 208 108

HSL 40.82, 1%, 0.71%

LAB 85.73, 5.38, 55.09

 

CMYK 0 / 11 / 50 / 0

HEX #FFE27F

RGB 255 226 127

HSL 46.41, 1%, 0.75%

LAB 90.41, -2.29, 51.65

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 0 / 40 / 84 / 11

HEX #E38825

RGB 227 136 37

HSL 31.26, 0.77%, 0.52%

LAB 65.02, 28, 62.85

 

CMYK 0 / 44 / 91 / 18

HEX #D27612

RGB 210 118 18

HSL 31.25, 0.84%, 0.45%

LAB 58.7, 30.04, 62.42

 

CMYK 0 / 48 / 100 / 24

HEX #C16400

RGB 193 100 0

HSL 31.09, 1%, 0.38%

LAB 52.34, 32.26, 60.63

 

CMYK 0 / 53 / 100 / 31

HEX #B05200

RGB 176 82 0

HSL 27.95, 1%, 0.35%

LAB 45.99, 34.68, 55.53

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 0 / 58 / 77 / 4

HEX #F46738

RGB 244 103 56

HSL 15, 0.9%, 0.59%

LAB 60.97, 51.67, 52.13

 

CMYK 0 / 77 / 77 / 4

HEX #F43838

RGB 244 56 56

HSL 0, 0.9%, 0.59%

LAB 54.39, 69.51, 45.36

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 0 / 16 / 77 / 4

HEX #F4CD38

RGB 244 205 56

HSL 47.55, 0.9%, 0.59%

LAB 83.54, -0.47, 73.69

 

CMYK 5 / 0 / 77 / 4

HEX #E9F438

RGB 233 244 56

HSL 63.51, 0.9%, 0.59%

LAB 92.71, -24.33, 81.64

 

CMYK 25 / 0 / 77 / 4

HEX #B6F438

RGB 182 244 56

HSL 79.79, 0.9%, 0.59%

LAB 89.36, -44.27, 77.35

 

CMYK 46 / 0 / 77 / 4

HEX #83F438

RGB 131 244 56

HSL 96.06, 0.9%, 0.59%

LAB 86.9, -61.44, 74.17

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 0 / 33 / 68 / 11

HEX #E39949

RGB 227 153 73

HSL 31.17, 0.73%, 0.59%

LAB 69.18, 20.43, 52.02

 

CMYK 0 / 27 / 57 / 18

HEX #D2995A

RGB 210 153 90

HSL 31.5, 0.57%, 0.59%

LAB 67.44, 14.45, 41.13

 

CMYK 0 / 21 / 45 / 24

HEX #C1986B

RGB 193 152 107

HSL 31.4, 0.41%, 0.59%

LAB 65.64, 9.46, 29.49

 

CMYK 0 / 14 / 30 / 31

HEX #B0977C

RGB 176 151 124

HSL 31.15, 0.25%, 0.59%

LAB 64.01, 5.14, 17.67

 

CMYK 0 / 77 / 76 / 4

HEX #F4383B

RGB 244 56 59

HSL 359.04, 0.9%, 0.59%

LAB 54.42, 69.61, 43.76

 

CMYK 0 / 58 / 77 / 4

HEX #F46738

RGB 244 103 56

HSL 15, 0.9%, 0.59%

LAB 60.97, 51.67, 52.13

 

CMYK 0 / 37 / 77 / 4

HEX #F49938

RGB 244 153 56

HSL 30.96, 0.9%, 0.59%

LAB 71.08, 26.71, 62.05

 

CMYK 0 / 17 / 77 / 4

HEX #F4CB38

RGB 244 203 56

HSL 46.91, 0.9%, 0.59%

LAB 83.04, 0.55, 73.23

 

CMYK 4 / 0 / 77 / 4

HEX #EBF438

RGB 235 244 56

HSL 62.87, 0.9%, 0.59%

LAB 92.86, -23.52, 81.83

 

CMYK 0 / 45 / 95 / 19

HEX #CF710A

RGB 207 113 10

HSL 31.37, 0.91%, 0.43%

LAB 57.17, 31.33, 62.8

 

CMYK 0 / 45 / 93 / 5

HEX #F28611

RGB 242 134 17

HSL 31.2, 0.9%, 0.51%

LAB 66.5, 34.82, 70.2

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 0 / 29 / 61 / 4

HEX #F6AE5F

RGB 246 174 95

HSL 31.39, 0.89%, 0.67%

LAB 76.49, 18.51, 50.31

 

CMYK 0 / 22 / 46 / 3

HEX #F8C286

RGB 248 194 134

HSL 31.58, 0.89%, 0.75%

LAB 81.98, 12.02, 37.5

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 55 / 0 / 77 / 4

HEX #6DF438

RGB 109 244 56

HSL 103.09, 0.9%, 0.59%

LAB 86.13, -67.48, 73.16

 

CMYK 68 / 77 / 0 / 4

HEX #4E38F4

RGB 78 56 244

HSL 247.02, 0.9%, 0.59%

LAB 39.55, 62.3, -89.54

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 77 / 0 / 37 / 4

HEX #38F499

RGB 56 244 153

HSL 150.96, 0.9%, 0.59%

LAB 85.93, -65.49, 31.15

 

CMYK 37 / 77 / 0 / 4

HEX #9938F4

RGB 153 56 244

HSL 270.96, 0.9%, 0.59%

LAB 47.15, 71.54, -76.77

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 55 / 0 / 77 / 4

HEX #6DF438

RGB 109 244 56

HSL 103.09, 0.9%, 0.59%

LAB 86.13, -67.48, 73.16

 

CMYK 77 / 40 / 0 / 4

HEX #3893F4

RGB 56 147 244

HSL 210.96, 0.9%, 0.59%

LAB 60.1, 6.21, -56.16

 

CMYK 22 / 77 / 0 / 4

HEX #BF38F4

RGB 191 56 244

HSL 283.09, 0.9%, 0.59%

LAB 52.33, 77.76, -68.11

 

CMYK 0 / 37 / 77 / 4

HEX #F49A38

RGB 244 154 56

HSL 31.28, 0.9%, 0.59%

LAB 71.3, 26.18, 62.26

 

CMYK 77 / 0 / 76 / 4

HEX #38F43B

RGB 56 244 59

HSL 120.96, 0.9%, 0.59%

LAB 84.92, -77.42, 70.67

 

CMYK 77 / 40 / 0 / 4

HEX #3893F4

RGB 56 147 244

HSL 210.96, 0.9%, 0.59%

LAB 60.1, 6.21, -56.16

 

CMYK 0 / 77 / 1 / 4

HEX #F438F1

RGB 244 56 241

HSL 300.96, 0.9%, 0.59%

LAB 60.26, 86.94, -53.27

 

Description

Color code: HEX #F49A38 | qconv.com Color code: HEX #F49A38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 154 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 154 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 77% 4% C M Y K

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