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Color name
HEX #F4A67A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4A67A it is the complementary color #0B5985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4A67A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4A67A shade: #F9A675, #FFB888, #FFCA9B, #FFDCAE and #FFEEC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4A67A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4A67A shade: #F4A67A, #E39467, #D28254, #C17041 and #B05E2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4A67A shade: #F4A67A, #F4857A and #F47A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4A67A shade: #F4A67A, #F4C77A, #F4E87A, #DFF47A and #BEF47A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4A67A shade matches the following richer shades: #F4A67A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4A67A shade: #F4A67A, #E8A986, #DDAD92, #D1B09D and #C6B3A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4A67A shade: #F47A91, #F4857A, #F4A57A, #F4C57A and #F4E67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4A67A shade: #EE732E, #F18D54, #F4A67A, #F7C0A1 and #FAD9C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4A67A shade: #F4A67A, #B1F47A and #7A80F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4A67A shade: #F4A67A, #7AF4A5 and #A57AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4A67A shade: #F4A67A, #B1F47A, #7AC9F4 and #BD7AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4A67A shade: #F4A67A, #8DF47A, #7AC9F4 and #E27AF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

Complementary color

CMYK 92 / 33 / 0 / 48

HEX #0B5985

RGB 11 89 133

HSL 201.64, 0.85%, 0.28%

LAB 35.81, -4.71, -30.63

 

CMYK 0 / 33 / 53 / 2

HEX #F9A675

RGB 249 166 117

HSL 22.27, 0.92%, 0.72%

LAB 75.26, 25.58, 37.75

 

CMYK 0 / 28 / 47 / 0

HEX #FFB888

RGB 255 184 136

HSL 24.2, 1%, 0.77%

LAB 80.36, 20.21, 34.5

 

CMYK 0 / 21 / 39 / 0

HEX #FFCA9B

RGB 255 202 155

HSL 28.2, 1%, 0.8%

LAB 84.93, 12.76, 30.63

 

CMYK 0 / 14 / 32 / 0

HEX #FFDCAE

RGB 255 220 174

HSL 34.07, 1%, 0.84%

LAB 89.63, 5.66, 27.11

 

CMYK 0 / 7 / 24 / 0

HEX #FFEEC1

RGB 255 238 193

HSL 43.55, 1%, 0.88%

LAB 94.42, -1.06, 23.9

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 0 / 35 / 55 / 11

HEX #E39467

RGB 227 148 103

HSL 21.77, 0.69%, 0.65%

LAB 68.38, 25.17, 35.91

 

CMYK 0 / 38 / 60 / 18

HEX #D28254

RGB 210 130 84

HSL 21.9, 0.58%, 0.58%

LAB 61.92, 26.45, 37.58

 

CMYK 0 / 42 / 66 / 24

HEX #C17041

RGB 193 112 65

HSL 22.03, 0.51%, 0.51%

LAB 55.39, 27.9, 39.37

 

CMYK 0 / 47 / 74 / 31

HEX #B05E2E

RGB 176 94 46

HSL 22.15, 0.59%, 0.44%

LAB 48.8, 29.53, 41.23

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 0 / 45 / 50 / 4

HEX #F4857A

RGB 244 133 122

HSL 5.41, 0.85%, 0.72%

LAB 67.59, 41.2, 24.93

 

CMYK 0 / 50 / 50 / 4

HEX #F47A7A

RGB 244 122 122

HSL 0, 0.85%, 0.72%

LAB 65.4, 46.69, 21.99

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 0 / 18 / 50 / 4

HEX #F4C77A

RGB 244 199 122

HSL 37.87, 0.85%, 0.72%

LAB 82.64, 6.7, 44.34

 

CMYK 0 / 5 / 50 / 4

HEX #F4E87A

RGB 244 232 122

HSL 54.1, 0.85%, 0.72%

LAB 90.94, -10.11, 54.44

 

CMYK 9 / 0 / 50 / 4

HEX #DFF47A

RGB 223 244 122

HSL 70.33, 0.85%, 0.72%

LAB 92.48, -24.18, 55.89

 

CMYK 22 / 0 / 50 / 4

HEX #BEF47A

RGB 190 244 122

HSL 86.56, 0.85%, 0.72%

LAB 90.35, -36.5, 52.82

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 0 / 27 / 42 / 9

HEX #E8A986

RGB 232 169 134

HSL 21.43, 0.68%, 0.72%

LAB 74.35, 18.89, 27.18

 

CMYK 0 / 22 / 34 / 13

HEX #DDAD92

RGB 221 173 146

HSL 21.6, 0.52%, 0.72%

LAB 74.4, 13.83, 20.58

 

CMYK 0 / 16 / 25 / 18

HEX #D1B09D

RGB 209 176 157

HSL 21.92, 0.36%, 0.72%

LAB 74.22, 9.05, 14.18

 

CMYK 0 / 10 / 15 / 22

HEX #C6B3A9

RGB 198 179 169

HSL 20.69, 0.2%, 0.72%

LAB 74.26, 5.13, 7.56

HEX #C6B3A9

CMYK 0 / 50 / 41 / 4

HEX #F47A91

RGB 244 122 145

HSL 348.69, 0.85%, 0.72%

LAB 65.9, 48.93, 9.67

 

CMYK 0 / 45 / 50 / 4

HEX #F4857A

RGB 244 133 122

HSL 5.41, 0.85%, 0.72%

LAB 67.59, 41.2, 24.93

 

CMYK 0 / 32 / 50 / 4

HEX #F4A57A

RGB 244 165 122

HSL 21.15, 0.85%, 0.72%

LAB 74.54, 24.57, 34.08

 

CMYK 0 / 19 / 50 / 4

HEX #F4C57A

RGB 244 197 122

HSL 36.89, 0.85%, 0.72%

LAB 82.15, 7.74, 43.72

 

CMYK 0 / 6 / 50 / 4

HEX #F4E67A

RGB 244 230 122

HSL 53.11, 0.85%, 0.72%

LAB 90.43, -9.11, 53.82

 

CMYK 0 / 52 / 81 / 7

HEX #EE732E

RGB 238 115 46

HSL 21.56, 0.85%, 0.56%

LAB 62.2, 43.42, 57.51

 

CMYK 0 / 41 / 65 / 5

HEX #F18D54

RGB 241 141 84

HSL 21.78, 0.85%, 0.64%

LAB 68.31, 33.11, 46.13

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 0 / 22 / 35 / 3

HEX #F7C0A1

RGB 247 192 161

HSL 21.63, 0.84%, 0.8%

LAB 81.86, 15.6, 23.19

 

CMYK 0 / 13 / 20 / 2

HEX #FAD9C7

RGB 250 217 199

HSL 21.18, 0.84%, 0.88%

LAB 88.96, 8.7, 13.08

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 27 / 0 / 50 / 4

HEX #B1F47A

RGB 177 244 122

HSL 92.95, 0.85%, 0.72%

LAB 89.61, -41.09, 51.75

 

CMYK 50 / 48 / 0 / 4

HEX #7A80F4

RGB 122 128 244

HSL 237.05, 0.85%, 0.72%

LAB 58.14, 28.54, -59.13

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 50 / 0 / 32 / 4

HEX #7AF4A5

RGB 122 244 165

HSL 141.15, 0.85%, 0.72%

LAB 87.75, -51.36, 27.82

 

CMYK 32 / 50 / 0 / 4

HEX #A57AF4

RGB 165 122 244

HSL 261.15, 0.85%, 0.72%

LAB 60.29, 42.08, -55.48

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 27 / 0 / 50 / 4

HEX #B1F47A

RGB 177 244 122

HSL 92.95, 0.85%, 0.72%

LAB 89.61, -41.09, 51.75

 

CMYK 50 / 18 / 0 / 4

HEX #7AC9F4

RGB 122 201 244

HSL 201.15, 0.85%, 0.72%

LAB 77.54, -12.82, -28.7

 

CMYK 23 / 50 / 0 / 4

HEX #BD7AF4

RGB 189 122 244

HSL 272.95, 0.85%, 0.72%

LAB 62.73, 48.22, -51.45

 

CMYK 0 / 32 / 50 / 4

HEX #F4A67A

RGB 244 166 122

HSL 21.64, 0.85%, 0.72%

LAB 74.77, 24.04, 34.37

 

CMYK 42 / 0 / 50 / 4

HEX #8DF47A

RGB 141 244 122

HSL 110.66, 0.85%, 0.72%

LAB 87.86, -52.7, 49.22

 

CMYK 50 / 18 / 0 / 4

HEX #7AC9F4

RGB 122 201 244

HSL 201.15, 0.85%, 0.72%

LAB 77.54, -12.82, -28.7

 

CMYK 7 / 50 / 0 / 4

HEX #E27AF4

RGB 226 122 244

HSL 291.15, 0.85%, 0.72%

LAB 66.99, 58.06, -44.45

 

Description

Color code: HEX #F4A67A | qconv.com Color code: HEX #F4A67A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 166 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 166 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 50% 4% C M Y K

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Provide designers and agencies with accurate color values.

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